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The Motorcycle Diaries (film)

The Motorcycle Diaries (Spanish: Diarios de motocicleta) is a 2004 biopic about the journey and written memoir of the 23-year-old Ernesto Guevara, who would several years later become internationally known as the Marxist guerrilla leader and revolutionary leader Che Guevara. The film recounts the 1952 expedition, initially by motorcycle, across South America by Guevara and his friend Alberto Granado. As well as being a road movie, the film is a coming-of-age film; as the adventure, initially centered on youthful hedonism, unfolds, Guevara discovers himself transformed by his observations on the life of the impoverished indigenous peasantry. Through the characters they encounter on their continental trek, Guevara and Granado witness first hand the injustices that the destitute face and are exposed to people and social classes they would have never encountered otherwise. To their surprise, the road presents to them both a genuine and captivating picture of Latin American identity. As a result, the trip also plants the initial seed of radicalization within Guevara, who would later challenge the continent's endemic economic inequalities and political repression.

Motorcycle Diaries
Theatrical release poster
SpanishDiarios de motocicleta
Directed byWalter Salles
Screenplay byJosé Rivera
Based onThe Motorcycle Diaries
by Che Guevara
Produced byEdgard Tenenbaum
Michael Nozik
Karen Tenkhoff
StarringGael García Bernal
Rodrigo de la Serna
Mía Maestro
CinematographyEric Gautier
Edited byDaniel Rezende
Music byGustavo Santaolalla
Production
companies
Distributed byBuena Vista International (Latin America)
Focus Features (United States)
Pathé Distribution (United Kingdom and France)
Constantin Film (Germany)[1]
Release dates
  • 15 January 2004 (2004-01-15) (Sundance)
  • 19 May 2004 (2004-05-19) (Cannes)
  • 24 September 2004 (2004-09-24) (USA)
Running time
126 minutes[2]
CountriesArgentina
Brazil
United States
Chile
Peru
United Kingdom
Germany
France
LanguagesSpanish
Quechua
BudgetN/A
Box office$57.7 million[1]

The screenplay is based primarily on Guevara's trip diary of the same name, with additional context supplied by Traveling with Che Guevara: The Making of a Revolutionary by Alberto Granado. Guevara is played by Gael García Bernal (who previously played Che in the 2002 miniseries Fidel), and Granado by the Argentine actor Rodrigo de la Serna, who incidentally is a second cousin to the real-life Guevara on his maternal side.[3] Directed by Brazilian director Walter Salles and written by Puerto Rican playwright José Rivera, the film was an international co-production among production companies from Argentina, the United States, Germany, the United Kingdom, Chile, Peru and France. The film's executive producers were Robert Redford, Paul Webster, and Rebecca Yeldham; the producers were Edgard Tenenbaum, Michael Nozik, and Karen Tenkhoff; and the co-producers were Daniel Burman and Diego Dubcovsky.

Plot edit

The Che of The Motorcycle Diaries is more akin to Jack Kerouac or Neal Cassady than Marx or Lenin."

— Paul Webster, executive producer[4]

In 1952, a semester before Ernesto "Fuser" Guevara is due to complete his medical degree, he and his older friend Alberto Granado, a biochemist, leave Buenos Aires to travel across South America. While there is a goal at the end of their journey – they intend to work in a leper colony in Peru – the main purpose is initially fun and adventure. They desire to see as much of Latin America as they can, more than 14,000 kilometres (8,700 mi) in just four and a half months, while Granado's purpose is also to bed as many women as will fall for his pickup lines. Their initial method of transport is Granado's dilapidated Norton 500 motorcycle christened La Poderosa ("The Mighty One").

Their planned route is ambitious, bringing them north across the Andes, along the coast of Chile, through the Atacama Desert and into the Peruvian Amazon in order to reach Venezuela just in time for Granado's 30th birthday on 2 April. However, due to La Poderosa's breakdown, they are forced to travel at a much slower pace, often walking, and do not make it to Caracas until July.

