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Black Rain (1989 Japanese film)

February 25, 2023

For the American film, see Black Rain (1989 American film).

Black Rain (黒い雨, Kuroi ame) is a 1989 Japanese drama film by director Shōhei Imamura, based on the novel of the same name by Masuji Ibuse. The story centers on the aftermath of the atomic bombing of Hiroshima and its effect on a surviving family.[2][3]

Black Rain
DVD cover
Directed byShōhei Imamura
Written by
  • Shōhei Imamura
  • Toshirō Ishido
Based onBlack Rain
by Masuji Ibuse
Produced byHisashi Iino
Starring
CinematographyTakashi Kawamata
Edited byHajime Okayasu
Music byTōru Takemitsu
Production
companies
  • Hayashibara Group
  • Imamura Productions
Distributed byToei
Release date
  • 13 May 1989 (1989-05-13) (Japan)
[1][2]
Running time
123 minutes[1][2]
CountryJapan
LanguageJapanese

Plot

Half-orphan Yasuko, who lives with her uncle Shigematsu and his wife Shigeko in Hiroshima, is in the middle of moving family belongings to the house of an acquaintance in the vicinity, when the atomic bomb is dropped. She returns to the city by boat and gets into a black rain, a fallout resulting from the bombing. After Yasuko is re-united with her uncle and aunt, the trio heads for the factory where her uncle works to escape the spreading fires. Their route is marked by ruins, scattered corpses, and severely burnt survivors.

5 years later, Yasuko lives with her uncle, aunt and her uncle's mother in Fukuyama. As she has long reached the age when a woman should get married by tradition, Shigematsu and Shigeko try to find a husband for her. Yet all prospects' families withdraw their proposal when they hear of Yasuko's presence in Hiroshima on the day of the bombing, fearing that she might become ill or be unable to give birth to healthy children. Yasuko eventually accepts her situation and decides to stay with her uncle's family, even when her father, who re-married, offers her to live in his house.

Shigematsu witnesses his friends, all hibakusha suffering from radiation sickness, die one after another, while also his, his wife's and niece's health is slowly deteriorating. Yasuko starts feeling close to Yuichi, a young man from the neighbourhood who is suffering from a war trauma. When Yuichi's mother asks for Shigematsu's approval of her son marrying Yasuko, he is indignant at first because of Yuichi's mental illness, but later agrees. Shortly after, Yasuko, already suffering from a tumor, starts losing her hair and is sent to the hospital. Shigematsu watches the departing ambulance, hoping for a rainbow to appear which would indicate that she will recover.

Throughout the film, the story of the consequences of the bombing of Hiroshima are portrayed in graphic detail, with journals and firsthand accounts of the victims of the Hiroshima atomic bombing in order to shed light on how terrible nuclear weapons can be for innocent civilians. One of these victims recollected that he “was three years old at the time of the bombing. {He couldn’t} remember much, but {he did} recall that {his} surroundings turned blindingly white…Then, pitch darkness. {He} was buried alive under the house. {His} face was misshapen. {He} was certain that {he} was dead.” This is reflected in a scene where bodies were engulfed by a blinding light followed by the insurmountable suffering of the masses. There is another story of a woman’s father who was in the blast and suffered from many of the same long-term effects of the bomb. In both the account and in the movie, hair falls out of the victims’ heads and they slowly die of radiation poisoning from the bomb.

Some of the accounts described the horrors of the surroundings and the conditions of the bodies after the bombing. Yoshiro Yamawaki and his brothers were going to check on their father who was working in a factory. The air quality is described in both the witness’ story and the movie as being horrible, smelling of rotten flesh. They passed many misshapen bodies and some who had their “”skin peeling off just like that of an over - ripe peach, exposing the white fat underneath.’” When the uncle of the main character exits the train station, there are black skinned bodies everywhere and countless others who are so disfigured that their own family could not even recognize them, which ultimately reveals in dramatic detail the lifelong negative effects of nuclear weapons on a population.

