Bill Barrett (born December 21, 1934) is an American sculptor, painter and jeweller.[1] He is considered a central figure in the second generation of American metal sculptors[2] and is internationally known for his abstract sculptures in steel, aluminum and bronze.[3]
Bill Barrett
Bill Barrett with his marble sculpture, "Lexeme VIII," in Zell, Germany.
Barrett began welding while a student at the University of Michigan. His early works consisted of steel rods, joined to create open, three-dimensional drawings. For subsequent sculptures, he filled in the negative space between the rods with molten metal and steel plates. From here, Barrett developed a technique of cutting steel sheets into rectangular shapes and forming the shapes into three-dimensional blocks or cylindrical forms.[4] He also explored the surface of steel, grinding or brushing the surface to give his finished work texture. Barrett later painted his steel sculptures to prevent the final pieces from rusting.[5]
Aluminum
Bill Barrett, Hari IV, 1982, Fabricated Aluminum, 32' x 30' x 16'
Barrett's work with aluminum began in 1960's. These sculptures were composed of flat, horizontal shapes; their surfaces were bright and clean. They suggested Minimalist sculpture and the work of Tony Smith.[6]
Bill Barrett, Guardian, 1986, Fabricated Aluminum, 15' x 13' x 12'
In 1982, Barrett was commissioned for the City of New York through Percent for Art to create his largest sculpture to date, "Hari IV" (28' x 32' x 16'), for New Dorp High School on Staten Island. Keeping contemporary culture in mind, Barrett's title for this work comes from a graffiti "tag" that was appearing on New York City Subway cars at the time. The work was well received by the students, earning the nickname "the elephant". It became the high school's symbol, being used on the yearbook cover and adorning the football team's helmets. The New York Times critic Michael Brenson called this sculpture " one of the most successful public sculptures in the city."[7] In 1986, Barrett was commissioned for the state of Connecticut for the Criminal Courts Building in Hartford, CT to create "Guardian", a fabricated aluminum sculpture that stands 15 feet tall.
Bill Barrett, Melinda at the Beach, 2002, Fabricated Bronze, 15' x 25' x 12'
Bronze
Bill Barrett, Santa Fe Suite, 2010, Oil on Canvas, 60" x 48"
Barrett started working with bronze as a way to explore increasingly fluid and gestural forms. As his interest in expressive forms grew, Barrett found that wax gave him the creative freedom to model shapes. He created a technique of pouring wax into a baking tin, drawing the shapes in the wax, and then combining the shapes to create a model, twisting and carving away at each shape by hand. The most successful models were cast into bronze and the bronze maquettes were then fabricated into larger bronze sculptures.[8] From the '90s on, Barrett's bronze works took on a free-flowing quality that suggested calligraphy, movement, dance and music. Several sculptures from this decade refer directly to dance.[9] In May 2011, Barrett installed a bronze sculpture in New York City's Tribeca neighborhood, for temporary display, as a memorial to September 11, 2001.[10] In addition, the artist's small sculpture "Lexeme VII" is part of the 911 Memorial and Museum's permanent collection in New York City.
Bill Barrett, Lexeme VII Model, 2011, 21" x 15" x 10.5"
Painting
Inspired by the light and colors of New Mexico, and by Arshile Gorky, Fernand Léger, and Jean Arp, Barrett began painting in 1992.[11] His vibrant paintings quickly became an important part of his entire creative process—they complemented and influenced the free-flowing feel of his sculptures.[12] Drawing—rhythmic contours and marks—maintained a central role in the creation of his paintings and sculptures.[13] Since 1992, Barrett has had a number of solo exhibitions, featuring both painting and sculpture.[14] In 2010 Barrett exhibited paintings and sculptures in two separate shows: Polyphonic Abstractions: Painting and Maquettes by Bill Barrett at the Christian Petersen Art Museum at Iowa State University, and Synchronicity at Kouros Gallery in New York City.[15]
^Exhibition Catalogue, Polyphonic Abstraction: Paintings and Maquettes by Bill Barrett, Iowa State University’s Christian Petersen Art Museum, Exhibition Statement, p. 1.