During their expedition, Guevara and Granado encounter the poverty of the indigenous peasants, and the movie assumes a greater seriousness once the men gain a better sense of the disparity between the "haves" (to which they belong) and the obviously exploited "have-nots" (who make up the majority of those they encounter) by travelling on foot. In Chile, for instance, they encounter a penniless and persecuted couple forced onto the road because of their communist beliefs. In a fire-lit scene, Guevara and Granado ashamedly admit to the couple that they are not out looking for work as well. The duo then accompanies the couple to the Chuquicamata copper mine, where Guevara becomes angry at the treatment of the workers.

However, it is a visit to the ancient Incan ruins of Machu Picchu in Peru that solidifies something in Guevara. His musings are then somberly refocused to how an indigenous civilization capable of building such beauty could be destroyed by the creators of the eventually polluted urban decay of nearby Lima.[5]

Later, in Peru, they volunteer for three weeks at the San Pablo leper colony. There, Guevara observes both literally and metaphorically the division of society, as the staff live on the north side of a river, separated from the deprived lepers living across the river to the south. To demonstrate his solidarity, and his medical belief that leprosy is not contagious, Guevara refuses to wear rubber gloves during his visit as the head nun requires, choosing instead to shake bare hands and interact normally with the surprised leper patients.

At the end of the film, after his sojourn at the leper colony, Guevara confirms his nascent egalitarian, revolutionary impulses, while making a birthday toast, which is also his first political speech. In it, he calls for the unification of South America on the basis of the unity of the Mestizo people. These encounters with social injustice transform the way Guevara sees the world and his purposes in it, and by implication motivates his later political activities as a Marxist revolutionary.

Guevara makes his symbolic "final journey" at night when, despite the danger and his asthma, he swims across the river that separates the two societies of the leper colony, to spend the night in a leper shack, instead of in the doctors' cabins. Later, as they bid each other farewell at an airport, Granado reveals that his birthday was not 2 April, but rather 8 August, and that the aforementioned goal was simply a motivator: Guevara replies that he knew all along. The film closes with an appearance by the real 82-year-old Alberto Granado, along with pictures from the actual journey and a brief mention of Che Guevara's eventual 1967 CIA-assisted execution in the Bolivian jungle.

Cast edit

Development edit

The film shows what we were, which was two young men – boys, really – who went looking for adventure and found the truth and tragedy of our homeland.

— Alberto Granado, 2004[6]

Gael García Bernal agreed to reprise his role as young Che Guevara having previously portrayed him in the television film Fidel. To prepare for the role, he went through six months of intense preparation. This groundwork included reading "every biography" about Guevara, traveling to Cuba to speak with Guevara's family, and consulting with Guevara's then still living travel partner Alberto Granado.[7] Despite being in his eighties, Granado was also taken on as an adviser by Salles, and enthusiastically followed the film crew as they retraced his former journey.[8]

Every generation needs a journey story; every generation needs a story about what it is to be transformed by geography, what it is to be transformed by encounters with cultures and people that are alien from yourself, and you know that age group 15 to 25, that's the perfect generation to get on a motorcycle, to hit the road, to put on your backpack and just go out.

José Rivera, screenwriter, NPR[9]

Moreover, García Bernal (who is Mexican) adopted an Argentine accent and spent 14 weeks reading the works of José Martí,[10] Karl Marx and Pablo Neruda (Guevara's favorite poet). García Bernal told reporters "I feel a lot of responsibility. I want to do it well because of what Che represents to the world. He is a Romantic. He had a political consciousness that changed Latin America."[11] According to García Bernal, the role crystallized his "own sense of duty" because Guevara "decided to live on the side of the mistreated, to live on the side of the people who have no justice – and no voice." In surmising the similarities between his transformation and Guevara's, García Bernal posits that "my generation is awakening, and we're discovering a world full of incredible injustice."[10]

Granado later stated that he appreciated the film's effort "to dig beneath the "mythical Che", whose defiant image appears on T-shirts and posters around the world, "to reveal the flawed, flesh-and-blood Ernesto beneath."[6]

Film locales edit

 
The Daily Telegraph remarked that "the scenes at Machu Picchu are worth watching several times over."[12][5]

We were re-enacting a journey that was done 50 years ago, and what's surprising is that the social problems of Latin America are the same. Which is heartbreaking in a way, but it also makes you feel how important it is to tell the story."

