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Wikipedia

Arri

August 31, 2023

Arri Group (/ˈæri/) is a German manufacturer of motion picture film equipment. Based in Munich, the company was founded in 1917.[3] It produces professional motion picture cameras, lenses, lighting and post-production equipment. Hermann Simon mentioned this company in his book Hidden Champions of the 21st Century as an example of a "hidden champion".[4] The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography, including Hugo (2011),[5] Life of Pi (2012),[6] Gravity (2013),[7] Birdman (2014),[8] The Revenant (2015)[9] and 1917 (2019).

Arnold & Richter Cine Technik (A&R)
TypePrivate
IndustryMotion picture equipment
Founded12 September 1917; 105 years ago (12 September 1917)
FoundersAugust Arnold
Robert Richter
Headquarters
Munich
,
Germany
ProductsMotion picture cameras
Cine lenses
Lighting equipment
Archive technologies
Digital surgical microscope
Revenue€420 million[1] (2019)
Number of employees
1,397[2] (2019)
Websitewww.arri.com

History Edit

Early history Edit

Arri was founded in Munich, Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold & Richter Cine Technik. The acronym Arri was derived from the initial two letters of the founders' surnames, Arnold and Richter.[10][11]

In 1924, Arnold and Richter developed their first film camera, the small and portable Kinarri 35.[12] In 1937, Arri introduced the world's first reflex mirror shutter in the Arriflex 35 camera, an invention of longtime engineer Erich Kästner. This technology employs a rotating mirror that allows a continuous motor to operate the camera while providing parallax-free reflex viewing to the operator,[13] and the ability to focus the image by eye through the viewfinder, much like an SLR camera for photography. The reflex design was subsequently used in almost every professional motion picture film camera and is still used in the Arri Alexa Studio digital camera. The first Hollywood film to employ an Arriflex was the 1947 Humphrey Bogart and Lauren Bacall film Dark Passage in 1947. Over the years, more than 17,000 Arriflex 35s were built.[14] The design was recognized with two Scientific and Technical Academy Awards in 1966 and 1982.

 
Indian cinematographer Ramachandra Babu with Arriflex 535B camera
 
Arriflex camera being used by Abolfazl Attar

1950–1989 Edit

 
Lens used on Apollo missions

In 1952, Arri introduced the Arriflex 16ST, the first professional 16mm camera with a reflex viewing system.[15][11][16][17] In 1965, a self-blimped 16mm camera was released: the Arriflex 16BL.[18] The Arriflex 35BL followed in 1972 as a lightweight, quiet alternative to the rather heavy and cumbersome blimped cameras of the time.[19] Also in 1972, Arri pioneered the development of daylight luminaires with the Arrisonne 2000 W.[citation needed] The Arriflex 16SR, launched in 1975, featured a redesigned viewfinder with a through-the-lens light meter.[20] The Arriflex 765, a 65mm camera, was released in 1989, partly in response to the growing industry demand for 70mm release prints.[21]

1990–2009 Edit

The Arriflex 535 camera was released in 1990, followed by the Arriflex 535B and the Arriflex 16SR 3 in 1992. The Arriflex 435 was released in 1994.[22][23]

Arri partnered with Carl Zeiss AG in order to develop and manufacture advanced lenses for the motion picture industry. In 1998, Arri released the Ultra Prime lenses.[24]

Development of the Arrilaser, a postproduction film recorder, began in 1997 and it was released for beta testing in 1998.[25][26]

In 2000, Arri purchased the company Moviecam and developed Arricam, a 35mm camera platform. In 2003, Arri developed its first digital camera, the Arriflex D-20,[27] which later evolved into the D-21. The camera used a 35mm CMOS sensor (instead of CCD) and allowed cinematographers to utilize standard 35mm lenses. This technology was further developed and improved for the Arri Alexa camera.[citation needed]

Arri revealed its Arriscan prototype during IBC 2003. The 16mm/35mm film scanner worked alongside the Arrilaser to support the increasingly popular digital intermediate route through postproduction.[28] Later, the Arriscan became a widely used tool for film restoration work and was recognized with a Scientific and Engineering Academy Award in 2009.[29]

Arri released the Master Prime lenses in 2005, designed for a super-fast aperture of T1.3 without breathing and distortion.[30][31] In 2007, the Master Prime 14mm and 150mm lenses were released.[32]

The Arrilaser 2 was released in 2009, with new client-server architecture and speeds twice as fast as the original model.[33] In 2011, the Arrilaser was recognized with an Academy Award of Merit.[25]

2010–present Edit

In 2010, the Arri Alexa camera was released. The camera had the ability to compress 1080p footage to ProRes QuickTime formats and allowed direct-to-edit workflows.[34] Later models added to the range included the Alexa Plus, Alexa Studio and Alexa M, which was designed to get the camera closer to the action.[35] The Alexa Plus 4:3, like the Alexa Studio, allowed the full area of the sensor to be used with anamorphic lenses.[36]


