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Bill Meyer (artist)

Bill (Chaim) Meyer (10 December 1942) Born in Australia, Bill Meyer graduated from Melbourne University in art history and languages and then from the National Gallery Art School, (later Victorian College of the Arts), completing his formal art training at the Royal College of Art in London (1972). Research at the Yidisher Visnshaftlekher Institut (YIVO) New York, as well as Yeshiva and Kollel learning, has provided much of the conceptual underpinning of Meyer’s artwork, and he was a visiting resident artist during the ‘80s and ‘90s at the Mishkenot Sha’ananim artists’ studios in Jerusalem.

Bill Meyer
Taken in London 2007
Born (1942-12-10) 10 December 1942 (age 81)

Work edit

Meyer established a fine art editioning studio in London during the 1970s at 10 Martello Street, Hackney. By 1973 he was collaborating with Avital Geva, Moshe Gershuni, Matthew Greenberg and Michael Druks exhibiting at the Romi Goldmuntz Centre, Antwerp. He printed for many artists including Ian McKeever and Genesis P'Orridge with Cosey Fanni Tutti making posters for the infamous Prostitution show at the Institute of Contemporary Arts in London in 1976, as well as conceiving and creating photo-events with Genesis and Cosey as performers and models. He has since continued to use photography, film and music in his work. He has worked with a large number of Australian artists at Port Jackson Press publishing in Melbourne. During the eighties, while he was a committee member, and later when he was president of the Print Council of Australia,[3] Meyer curated travelling exhibitions including the controversial Print as Object. He also created Gapscape, an exhibition of his prints and drawings which toured twenty-four regional Australian galleries. In 1995 he participated in The Wandering Jew. Myth and Metaphor, curated and toured for the Jewish Museum of Australia, an organisation with which he has collaborated in numerous other curated and solo projects.[4] Recent work includes the 105 metre charcoal on paper installation, A Special Place - HaMakom, and experiments with Lamda photographic digital prints.

Footnotes edit

Selected exhibitions and publications edit

  • 1962; Bill Meyer, New East-side Gallery, Melbourne
  • 1969; Matzoh Stomp, Gallery Lanae, Melbourne and Balwyn Cinema International
  • 1972; Cancellations, Screen Prints Photographs & Xeroxes by Bill Meyer, Institute of Contemporary Arts, London
  • 1973; Eating Mussels in the Bath, Paper Point Gallery (Wiggins Teape), London and Bonython Galleries, Sydney
  • 1973; Jaynie Anderson, Bill Meyer: Screenprints Documentations Photography, University of Exeter, 1973
  • 1974; Mezzanine Xpos, Galerij Romi Goldmuntz Centrum, Antwerp
  • 1975; New York Subway Graffiti & the American Landscape, Painting Box Press, Zurich
  • 1976; 'Underwater/Underground, Bill Meyer and Mati Grunberg', Institute of Contemporary Arts Bulletin
  • 1977; Sinai Paintings and Drawings, Galerij Luka te Boechout.
  • 1982; Geelong Survey Exhibition, 4, Pam Ashcroft, Noel Essex, Bill Meyer, Brian Poynton, Geelong Art Gallery, 1982
  • 1982; Seven artists : Jonas Balsaitis, Charles Green, Paul Laspagis, Joseph McDermott-Mallin, Bill Meyer, Andrew Reeve, David Ryan, Victorian College of the Arts Gallery, Melbourne, 1982
  • 1982; GAPSCAPE, introduction by Doug Hall and David Rankin, ISBN 0-9593138-0-X
  • 1984; Inside the Gap, Installations lectures, and workshops, Wagga City Art Gallery
  • 1985; Print as Object, Print Council of Australia, ISBN 0-909227-08-X
  • 1989; New Paintings - A Reason for Being, Gretz Gallery, Melbourne
  • 1999; Chaim (Bill) Meyer, The Jerusalem Drawings
  • 1999;Eva Eden, 'Bill Meyer, Survey Exhibitions'. Imprint The Print Council of Australia Journal, vol. 34, pp. 6–7.
  • 1999;Untitled Booth and Survey, Convent Gallery, Daylesford.
  • 2006;Chaim (Bill) Meyer, A project of Kollel Beis Ha Talmud-Yehuda. A Special Place – HaMakom. (Jewish Art and Symbolism, a decade of Meyer’s Drawings & installations), edited by Yisroel Greenwald, Fishman Institute, Melbourne, ISBN 1-875670-38-6, [6]
  • 2014: Bill Meyer: Nurturing the Place, Castlemaine Art Museum, 02 Nov–14 Dec