In a journey that lasts eight months, the partners travel over 14,000 kilometers (8,700 miles), from Argentina through Chile, Peru, and Colombia to Venezuela. Key locations along the journey described in the film include: in Argentina: Buenos Aires, Miramar, Villa Gesell, San Martín de los Andes, Lago Frías, Patagonia and Nahuel Huapi Lake; in Chile: Temuco, Los Angeles, Valparaíso, the Atacama desert, and Chuquicamata; in Peru: Cuzco, Machu Picchu, Lima, The San Pablo Leper Colony; as well as Leticia, Colombia and Caracas, Venezuela.

Reviewer Nick Cowen of The Daily Telegraph described the scenery as "visually stunning" while remarking that "the cinematography of fog-cloaked mountains, lush, green forests and sunburnt deserts is breathtakingly beautiful enough to serve as a travel advert for the entire continent."[12]

Tourist trails edit

The Observer reported that shortly after the film's release, tour operators in the region received a surge of inquiries, with some of them even offering Che Guevara-themed trips, where travellers could "follow in the footsteps of the revolutionary icon."[14]

The crew filmed in the same San Pablo Leper Colony that Guevara himself had visited. According to Bernal, 85% of the people suffering leprosy in the film were actual lepers, with some of them having lived there when Che and Granado worked at the colony.[7] In fact, when Granado returned with the film crew to the leprosarium of San Pablo, he found some of the people he had treated half a century earlier, remarking that "It was wonderful and amazing that they could still remember me."[8] Granado was also pleased that buildings constructed for the scenes shot at the leprosarium were afterwards used by the patients themselves.[15]

The scene which features Guevara's character swimming across to the other side of the river was filmed during three nights in which Bernal swam across the actual Amazon River.[7]

Soundtrack edit

The score for The Motorcycle Diaries was composed by Gustavo Santaolalla. The film's soundtrack was released on the Deutsche Grammophon label in 2004.

Distribution edit

The film was first presented at the Sundance Film Festival on 15 January 2004. Granado had an invitation to the Sundance premiere, but he was refused an entry Visa by the United States.[8] Later it was featured at the 2004 Cannes Film Festival on 19 May, and Granado was able to attend.[16]

The film later screened at many other film festivals, including: the Auckland International Film Festival, New Zealand; the Copenhagen International Film Festival, Denmark; the Espoo Film Festival, Finland; the Telluride Film Festival, United States; the Toronto International Film Festival, Canada; the Vancouver International Film Festival, Canada; the Celebrating Literature in Cinema Film Festival Frankfurt, Germany; and the Morelia Film Festival, Mexico.[17]

Release dates
  • United States: 15 January 2004 (premiere at Sundance Film Festival)
  • France: 7 July 2004
  • Argentina: 29 July 2004
  • United Kingdom: 27 August 2004
  • United States: 24 September 2004
  • Chile: 21 October 2004
  • Germany: 28 October 2004

Critical reception edit

The Motorcycle Diaries may not provide any satisfactory answers as to how a 23-year-old medical student went on to become arguably the most famous revolutionary of the latter half of the 20th Century, but it has an undeniable charm in that it imbues the memories of youth with a sense of altruism and purity – which are complemented by the scenery. It's an incomplete portrait to be sure, but it's a gorgeous depiction of two best friends riding unknowingly into the history books."