^Rowe, Jessica M., Exhibition Catalogue, Elizabeth and Byron Anderson Sculpture Garden, Iowa State University, 2008, Exquisite Balance: Sculptures by Bill Barrett, p. 14.
^Exhibition Catalogue, Polyphonic Abstraction: Paintings and Maquettes by Bill Barrett, Iowa State University’s Christian Petersen Art Museum.
^Exhibition Catalogue, Polyphonic Abstraction: Paintings and Maquettes by Bill Barrett, Iowa State University’s Christian Petersen Art Museum, Selected Chronology
Bibliography
Philip F. Palmedo; Bill Barrett (2003). Bill Barrett: Evolution of a Sculptor. Hudson Hills.
Further reading
Richard Tobin (2000). "Arrested Motion: The Sculpture of Bill Barrett". Sculpture Magazine.
Philip F. Palmedo (2002). "Bill Barrett: Evolution of a Sculptor". Hudson Hills Press.
Gussie Fauntleroy (Fall 2009 – Winter 2010). "All in the Family: The Barretts Keep It Close and Abstract". Trend Magazine.
Bill Barrett Studios (2012). "Bill Barrett: Sculpture and Painting to 2012". Laboratory Press.
Stuart Ashman; Suzanne Deats; Robert Ewing (2005). "Abstract Art – New Mexico Artist Series". Fresco Fine Art Publications LLC.
bill, barrett, artist, bill, barrett, born, december, 1934, american, sculptor, painter, jeweller, considered, central, figure, second, generation, american, metal, sculptors, internationally, known, abstract, sculptures, steel, aluminum, bronze, bill, barrett. Bill Barrett born December 21 1934 is an American sculptor painter and jeweller 1 He is considered a central figure in the second generation of American metal sculptors 2 and is internationally known for his abstract sculptures in steel aluminum and bronze 3 Bill BarrettBill Barrett with his marble sculpture Lexeme VIII in Zell Germany Born 1934 12 21 December 21 1934 age 88 Los Angeles CaliforniaNationalityAmericanEducationUniversity of Michigan B S in Design 1958 M S in Design 1959 MFA 1960 Known forSculptor Painter Bill Barrett Martha Graham Ensemble 2007 2008 Fabricated Bronze 12 x 18 x 8 Contents 1 Steel 2 Aluminum 3 Bronze 4 Painting 5 References 6 Bibliography 7 Further reading 8 External linksSteel EditBarrett began welding while a student at the University of Michigan His early works consisted of steel rods joined to create open three dimensional drawings For subsequent sculptures he filled in the negative space between the rods with molten metal and steel plates From here Barrett developed a technique of cutting steel sheets into rectangular shapes and forming the shapes into three dimensional blocks or cylindrical forms 4 He also explored the surface of steel grinding or brushing the surface to give his finished work texture Barrett later painted his steel sculptures to prevent the final pieces from rusting 5 Aluminum Edit Bill Barrett Hari IV 1982 Fabricated Aluminum 32 x 30 x 16 Barrett s work with aluminum began in 1960 s These sculptures were composed of flat horizontal shapes their surfaces were bright and clean They suggested Minimalist sculpture and the work of Tony Smith 6 Bill Barrett Guardian 1986 Fabricated Aluminum 15 x 13 x 12 In 1982 Barrett was commissioned for the City of New York through Percent for Art to create his largest sculpture to date Hari IV 28 x 32 x 16 for New Dorp High School on Staten Island Keeping contemporary culture in mind Barrett s title for this work comes from a graffiti tag that was appearing on New York City Subway cars at the time The work was well received by the students earning the nickname the elephant It became the high school s symbol being used on the yearbook cover and adorning the football team s helmets The New York Times critic Michael Brenson called this sculpture one of the most successful public sculptures in the city 7 In 1986 Barrett was commissioned for the state of Connecticut for the Criminal Courts Building in Hartford CT to create Guardian a fabricated aluminum sculpture that stands 15 