Carl Rottmann

Carl Anton Joseph Rottmann (11 January 1797, in Handschuhsheim – 7 July 1850,^[1] in Munich) was a German landscape painter and the most famous member of the Rottmann family of painters.

Carl Rottmann; engraving by August Neumann [de]

Inntal by Neubeuern, 1823.

Rottmann belonged to the circle of artists around King Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel [de] belonged to his school.

Biography

Rottmann was born in Handschuhsheim (today a part of Heidelberg) on 11 January 1797. There he received his first drawing lessons from his father, Friedrich Rottmann [de], who taught drawing at the university in Heidelberg. He formed himself chiefly through the study of nature and of great masterworks. In his first artistic period, he painted atmospheric phenomena. After gaining prominence with Heidelberg at Sunset (a water color), and Castle Eltz, he settled in Munich in 1822 and devoted himself to Bavarian scenery. Here his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court.

Through this connection, he made the acquaintance of King Ludwig I of Bavaria, who in 1826/27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. In Italy, Rottmann made sketches for the 28 Italian landscapes in fresco which he was commissioned to paint in the arcades of the Hofgarten at Munich. The cycle, completed in 1833, gave visual expression to Ludwig's alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the King's other great commissions for monumental painting. The frescos unfortunately deteriorated under climatic influences. The cartoons for them are in the Darmstadt Gallery.

In 1834 Rottmann traveled to Greece to prepare for a commission from Ludwig for a second cycle; one might mark here the beginning of his third period. At first also intended for the Hofgarten arcade, the 23 great landscapes were eventually installed in the newly built Neue Pinakothek where they were given their own hall.

Of his easel pictures, Ammer Lake and Marathon are in the National Gallery, Berlin; The Acropolis of Sikyon and Corfu in the Pinakothek, Munich; others in the Schack Gallery, Munich, and in Karlsruhe; and seven in the Leipzig Museum.

Carl Rottmann died on 7 July 1850 in Munich, aged 53 of undisclosed causes. He is buried in the Alter Südfriedhof in Munich.

Works

• Frescoes with heroising landscapes in the arcade of the Munich Hofgarten (1830–1833) (today in the Munich Residenz Museum).
• 23 Greek landscapes (1838–1850, today in the Neue Pinakothek, although a number were substantially damaged during World War II) in the ancient technique of encaustic.

Notes

1. Reinhart, Stiftung Oskar; Wegmann, Peter; Vaughan, William; Foundation, Oskar Reinhart; Zelger, Franz; Wohlgemuth, Matthias; Nationalgalerie (Berlijn), Alte; N.Y.), Metropolitan Museum of Art (New York; Art, Los Angeles County Museum of (1993). Caspar David Friedrich to Ferdinand Hodler, a Romantic Tradition: Nineteenth-century Paintings and Drawings from the Oskar Reinhart Foundation, Winterthur. Insel Verlag. ISBN 978-0-8109-6432-7.

References

• Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Rottmann, Karl" . New International Encyclopedia (1st ed.). New York: Dodd, Mead. This work in turn cites:
  • Pecht, Deutsche Künstler, ii. (Nördlingen, 1879)
  • Regnet, in Dohme, Kunst und Künstler, iv. (Leipzig, 1885)
• Stoneman, Richard (1998-07-02). A Luminous Land: Artists Discover Greece. Getty Publications. ISBN 978-0-89236-467-1.

External links

• German masters of the nineteenth century: paintings and drawings from the Federal Republic of Germany, a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on Carl Rottmann (no. 69)

 

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