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Bror Utter

January 01, 1970

Bror Alexander Utter (August 26, 1913 – May 6, 1993) was a painter, printmaker, and art teacher who lived and worked his entire life in Fort Worth, Texas, but his art achieved national recognition. He worked in an array of styles ranging from landscapes influenced by Regionalism, still lifes, architectural scenes, and figurative works inspired by the theater to modernist abstractions.[1] He was a prominent member of the Fort Worth Circle.[2][3]

Bror Utter
Born(1913-08-26)August 26, 1913
Fort Worth, Texas, U.S,
DiedMay 6, 1993(1993-05-06) (aged 79)
Fort Worth, Texas
EducationFort Worth School of Fine Arts, Colorado Springs Fine Arts Center
Organization(s)Allied Artists Club of Fort Worth, Fort Worth Art Association, Southern States Art League, Texas Fine Arts Association, Texas Watercolor Society, The Eight, Texas Artists Group
Known forOil painting, Etching, Watercolor painting
MovementFort Worth Circle

Early life edit

Utter was born on August 26, 1913, at his parents' home in Fort Worth and showed artistic interest and talent from an early age.[4][5] His mother was known for her drawings, and his maternal grandfather was a painter.[6] His Finnish father, Bror A. Utter, owned a lithographic printing company in Fort Worth, Utter and Son Printers, where the junior Utter worked until 1950.[7][4][8][9] Dutch Phillips, Utter's gallery representative, believed that his skill with color came from working at his father's company.[6] His formal art education began at Central High School, where he studied under Sally Gillespie and Ella Ray Ledgerwood.[7][10][11]

1930s edit

After graduating from high school, he studied with Evaline Sellors, Wade Jolly, and Blanche McVeigh at the Fort Worth School of Fine Arts from 1931 to 1936.[1][9] His work from the 1930s focused on landscapes and motifs from the theater.[10] During this period, he also experimented with collage, combining paper cloud forms reminiscent of Jean Arp and surreal figures cut from sample stock certificates.[12] His first solo exhibition of watercolors was held in 1936 at the Fort Worth School of Fine Arts, and one critic stated that Utter was "probably one of the most original and individual young artists in town."[1][13] In a 1938 announcement related to an exhibition at the YMCA of Oklahoma City, Charles Alldredge wrote, "Bror Utter, a young Texas of Swedish and Finnish extraction, sometimes paints like a Frenchman and sometimes like nothing else on earth. It is that last quality which makes him one of the most interesting of the exceptional group of younger painters with which America at present is blessed."[14]

1940s edit

In the summer of 1940, he continued his studies with the assistance of a scholarship at the Colorado Springs Fine Art Center under the guidance of Arnold Blanche, Adolf Dehn, Otis Dozier, and Boardman Robinson.[2][12][10][15] In the early 1940s, he started to experiment with compartmentalized space in his work.[16] By the mid 1940s, Utter had developed a distinct style he referred to as "embellished forms" that often combined biomorphic shapes with a compartmentalized arrangement, a style described as "organic Surrealism."[4][10][16] In the mid 1940s, vessels starting appearing as a prominent feature in his work, which was inspired by seeing a painting of vases by Paul Klee.[12] He and a cadre of progressive Fort Worth artists, including Bill Bomar, Veronica Helfensteller, Dickson Reeder, and Donald Vogel, began to gain national attention in the 1940s, propelled by a 1944 group exhibition, Six Texas Painters, held at Weyhe Gallery, New York.[10][17][15] This group of artists were to be later labeled the Fort Worth Circle.[15] In 1941, IBM purchased a watercolor painting, Texas Oil Refinery, for its art collection.[1]

1950s and beyond edit

Utter's professional success peaked in the 1950s after devoting himself full time to making art.[4][2] One of his paintings, Nun's Distillery, depicting a series of carriages and pharmaceutical cabinets, received national attention in 1953 when it was included in the Whitney Museum of American Art's annual exhibition of contemporary American sculpture, watercolors, and drawings.[1][12]

Utter embarked on a series of productive painting trips to Italy starting in 1954 that reinforced his interest in architecture and influenced his work from this period, including a series of watercolors depicting Fort Worth architectural landmarks from 1956 to 1957 that was commissioned by First National Bank of Fort Worth, now in the collection of the Amon Carter Museum of American Art.[1][18][11]