The Motorcycle Diaries was released to very positive reviews by critics, and received a standing ovation at the 2004 Sundance Film Festival.[18] The New York Times film critic, A.O. Scott, wrote that "in Mr. Salles's hands what might have been a schematic story of political awakening becomes a lyrical exploration of the sensations and perceptions from which a political understanding of the world emerges."[19] Gregory Weinkauf of the Dallas Observer espoused that the film "delivers as both biography and road movie, and proves itself a deceptively humble epic, an illuminating part of the Che legacy."[20] Claudia Puig of USA Today postulated that "the movie achieves an impressive blend of emotional resonance and light entertainment" while describing it as "more coming-of-age story than biopic" and "a transformative adventure well worth watching."[21] Keri Petersen of The Gainesville Sun referred to the film as "a gorgeous, poetic adventure."[22]

Paula Nechak of the Seattle Post-Intelligencer praised director Salles by remarking that he "presents the evolutionary course of a young man who coincidentally became the dorm-room poster boy for an idealistic generation, and captures the lovely, heart-and-eye-opening ode to youthful possibility with affection and compassion."[23] Washington Post critic Desson Thomson lent praise for the film's starring actor by observing that "what Bernal and this well-wrought movie conveys so well is the charisma that would soon become a part of human history, and yes, T-shirts."[24]

Among the film's few detractors was Roger Ebert of the Chicago Sun-Times, who described the film's positive reviews as "a matter of political correctness, I think; it is uncool to be against Che Guevara."[25] Ebert also criticized the film's characterization: "seen simply as a film, The Motorcycle Diaries is attenuated and tedious. We understand that Ernesto and Alberto are friends, but that's about all we find out about them; they develop none of the complexities of other on-the-road couples... Nothing is startling or poetic."[25] Jessica Winter of The Village Voice also criticized the film's simplistic representation of the peasantry, describing "the young men's encounters with conscience-pricking, generically noble locals" who are occasionally assembled "to face the camera in a still life of heroic, art-directed suffering".[26] The film also received criticism for its positive representation of Guevara as a youthful idealist. Anthony Daniels, an outspoken critic of Guevara's, argued that the film helps to continue his wrongful glorification, noting "The film is thus the cinematic equivalent of the Che Guevara T-shirt; it is morally monstrous and emotionally trivial."[27] Frans Weiser agreed, saying that the film's narrative is dominated by reductive images of Guevara as an idealistic, loveable rogue.[28]

Online review aggregator Metacritic gives the film a score of 75 out of 100 based on 37 reviews, indicating "generally favorable reviews".[29] Meanwhile, Rotten Tomatoes records an 83% approval rating based on 157 reviews, with an average rating of 7.5/10. The website's critical consensus reads, "The Motorcycle Diaries is heartfelt and profound in its rendering of the formative experiences that turn Ernesto "Che" Guevara into a famous revolutionary."[30] Furthermore, British historian Alex von Tunzelmann, who reviews films at The Guardian for historical accuracy, graded the film an A− in "History", while giving the film a B in "Entertainment".[31] After comparing scenes from the film to the actual diaries, Tunzelmann posited that "The Motorcycle Diaries gets a lot right, it's an entertaining and accurate portrayal of the formative youth of a revolutionary icon."[31]