Cast

Reception

Black Rain met with mostly positive reviews. Roger Ebert of the Chicago Sun-Times gave it 3½ of 4 stars, praising its "beautifully textured" black-and-white photography and pointing out that its purpose was not an anti-nuclear message movie but "a film about how the survivors of that terrible day internalized their experiences".[4] Geoff Andrew, writing for Time Out, stated that "despite the largely sensitive depiction of waste, suffering and despair, the often ponderous pacing and the script's solemnity tend to work against emotional involvement".[5] Film scholar Alexander Jacoby discovered an "almost Ozu-like quietism", citing Black Rain as an example of the "mellowed" Imamura in his later years.[6] Film historian Donald Richie pointed out the film's "warmth, sincerity and compassion".[7]

Awards

References

  1. ^ a b "黒い雨 (Black Rain)" (in Japanese). Japanese Movie Database. Retrieved 8 July 2021.
  2. ^ a b c "黒い雨 (Black Rain)" (in Japanese). Kinema Junpo. Retrieved 8 July 2021.
  3. ^ "黒い雨 (Black Rain)" (in Japanese). kotobank. Retrieved 8 July 2021.
  4. ^ "Reviews: Black Rain". rogerebert.com. 24 September 1990. Retrieved 8 July 2021.
  5. ^ Pym, John, ed. (1998). Time Out Film Guide. Seventh Edition 1999. London: Penguin Books.
  6. ^ Jacoby, Alexander (2008). Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day. Berkeley: Stone Bridge Press. p. 67. ISBN 978-1-933330-53-2.
  7. ^ Richie, Donald (2005). A Hundred Years of Japanese Film (Revised ed.). Tokyo, New York, London: Kodansha International. p. 266. ISBN 978-4-7700-2995-9.
  8. ^ "Festival de Cannes: Black Rain". festival-cannes.com. Retrieved 2009-08-01.

Further reading

  • Ima-Izumi, Yoko (2007). "Nuclear Bomb Films in Japan and America: Two Black Rain Films"". In Narita, Tatsushi (ed.). Essays on British and American Literature and Culture: From Perspectives of Transpacific American Studies. Nagoya: Kougaku Shuppan.
  • Tachibana, Reiko (November 8, 1998). . Literature Film Quarterly. Archived from the original on 2008-06-18. Retrieved 8 July 2021. {{cite journal}}: Cite journal requires |journal= (help)