Landscape and architecture continue to prominently appear in his work through the 1970s influenced by his travels to Italy, Mexico and New Mexico (to visit longtime friend Edwin Bewley), though he never completely abandoned his earlier abstract conventions.[4] In many of his 1960s landscapes, he added a crazing effect to skies.[4] In the late 1970s and after, he pivoted back to more abstract work, embodied by his Three Musicians from 1986, an homage to Picasso's masterwork of the same title.[4]

In a 1956 newspaper article published at the time of a solo exhibition in Washington, D.C., he claimed that Texas had become the capital of contemporary art.[19]

In a Fort Worth Star-Telegram article on the occasion of a retrospective exhibition in 1979, fellow Fort Worth artist Stuart Gentling observed, "When I see his work I cannot help but marvel at the wonderful manner in which he has absorbed and sublimated the visions of artists from the contemporary to the most distant epochs. No matter what his technique—his subtle personal color, his preoccupation with inverse perspective—he always speaks to the inner mind."[6]

A home, studio, and garden he built on Mattison Avenue in Fort Worth was condemned in 1979 to make way for the Texas College of Osteopathic Medicine, and afterwards he moved to a small apartment across the street from the Kimbell Art Museum.[4][6]

Alzheimer's disease curtailed his artistic activity towards the end of his life, and he died on May 6, 1993.[7][11]

Teaching career edit

He started teaching in the mid 1930s and became the first official art instructor for the Fort Worth Woman's Club.[6] He taught at a number of Fort Worth institutions during his long teaching career, including the Fort Worth Art Association, Fort Worth Art Center, Texas Wesleyan College, Fort Worth Woman's Club, and the Fort Worth Junior League.[1] He also regularly lectured and taught workshops in the Fort Worth region.[15]

Selected exhibitions edit

  • Fort Worth School of Fine Arts, Fort Worth, Texas, 1936[13]
  • Annual Fort Worth Local Artists Show, 1940s[2]
  • Texas General Exhibition, 1940s[2]
  • Artists for Victory, Metropolitan Museum of Art, New York, 1942[20]
  • Dallas Museum of Art, Dallas, Texas, 1943 (solo), 1951, 1957 (solo)[2]
  • Six Texas Painters, Weyhe Gallery, New York, 1944[17]
  • Fort Worth Art Association, Fort Worth, Texas, 1946, 1953 (solo)[2]
  • Associated American Artists, New York, 1948[12]
  • Elisabet Ney Museum, Austin, Texas, 1948 (solo), 1960[2]
  • Associated American Artists, New York, 1949[12]
  • Southwestern Prints and Drawings Annual Exhibition, Dallas, Texas, 1949, 1952[2]
  • Brooklyn Museum, New York, [print exhibition], 1950[12]
  • Betty McLean Gallery, Preston Center, Dallas, Texas, September 17-October 13, 1951[13][21]
  • Texas Contemporary Artists, M. Knoedler & Company, New York, New York, 1952 [2][22]
  • Texas Wildcat, San Francisco Museum of Art, 1952, San Francisco, California, and Fort Worth Art Association, Fort Worth, Texas, 1951[2][23]
  • Bror Utter, Fort Worth Art Association, Fort Worth, Texas, February 10–27, 1953[24]
  • Whitney Museum of American Art, New York, New York, 1953[2]
  • D.D. Feldman Collection of Contemporary Texas Art, Dallas, Texas, 1955, 1957[2]
  • Witte Museum, San Antonio, Texas, 1958 (solo)[2]
  • Haydon Calhoun Gallery, Dallas, Texas, 1961 (solo)[16]
  • Bror Utter: Retrospective Exhibition, Fort Worth Art Association, November 1961[16]
  • Retrospective exhibition [works from 1940 to 1970], New Gallery, Fort Worth, Texas, 1979[6]
  • Bror Utter: Fifty Years of His Art, J.M. Moudy Exhibition Space, Texas Christian University, Fort Worth, Texas, January 19-February 15, 1985[7][3]
  • Beyond Regionalism, Old Jail Art Center, April–July, 1986[25]
  • Retrospective exhibition, Fort Worth Art Gallery, 1990[26][7]
  • Prints of the Fort Worth Circle, 1940-1960, Archer M. Huntington Art Gallery, The University of Texas at Austin, Austin, Texas, September 4-November 1, 1992[27]
  • Three Painters of the Fort Worth School, Fort Worth Gallery, Fort Worth, Texas, [date unknown]