The 16mm Arriflex 416 camera and Ultra Prime 16 lenses were used in the filming of the 2010 film Black Swan.[37]

Arri announced a strategic partnership with Zeiss and Fujinon in 2010 to create new lenses that incorporated enhanced electronic lens data transfer in order to simplify visual effects workflows in postproduction.[38][39] The Arri/Fujinon Alura Zooms were released that same year, while the Arri/Zeiss Master Anamorphic lens series was released in 2012.[40][41]

In 2013, Arri created Arri Medical, a business unit that utilizes its camera technology for medical purposes.[42] Apart from a medical imaging documentation service,[43] it has developed a fully digital 3D surgical microscope called the Arriscope.[43]


The Arri Alexa 65, released in 2014, was used in the filming of The Revenant as well as Mission: Impossible – Rogue Nation and Star Wars: Rogue One.[44] The Arri Amira camera was also released in 2014.[22] In 2015, four of the five nominees for the cinematography category of the Academy Awards were filmed using the Arri Alexa.[45]

Arri's subsidiary postproduction and creative services company, Arri Film & TV, was renamed Arri Media in 2015 as part of a company restructuring.[46] At NAB 2015, the SkyPanel LED fixtures were introduced by Arri. The SC60 and the SC30 have a full color tunable LED option.[47]

In April 2016, Arri acquired the Artemis camera stabilizer systems developed by Curt O. Schaller from Sachtler / Vitec Videocom.[48][49] As a result, Arri became the exclusive seller of Artemis Trinity stabilizers.[50] At NAB 2016, Arri unveiled its version of the Trinity system.[51]

Awards Edit

Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold & Richter KG ARRIFLEX 35mm 1966
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Joachim Gerb and Erich Kästner of the Arnold & Richter Company ARRIFLEX 35BL 1973
Academy Award of Merit August Arnold and Erich Kästner of Arnold & Richter, GmbH The concept and engineering of the first operational 35mm handheld, spinning-mirror reflex motion picture camera 1982
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Carl Zeiss Company and Arnold & Richter Zeiss high-speed 35mm motion picture camera lenses 1987
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold & Richter engineer Otto Blaschek and Arriflex Corporation ARRIFLEX 35 III 1988
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Engineering Department of Arnold & Richter ARRIFLEX 35BL 4S 1990
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold & Richter, Otto Blaschek and the Engineering Department of ARRI Austria ARRIFLEX 765 1992
Gordon E. Sawyer Academy Award Erich Kästner, Chief Design Engineer at Arnold & Richter from 1932 to 1982 Technical contributions to the industry 1992
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold & Richter Cine Technik The development of the ARRIFLEX 535 series of cameras 1995
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold & Richter Cine Technik and ARRI USA, Inc. ARRIFLEX 435 1998
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold & Richter Cine Technik and Carl Zeiss Company ARRI/ZEISS Variable Prime lenses 1998
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Franz Kraus, Johannes Steurer and Wolfgang Riedel ARRILASER film recorder 2001
Television Academy of Arts and Sciences Emmy Award Arri Over 50 years of outstanding achievement in engineering development 2002
Academy of Motion Picture Arts and Sciences) Academy Award of Merit Arnold & Richter Cine Technik and Panavision Continuing development and innovation in the design and manufacturing of advanced camera systems 2002
Academy of Motion Picture Arts and Sciences Scientific and Technical Award Klemens Kehrer, Josef Handler, Thomas Smidek and Marc Shipman-Mueller ARRIFLEX 235 2006
Academy of Motion Picture Arts and Sciences Scientific and Technical Award Walter Trauninger and Ernest Tschida ARRI WRC wireless remote lens control system 2006
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Erwin Melzner, Volker Schumacher and Timo Mueller ARRIMAX 18/12 lighting fixture 2008
Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Michael Cieslinski, Dr. Reimar Lenz and Bernd Brauner ARRISCAN film scanner 2009
Academy of Motion Picture Arts and Sciences Scientific and Technical Award Juergen Noffke and Uwe Weber ARRI/ZEISS Master Prime lenses 2011
Academy of Motion Picture Arts and Sciences Scientific and Technical Award Franz Kraus, Johannes Steurer, Wolfgang Riedel ARRILASER film recorder 2011
Academy of Motion Picture Arts and Sciences Scientific and Technical Award Arri ALEXA camera system[52] 2017
Deutscher Filmpreis (Lola) Arri Special honor for extraordinary technical achievement[53] 2017
Television Academy of Arts and Sciences Emmy Award Arri ALEXA camera system[54] 2017

