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Antoine de Léris

Antoine de Léris (Mont-Louis, Roussillon, 28 February 1723 — 1795[1]) was a French journalist and drama critic of the 18th century and a historian of the French theatre, author of the Dictionnaire portatif historique et littéraire des théâtres, contenant l'origine des differens théâtres de Paris, ("Portable historical and literary dictionary of theatres, containing the origins of the various theatres of Paris"), published without the author's name on the title page by Jombert in Paris in 1754.The corrected and augmented second edition, 1763, is a standard work of theatre history,[2] a "library" of information.[3] "Léris is accounted by many commentators very nearly the equal of François and Claude Parfaict when it comes to painstaking accuracy and responsible commentary," William Brooks observes.[4]

Antoine de Léris supported himself as a man of letters with a sinecure purchased at the Chambre des comptes, as premier huissier ("first usher").[5] Collaborating with abbé Marc-Antoine Laugier[6] and Antoine Jacques Labbet, abbé de Morambert, he edited the first French review of music,[7] Sentiment d'un harmonophile sur différents ouvrages de musique ("Views of a lover of harmony on different works of music") "Amsterdam", i.e. Paris:Jombert, 1756.[8]

Léris has been credited as the anonymous author of La géographie rendu aisée, ou traitée méthodique pour apprendre la géographie ("Geography rendered easy, or methodical treaty for learning geography"), Paris, 1753.[9]

He also took part in Après-soupers de la campagne ou, Recueil d'Histoires courrantes et amusantes ("Country after-dinner evenings, or collection of current and amusing tales"), 1759 and 1764.[10] Friedrich Melchior Grimm didn't think much of the second collection: "The author claims that the public received his work with indulgence. If perfect oblivion may so be called, the author is right to be grateful".[11]

Notes edit

  1. ^ Dates in Dictionnaire universel, historique, critique et bibliographique, s.v. "Léris (Antoine de)" and in comte d'Haussonville, La duchesse de Bourgogne et l'alliance savoyarde sous Louis XIV, 1901, vol. 2:95 note 3
  2. ^ Searchable on-line text 2008-09-19 at the Wayback Machine.
  3. ^ Philippe Vendrix, Aux origines d'une discipline historique: la musique et son histoire en France, overview of the primary sources in the form of catalogues and dictionaries, 1993:309ff, Léris noted p. 311; see also Anne-Marie Chouillet, François Moureau and Jean Balcou, Dictionnaire des journalistes (1600-1789), 1980:134.
  4. ^ Brooks, "Decrypting the chronology of early French opera" in Philip Tomlinson, ed. French "Classical" Theatre Today: teaching, research, performance 2001:46.
  5. ^ François-Joseph Fétis, Biographie universelle des musiciens, s.v. "Léris, (Antoine de)".
  6. ^ According to Joseph-Marie Quérard, France littéraire, vol. 5:205; the roles of Léris and Morambert were doubted by Fétis, Biographie universelle des musiciens.
  7. ^ Das erste in Frankreigh veröffentlichte Musik-Journal (Wilhelm Freystätter, Die musikalischen zeitschriften seit ihrer entstehung bis zur gegenwart 1884:15f).
  8. ^ Noted in Max Graf, Composer and critic: two hundred years of musical criticism, 1946:164, and in Caroline Wood and Graham Sadler, French Baroque opera: a reader 2000:117; Sentiment d'un harmonophile was reprinted , Geneva:Minkoff, 1972.
  9. ^ Ascribed to Léris in Father P. C. Sommervogel and father P. C. Sommervogel (S.J.), Table méthodique des mémoires de Trévoux (1701-1775) vol.2 1865:161, under cat. no. 6857 and in Ricardo Victorica and José Toribio Medina, Errores y omisiones del Diccionario de anónimos y seudónimos 1928:186.
  10. ^ Dictionnaire universel
  11. ^ L'auteur prétend que le public reçut alors son ouvrage avec indulgence. Si le parfait oubli peut s'appeler ainsi, l'auteur a raison d'être reconnaissant (Grimm, Correspondance littéraire, philosophique et critique February 1763).