Selected public collections edit

Bibliography edit

  • Amon Carter Museum of American Art, Bror Utter Papers
  • Archives of American Art, Bror Utter Papers, 1938-1975 - microfilm reel 1514 and 1595 also available at the Amon Carter Museum of American Art, Research Library

References edit

  1. ^ a b c d e f g Barker, Scott Grant; Myers, Jane (2008). Intimate Modernism: Fort Worth Circle Artists in the 1940s. Amon Carter Museum. ISBN 978-0-88360-103-7. OCLC 180989563.[page needed]
  2. ^ a b c d e f g h i j k l m n Edwards, Katie Robinson (2014). Midcentury Modern Art in Texas. University of Texas Press. ISBN 978-0-292-75659-5. OCLC 861216456.[page needed]
  3. ^ a b Bror Utter: Fifty Years of His Art. Fort Worth, Texas: Texas Christian University. 1985. OCLC 12067346.[page needed]
  4. ^ a b c d e f g h Texas moderns : Bror Utter. The Old Jail Art Center. 2015. OCLC 1129044202.
  5. ^ Ancestry Library Edition[verification needed]
  6. ^ a b c d e f "7 Oct 1979, 77 - Fort Worth Star-Telegram at Newspapers.com". Fort Worth Star-Telegram. Retrieved January 5, 2021.
  7. ^ a b c d e "7 May 1993, 32 - Fort Worth Star-Telegram at Newspapers.com". Fort Worth Star-Telegram. Retrieved January 4, 2021.
  8. ^ "17 Feb 1962, 2 - Fort Worth Star-Telegram at Newspapers.com". Fort Worth Star-Telegram. Retrieved January 4, 2021.
  9. ^ a b Service, New York Times News (May 7, 1993). "FORT WORTH ARTIST BROR UTTER DIES AT 79". Greensboro News and Record. Retrieved January 5, 2021.
  10. ^ a b c d e . March 4, 2016. Archived from the original on March 4, 2016. Retrieved January 4, 2021.
  11. ^ a b c "Bror Alexander Utter - Biography". www.askart.com. Retrieved January 5, 2021.
  12. ^ a b c d e f g Bror Utter: Retrospective Exhibition. Fort Worth Art Center. 1961. OCLC 82418526.
  13. ^ a b c "[No title]". Fort Worth Star-Telegram: 6. March 15, 1936.
  14. ^ "27 Nov 1938, 20 - Fort Worth Star-Telegram at Newspapers.com". Fort Worth Star-Telegram. Retrieved January 4, 2021.
  15. ^ a b c d Roper, Vic (2017). Texas Artists and Artisans, 1718-1959 : a Compilation of Artists, Sculptors, and Artisans Active in Texas Prior to 1960. Clifton, Texas: Bosque Crossing. ISBN 978-0-9965575-2-8. OCLC 1013592992.[page needed]
  16. ^ a b c d Bror Utter: Retrospective Exhibition. Fort Worth, Texas: Fort Worth Art Center. 1961. OCLC 82418526.
  17. ^ a b Six Texas Painters [exhibition catalog]. Weyhe Gallery. 1944. OCLC 84085469.
  18. ^ "Bror Utter's Fort Worth". Program. Amon Carter Museum: 13–14. January–July 2008.
  19. ^ "Texas Has Become Contemporary Art Capital of U.S., Native Avers". Beaumont Enterprise. February 14, 1956. p. 10.
  20. ^ Artist for Victory. New York: Artists for Victory, Inc. 1942. OCLC 1211809.
  21. ^ Exhibition no. five : 9 [stars]. Dallas, Texas: Betty McLean Gallery. 1951. OCLC 249762911.
  22. ^ Texas Contemporary Artists. New York: M. Knoedler & Co. 1952. OCLC 746105896.
  23. ^ Texas Wildcat: 41 Paintings. Fort Worth. 1951. OCLC 83120704.{{cite book}}: CS1 maint: location missing publisher (link)
  24. ^ Bror Utter. Fort Worth, Texas: Fort Worth Art Association. 1953. OCLC 8275632.
  25. ^ Beyond Regionalism: the Fort Worth School (1945-1955). Albany, Texas: The Old Jail Art Center. 1986. OCLC 746105944.
  26. ^ "19 Oct 1990, 75 - Fort Worth Star-Telegram at Newspapers.com". Fort Worth Star-Telegram. Retrieved January 4, 2021.
  27. ^ Prints of the Fort Worth Circle, 1940-1960. Austin, Texas: Archer M. Huntington Art Gallery. 1992. OCLC 27957613.
  28. ^ a b c d e f "Utter, Bror". David Dike Fine Art. Retrieved January 5, 2021.

