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A Treatise on Painting

A Treatise on Painting (Trattato della pittura) is a collection of Leonardo da Vinci's writings entered in his notebooks under the general heading "On Painting". The manuscripts were begun in Milan while Leonardo was under the service of Ludovico Sforza and gathered together by his heir Francesco Melzi. An abridged version of the treatise was first published in France in 1651. After Melzi's manuscript was rediscovered in the Vatican Library, the treatise was published in its modern form in 1817.

A Treatise on Painting (Trattato della pittura), 1651

Content Edit

The main aim of the treatise was to argue that painting was a science.[1][2] Leonardo's keen observation of expression and character is evidenced in his comparison of laughing and weeping, about which he notes that the only difference between the two emotions in terms of the "motion of the [facial] features" is "the ruffling of the brows, which is added in weeping, but more elevated and extended in laughing."[3]

This manuscript contains the famous branching rule:

All the branches of a tree at every stage of its height when put together are equal in thickness to the trunk [below them].[4]

History Edit

The manuscripts were begun in Milan while Leonardo was under the service of Ludovico Sforza (between 1482 and 1499), being worked on substantially for the last 25 years of Leonardo's life.[5] The works later published in this collection drew from writing of Leon Battista Alberti and Cennino Cennini. Upon Leonardo's death, he left his notebooks to his pupil and heir Francesco Melzi[6] to be published, a task of overwhelming difficulty because of its scope and Leonardo's idiosyncratic writing.[7] Sometime before 1542,[citation needed] Melzi gathered together the papers for A Treatise on Painting from 18 of Leonardo's "books" (two-thirds of which have gone missing).[8] After Melzi's death in 1570, the collection passed to his son, the lawyer Orazio, who initially took little interest in the journals,[6] but they were later dispersed.[9][10]

It was printed in an abridged form in French and Italian as Trattato della pittura by Raffaelo du Fresne in 1651. After Melzi's version was rediscovered in the Vatican Library, the treatise was first published in its modern form in 1817.[11]

In 1937, Max Ernst wrote in Cahiers d'Art that Leonardo's advice on the studying of stains on walls caused him an "unbearable visual obsession".[11]

All editions of the treatise are kept at the Elmer Belt Library of Vinciana at UCLA.[12]

See also Edit

References Edit

  1. ^ "Science: Science of Painting". Britannica. Retrieved 2013-05-06.
  2. ^ Clement Greenberg; John O'Brian (June 1995). The Collected Essays and Criticism: Affirmations and refusals, 1950-1956. p. 259. ISBN 9780226306230. Retrieved 2013-05-06.
  3. ^ Chapter CLXXII, trans. Rigaud. https://archive.org/details/davincionpainting00leon
  4. ^ Richter, Jean Paul, ed. (1970) [1880]. The Notebooks of Leonardo da Vinci. Dover. ISBN 0-486-22572-0. Retrieved 2007-02-04.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^ Wallace 1972, pp. 57, 169.
  6. ^ a b Wallace 1972, p. 169.
  7. ^ Keele, Kenneth D. (1964). "Leonardo da Vinci's Influence on Renaissance Anatomy". Med Hist. 8 (4): 360–70. doi:10.1017/s0025727300029835. PMC 1033412. PMID 14230140.
  8. ^ Wallace 1972, p. 170.
  9. ^ Major, Richard Henry (1866). Archaeologia: Or Miscellaneous Tracts Relating to Antiquity, Volume 40, Part 1. London: The Society. pp. 15–16.
  10. ^ Calder, Ritchie (1970). Leonardo & the Age of the Eye. New York, NY: Simon and Schuster. p. 275.
  11. ^ a b Wallace 1972, p. 171.
  12. ^ . UCLA Library. Archived from the original on 8 May 2020. Retrieved 5 June 2019.

Sources Edit

  • Wallace, Robert (1972) [1966]. The World of Leonardo: 1452–1519. New York: Time-Life Books.