Products Edit

Camera lines
Lighting
  • Arri Fresnel (1937)
  • Arri Gigant (1952)
  • Arrisonne 2000 (1972)
  • Arri Apollo (1979)
  • Arri Studio (1988)
  • Arri Compact Daylight (1991)
  • Arrisun 40/25 (1992)
  • Arrilux Pocket PAR (1996)
  • ARRIMAX 18/12 (2005)
  • Arri M40 (2011)
  • Arri L7 LED Fresnel (2011)
  • Arri SkyPanel S60-C (2015)
  • Arri SkyPanel S120-C
  • Arri SkyPanel S360-C
  • Arri SkyPanel S30-C
  • Arri Orbiter (2019)
  • Stellar Lighting Control App
Camera stabilizers
Film recorder
Film scanner

Corporate espionage Edit

In 2011, it was alleged that Michael Bravin, an executive of the US-based subsidiary Arri Inc., had unlawfully accessed a rival company email account. A suit was brought before a US court and in September 2011, Bravin entered a guilty plea.[55][56] Arri Inc. denied knowledge or gains from Bravin's actions,[57] and a separate lawsuit against the company was dropped as a result of an out-of-court settlement.[58]

See also Edit

References Edit

  1. ^ "ARRI". weltmarktfuehrerindex.de. WMF. Retrieved 12 August 2021.
  2. ^ "About ARRI". arri.com. ARRI. Retrieved 19 March 2019.
  3. ^ "Arri's Second Century". ASC Mag. Retrieved May 10, 2018.
  4. ^ Simon, Hermann. Hidden Champions of the 21st Century: Success Strategies of Unknown World Market Leaders. London: Springer, 2009. ISBN 978-0-387-98147-5
  5. ^ Evan Luzi (July 2, 2010). "Arri Alexa Pace 3D System Steadicam Rig For Hugo and Transformers 3". The Black and Blue. Retrieved September 20, 2016.
  6. ^ Jack Picone (November 26, 2014). "Best Cinematography: Looking At Life of Pi". New York Film Academy. Retrieved September 20, 2016.
  7. ^ "Which Cameras Were Used on the Oscar-Nominated films of 2014? Hint: It's a Small List". No Film School. January 20, 2014. Retrieved September 20, 2016.
  8. ^ "Which Cameras Were Used on the Oscar-Nominated Films of 2015?". No Film School. February 17, 2015. Retrieved September 20, 2016.
  9. ^ Karen Idelson (February 18, 2016). "Arri Alexa 65: From Landscapes to Rom-Coms, the Camera That's Won Over Lensers". Variety. Retrieved September 20, 2016.
  10. ^ "ARRI Group". CNBC. November 3, 2014. Retrieved September 19, 2016.
  11. ^ a b "About Arriflex". Calkovsky Cinema Worldwide.
  12. ^ Leitner, David (1 October 2010). "Bridging past and present". Filmmaker.[dead link]
  13. ^ Birchard, Robert (1 June 2008). "90 years of precision". American Cinematographer.[dead link]
  14. ^ Norris Pope (February 15, 2013). Chronicle of a Camera: The Arriflex 35 in North America, 1945-1972. University Press of Mississippi.
  15. ^ John, Ellis; Nick, Hall (2018-04-11). "ADAPT". Figshare. doi:10.17637/rh.c.3925603.v2.
  16. ^ "Camera Profile - ARRIFLEX 16S Series". Cinema Technic. 23 February 2016. Retrieved September 20, 2016.
  17. ^ "The History of 16 MM Film and the Arriflex 16 S Camera". New York Film Academy. 2009-04-10. Retrieved September 20, 2016.
  18. ^ "Camera Profiles - Arriflex 16BL". CinemaTechnic. 23 February 2016. Retrieved July 6, 2016.
  19. ^ "Camera Profiles - ARRI ARRIFLEX 35BL Series". Cinema Technic. 23 February 2016. Retrieved September 20, 2016.
  20. ^ "Camera Profiles - Arri 16SR series". Cinema Technic. 23 February 2016. Retrieved September 20, 2016.
  21. ^ Alexander Felsenberg (1989). "Interview With Otto Blaschek". In 70mm. Retrieved September 20, 2016.
  22. ^ a b "Modern Motion Picture Cameras". IEC. Retrieved September 20, 2016.
  23. ^ "Instruction Manual" (PDF). CBADOC. Retrieved September 20, 2016.[permanent dead link]
  24. ^ "Lens Profiles - Arri Zeiss Ultra Prime Lenses". Cinema Technic. 23 February 2016. Retrieved September 19, 2016.
  25. ^ a b Debra Kaufman. "The Academy Award of Merit goes to... the ARRILASER Film Recorder". Creative Cow. Retrieved September 19, 2016.
