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Barbara Russano Hanning

Barbara Russano Hanning (born 1940) is an American musicologist who specializes in 16th- and 17th-century Italian music. She has also written works on the music of 18th-century France and on musical iconography.

Education and career Edit

She earned B.A. from Barnard College and a PhD in musicology from Yale University.[1][2]

Hanning is on the music faculty of The City College [CCNY] and the City University of New York [CUNY] Graduate Center as Professor Emeritus. She chaired the Music Department of The City College intermittently for fifteen years. From 1993–1997 she served as president of the Society for Seventeenth-Century Music.[3]

Writings Edit

Many of Hanning's writings have focused on early operas. She is the author of three books and several journal articles. She has also contributed numerous entries to The New Grove Dictionary of Music and Musicians (1980) and its second edition of 2000; including biographical articles on Giulio Belli, Giulio Caccini, Gabriello Chiabrera, Marco da Gagliano, Giovanni Battista Guarini, Ottavio Rinuccini, Alessandro Striggio, and Torquato Tasso; and entries on the operas Dafne by Rinuccini, Dafne by Gagliano, Euridice by Peri, and Il rapimento di Cefalo by Caccini.[1]

Works Edit

Books Edit

  • Of Poetry and Music's Power: Humanism and the Creation of Opera. Ann Arbor, MI: UMI Research Press, 1980. 371 pp.
  • Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca. Stuyvesant, NY: Pendragon, 1992. 543 pp.
  • Concise History of Western Music. Based on Grout/Palisca, A History of Western Music. Norton, 1998. 585 pp. Second edition, 2002.

Articles Edit

  • "Apologia pro Ottavio Rinuccini," Journal of the American Musicological Society 26/2 (Summer 1973), 240–262.
  • "Glorious Apollo: Poetic and Political Themes in the First Opera," Renaissance Quarterly 32/4 (Winter 1979), 485–513.
  • "Music in Italy on the Brink of the Baroque," Renaissance Quarterly 37/1 (Spring 1984), 1–20.
  • "The Iconography of a Salon Concert: A Reappraisal," in French Musical Thought, 1600-1800, ed. Georgia Cowart. Ann Arbor and London: UMI Research Press, 1989, pp. 129–48.
  • "Reinventing Orpheus: New Music for a New Age," in The Waverly Concert Program Guide, Vol. 5, No. 3, pp. 7–17 (an essay commissioned by the Waverly Consort for their concerts in Alice Tully Hall on March 2 and 4, 1989).
  • "Conversation and Musical Style in the Late Eighteenth-Century Parisian Salon," Eighteenth-Century Studies 22/4 (Summer, 1989), 512–28.
  • "Monteverdi's Three Genera: A Study in Terminology," in Musical Humanism and Its Legacy: Essays in Honor of Claude Palisca, eds. Nancy K. Baker and Barbara R. Hanning. Stuyvesant, NY: Pendragon, 1992, pp. 145–70.
  • "Images of Monody in the Age of Marino," in The Sense of Marino: Literature, Fine Arts and Music of the Italian Baroque, ed.Francesco Guardiani. New York, Ottawa, Toronto: Legas, 1994. pp. 465–86.
  • "Some Images of Monody in the Early Baroque," in Con Che Soavità: Studies in Italian Opera, Song, and Dance 1580–1740, eds. Iain Fenlon and Tim Carter. Oxford: Clarendon Press, 1995, pp. 1–12.
  • "The End of L'Orfeo: Padre, figlio, e Rinuccini," Journal of Seventeenth-Century Music 7/2, (cited) Vol. 9/1 (2003). <>.
  • "From Saint to Muse: Representations of Saint Cecilia in Florence." Music in Art 29/1-2 (2004): 91-103.