Further reading Edit

  • Leonardo da Vinci, Treatise on Painting, [Codex Urbinas Latinus], translated and annotated by P. Philip McMahon, Princeton University Press 1956

External links Edit

  • Leonardo Da Vinci, A treatise on painting, full text, archive.org
  • Leonardo Da Vinci and His Treatise on Painting
  • Google Books: Treatise on Painting
  • Leonardo Da Vinci's Treatise of Painting: The Story of The World's Greatest Treatise on Painting - Its Origins, History, Content, And Influence

treatise, painting, trattato, della, pittura, collection, leonardo, vinci, writings, entered, notebooks, under, general, heading, painting, manuscripts, were, begun, milan, while, leonardo, under, service, ludovico, sforza, gathered, together, heir, francesco,. A Treatise on Painting Trattato della pittura is a collection of Leonardo da Vinci s writings entered in his notebooks under the general heading On Painting The manuscripts were begun in Milan while Leonardo was under the service of Ludovico Sforza and gathered together by his heir Francesco Melzi An abridged version of the treatise was first published in France in 1651 After Melzi s manuscript was rediscovered in the Vatican Library the treatise was published in its modern form in 1817 A Treatise on Painting Trattato della pittura 1651 Contents 1 Content 2 History 3 See also 4 References 4 1 Sources 5 Further reading 6 External linksContent EditThe main aim of the treatise was to argue that painting was a science 1 2 Leonardo s keen observation of expression and character is evidenced in his comparison of laughing and weeping about which he notes that the only difference between the two emotions in terms of the motion of the facial features is the ruffling of the brows which is added in weeping but more elevated and extended in laughing 3 This manuscript contains the famous branching rule All the branches of a tree at every stage of its height when put together are equal in thickness to the trunk below them 4 History EditThe manuscripts were begun in Milan while Leonardo was under the service of Ludovico Sforza between 1482 and 1499 being worked on substantially for the last 25 years of Leonardo s life 5 The works later published in this collection drew from writing of Leon Battista Alberti and Cennino Cennini Upon Leonardo s death he left his notebooks to his pupil and heir Francesco Melzi 6 to be published a task of overwhelming difficulty because of its scope and Leonardo s idiosyncratic writing 7 Sometime before 1542 citation needed Melzi gathered together the papers for A Treatise on Painting from 18 of Leonardo s books two thirds of which have gone missing 8 After Melzi s death in 1570 the collection passed to his son the lawyer Orazio who initially took little interest in the journals 6 but they were later dispersed 9 10 It was printed in an abridged form in French and Italian as Trattato della pittura by Raffaelo du Fresne in 1651 After Melzi s version was rediscovered in the Vatican Library the treatise was first published in its modern form in 1817 11 In 1937 Max Ernst wrote in Cahiers d Art that Leonardo s advice on the studying of stains on walls caused him an unbearable visual obsession 11 All editions of the treatise are kept at the Elmer Belt Library of Vinciana at UCLA 12 See also EditList of works by Leonardo da VinciReferences Edit Science Science of Painting Britannica Retrieved 2013 05 06 Clement Greenberg John O Brian June 1995 The Collected Essays and Criticism Affirmations and refusals 1950 1956 p 259 ISBN 9780226306230 Retrieved 2013 05 06 Chapter CLXXII trans Rigaud https archive org details davincionpainting00leon Richter Jean Paul ed 1970 1880 The Notebooks of Leonardo da Vinci Dover ISBN 0 486 22572 0 Retrieved 2007 02 04 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Wallace 1972 pp 57 169 a b Wallace 1972 p 169 Keele Kenneth D 1964 Leonardo da Vinci s Influence on Renaissance Anatomy Med Hist 8 4 360 70 doi 10 1017 s0025727300029835 PMC 1033412 PMID 14230140 Wallace 1972 p 170 Major Richard Henry 1866 Archaeologia Or Miscellaneous Tracts Relating to Antiquity Volume 40 Part 1 London The Society pp 15 16 Calder Ritchie 1970 Leonardo amp the Age of the Eye New York NY Simon and Schuster p 275 a b Wallace 1972 p 171 UCLA Library UCLA Library Archived from the original on 8 May 2020 Retrieved 5 June 2019 Sources Edit Wallace Robert 1972 1966 The World of Leonardo 1452 1519 New York Time Life Books Further reading EditLeonardo da Vinci Treatise on Painting Codex Urbinas Latinus translated and annotated by P Philip McMahon Princeton University Press 1956External links Edit nbsp Wikimedia Commons has media related to Trattato della Pittura nbsp Wikisource has original text related to this article A Treatise on Painting Leonardo Da Vinci A treatise on painting full text archive org Leonardo Da Vinci and His Treatise on Painting Google Books Treatise on Painting Leonardo Da Vinci s Treatise of Painting The Story of The World s Greatest Treatise on Painting Its Origins History Content And Influence Retrieved from https en wikipedia org w index php title A Treatise on Painting amp oldid 1167465791, wikipedia, wiki, book, books, library,

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