  26. ^ Eric J. Olson (December 22, 1998). "Digital Domain tests new laser recorder". Variety. Retrieved September 19, 2016.
  27. ^ "ARRI D-20". Broadcast Store. Retrieved July 6, 2016.
  28. ^ "Arriscan To Arrive Summer 2004". Creative Planet. February 14, 2012. Retrieved September 20, 2016.
  29. ^ "2009 (82nd)". Oscars Awards Database. Retrieved July 6, 2016.[permanent dead link]
  30. ^ "The SciTech Award Goes to... ARRI/Zeiss Maser Prime Lenses for Motion Picture Photography". Creative Cow. Retrieved September 20, 2016.
  31. ^ Jon Fauer (December 5, 2010). "Zeiss Book". Film And Digital Times. Retrieved September 20, 2016.
  32. ^ "Master Prime Family Grows Wider and Longer". To 411 Daily. August 30, 2007. Retrieved September 20, 2016.
  33. ^ "Arri delivers Arrilaser 2 film recorder". Post Magazine. July 1, 2009. Retrieved September 20, 2016.
  34. ^ Chad Mumm (April 7, 2010). "ARRI's ALEXA busts out native ProRes recording, plans for RED smiting". Engadget. Retrieved September 20, 2016.
  35. ^ Michael Murie (May 16, 2012). "Unusual Camera Moves With the Alexa M". Film Maker Magazine. Retrieved September 20, 2016.
  36. ^ Bryant Frazer (April 26, 2012). "ARRI Announces ALEXA Plus 4:3". Studio Daily. Retrieved September 20, 2016.
  37. ^ Stephen Pizzello. "Danse Macabre". The American Society of Cinematographers. Retrieved September 20, 2016.
  38. ^ "ARRI, Zeiss and Fujinon Announce Partnership". PLSN. April 14, 2010. Retrieved September 19, 2016.[permanent dead link]
  39. ^ "Three Major Lens Manufacturers Announce Partnership". Definition Magazine. April 19, 2010. Retrieved September 19, 2016.
  40. ^ "Arri/Fujinon Alura: The Net Generation of Zooms". Studio Daily. April 12, 2010. Retrieved July 6, 2016.
  41. ^ "CinemaTechnic Lens Profiles - ARRI Zeiss Master Anamorphic Lenses". Cinema Technic. 23 February 2016. Retrieved July 6, 2016.
  42. ^ "Official website of Arri Medical". 10 May 2013. Retrieved 28 May 2013.
  43. ^ a b "Arri Medical Service". 10 May 2013. Retrieved 28 May 2013.
  44. ^ Karen Idelson (February 18, 2016). "Arri Alexa 65: From Landscapes to Rom-Coms, the Camera That's Won Over Lensers". Variety. Retrieved September 20, 2016.
  45. ^ Carolyn Giardina (February 18, 2015). "Oscars: ARRI Alexa Camera of Choice for Nominees; Kodak Holds Its Own". The Hollywood Reporter. Retrieved September 20, 2016.
  46. ^ "ARRI Film & TV Becomes ARRI Media". Sound & Picture. May 26, 2015. Retrieved September 20, 2016.
  47. ^ Matthew Allard (May 18, 2016). "Hands on with the Arri SkyPanels - a single operator's perspective". News Shooter. Retrieved September 20, 2016.
  48. ^ a b c "Curt O. Schaller, artemis developer". schaller-media.de. Retrieved 19 May 2016.
  49. ^ a b c "ARRI Debuts Final Version of Trinity Stabilizer and Maxima Gimbal". Studio Daily. 6 May 2016. Retrieved 19 May 2016.
  50. ^ Michael Maher (April 20, 2016). "NAB 2016: ARRI Purchases the Artemis Trinity, Announces New Lenses, and More". The Beat. Retrieved September 19, 2016.
  51. ^ "ARRI Get Into The Camera Stabilisation Business". Definition Magazine. Retrieved September 19, 2016.
  52. ^ "Innovation Celebrated at the Academy's 2017 Sci-Tech Awards". 12 February 2017.
  53. ^ "Lolas: 'Toni Erdmann' Dominates German Film Awards". The Hollywood Reporter. 28 April 2017.
  54. ^ "ARRI, Canon Among Engineering Emmy Recipients". The Hollywood Reporter. 28 September 2017.
  55. ^ "'Former ARRI exec pleads guilty to hacking into rival CEO's e-mail account, faces jail time'". Engadget. September 23, 2011.
  56. ^ "Guilty Plea Rocks Hollywood Camera Biz". Deadlinen. September 2011.
  57. ^ "Camera maker Arri denies rival's espionage claims". Variety. February 14, 2012. Retrieved September 19, 2016.
  58. ^ "RED vs ARRI Lawsuit Settled". SCRI International. Retrieved September 19, 2016.