antoine, léris, mont, louis, roussillon, february, 1723, 1795, french, journalist, drama, critic, 18th, century, historian, french, theatre, author, dictionnaire, portatif, historique, littéraire, théâtres, contenant, origine, differens, théâtres, paris, porta. Antoine de Leris Mont Louis Roussillon 28 February 1723 1795 1 was a French journalist and drama critic of the 18th century and a historian of the French theatre author of the Dictionnaire portatif historique et litteraire des theatres contenant l origine des differens theatres de Paris Portable historical and literary dictionary of theatres containing the origins of the various theatres of Paris published without the author s name on the title page by Jombert in Paris in 1754 The corrected and augmented second edition 1763 is a standard work of theatre history 2 a library of information 3 Leris is accounted by many commentators very nearly the equal of Francois and Claude Parfaict when it comes to painstaking accuracy and responsible commentary William Brooks observes 4 Antoine de Leris supported himself as a man of letters with a sinecure purchased at the Chambre des comptes as premier huissier first usher 5 Collaborating with abbe Marc Antoine Laugier 6 and Antoine Jacques Labbet abbe de Morambert he edited the first French review of music 7 Sentiment d un harmonophile sur differents ouvrages de musique Views of a lover of harmony on different works of music Amsterdam i e Paris Jombert 1756 8 Leris has been credited as the anonymous author of La geographie rendu aisee ou traitee methodique pour apprendre la geographie Geography rendered easy or methodical treaty for learning geography Paris 1753 9 He also took part in Apres soupers de la campagne ou Recueil d Histoires courrantes et amusantes Country after dinner evenings or collection of current and amusing tales 1759 and 1764 10 Friedrich Melchior Grimm didn t think much of the second collection The author claims that the public received his work with indulgence If perfect oblivion may so be called the author is right to be grateful 11 Notes edit Dates in Dictionnaire universel historique critique et bibliographique s v Leris Antoine de and in comte d Haussonville La duchesse de Bourgogne et l alliance savoyarde sous Louis XIV 1901 vol 2 95 note 3 Searchable on line text Archived 2008 09 19 at the Wayback Machine Philippe Vendrix Aux origines d une discipline historique la musique et son histoire en France overview of the primary sources in the form of catalogues and dictionaries 1993 309ff Leris noted p 311 see also Anne Marie Chouillet Francois Moureau and Jean Balcou Dictionnaire des journalistes 1600 1789 1980 134 Brooks Decrypting the chronology of early French opera in Philip Tomlinson ed French Classical Theatre Today teaching research performance 2001 46 Francois Joseph Fetis Biographie universelle des musiciens s v Leris Antoine de According to Joseph Marie Querard France litteraire vol 5 205 the roles of Leris and Morambert were doubted by Fetis Biographie universelle des musiciens Das erste in Frankreigh veroffentlichte Musik Journal Wilhelm Freystatter Die musikalischen zeitschriften seit ihrer entstehung bis zur gegenwart 1884 15f Noted in Max Graf Composer and critic two hundred years of musical criticism 1946 164 and in Caroline Wood and Graham Sadler French Baroque opera a reader 2000 117 Sentiment d un harmonophile was reprinted Geneva Minkoff 1972 Ascribed to Leris in Father P C Sommervogel and father P C Sommervogel S J Table methodique des memoires de Trevoux 1701 1775 vol 2 1865 161 under cat no 6857 and in Ricardo Victorica and Jose Toribio Medina Errores y omisiones del Diccionario de anonimos y seudonimos 1928 186 Dictionnaire universel L auteur pretend que le public recut alors son ouvrage avec indulgence Si le parfait oubli peut s appeler ainsi l auteur a raison d etre reconnaissant Grimm Correspondance litteraire philosophique et critique February 1763 Retrieved from https en wikipedia org w index php title Antoine de Leris amp oldid 1093879982, wikipedia, wiki, book, books, library,

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