January 01, 1970
bror, utter, bror, alexander, utter, august, 1913, 1993, painter, printmaker, teacher, lived, worked, entire, life, fort, worth, texas, achieved, national, recognition, worked, array, styles, ranging, from, landscapes, influenced, regionalism, still, lifes, ar. Bror Alexander Utter August 26 1913 May 6 1993 was a painter printmaker and art teacher who lived and worked his entire life in Fort Worth Texas but his art achieved national recognition He worked in an array of styles ranging from landscapes influenced by Regionalism still lifes architectural scenes and figurative works inspired by the theater to modernist abstractions 1 He was a prominent member of the Fort Worth Circle 2 3 Bror UtterBorn 1913 08 26 August 26 1913Fort Worth Texas U S DiedMay 6 1993 1993 05 06 aged 79 Fort Worth TexasEducationFort Worth School of Fine Arts Colorado Springs Fine Arts CenterOrganization s Allied Artists Club of Fort Worth Fort Worth Art Association Southern States Art League Texas Fine Arts Association Texas Watercolor Society The Eight Texas Artists GroupKnown forOil painting Etching Watercolor paintingMovementFort Worth Circle Contents 1 Early life 2 1930s 3 1940s 4 1950s and beyond 5 Teaching career 6 Selected exhibitions 7 Selected public collections 8 Bibliography 9 ReferencesEarly life editUtter was born on August 26 1913 at his parents home in Fort Worth and showed artistic interest and talent from an early age 4 5 His mother was known for her drawings and his maternal grandfather was a painter 6 His Finnish father Bror A Utter owned a lithographic printing company in Fort Worth Utter and Son Printers where the junior Utter worked until 1950 7 4 8 9 Dutch Phillips Utter s gallery representative believed that his skill with color came from working at his father s company 6 His formal art education began at Central High School where he studied under Sally Gillespie and Ella Ray Ledgerwood 7 10 11 1930s editAfter graduating from high school he studied with Evaline Sellors Wade Jolly and Blanche McVeigh at the Fort Worth School of Fine Arts from 1931 to 1936 1 9 His work from the 1930s focused on landscapes and motifs from the theater 10 During this period he also experimented with collage combining paper cloud forms reminiscent of Jean Arp and surreal figures cut from sample stock certificates 12 His first solo exhibition of watercolors was held in 1936 at the Fort Worth School of Fine Arts and one critic stated that Utter was probably one of the most original and individual young artists in town 1 13 In a 1938 announcement related to an exhibition at the YMCA of Oklahoma City Charles Alldredge wrote Bror Utter a young Texas of Swedish and Finnish extraction sometimes paints like a Frenchman and sometimes like nothing else on earth It is that last quality which makes him one of the most interesting of the exceptional group of younger painters with which America at present is blessed 14 1940s editIn the summer of 1940 he continued his studies with the assistance of a scholarship at the Colorado Springs Fine Art Center under the guidance of Arnold Blanche Adolf Dehn Otis Dozier and Boardman Robinson 2 12 10 15 In the early 1940s he started to experiment with compartmentalized space in his work 16 By the mid 1940s Utter had developed a distinct style he referred to as embellished forms that often combined biomorphic shapes with a compartmentalized arrangement a style described as organic Surrealism 4 10 16 In the mid 1940s vessels starting appearing as a prominent feature in his work which was inspired by seeing a painting of vases by Paul Klee 12 He and a cadre of progressive Fort Worth artists including Bill Bomar Veronica Helfensteller Dickson Reeder and Donald Vogel began to gain national attention in the 1940s propelled by a 1944 group exhibition Six Texas Painters held at Weyhe Gallery New York 10 17 15 This group of artists were to be later labeled the Fort Worth Circle 15 In 1941 IBM purchased a watercolor painting Texas Oil Refinery for its art collection 1 1950s and beyond editUtter s professional success peaked in the 1950s after