External links Edit

August 31, 2023
arri, group, german, manufacturer, motion, picture, film, equipment, based, munich, company, founded, 1917, produces, professional, motion, picture, cameras, lenses, lighting, post, production, equipment, hermann, simon, mentioned, this, company, book, hidden,. Arri Group ˈ aer i is a German manufacturer of motion picture film equipment Based in Munich the company was founded in 1917 3 It produces professional motion picture cameras lenses lighting and post production equipment Hermann Simon mentioned this company in his book Hidden Champions of the 21st Century as an example of a hidden champion 4 The Arri Alexa camera system was used to shoot several films that won the Academy Award for Best Cinematography including Hugo 2011 5 Life of Pi 2012 6 Gravity 2013 7 Birdman 2014 8 The Revenant 2015 9 and 1917 2019 Arnold amp Richter Cine Technik A amp R TypePrivateIndustryMotion picture equipmentFounded12 September 1917 105 years ago 12 September 1917 FoundersAugust ArnoldRobert RichterHeadquartersMunich GermanyProductsMotion picture camerasCine lensesLighting equipmentArchive technologiesDigital surgical microscopeRevenue 420 million 1 2019 Number of employees1 397 2 2019 Websitewww wbr arri wbr com Contents 1 History 1 1 Early history 1 2 1950 1989 1 3 1990 2009 1 4 2010 present 2 Awards 3 Products 4 Corporate espionage 5 See also 6 References 7 External linksHistory EditEarly history Edit Arri was founded in Munich Germany on 12 September 1917 by August Arnold and Robert Richter as Arnold amp Richter Cine Technik The acronym Arri was derived from the initial two letters of the founders surnames Arnold and Richter 10 11 In 1924 Arnold and Richter developed their first film camera the small and portable Kinarri 35 12 In 1937 Arri introduced the world s first reflex mirror shutter in the Arriflex 35 camera an invention of longtime engineer Erich Kastner This technology employs a rotating mirror that allows a continuous motor to operate the camera while providing parallax free reflex viewing to the operator 13 and the ability to focus the image by eye through the viewfinder much like an SLR camera for photography The reflex design was subsequently used in almost every professional motion picture film camera and is still used in the Arri Alexa Studio digital camera The first Hollywood film to employ an Arriflex was the 1947 Humphrey Bogart and Lauren Bacall film Dark Passage in 1947 Over the years more than 17 000 Arriflex 35s were built 14 The design was recognized with two Scientific and Technical Academy Awards in 1966 and 1982 Indian cinematographer Ramachandra Babu with Arriflex 535B camera Arriflex camera being used by Abolfazl Attar1950 1989 Edit Lens used on Apollo missionsIn 1952 Arri introduced the Arriflex 16ST the first professional 16mm camera with a reflex viewing system 15 11 16 17 In 1965 a self blimped 16mm camera was released the Arriflex 16BL 18 The Arriflex 35BL followed in 1972 as a lightweight quiet alternative to the rather heavy and cumbersome blimped cameras of the time 19 Also in 1972 Arri pioneered the development of daylight luminaires with the Arrisonne 2000 W citation needed The Arriflex 16SR launched in 1975 featured a redesigned viewfinder with a through the lens light meter 20 The Arriflex 765 a 65mm camera was released in 1989 partly in response to the growing industry demand for 70mm release prints 21 1990 2009 Edit The Arriflex 535 camera was released in 1990 followed by the Arriflex 535B and the Arriflex 16SR 3 in 1992 The Arriflex 435 was released in 1994 22 23 Arri partnered with Carl Zeiss AG in order to develop and manufacture advanced lenses for the motion picture industry In 1998 Arri released the Ultra Prime lenses 24 Development of the Arrilaser a postproduction film recorder began in 1997 and it was released for beta testing in 1998 25 26 In 2000 Arri purchased the company Moviecam and developed Arricam a 35mm camera platform In 2003 Arri developed its first digital camera the Arriflex D 20 27 which later evolved into the D 21 The camera used a 35mm CMOS sensor instead of CCD and allowed cinematographers to utilize standard 35mm lenses This technology was further developed and improved for the Arri Alexa camera citation needed Arri revealed its Arriscan prototype during IBC 2003 The 16mm 35mm film scanner worked alongside the Arrilaser to support the increasingly popular digital intermediate route through postproduction 28 Later the Arriscan became