Awards won edit

Related films edit

References edit

  1. ^ a b The Motorcycle Diaries at Box Office Mojo
  2. ^ "Diarios de Motocicleta – The Motorcycle Diaries (15)". British Board of Film Classification. 7 July 2004. Retrieved 18 March 2013.
  3. ^ Durbin, Karen (12 September 2004). "THE NEW SEASON/FILM -- SCENE STEALERS: Rodrigo de la Serna; The Performances to Watch". The New York Times. Retrieved 23 March 2008.
  4. ^ O'Hagan, Sean (11 July 2004). "Just A Pretty Face?". The Observer.
  5. ^ a b "Excerpted Clip of Machu Picchu from the film The Motorcycle Diaries". 16 July 2010 – via YouTube.
  6. ^ a b Brown, Emma (8 March 2011). "Alberto Granado, Che Guevara's motorcycle companion, dies at 88". The Washington Post. from the original on 25 August 2018.
  7. ^ a b c . ChicagoFilm.com. Archived from the original on 26 October 2004. Retrieved 26 November 2008.
  8. ^ a b c "Biochemist and Che's motorcycle companion". The Irish Times. 12 March 2011. from the original on 30 December 2016.
  9. ^ "Thirty Years After His Death, Che Guevara Still an Icon". NPR Weekend Edition Sunday. 3 October 2004.
  10. ^ a b Ashlock, Jesse (13 December 2004). . RES Magazine. Archived from the original on 15 December 2004.
  11. ^ Osborne, Lawrence (15 June 2003). . The New York Observer. Archived from the original on 22 February 2011.
  12. ^ a b c Cowen, Nick; Patience, Hari (27 April 2009). "Wheels on Film: The Motorcycle Diaries". The Daily Telegraph. London.
  13. ^ Winter, Jessica (28 September 2004). . The Village Voice. Archived from the original on 20 September 2012.
  14. ^ Bowes, Gemma (19 September 2004). "Che leads holiday revolution in South America". The Guardian.
  15. ^ . The Daily Telegraph. London. 6 March 2011. Archived from the original on 10 March 2011.
  16. ^ "Alberto Granado". The Times. 7 March 2011. Retrieved 23 November 2022.
  17. ^ "The Motorcycle Diaries (2004) Awards & Festivals". Mubi. Retrieved 23 November 2022.
  18. ^ "Sundance Goes To Havana". CBS News. 26 January 2004. Retrieved 22 November 2022.
  19. ^ Scott, A.O. (24 September 2004). "On the Road with Young Che". The New York Times.
  20. ^ Weinkauf, Gregory (30 September 2004). . Dallas Observer. Archived from the original on 28 December 2007.
  21. ^ Puig, Claudia (23 September 2004). "Guevara's life takes shape in 'Diaries'". USA Today.
  22. ^ Petersen, Keri (23 July 2010). "10 foreign films that make you forget they have subtitles". The Gainesville Sun. Archived from the original on 23 January 2013.
  23. ^ Nechak, Paula (30 September 2004). "'Motorcycle Diaries': On the road with a young Che". Seattle Post-Intelligencer.
  24. ^ Thomson, Desson (1 October 2004). "Viva Che!". The Washington Post.
  25. ^ a b Ebert, Roger (1 October 2004). "Fine line between fact, folklore". RogerEbert.com.
  26. ^ Winter, Jessica (21 September 2004). . The Village Voice. Archived from the original on 18 September 2007. Retrieved 22 November 2022.
  27. ^ Daniels, Anthony (2004). "The Real Che". The New Criterion. Vol. 23. p. 26. Archived from the original on 1 October 2004. Retrieved 24 April 2016.(subscription required)
  28. ^ Weiser, Frans (4 December 2013). "Writing "Che" Writing: Apocryphal Diaries and the Deconstruction of Guevara's Myth". Hispania. 96 (4): 704. doi:10.1353/hpn.2013.0126. S2CID 170471747. Retrieved 24 April 2016.
  29. ^ "The Motorcycle Diaries Reviews". Metacritic. Retrieved 5 March 2018.
  30. ^ "The Motorcycle Diaries (2004)". Rotten Tomatoes. Fandango Media. Retrieved 13 March 2018.
  31. ^ a b von Tunzelmann, Alex (14 April 2011). "The Motorcycle Diaries: Che's Clean Getaway". The Guardian.
  32. ^ "Diarios de Motocicleta". Cannes Film Festival. Retrieved 23 March 2008.
  33. ^ "Diarios de Motocicleta / The Motorcycle Diaries". San Sebastian Film Festival. Retrieved 22 November 2022.
  34. ^ "2005 | Oscars.org | Academy of Motion Picture Arts and Sciences". oscars.org. Retrieved 22 November 2022.
  35. ^ "Argentine Film Critics Association Awards 2005". Mubi. Retrieved 22 November 2022.
  36. ^ "Film in 2005 | BAFTA Awards". awards.bafta.org. Retrieved 22 November 2022.
  37. ^ . Premios Goya. Archived from the original on 23 September 2018. Retrieved 22 November 2022.
  38. ^ "20th Independent Spirit Awards Coverage (2005)". DigitalHit.com. Retrieved 22 November 2022.

