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Tragédie en musique

Tragédie en musique (French: [tʁaʒedi ɑ̃ myzik], musical tragedy), also known as tragédie lyrique (French: [tʁaʒedi liʁik], lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard tragédie en musique has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of Louis XIV, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (petits airs), in which the main business of the plot occurs. Each act traditionally ends with a divertissement, offering great opportunities for the chorus and the ballet troupe. Composers sometimes changed the order of these features in an act for dramatic reasons.

Notable examples of the genre

Apart from Lully, the most considerable writer of tragédies en musique is Rameau, whose five works in the form are considered the culminating masterpieces of the genre. The Viking Opera Guide refers to Marc-Antoine Charpentier's tragédie Médée as "arguably the finest French opera of the seventeenth century". In the eighteenth century, Jean-Marie Leclair's lone tragédie Scylla et Glaucus has been similarly praised. Other highly esteemed exponents are André Campra (Tancrède, Idoménée), Marin Marais (Alcyone, Sémélé) and Michel Pignolet de Montéclair (Jephté).

List of works in this genre (Baroque era)

Jean-Baptiste Lully

Works by Lully's sons

  • Orphée (1690) (by Louis and Jean-Baptiste the Younger)
  • Alcide (by Louis Lully and Marin Marais)

Paolo Lorenzani

Pascal Collasse

Marc-Antoine Charpentier

Henri Desmarets

Marin Marais

Élisabeth Jacquet de La Guerre

Charles-Hubert Gervais

André Cardinal Destouches

André Campra

Theobaldo di Gatti

Jean-Féry Rebel

François Bouvard

Louis Lacoste

Toussaint Bertin de la Doué

Jean-Baptiste Stuck

Joseph François Salomon

Jean-Baptiste Matho

Jean-Joseph Mouret

François Francoeur and François Rebel

Joseph-Nicolas-Pancrace Royer

Michel Pignolet de Montéclair

Jean-Philippe Rameau

Charles-Louis Mion

François Colin de Blamont

Jean-Marie Leclair

Marquis de Brassac

Antoine Dauvergne

Jean-Benjamin de La Borde

Jean-Joseph de Mondonville

Johann Christian Bach

References

  • Warrack, John and West, Ewan (1992), The Oxford Dictionary of Opera, 782 pages, ISBN 0-19-869164-5