a widely used tool for film restoration work and was recognized with a Scientific and Engineering Academy Award in 2009 29 Arri released the Master Prime lenses in 2005 designed for a super fast aperture of T1 3 without breathing and distortion 30 31 In 2007 the Master Prime 14mm and 150mm lenses were released 32 The Arrilaser 2 was released in 2009 with new client server architecture and speeds twice as fast as the original model 33 In 2011 the Arrilaser was recognized with an Academy Award of Merit 25 2010 present Edit In 2010 the Arri Alexa camera was released The camera had the ability to compress 1080p footage to ProRes QuickTime formats and allowed direct to edit workflows 34 Later models added to the range included the Alexa Plus Alexa Studio and Alexa M which was designed to get the camera closer to the action 35 The Alexa Plus 4 3 like the Alexa Studio allowed the full area of the sensor to be used with anamorphic lenses 36 The 16mm Arriflex 416 camera and Ultra Prime 16 lenses were used in the filming of the 2010 film Black Swan 37 Arri announced a strategic partnership with Zeiss and Fujinon in 2010 to create new lenses that incorporated enhanced electronic lens data transfer in order to simplify visual effects workflows in postproduction 38 39 The Arri Fujinon Alura Zooms were released that same year while the Arri Zeiss Master Anamorphic lens series was released in 2012 40 41 In 2013 Arri created Arri Medical a business unit that utilizes its camera technology for medical purposes 42 Apart from a medical imaging documentation service 43 it has developed a fully digital 3D surgical microscope called the Arriscope 43 The Arri Alexa 65 released in 2014 was used in the filming of The Revenant as well as Mission Impossible Rogue Nation and Star Wars Rogue One 44 The Arri Amira camera was also released in 2014 22 In 2015 four of the five nominees for the cinematography category of the Academy Awards were filmed using the Arri Alexa 45 Arri s subsidiary postproduction and creative services company Arri Film amp TV was renamed Arri Media in 2015 as part of a company restructuring 46 At NAB 2015 the SkyPanel LED fixtures were introduced by Arri The SC60 and the SC30 have a full color tunable LED option 47 In April 2016 Arri acquired the Artemis camera stabilizer systems developed by Curt O Schaller from Sachtler Vitec Videocom 48 49 As a result Arri became the exclusive seller of Artemis Trinity stabilizers 50 At NAB 2016 Arri unveiled its version of the Trinity system 51 Awards EditAcademy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold amp Richter KG ARRIFLEX 35mm 1966Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Joachim Gerb and Erich Kastner of the Arnold amp Richter Company ARRIFLEX 35BL 1973Academy Award of Merit August Arnold and Erich Kastner of Arnold amp Richter GmbH The concept and engineering of the first operational 35mm handheld spinning mirror reflex motion picture camera 1982Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Carl Zeiss Company and Arnold amp Richter Zeiss high speed 35mm motion picture camera lenses 1987Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold amp Richter engineer Otto Blaschek and Arriflex Corporation ARRIFLEX 35 III 1988Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Engineering Department of Arnold amp Richter ARRIFLEX 35BL 4S 1990Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold amp Richter Otto Blaschek and the Engineering Department of ARRI Austria ARRIFLEX 765 1992Gordon E Sawyer Academy Award Erich Kastner Chief Design Engineer at Arnold amp Richter from 1932 to 1982 Technical contributions to the industry 1992Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold amp Richter Cine Technik The development of the ARRIFLEX 535 series of cameras 1995Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold amp Richter Cine Technik and ARRI USA Inc ARRIFLEX 435 1998Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Arnold amp Richter Cine Technik and Carl Zeiss Company ARRI ZEISS Variable Prime lenses 1998Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Franz Kraus Johannes Steurer and Wolfgang Riedel ARRILASER film recorder 2001Television Academy of Arts and Sciences Emmy Award Arri Over 50 years of outstanding achievement in engineering development 2002Academy of Motion Picture Arts and Sciences Academy Award of Merit Arnold amp Richter Cine Technik and Panavision Continuing development and innovation in the design and manufacturing