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Canboulay

Canboulay (from the French cannes brulées, meaning burnt cane) is a precursor to Trinidad and Tobago Carnival. The festival is also where calypso music has its roots. It was originally a harvest festival, at which drums, singing, dancing and chanting were an integral part. After Emancipation (1834), it developed into an outlet and a festival for former indentured laborers and freed slaves who were banned from participating in the masquerade carnival events – derived from European Christian traditions – of the colonial elite, and whose drums and religious observances were also outlawed in the late 19th century. Consequently, Canboulay has played an important role in the development of the music of Trinidad and Tobago, for it was the banning of percussion instruments in the 1880s that led to the surreptitious innovations that gave birth to steelpan music. It is re-enacted in Port of Spain each Carnival Friday in Trinidad.

See also edit

References edit

  • De Ledesma, Charles and Georgia Popplewell. "Put Water in the Brandy?"". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 507–526. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0


canboulay, from, french, cannes, brulées, meaning, burnt, cane, precursor, trinidad, tobago, carnival, festival, also, where, calypso, music, roots, originally, harvest, festival, which, drums, singing, dancing, chanting, were, integral, part, after, emancipat. Canboulay from the French cannes brulees meaning burnt cane is a precursor to Trinidad and Tobago Carnival The festival is also where calypso music has its roots It was originally a harvest festival at which drums singing dancing and chanting were an integral part After Emancipation 1834 it developed into an outlet and a festival for former indentured laborers and freed slaves who were banned from participating in the masquerade carnival events derived from European Christian traditions of the colonial elite and whose drums and religious observances were also outlawed in the late 19th century Consequently Canboulay has played an important role in the development of the music of Trinidad and Tobago for it was the banning of percussion instruments in the 1880s that led to the surreptitious innovations that gave birth to steelpan music It is re enacted in Port of Spain each Carnival Friday in Trinidad See also editCanboulay riotsReferences editDe Ledesma Charles and Georgia Popplewell Put Water in the Brandy 2000 In Broughton Simon and Ellingham Mark with McConnachie James and Duane Orla Ed World Music Vol 2 Latin amp North America Caribbean India Asia and Pacific pp 507 526 Rough Guides Ltd Penguin Books ISBN 1 85828 636 0 nbsp This music festival related article is a stub You can help Wikipedia by expanding it vte nbsp This Trinidad and Tobago article is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Canboulay amp oldid 1024368762, wikipedia, wiki, book, books, library,

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