External links edit

Press
  • "On the Trail of the Young Che Guevara". The New York Times, 19 December 2004
  • "Take Inspiration From Che and Discover South America". Easier Travel, 3 June 2009
  • . Stephen Philip, Socialist Worker, August 2004
  • . Megan Cornish, Freedom Socialist, December 2004

motorcycle, diaries, film, malayalam, film, motorcycle, diaries, film, motorcycle, diaries, spanish, diarios, motocicleta, 2004, biopic, about, journey, written, memoir, year, ernesto, guevara, would, several, years, later, become, internationally, known, marx. For the Malayalam film see Motorcycle Diaries film The Motorcycle Diaries Spanish Diarios de motocicleta is a 2004 biopic about the journey and written memoir of the 23 year old Ernesto Guevara who would several years later become internationally known as the Marxist guerrilla leader and revolutionary leader Che Guevara The film recounts the 1952 expedition initially by motorcycle across South America by Guevara and his friend Alberto Granado As well as being a road movie the film is a coming of age film as the adventure initially centered on youthful hedonism unfolds Guevara discovers himself transformed by his observations on the life of the impoverished indigenous peasantry Through the characters they encounter on their continental trek Guevara and Granado witness first hand the injustices that the destitute face and are exposed to people and social classes they would have never encountered otherwise To their surprise the road presents to them both a genuine and captivating picture of Latin American identity As a result the trip also plants the initial seed of radicalization within Guevara who would later challenge the continent s endemic economic inequalities and political repression Motorcycle DiariesTheatrical release posterSpanishDiarios de motocicletaDirected byWalter SallesScreenplay byJose RiveraBased onThe Motorcycle Diariesby Che GuevaraProduced byEdgard TenenbaumMichael NozikKaren TenkhoffStarringGael Garcia BernalRodrigo de la SernaMia MaestroCinematographyEric GautierEdited byDaniel RezendeMusic byGustavo SantaolallaProductioncompaniesFilmFourBD Cine Wildwood Enterprises IncDistributed byBuena Vista International Latin America Focus Features United States Pathe Distribution United Kingdom and France Constantin Film Germany 1 Release dates15 January 2004 2004 01 15 Sundance 19 May 2004 2004 05 19 Cannes 24 September 2004 2004 09 24 USA Running time126 minutes 2 CountriesArgentinaBrazilUnited StatesChilePeruUnited KingdomGermanyFranceLanguagesSpanishQuechuaBudgetN ABox office 57 7 million 1 The screenplay is based primarily on Guevara s trip diary of the same name with additional context supplied by Traveling with Che Guevara The Making of a Revolutionary by Alberto Granado Guevara is played by Gael Garcia Bernal who previously played Che in the 2002 miniseries Fidel and Granado by the Argentine actor Rodrigo de la Serna who incidentally is a second cousin to the real life Guevara on his maternal side 3 Directed by Brazilian director Walter Salles and written by Puerto Rican playwright Jose Rivera the film was an international co production among production companies from Argentina the United States Germany the United Kingdom Chile Peru and France The film s executive producers were Robert Redford Paul Webster and Rebecca Yeldham the producers were Edgard Tenenbaum Michael Nozik and Karen Tenkhoff and the co producers were Daniel Burman and Diego Dubcovsky Contents 1 Plot 2 Cast 3 Development 4 Film locales 4 1 Tourist trails 5 Soundtrack 6 Distribution 7 Critical reception 8 Awards won 9 Related films 10 References 11 External linksPlot editThe Che of The Motorcycle Diaries is more akin to Jack Kerouac or Neal Cassady than Marx or Lenin Paul Webster executive producer 4 In 1952 a semester before Ernesto Fuser Guevara is due to complete his medical degree he and his older friend Alberto Granado a biochemist leave Buenos Aires to travel across South America While there is a goal at the end of their journey they intend to work in a leper colony in Peru the main purpose is initially fun and adventure They desire to see as much of