of advanced camera systems 2002Academy of Motion Picture Arts and Sciences Scientific and Technical Award Klemens Kehrer Josef Handler Thomas Smidek and Marc Shipman Mueller ARRIFLEX 235 2006Academy of Motion Picture Arts and Sciences Scientific and Technical Award Walter Trauninger and Ernest Tschida ARRI WRC wireless remote lens control system 2006Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Erwin Melzner Volker Schumacher and Timo Mueller ARRIMAX 18 12 lighting fixture 2008Academy of Motion Picture Arts and Sciences Scientific and Engineering Award Michael Cieslinski Dr Reimar Lenz and Bernd Brauner ARRISCAN film scanner 2009Academy of Motion Picture Arts and Sciences Scientific and Technical Award Juergen Noffke and Uwe Weber ARRI ZEISS Master Prime lenses 2011Academy of Motion Picture Arts and Sciences Scientific and Technical Award Franz Kraus Johannes Steurer Wolfgang Riedel ARRILASER film recorder 2011Academy of Motion Picture Arts and Sciences Scientific and Technical Award Arri ALEXA camera system 52 2017Deutscher Filmpreis Lola Arri Special honor for extraordinary technical achievement 53 2017Television Academy of Arts and Sciences Emmy Award Arri ALEXA camera system 54 2017Products EditCamera linesKinarri 35 1924 Kinarri 16 1928 Arriflex 35 1937 Arriflex 35 II 1946 Arriflex 16ST 1952 Arriflex 16M 1960 Arriflex 35 IIC 1963 Arriflex 16BL 1965 Arritechno 35 1970 Arriflex 35BL 1972 Arriflex 16SR 1975 Arriflex 35BL II 1975 Arriflex 35BL III 1980 Arriflex 35 IIIC 1982 Arriflex 16SR2 1982 Arriflex 35BL 4 1986 Arriflex 35BL 4S 1988 Arriflex 765 1989 Arriflex 535 1990 Arriflex 535 B 1992 Arriflex 16SR 3 1992 Arriflex 435 1994 Arriflex 435 ES 1995 Arricam Studio and Lite 2000 Arriflex 235 2003 Arriflex D 20 21 2003 2008 Arriflex 416 2006 Arri Alexa 2010 Arri Amira 2013 Arri Alexa 65 2014 Arri Alexa Mini 2015 Arri Alexa SXT 2016 Arri Alexa LF 2018 Arri Alexa Mini LF 2019 Arri Alexa 35 2022 LightingArri Fresnel 1937 Arri Gigant 1952 Arrisonne 2000 1972 Arri Apollo 1979 Arri Studio 1988 Arri Compact Daylight 1991 Arrisun 40 25 1992 Arrilux Pocket PAR 1996 ARRIMAX 18 12 2005 Arri M40 2011 Arri L7 LED Fresnel 2011 Arri SkyPanel S60 C 2015 Arri SkyPanel S120 C Arri SkyPanel S360 C Arri SkyPanel S30 C Arri Orbiter 2019 Stellar Lighting Control AppCamera stabilizersartemis Maxima Stabilizer 48 49 artemis Trinity 48 49 Film recorderArrilaser film recorder used for film out citation needed Film scannerArriscan citation needed Corporate espionage EditIn 2011 it was alleged that Michael Bravin an executive of the US based subsidiary Arri Inc had unlawfully accessed a rival company email account A suit was brought before a US court and in September 2011 Bravin entered a guilty plea 55 56 Arri Inc denied knowledge or gains from Bravin s actions 57 and a separate lawsuit against the company was dropped as a result of an out of court settlement 58 See also EditCarl Zeiss AG Panavision Red Digital Cinema Comparison of movie camerasReferences Edit ARRI weltmarktfuehrerindex de WMF Retrieved 12 August 2021 About ARRI arri com ARRI Retrieved 19 March 2019 Arri s Second Century ASC Mag Retrieved May 10 2018 Simon Hermann Hidden Champions of the 21st Century Success Strategies of Unknown World Market Leaders London Springer 2009 ISBN 978 0 387 98147 5 Evan Luzi July 2 2010 Arri Alexa Pace 3D System Steadicam Rig For Hugo and Transformers 3 The Black and Blue Retrieved September 20 2016 Jack Picone November 26 2014 Best Cinematography Looking At Life of Pi New York Film Academy Retrieved September 20 2016 Which Cameras Were Used on the Oscar Nominated films of 2014 Hint It s a Small List No Film School January 20 2014 Retrieved September 20 2016 Which Cameras Were Used on the Oscar Nominated Films of 2015 No Film School February 17 2015 Retrieved September 20 2016 Karen Idelson February 18 2016 Arri Alexa 65 From Landscapes to Rom Coms the Camera That s Won Over Lensers Variety Retrieved September 20 2016 ARRI Group CNBC November 3 2014 Retrieved September 19 2016 a b About Arriflex Calkovsky Cinema Worldwide Leitner David 1 October 2010 Bridging past and present Filmmaker dead link Birchard Robert 1 June 2008 90 years of precision American Cinematographer dead link Norris Pope February 15 2013 Chronicle of a Camera The Arriflex 35 in North America 1945 1972 University Press of Mississippi John Ellis Nick Hall 2018 04 11 ADAPT Figshare doi 10 17637 rh c 3925603 v2 Camera Profile ARRIFLEX 16S Series Cinema Technic 23 February 2016 Retrieved