External links

tragédie, musique, french, tʁaʒedi, myzik, musical, tragedy, also, known, tragédie, lyrique, french, tʁaʒedi, liʁik, lyric, tragedy, genre, french, opera, introduced, jean, baptiste, lully, used, followers, until, second, half, eighteenth, century, operas, thi. Tragedie en musique French tʁaʒedi ɑ myzik musical tragedy also known as tragedie lyrique French tʁaʒedi liʁik lyric tragedy is a genre of French opera introduced by Jean Baptiste Lully and used by his followers until the second half of the eighteenth century Operas in this genre are usually based on stories from Classical mythology or the Italian romantic epics of Tasso and Ariosto The stories may not necessarily have a tragic ending in fact most do not but the works atmospheres are suffused throughout with an affect of nobility and stateliness The standard tragedie en musique has five acts Earlier works in the genre were preceded by an allegorical prologue and during the lifetime of Louis XIV these generally celebrated the king s noble qualities and his prowess in war Each of the five acts usually follows a basic pattern opening with an aria in which one of the main characters expresses their feelings followed by dialogue in recitative interspersed with short arias petits airs in which the main business of the plot occurs Each act traditionally ends with a divertissement offering great opportunities for the chorus and the ballet troupe Composers sometimes changed the order of these features in an act for dramatic reasons Contents 1 Notable examples of the genre 2 List of works in this genre Baroque era 2 1 Jean Baptiste Lully 2 2 Works by Lully s sons 2 3 Paolo Lorenzani 2 4 Pascal Collasse 2 5 Marc Antoine Charpentier 2 6 Henri Desmarets 2 7 Marin Marais 2 8 Elisabeth Jacquet de La Guerre 2 9 Charles Hubert Gervais 2 10 Andre Cardinal Destouches 2 11 Andre Campra 2 12 Theobaldo di Gatti 2 13 Jean Fery Rebel 2 14 Francois Bouvard 2 15 Louis Lacoste 2 16 Toussaint Bertin de la Doue 2 17 Jean Baptiste Stuck 2 18 Joseph Francois Salomon 2 19 Jean Baptiste Matho 2 20 Jean Joseph Mouret 2 21 Francois Francoeur and Francois Rebel 2 22 Joseph Nicolas Pancrace Royer 2 23 Michel Pignolet de Monteclair 2 24 Jean Philippe Rameau 2 25 Charles Louis Mion 2 26 Francois Colin de Blamont 2 27 Jean Marie Leclair 2 28 Marquis de Brassac 2 29 Antoine Dauvergne 2 30 Jean Benjamin de La Borde 2 31 Jean Joseph de Mondonville 2 32 Johann Christian Bach 3 References 4 External linksNotable examples of the genre EditApart from Lully the most considerable writer of tragedies en musique is Rameau whose five works in the form are considered the culminating masterpieces of the genre The Viking Opera Guide refers to Marc Antoine Charpentier s tragedie Medee as arguably the finest French opera of the seventeenth century In the eighteenth century Jean Marie Leclair s lone tragedie Scylla et Glaucus has been similarly praised Other highly esteemed exponents are Andre Campra Tancrede Idomenee Marin Marais Alcyone Semele and Michel Pignolet de Monteclair Jephte List of works in this genre Baroque era EditJean Baptiste Lully Edit Cadmus et Hermione 1673 Alceste 1674 Thesee 1675 Atys 1676 Isis 1677 Psyche 1678 Bellerophon 1679 Proserpine 1680 Persee 1682 Phaethon 1683 Amadis 1684 Roland 1685 Armide 1686 Achille et Polyxene 1687 completed by Pascal Collasse Works by Lully s sons Edit Orphee 1690 by Louis and Jean Baptiste the Younger Alcide by Louis Lully and Marin Marais Paolo Lorenzani Edit Oronthee 1688 Pascal Collasse Edit Thetis et Pelee 1689 Enee et Lavinie 1691 Astree 1691 Jason ou La toison d or 1696 Canente 1700 Polyxene et Pirrhus 1706 Marc Antoine Charpentier Edit David et Jonathas 1688 Celse martyr 1687 lost Philomele lost Artaxerse lost Medee 1693 Henri Desmarets Edit Didon 1693 Circe 1694 Theagene et Chariclee 1695 Venus et Adonis 1697 Iphigenie en Tauride 1704 completed by Campra Renaud ou la suite d Armide 1722 Marin Marais Edit Alcide 1693 with Lully s son Louis Ariane et Bacchus 1696 Alcyone 1706 Semele 1709 Elisabeth Jacquet de La Guerre Edit Cephale et Procris 1694 Charles Hubert Gervais Edit Meduse 1697 Hypermnestre 1716 Andre Cardinal Destouches Edit Amadis de Grece 1699 Marthesie reine des Amazones 1699 Omphale 1701 Callirhoe 1712 Telemaque or Telemaque et Calypso 1714 Semiramis 1718 Andre Campra Edit Hesione 1700 Tancrede 1702 Telemaque 1704 Alcine 1705 Hippodamie 1708 Idomenee 1712 Telephe 1713 Camille reine des volsques 1717 Achille et Deidamie 1735 Theobaldo di Gatti Edit Scylla 1701 Jean Fery Rebel Edit Ulysse 1703 Francois Bouvard Edit Medus roi des Medes 1702 Louis Lacoste Edit Philomele 1705 Bradamante 1707 Creuse l athenienne 1712 Telegone 1725 Orion 1728 Biblis 1732 Toussaint Bertin de la Doue Edit Cassandre 1706 with Francois Bouvard Diomede 1710 Ajax 1712 Jean Baptiste Stuck Edit Meleagre 1709 Manto la fee 1711 Polydore 1720 Joseph Francois Salomon Edit Medee et Jason 1713 Theonoe 1715 Jean Baptiste Matho Edit Arion 1714 Jean Joseph Mouret Edit Ariane 1717 Pirithous 1723 Francois Francoeur and Francois Rebel Edit Pirame et Thisbe 1726 Tarsis et Zelie 1728 Scanderberg 1735 Joseph Nicolas Pancrace Royer Edit Pyrrhus 1730 Michel Pignolet de Monteclair Edit Jephte 1732 Jean Philippe Rameau Edit Hippolyte et Aricie 1733 Castor et Pollux 1737 Dardanus 1739 Zoroastre 1749 Les Boreades 1764 Charles Louis Mion Edit Nitetis 1741 Francois Colin de Blamont Edit Jupiter vainqueur des Titans 1745 with Bernard de Bury Jean Marie Leclair Edit Scylla et Glaucus 1746 Marquis de Brassac Edit Leandre et Hero 1750 Antoine Dauvergne Edit Enee et Lavinie 1758 Canente 1760 Hercule mourant 1761 Polixene 1763 Jean Benjamin de La Borde Edit Ismene et Ismenias 1763 Jean Joseph de Mondonville Edit Thesee 1765 Johann Christian Bach Edit Amadis de Gaule J C Bach 1779 References EditWarrack John and West Ewan 1992 The Oxford Dictionary of Opera 782 pages ISBN 0 19 869164 5External links Edit Retrieved from https en wikipedia org w index php title Tragedie en musique amp oldid 1106675591, wikipedia, wiki, book, books, library,

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