devoting himself full time to making art 4 2 One of his paintings Nun s Distillery depicting a series of carriages and pharmaceutical cabinets received national attention in 1953 when it was included in the Whitney Museum of American Art s annual exhibition of contemporary American sculpture watercolors and drawings 1 12 Utter embarked on a series of productive painting trips to Italy starting in 1954 that reinforced his interest in architecture and influenced his work from this period including a series of watercolors depicting Fort Worth architectural landmarks from 1956 to 1957 that was commissioned by First National Bank of Fort Worth now in the collection of the Amon Carter Museum of American Art 1 18 11 Landscape and architecture continue to prominently appear in his work through the 1970s influenced by his travels to Italy Mexico and New Mexico to visit longtime friend Edwin Bewley though he never completely abandoned his earlier abstract conventions 4 In many of his 1960s landscapes he added a crazing effect to skies 4 In the late 1970s and after he pivoted back to more abstract work embodied by his Three Musicians from 1986 an homage to Picasso s masterwork of the same title 4 In a 1956 newspaper article published at the time of a solo exhibition in Washington D C he claimed that Texas had become the capital of contemporary art 19 In a Fort Worth Star Telegram article on the occasion of a retrospective exhibition in 1979 fellow Fort Worth artist Stuart Gentling observed When I see his work I cannot help but marvel at the wonderful manner in which he has absorbed and sublimated the visions of artists from the contemporary to the most distant epochs No matter what his technique his subtle personal color his preoccupation with inverse perspective he always speaks to the inner mind 6 A home studio and garden he built on Mattison Avenue in Fort Worth was condemned in 1979 to make way for the Texas College of Osteopathic Medicine and afterwards he moved to a small apartment across the street from the Kimbell Art Museum 4 6 Alzheimer s disease curtailed his artistic activity towards the end of his life and he died on May 6 1993 7 11 Teaching career editHe started teaching in the mid 1930s and became the first official art instructor for the Fort Worth Woman s Club 6 He taught at a number of Fort Worth institutions during his long teaching career including the Fort Worth Art Association Fort Worth Art Center Texas Wesleyan College Fort Worth Woman s Club and the Fort Worth Junior League 1 He also regularly lectured and taught workshops in the Fort Worth region 15 Selected exhibitions editFort Worth School of Fine Arts Fort Worth Texas 1936 13 Annual Fort Worth Local Artists Show 1940s 2 Texas General Exhibition 1940s 2 Artists for Victory Metropolitan Museum of Art New York 1942 20 Dallas Museum of Art Dallas Texas 1943 solo 1951 1957 solo 2 Six Texas Painters Weyhe Gallery New York 1944 17 Fort Worth Art Association Fort Worth Texas 1946 1953 solo 2 Associated American Artists New York 1948 12 Elisabet Ney Museum Austin Texas 1948 solo 1960 2 Associated American Artists New York 1949 12 Southwestern Prints and Drawings Annual Exhibition Dallas Texas 1949 1952 2 Brooklyn Museum New York print exhibition 1950 12 Betty McLean Gallery Preston Center Dallas Texas September 17 October 13 1951 13 21 Texas Contemporary Artists M Knoedler amp Company New York New York 1952 2 22 Texas Wildcat San Francisco Museum of Art 1952 San Francisco California and Fort Worth Art Association Fort Worth Texas 1951 2 23 Bror Utter Fort Worth Art Association Fort Worth Texas February 10 27 1953 24 Whitney Museum of American Art New York New York 1953 2 D D Feldman Collection of Contemporary Texas Art Dallas Texas 1955 1957 2 Witte Museum San Antonio Texas 1958 solo 2 Haydon Calhoun Gallery Dallas Texas 1961 solo 16 Bror Utter Retrospective Exhibition Fort Worth Art Association November 1961 16 Retrospective exhibition works from 1940 to 1970 New Gallery Fort Worth Texas 1979 6 Bror Utter Fifty Years of His Art J M Moudy Exhibition Space Texas Christian University Fort