References Edit

  1. ^ a b "Barbara Russano Hanning". cuny.edu.
  2. ^ "Profile: Barbara Hanning" May 18, 2008, at the Wayback Machine, Music Department, City College of New York
  3. ^ "Barbara Russano Hanning". W.W. Norton and Co.

barbara, russano, hanning, born, 1940, american, musicologist, specializes, 16th, 17th, century, italian, music, also, written, works, music, 18th, century, france, musical, iconography, contents, education, career, writings, works, books, articles, references. Barbara Russano Hanning born 1940 is an American musicologist who specializes in 16th and 17th century Italian music She has also written works on the music of 18th century France and on musical iconography Contents 1 Education and career 2 Writings 3 Works 3 1 Books 3 2 Articles 4 ReferencesEducation and career EditShe earned B A from Barnard College and a PhD in musicology from Yale University 1 2 Hanning is on the music faculty of The City College CCNY and the City University of New York CUNY Graduate Center as Professor Emeritus She chaired the Music Department of The City College intermittently for fifteen years From 1993 1997 she served as president of the Society for Seventeenth Century Music 3 Writings EditMany of Hanning s writings have focused on early operas She is the author of three books and several journal articles She has also contributed numerous entries to The New Grove Dictionary of Music and Musicians 1980 and its second edition of 2000 including biographical articles on Giulio Belli Giulio Caccini Gabriello Chiabrera Marco da Gagliano Giovanni Battista Guarini Ottavio Rinuccini Alessandro Striggio and Torquato Tasso and entries on the operas Dafne by Rinuccini Dafne by Gagliano Euridice by Peri and Il rapimento di Cefalo by Caccini 1 Works EditBooks Edit Of Poetry and Music s Power Humanism and the Creation of Opera Ann Arbor MI UMI Research Press 1980 371 pp Musical Humanism and Its Legacy Essays in Honor of Claude V Palisca Stuyvesant NY Pendragon 1992 543 pp Concise History of Western Music Based on Grout Palisca A History of Western Music Norton 1998 585 pp Second edition 2002 Articles Edit Apologia pro Ottavio Rinuccini Journal of the American Musicological Society 26 2 Summer 1973 240 262 Glorious Apollo Poetic and Political Themes in the First Opera Renaissance Quarterly 32 4 Winter 1979 485 513 Music in Italy on the Brink of the Baroque Renaissance Quarterly 37 1 Spring 1984 1 20 The Iconography of a Salon Concert A Reappraisal in French Musical Thought 1600 1800 ed Georgia Cowart Ann Arbor and London UMI Research Press 1989 pp 129 48 Reinventing Orpheus New Music for a New Age in The Waverly Concert Program Guide Vol 5 No 3 pp 7 17 an essay commissioned by the Waverly Consort for their concerts in Alice Tully Hall on March 2 and 4 1989 Conversation and Musical Style in the Late Eighteenth Century Parisian Salon Eighteenth Century Studies 22 4 Summer 1989 512 28 Monteverdi s Three Genera A Study in Terminology in Musical Humanism and Its Legacy Essays in Honor of Claude Palisca eds Nancy K Baker and Barbara R Hanning Stuyvesant NY Pendragon 1992 pp 145 70 Images of Monody in the Age of Marino in The Sense of Marino Literature Fine Arts and Music of the Italian Baroque ed Francesco Guardiani New York Ottawa Toronto Legas 1994 pp 465 86 Some Images of Monody in the Early Baroque in Con Che Soavita Studies in Italian Opera Song and Dance 1580 1740 eds Iain Fenlon and Tim Carter Oxford Clarendon Press 1995 pp 1 12 The End of L Orfeo Padre figlio e Rinuccini Journal of Seventeenth Century Music 7 2 cited Vol 9 1 2003 lt https web archive org web 20190405171207 http sscm jscm press uiuc edu gt From Saint to Muse Representations of Saint Cecilia in Florence Music in Art 29 1 2 2004 91 103 References Edit a b Barbara Russano Hanning cuny edu Profile Barbara Hanning Archived May 18 2008 at the Wayback Machine Music Department City College of New York Barbara Russano Hanning W W Norton and Co Retrieved from https en wikipedia org w index php title Barbara Russano Hanning amp oldid 1161871208, wikipedia, wiki, book, books, library,

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