feet tall Bill Barrett Melinda at the Beach 2002 Fabricated Bronze 15 x 25 x 12 Bronze Edit Bill Barrett Santa Fe Suite 2010 Oil on Canvas 60 x 48 Barrett started working with bronze as a way to explore increasingly fluid and gestural forms As his interest in expressive forms grew Barrett found that wax gave him the creative freedom to model shapes He created a technique of pouring wax into a baking tin drawing the shapes in the wax and then combining the shapes to create a model twisting and carving away at each shape by hand The most successful models were cast into bronze and the bronze maquettes were then fabricated into larger bronze sculptures 8 From the 90s on Barrett s bronze works took on a free flowing quality that suggested calligraphy movement dance and music Several sculptures from this decade refer directly to dance 9 In May 2011 Barrett installed a bronze sculpture in New York City s Tribeca neighborhood for temporary display as a memorial to September 11 2001 10 In addition the artist s small sculpture Lexeme VII is part of the 911 Memorial and Museum s permanent collection in New York City Bill Barrett Lexeme VII Model 2011 21 x 15 x 10 5 Painting EditInspired by the light and colors of New Mexico and by Arshile Gorky Fernand Leger and Jean Arp Barrett began painting in 1992 11 His vibrant paintings quickly became an important part of his entire creative process they complemented and influenced the free flowing feel of his sculptures 12 Drawing rhythmic contours and marks maintained a central role in the creation of his paintings and sculptures 13 Since 1992 Barrett has had a number of solo exhibitions featuring both painting and sculpture 14 In 2010 Barrett exhibited paintings and sculptures in two separate shows Polyphonic Abstractions Painting and Maquettes by Bill Barrett at the Christian Petersen Art Museum at Iowa State University and Synchronicity at Kouros Gallery in New York City 15 References Edit Palmedo 2003 p 13 Palmedo 2003 pp 19 20 Exhibition Catalogue Polyphonic Abstraction Paintings and Maquettes by Bill Barrett Iowa State University s Christian Petersen Art Museum Exhibition Statement p 1 Palmedo 2003 pp 19 27 Palmedo 2003 pp 31 33 Palmedo 2003 pp 31 34 Palmedo 2003 p 57 Palmedo 2003 pp 54 55 Palmedo 2003 pp 88 111 Shapiro Julie Artist s 9 11 Sculpture Rises in TriBeCa DNAinfo com Archived March 20 2012 at the Wayback Machine Palmedo 2003 p 85 Palmedo 2003 p 99 Rowe Jessica M Exhibition Catalogue Elizabeth and Byron Anderson Sculpture Garden Iowa State University 2008 Exquisite Balance Sculptures by Bill Barrett p 14 Exhibition Catalogue Polyphonic Abstraction Paintings and Maquettes by Bill Barrett Iowa State University s Christian Petersen Art Museum Exhibition Catalogue Polyphonic Abstraction Paintings and Maquettes by Bill Barrett Iowa State University s Christian Petersen Art Museum Selected ChronologyBibliography EditPhilip F Palmedo Bill Barrett 2003 Bill Barrett Evolution of a Sculptor Hudson Hills Further reading EditRichard Tobin 2000 Arrested Motion The Sculpture of Bill Barrett Sculpture Magazine Philip F Palmedo 2002 Bill Barrett Evolution of a Sculptor Hudson Hills Press Gussie Fauntleroy Fall 2009 Winter 2010 All in the Family The Barretts Keep It Close and Abstract Trend Magazine Bill Barrett Studios 2012 Bill Barrett Sculpture and Painting to 2012 Laboratory Press Stuart Ashman Suzanne Deats Robert Ewing 2005 Abstract Art New Mexico Artist Series Fresco Fine Art Publications LLC External links Edithttp www billbarrettsculpture com https web archive org web 20110819133336 http www kourosgallery com home htm https web archive org web 20110930225204 http www lewallencontemporary com searchresults php start 1 amp artistId 10000888 1 Retrieved from https en wikipedia org w index php title Bill Barrett artist amp oldid 1150869290, wikipedia, wiki, book, books, library,