Latin America as they can more than 14 000 kilometres 8 700 mi in just four and a half months while Granado s purpose is also to bed as many women as will fall for his pickup lines Their initial method of transport is Granado s dilapidated Norton 500 motorcycle christened La Poderosa The Mighty One Their planned route is ambitious bringing them north across the Andes along the coast of Chile through the Atacama Desert and into the Peruvian Amazon in order to reach Venezuela just in time for Granado s 30th birthday on 2 April However due to La Poderosa s breakdown they are forced to travel at a much slower pace often walking and do not make it to Caracas until July During their expedition Guevara and Granado encounter the poverty of the indigenous peasants and the movie assumes a greater seriousness once the men gain a better sense of the disparity between the haves to which they belong and the obviously exploited have nots who make up the majority of those they encounter by travelling on foot In Chile for instance they encounter a penniless and persecuted couple forced onto the road because of their communist beliefs In a fire lit scene Guevara and Granado ashamedly admit to the couple that they are not out looking for work as well The duo then accompanies the couple to the Chuquicamata copper mine where Guevara becomes angry at the treatment of the workers However it is a visit to the ancient Incan ruins of Machu Picchu in Peru that solidifies something in Guevara His musings are then somberly refocused to how an indigenous civilization capable of building such beauty could be destroyed by the creators of the eventually polluted urban decay of nearby Lima 5 Later in Peru they volunteer for three weeks at the San Pablo leper colony There Guevara observes both literally and metaphorically the division of society as the staff live on the north side of a river separated from the deprived lepers living across the river to the south To demonstrate his solidarity and his medical belief that leprosy is not contagious Guevara refuses to wear rubber gloves during his visit as the head nun requires choosing instead to shake bare hands and interact normally with the surprised leper patients At the end of the film after his sojourn at the leper colony Guevara confirms his nascent egalitarian revolutionary impulses while making a birthday toast which is also his first political speech In it he calls for the unification of South America on the basis of the unity of the Mestizo people These encounters with social injustice transform the way Guevara sees the world and his purposes in it and by implication motivates his later political activities as a Marxist revolutionary Guevara makes his symbolic final journey at night when despite the danger and his asthma he swims across the river that separates the two societies of the leper colony to spend the night in a leper shack instead of in the doctors cabins Later as they bid each other farewell at an airport Granado reveals that his birthday was not 2 April but rather 8 August and that the aforementioned goal was simply a motivator Guevara replies that he knew all along The film closes with an appearance by the real 82 year old Alberto Granado along with pictures from the actual journey and a brief mention of Che Guevara s eventual 1967 CIA assisted execution in the Bolivian jungle Cast editGael Garcia Bernal as Che Guevara Rodrigo de la Serna as Alberto Granado Mercedes Moran as Celia de la Serna Jean Pierre Noher as Ernesto Guevara Lynch Facundo Espinosa as Tomas Granado Mia Maestro as Chichina Lucas Oro as Roberto Guevara Marina Glezer as Celita Guevara Sofia Bertolotto as Ana Maria Guevara Franco Solazzi as Juan Martin Guevara Ricardo Diaz Mourelle as Uncle Jorge Sergio Boris as Young Traveler Daniel Cargieman as Young Traveler Diego Giorzi as Rodolfo Brandon Cruz as Miner Chile Gustavo Bueno as Doctor Hugo Pesce Alberto Granado as himself cameo at the end of the film Matias Strafe as Chichina s friendDevelopment editThe film shows what we were which was two young men boys really who went looking for adventure and found the truth and tragedy of our homeland