External links edit

  • National Gallery of Australia Collection
  • Tate Modern Collection
  • Chrysalis Gallery, Melbourne, full list of one-man and group shows
  • Australian Art Sales Index
  • Australian National Film Archive

bill, meyer, artist, other, people, named, bill, meyer, bill, meyer, disambiguation, bill, chaim, meyer, december, 1942, born, australia, bill, meyer, graduated, from, melbourne, university, history, languages, then, from, national, gallery, school, later, vic. For other people named Bill Meyer see Bill Meyer disambiguation Bill Chaim Meyer 10 December 1942 Born in Australia Bill Meyer graduated from Melbourne University in art history and languages and then from the National Gallery Art School later Victorian College of the Arts completing his formal art training at the Royal College of Art in London 1972 Research at the Yidisher Visnshaftlekher Institut YIVO New York as well as Yeshiva and Kollel learning has provided much of the conceptual underpinning of Meyer s artwork and he was a visiting resident artist during the 80s and 90s at the Mishkenot Sha ananim artists studios in Jerusalem Bill MeyerTaken in London 2007Born 1942 12 10 10 December 1942 age 81 Contents 1 Work 2 Footnotes 3 Selected exhibitions and publications 4 External linksWork editMeyer established a fine art editioning studio in London during the 1970s at 10 Martello Street Hackney By 1973 he was collaborating with Avital Geva Moshe Gershuni Matthew Greenberg and Michael Druks exhibiting at the Romi Goldmuntz Centre Antwerp He printed for many artists including Ian McKeever and Genesis P Orridge with Cosey Fanni Tutti making posters for the infamous Prostitution show at the Institute of Contemporary Arts in London in 1976 as well as conceiving and creating photo events with Genesis and Cosey as performers and models 1 He has since continued to use photography film and music in his work 2 He has worked with a large number of Australian artists at Port Jackson Press publishing in Melbourne During the eighties while he was a committee member and later when he was president of the Print Council of Australia 3 Meyer curated travelling exhibitions including the controversial Print as Object He also created Gapscape an exhibition of his prints and drawings which toured twenty four regional Australian galleries In 1995 he participated in The Wandering Jew Myth and Metaphor curated and toured for the Jewish Museum of Australia an organisation with which he has collaborated in numerous other curated and solo projects 4 Recent work includes the 105 metre charcoal on paper installation A Special Place HaMakom and experiments with Lamda photographic digital prints 5 Footnotes editSelected exhibitions and publications edit1962 Bill Meyer New East side Gallery Melbourne 1969 Matzoh Stomp Gallery Lanae Melbourne and Balwyn Cinema International 1972 Cancellations Screen Prints Photographs amp Xeroxes by Bill Meyer Institute of Contemporary Arts London 1973 Eating Mussels in the Bath Paper Point Gallery Wiggins Teape London and Bonython Galleries Sydney 1973 Jaynie Anderson Bill Meyer Screenprints Documentations Photography University of Exeter 1973 1974 Mezzanine Xpos Galerij Romi Goldmuntz Centrum Antwerp 1975 New York Subway Graffiti amp the American Landscape Painting Box Press Zurich 1976 Underwater Underground Bill Meyer and Mati Grunberg Institute of Contemporary Arts Bulletin 1977 Sinai Paintings and Drawings Galerij Luka te Boechout 1982 Geelong Survey Exhibition 4 Pam Ashcroft Noel Essex Bill Meyer Brian Poynton Geelong Art Gallery 1982 1982 Seven artists Jonas Balsaitis Charles Green Paul Laspagis Joseph McDermott Mallin Bill Meyer Andrew Reeve David Ryan Victorian College of the Arts Gallery Melbourne 1982 1982 GAPSCAPE introduction by Doug Hall and David Rankin ISBN 0 9593138 0 X 1984 Inside the Gap Installations lectures and workshops Wagga City Art Gallery 1985 Print as Object Print Council of Australia ISBN 0 909227 08 X 1989 New Paintings A Reason for Being Gretz Gallery Melbourne 1999 Chaim Bill Meyer The Jerusalem Drawings 1999 Eva Eden Bill Meyer Survey Exhibitions Imprint The Print Council of Australia Journal vol 34 pp 6 7 1999 Untitled Booth and Survey Convent Gallery Daylesford 2006 Chaim Bill Meyer A project of Kollel Beis Ha Talmud Yehuda A Special Place HaMakom Jewish Art and Symbolism a decade of Meyer s Drawings amp installations edited by Yisroel Greenwald Fishman Institute Melbourne ISBN 1 875670 38 6 6 2014 Bill Meyer Nurturing the Place Castlemaine Art Museum 02 Nov 14 DecExternal links editNational Gallery of Australia Collection Tate Modern Collection British Council Collection Port Jackson Press Fitzroy Victoria Chrysalis Gallery Melbourne full list of one man and group shows Australian Art Sales Index Australian National Film Archive Retrieved from https en wikipedia org w index php title Bill Meyer artist amp oldid 1184851072, wikipedia, wiki, book, books, library,

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