External links

February 25, 2023
black, rain, 1989, japanese, film, american, film, black, rain, 1989, american, film, black, rain, 黒い雨, kuroi, 1989, japanese, drama, film, director, shōhei, imamura, based, novel, same, name, masuji, ibuse, story, centers, aftermath, atomic, bombing, hiroshim. For the American film see Black Rain 1989 American film Black Rain 黒い雨 Kuroi ame is a 1989 Japanese drama film by director Shōhei Imamura based on the novel of the same name by Masuji Ibuse The story centers on the aftermath of the atomic bombing of Hiroshima and its effect on a surviving family 2 3 Black RainDVD coverDirected byShōhei ImamuraWritten byShōhei ImamuraToshirō IshidoBased onBlack Rainby Masuji IbuseProduced byHisashi IinoStarringYoshiko TanakaKazuo KitamuraCinematographyTakashi KawamataEdited byHajime OkayasuMusic byTōru TakemitsuProductioncompaniesHayashibara GroupImamura ProductionsDistributed byToeiRelease date13 May 1989 1989 05 13 Japan 1 2 Running time123 minutes 1 2 CountryJapanLanguageJapanese Contents 1 Plot 2 Cast 3 Reception 4 Awards 5 References 6 Further reading 7 External linksPlot EditHalf orphan Yasuko who lives with her uncle Shigematsu and his wife Shigeko in Hiroshima is in the middle of moving family belongings to the house of an acquaintance in the vicinity when the atomic bomb is dropped She returns to the city by boat and gets into a black rain a fallout resulting from the bombing After Yasuko is re united with her uncle and aunt the trio heads for the factory where her uncle works to escape the spreading fires Their route is marked by ruins scattered corpses and severely burnt survivors 5 years later Yasuko lives with her uncle aunt and her uncle s mother in Fukuyama As she has long reached the age when a woman should get married by tradition Shigematsu and Shigeko try to find a husband for her Yet all prospects families withdraw their proposal when they hear of Yasuko s presence in Hiroshima on the day of the bombing fearing that she might become ill or be unable to give birth to healthy children Yasuko eventually accepts her situation and decides to stay with her uncle s family even when her father who re married offers her to live in his house Shigematsu witnesses his friends all hibakusha suffering from radiation sickness die one after another while also his his wife s and niece s health is slowly deteriorating Yasuko starts feeling close to Yuichi a young man from the neighbourhood who is suffering from a war trauma When Yuichi s mother asks for Shigematsu s approval of her son marrying Yasuko he is indignant at first because of Yuichi s mental illness but later agrees Shortly after Yasuko already suffering from a tumor starts losing her hair and is sent to the hospital Shigematsu watches the departing ambulance hoping for a rainbow to appear which would indicate that she will recover Throughout the film the story of the consequences of the bombing of Hiroshima are portrayed in graphic detail with journals and firsthand accounts of the victims of the Hiroshima atomic bombing in order to shed light on how terrible nuclear weapons can be for innocent civilians One of these victims recollected that he was three years old at the time of the bombing He couldn t remember much but he did recall that his surroundings turned blindingly white Then pitch darkness He was buried alive under the house His face was misshapen He was certain that he was dead This is reflected in a scene where bodies were engulfed by a blinding light followed by the insurmountable suffering of the masses There is another story of a woman s father who was in the blast and suffered from many of the same long term effects of the bomb In both the account and in the movie hair falls out of the victims heads and they slowly die of radiation poisoning from the bomb Some of the accounts described the horrors of the surroundings and the conditions of the bodies after the bombing Yoshiro Yamawaki and his brothers were going to check on their father who was working in a factory The air quality is described in both the witness story and the movie as being horrible smelling of rotten flesh They passed many misshapen bodies and some who had their skin peeling off just like that of an over ripe peach exposing the white fat underneath When the uncle of the main character exits the train station there are black skinned bodies everywhere and countless others who are so disfigured that their own family could not even recognize them which ultimately reveals in dramatic detail the lifelong negative effects of nuclear weapons on a population Cast EditYoshiko Tanaka as Yasuko Kazuo Kitamura as Shigematsu Shizuma Etsuko Ichihara as Shigeko Shizuma Shōichi Ozawa as Shokichi Norihei Miki as Kotaro Keisuke Ishida as Yuichi Hisako Hara as Kin Masato Yamada as Tatsu Taiji Tonoyama as priestReception EditBlack Rain met with mostly positive reviews Roger Ebert of the Chicago Sun Times gave it 3 of 4 stars praising its beautifully textured black and white photography and pointing out that its purpose was not an anti nuclear message movie but a film about how the survivors of that terrible day internalized their experiences 4 Geoff Andrew writing for Time Out stated that despite the largely sensitive depiction of waste suffering and despair the often ponderous pacing and the script s solemnity tend to work against emotional involvement 5 Film scholar Alexander Jacoby discovered an almost Ozu like quietism citing Black Rain as an example of the mellowed Imamura in his later years 6 Film historian Donald Richie pointed out the film s warmth sincerity and compassion 7 Awards EditJapanese Academy Awards 1990 Best Actress Best Cinematography Best Director Best Editing Best Film Best Lighting Best Music Score Best Screenplay Best Supporting Actress Etsuko Ichihara Blue Ribbon Award 1990 Best Actress Cannes Film Festival 1989 Prize of the Ecumenical Jury Special Mention Technical Grand Prize 8 Flanders International Film Festival Ghent 1989 Georges Delerue Prize Golden Spur Hochi Film Awards 1989 Best Actress Kinema Junpo Award 1990 Best Actress Best Director Best Film Mainichi Film Concours 1990 Best Actress Best Art Direction Best Film Sant Jordi Awards 1991 Best Foreign FilmReferences Edit a b 黒い雨 Black Rain in Japanese Japanese Movie Database Retrieved 8 July 2021 a b c 黒い雨 Black Rain in Japanese Kinema Junpo Retrieved 8 July 2021 黒い雨 Black Rain in Japanese kotobank Retrieved 8 July 2021 Reviews Black Rain rogerebert com 24 September 1990 Retrieved 8 July 2021 Pym John ed 1998 Time Out Film Guide Seventh Edition 1999 London Penguin Books Jacoby Alexander 2008 Critical Handbook of Japanese Film Directors From the Silent Era to the Present Day Berkeley Stone Bridge Press p 67 ISBN 978 1 933330 53 2 Richie Donald 2005 A Hundred Years of Japanese Film Revised ed Tokyo New York London Kodansha International p 266 ISBN 978 4 7700 2995 9 Festival de Cannes Black Rain festival cannes com Retrieved 2009 08 01 Further reading EditIma Izumi Yoko 2007 Nuclear Bomb Films in Japan and America Two Black Rain Films In Narita Tatsushi ed Essays on British and American Literature and Culture From Perspectives of Transpacific American Studies Nagoya Kougaku Shuppan Tachibana Reiko November 8 1998 Seeing Between the Lines Imamura Shohei s Kuroi Ame Black Rain Literature Film Quarterly Archived from the original on 2008 06 18 Retrieved 8 July 2021 a href Template Cite journal html title Template Cite journal cite journal a Cite journal requires journal help External links EditBlack Rain at IMDb Retrieved from https en wikipedia org w index php title Black Rain 1989 Japanese film amp oldid 1126232935, wikipedia, wiki, book, books, library,

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