September 20 2016 The History of 16 MM Film and the Arriflex 16 S Camera New York Film Academy 2009 04 10 Retrieved September 20 2016 Camera Profiles Arriflex 16BL CinemaTechnic 23 February 2016 Retrieved July 6 2016 Camera Profiles ARRI ARRIFLEX 35BL Series Cinema Technic 23 February 2016 Retrieved September 20 2016 Camera Profiles Arri 16SR series Cinema Technic 23 February 2016 Retrieved September 20 2016 Alexander Felsenberg 1989 Interview With Otto Blaschek In 70mm Retrieved September 20 2016 a b Modern Motion Picture Cameras IEC Retrieved September 20 2016 Instruction Manual PDF CBADOC Retrieved September 20 2016 permanent dead link Lens Profiles Arri Zeiss Ultra Prime Lenses Cinema Technic 23 February 2016 Retrieved September 19 2016 a b Debra Kaufman The Academy Award of Merit goes to the ARRILASER Film Recorder Creative Cow Retrieved September 19 2016 Eric J Olson December 22 1998 Digital Domain tests new laser recorder Variety Retrieved September 19 2016 ARRI D 20 Broadcast Store Retrieved July 6 2016 Arriscan To Arrive Summer 2004 Creative Planet February 14 2012 Retrieved September 20 2016 2009 82nd Oscars Awards Database Retrieved July 6 2016 permanent dead link The SciTech Award Goes to ARRI Zeiss Maser Prime Lenses for Motion Picture Photography Creative Cow Retrieved September 20 2016 Jon Fauer December 5 2010 Zeiss Book Film And Digital Times Retrieved September 20 2016 Master Prime Family Grows Wider and Longer To 411 Daily August 30 2007 Retrieved September 20 2016 Arri delivers Arrilaser 2 film recorder Post Magazine July 1 2009 Retrieved September 20 2016 Chad Mumm April 7 2010 ARRI s ALEXA busts out native ProRes recording plans for RED smiting Engadget Retrieved September 20 2016 Michael Murie May 16 2012 Unusual Camera Moves With the Alexa M Film Maker Magazine Retrieved September 20 2016 Bryant Frazer April 26 2012 ARRI Announces ALEXA Plus 4 3 Studio Daily Retrieved September 20 2016 Stephen Pizzello Danse Macabre The American Society of Cinematographers Retrieved September 20 2016 ARRI Zeiss and Fujinon Announce Partnership PLSN April 14 2010 Retrieved September 19 2016 permanent dead link Three Major Lens Manufacturers Announce Partnership Definition Magazine April 19 2010 Retrieved September 19 2016 Arri Fujinon Alura The Net Generation of Zooms Studio Daily April 12 2010 Retrieved July 6 2016 CinemaTechnic Lens Profiles ARRI Zeiss Master Anamorphic Lenses Cinema Technic 23 February 2016 Retrieved July 6 2016 Official website of Arri Medical 10 May 2013 Retrieved 28 May 2013 a b Arri Medical Service 10 May 2013 Retrieved 28 May 2013 Karen Idelson February 18 2016 Arri Alexa 65 From Landscapes to Rom Coms the Camera That s Won Over Lensers Variety Retrieved September 20 2016 Carolyn Giardina February 18 2015 Oscars ARRI Alexa Camera of Choice for Nominees Kodak Holds Its Own The Hollywood Reporter Retrieved September 20 2016 ARRI Film amp TV Becomes ARRI Media Sound amp Picture May 26 2015 Retrieved September 20 2016 Matthew Allard May 18 2016 Hands on with the Arri SkyPanels a single operator s perspective News Shooter Retrieved September 20 2016 a b c Curt O Schaller artemis developer schaller media de Retrieved 19 May 2016 a b c ARRI Debuts Final Version of Trinity Stabilizer and Maxima Gimbal Studio Daily 6 May 2016 Retrieved 19 May 2016 Michael Maher April 20 2016 NAB 2016 ARRI Purchases the Artemis Trinity Announces New Lenses and More The Beat Retrieved September 19 2016 ARRI Get Into The Camera Stabilisation Business Definition Magazine Retrieved September 19 2016 Innovation Celebrated at the Academy s 2017 Sci Tech Awards 12 February 2017 Lolas Toni Erdmann Dominates German Film Awards The Hollywood Reporter 28 April 2017 ARRI Canon Among Engineering Emmy Recipients The Hollywood Reporter 28 September 2017 Former ARRI exec pleads guilty to hacking into rival CEO s e mail account faces jail time Engadget September 23 2011 Guilty Plea Rocks Hollywood Camera Biz Deadlinen September 2011 Camera maker Arri denies rival s espionage claims Variety February 14 2012 Retrieved September 19 2016 RED vs ARRI Lawsuit Settled SCRI International Retrieved September 19 2016 External links EditOfficial website Arri s cameras histories in CinemaTechnic website Reviews D 20 amp D 21 on The Reel Show Arriflex 16 S operating instructions PDF Discussion and demonstration of the Arriflex ST 16mm film camera by ex BBC cameramen Brian Tufano and David Whitson 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