Worth Texas January 19 February 15 1985 7 3 Beyond Regionalism Old Jail Art Center April July 1986 25 Retrospective exhibition Fort Worth Art Gallery 1990 26 7 Prints of the Fort Worth Circle 1940 1960 Archer M Huntington Art Gallery The University of Texas at Austin Austin Texas September 4 November 1 1992 27 Three Painters of the Fort Worth School Fort Worth Gallery Fort Worth Texas date unknown Selected public collections editAmon Carter Museum of American Art Fort Worth Texas Show collection Colorado Springs Fine Arts Museum Colorado Springs Colorado 28 Dallas Print Society Dallas Texas 28 Denver Museum of Art Denver Colorado 28 Modern Art Museum of Fort Worth Fort Worth Texas Old Jail Art Center Albany Texas 28 Texas Fine Art Association Austin Texas 28 University of North Texas Denton Texas 28 Bibliography editAmon Carter Museum of American Art Bror Utter Papers Archives of American Art Bror Utter Papers 1938 1975 microfilm reel 1514 and 1595 also available at the Amon Carter Museum of American Art Research LibraryReferences edit a b c d e f g Barker Scott Grant Myers Jane 2008 Intimate Modernism Fort Worth Circle Artists in the 1940s Amon Carter Museum ISBN 978 0 88360 103 7 OCLC 180989563 page needed a b c d e f g h i j k l m n Edwards Katie Robinson 2014 Midcentury Modern Art in Texas University of Texas Press ISBN 978 0 292 75659 5 OCLC 861216456 page needed a b Bror Utter Fifty Years of His Art Fort Worth Texas Texas Christian University 1985 OCLC 12067346 page needed a b c d e f g h Texas moderns Bror Utter The Old Jail Art Center 2015 OCLC 1129044202 Ancestry Library Edition verification needed a b c d e f 7 Oct 1979 77 Fort Worth Star Telegram at Newspapers com Fort Worth Star Telegram Retrieved January 5 2021 a b c d e 7 May 1993 32 Fort Worth Star Telegram at Newspapers com Fort Worth Star Telegram Retrieved January 4 2021 17 Feb 1962 2 Fort Worth Star Telegram at Newspapers com Fort Worth Star Telegram Retrieved January 4 2021 a b Service New York Times News May 7 1993 FORT WORTH ARTIST BROR UTTER DIES AT 79 Greensboro News and Record Retrieved January 5 2021 a b c d e Russell Tether Fine Art Bror Utter March 4 2016 Archived from the original on March 4 2016 Retrieved January 4 2021 a b c Bror Alexander Utter Biography www askart com Retrieved January 5 2021 a b c d e f g Bror Utter Retrospective Exhibition Fort Worth Art Center 1961 OCLC 82418526 a b c No title Fort Worth Star Telegram 6 March 15 1936 27 Nov 1938 20 Fort Worth Star Telegram at Newspapers com Fort Worth Star Telegram Retrieved January 4 2021 a b c d Roper Vic 2017 Texas Artists and Artisans 1718 1959 a Compilation of Artists Sculptors and Artisans Active in Texas Prior to 1960 Clifton Texas Bosque Crossing ISBN 978 0 9965575 2 8 OCLC 1013592992 page needed a b c d Bror Utter Retrospective Exhibition Fort Worth Texas Fort Worth Art Center 1961 OCLC 82418526 a b Six Texas Painters exhibition catalog Weyhe Gallery 1944 OCLC 84085469 Bror Utter s Fort Worth Program Amon Carter Museum 13 14 January July 2008 Texas Has Become Contemporary Art Capital of U S Native Avers Beaumont Enterprise February 14 1956 p 10 Artist for Victory New York Artists for Victory Inc 1942 OCLC 1211809 Exhibition no five 9 stars Dallas Texas Betty McLean Gallery 1951 OCLC 249762911 Texas Contemporary Artists New York M Knoedler amp Co 1952 OCLC 746105896 Texas Wildcat 41 Paintings Fort Worth 1951 OCLC 83120704 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Bror Utter Fort Worth Texas Fort Worth Art Association 1953 OCLC 8275632 Beyond Regionalism the Fort Worth School 1945 1955 Albany Texas The Old Jail Art Center 1986 OCLC 746105944 19 Oct 1990 75 Fort Worth Star Telegram at Newspapers com Fort Worth Star Telegram Retrieved January 4 2021 Prints of the Fort Worth Circle 1940 1960 Austin Texas Archer M Huntington Art Gallery 1992 OCLC 27957613 a b c d e f Utter Bror David Dike Fine Art Retrieved January 5 2021 Retrieved from https en wikipedia org w index php title Bror Utter amp oldid 1209881640, wikipedia, wiki, book, books, library,

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