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Adelaide di Guesclino


Adelaide di Guesclino is an opera (dramma di sentimento) in two acts composed by Simon Mayr. The Italian libretto by Gaetano Rossi is based on Voltaire's 1734 play Adélaïde du Guesclin. The opera premiered at La Fenice in Venice on 1 May 1799 with Caterina Angiolini in the title role.

Background and performance history

Adelaide di Guesclino premiered on 1 May 1799 at La Fenice in a production designed by Nicola Pellandi and was coupled with the premiere of Giuseppe Antonio Capuzzi's ballet Clotilde.[1] It was Mayr's fifth opera to premiere at La Fenice. Voltaire's play Adélaïde du Guesclin, on which Gaetano Rossi based the libretto, was Voltaire's first play to use French historical characters as protagonists, although the actual plot was entirely of his own invention. He wrote in a letter some months before the play's premiere, "I have packed in as much I could of love, jealousy, fury, propriety, probity, and grandeur of soul."[2]

Although forgotten now, Mayr's operatic version was very successful in its day.[3] In the years following its premiere it was performed in several Italian cities, including Verona, Modena, Pisa, and Sienna (sometimes titled Carlo duca di Vandomo o sia L'Adelaide or simply Adelaide). The 1808 performance in Siena marked the stage debut of the tenor Giovanni David, whose father and teacher Giacomo David was also in the cast. Outside of Italy, the opera was performed in the original Italian in Vienna and Prague in 1802, in Dresden in 1807, and in Amsterdam in 1817. It was also performed in German as Adelheid von Guesclin in several German cities between 1804 and 1819.

Roles

Roles, voice types, premiere cast
Role Voice type Premiere cast, 1 May 1799[1]
Carlo, Duke of Vendôme tenor Domenico Mombelli
Ernesto, Duke of Nemours, Carlo's brother tenor Bonaventura Palazzi
Adelaide di Guesclino soprano Caterina Angiolini
Soffia, confidante of Adelaide soprano Rosa Chiener
Couci, Carlo's friend bass Giuseppe Cocchi
Mongal, officer in the service of Carlo tenor Giuseppe Bertani
Dangeste, friend and confidant of Ernesto bass Giovanni Battista Zanardi
Nobles, soldiers, common people

Synopsis

The story is set in Brittany during the Hundred Years' War. Carlo, the Duke of Vendôme is an ally of the English and Edward III, while his brother, Ernesto, Duke of Nemours, is an ally of the Dauphin of France. Ernesto and Adelaide di Guesclino, a Breton noblewoman, are in love, but Carlo is also in love with her. In a rage of jealousy, he orders Ernesto to be killed. In the opera's climax Carlo is overcome by remorse, but then discovers to his joy that his orders have not been carried out.[2][3]

References

  1. ^ a b Casaglia, Gherardo (2005). "Adelaide di Guesclino, 1 May 1799". L'Almanacco di Gherardo Casaglia (in Italian).
  2. ^ a b Carlson, Marvin A. (1998). Voltaire and the Theatre of the Eighteenth Century, pp. 46-47. Greenwood Publishing Group
  3. ^ a b Institut et musée Voltaire, (1986). Studies on Voltaire and the Eighteenth Century, vol. 241, p. 150

adelaide, guesclino, opera, dramma, sentimento, acts, composed, simon, mayr, italian, libretto, gaetano, rossi, based, voltaire, 1734, play, adélaïde, guesclin, opera, premiered, fenice, venice, 1799, with, caterina, angiolini, title, role, contents, backgroun. Adelaide di Guesclino is an opera dramma di sentimento in two acts composed by Simon Mayr The Italian libretto by Gaetano Rossi is based on Voltaire s 1734 play Adelaide du Guesclin The opera premiered at La Fenice in Venice on 1 May 1799 with Caterina Angiolini in the title role Contents 1 Background and performance history 2 Roles 3 Synopsis 4 ReferencesBackground and performance history EditAdelaide di Guesclino premiered on 1 May 1799 at La Fenice in a production designed by Nicola Pellandi and was coupled with the premiere of Giuseppe Antonio Capuzzi s ballet Clotilde 1 It was Mayr s fifth opera to premiere at La Fenice Voltaire s play Adelaide du Guesclin on which Gaetano Rossi based the libretto was Voltaire s first play to use French historical characters as protagonists although the actual plot was entirely of his own invention He wrote in a letter some months before the play s premiere I have packed in as much I could of love jealousy fury propriety probity and grandeur of soul 2 Although forgotten now Mayr s operatic version was very successful in its day 3 In the years following its premiere it was performed in several Italian cities including Verona Modena Pisa and Sienna sometimes titled Carlo duca di Vandomo o sia L Adelaide or simply Adelaide The 1808 performance in Siena marked the stage debut of the tenor Giovanni David whose father and teacher Giacomo David was also in the cast Outside of Italy the opera was performed in the original Italian in Vienna and Prague in 1802 in Dresden in 1807 and in Amsterdam in 1817 It was also performed in German as Adelheid von Guesclin in several German cities between 1804 and 1819 Roles EditRoles voice types premiere cast Role Voice type Premiere cast 1 May 1799 1 Carlo Duke of Vendome tenor Domenico MombelliErnesto Duke of Nemours Carlo s brother tenor Bonaventura PalazziAdelaide di Guesclino soprano Caterina AngioliniSoffia confidante of Adelaide soprano Rosa ChienerCouci Carlo s friend bass Giuseppe CocchiMongal officer in the service of Carlo tenor Giuseppe BertaniDangeste friend and confidant of Ernesto bass Giovanni Battista ZanardiNobles soldiers common peopleSynopsis EditThe story is set in Brittany during the Hundred Years War Carlo the Duke of Vendome is an ally of the English and Edward III while his brother Ernesto Duke of Nemours is an ally of the Dauphin of France Ernesto and Adelaide di Guesclino a Breton noblewoman are in love but Carlo is also in love with her In a rage of jealousy he orders Ernesto to be killed In the opera s climax Carlo is overcome by remorse but then discovers to his joy that his orders have not been carried out 2 3 References Edit a b Casaglia Gherardo 2005 Adelaide di Guesclino 1 May 1799 L Almanacco di Gherardo Casaglia in Italian a b Carlson Marvin A 1998 Voltaire and the Theatre of the Eighteenth Century pp 46 47 Greenwood Publishing Group a b Institut et musee Voltaire 1986 Studies on Voltaire and the Eighteenth Century vol 241 p 150 Portal Opera Retrieved from https en wikipedia org w index php title Adelaide di Guesclino amp oldid 1085733233, wikipedia, wiki, book, books, library,

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