Alberto Granado 2004 6 Gael Garcia Bernal agreed to reprise his role as young Che Guevara having previously portrayed him in the television film Fidel To prepare for the role he went through six months of intense preparation This groundwork included reading every biography about Guevara traveling to Cuba to speak with Guevara s family and consulting with Guevara s then still living travel partner Alberto Granado 7 Despite being in his eighties Granado was also taken on as an adviser by Salles and enthusiastically followed the film crew as they retraced his former journey 8 Every generation needs a journey story every generation needs a story about what it is to be transformed by geography what it is to be transformed by encounters with cultures and people that are alien from yourself and you know that age group 15 to 25 that s the perfect generation to get on a motorcycle to hit the road to put on your backpack and just go out Jose Rivera screenwriter NPR 9 Moreover Garcia Bernal who is Mexican adopted an Argentine accent and spent 14 weeks reading the works of Jose Marti 10 Karl Marx and Pablo Neruda Guevara s favorite poet Garcia Bernal told reporters I feel a lot of responsibility I want to do it well because of what Che represents to the world He is a Romantic He had a political consciousness that changed Latin America 11 According to Garcia Bernal the role crystallized his own sense of duty because Guevara decided to live on the side of the mistreated to live on the side of the people who have no justice and no voice In surmising the similarities between his transformation and Guevara s Garcia Bernal posits that my generation is awakening and we re discovering a world full of incredible injustice 10 Granado later stated that he appreciated the film s effort to dig beneath the mythical Che whose defiant image appears on T shirts and posters around the world to reveal the flawed flesh and blood Ernesto beneath 6 Film locales edit nbsp The Daily Telegraph remarked that the scenes at Machu Picchu are worth watching several times over 12 5 We were re enacting a journey that was done 50 years ago and what s surprising is that the social problems of Latin America are the same Which is heartbreaking in a way but it also makes you feel how important it is to tell the story Gael Garcia Bernal 13 In a journey that lasts eight months the partners travel over 14 000 kilometers 8 700 miles from Argentina through Chile Peru and Colombia to Venezuela Key locations along the journey described in the film include in Argentina Buenos Aires Miramar Villa Gesell San Martin de los Andes Lago Frias Patagonia and Nahuel Huapi Lake in Chile Temuco Los Angeles Valparaiso the Atacama desert and Chuquicamata in Peru Cuzco Machu Picchu Lima The San Pablo Leper Colony as well as Leticia Colombia and Caracas Venezuela Reviewer Nick Cowen of The Daily Telegraph described the scenery as visually stunning while remarking that the cinematography of fog cloaked mountains lush green forests and sunburnt deserts is breathtakingly beautiful enough to serve as a travel advert for the entire continent 12 Tourist trails edit The Observer reported that shortly after the film s release tour operators in the region received a surge of inquiries with some of them even offering Che Guevara themed trips where travellers could follow in the footsteps of the revolutionary icon 14 The crew filmed in the same San Pablo Leper Colony that Guevara himself had visited According to Bernal 85 of the people suffering leprosy in the film were actual lepers with some of them having lived there when Che and Granado worked at the colony 7 In fact when Granado returned with the film crew to the leprosarium of San Pablo he found some of the people he had treated half a century earlier remarking that It was wonderful and amazing that they could still remember me 8 Granado was also pleased that buildings constructed for the scenes shot at the leprosarium were afterwards used by the patients themselves 15 The scene which features Guevara s character swimming across to the other side of the river was filmed during three nights in which Bernal swam across the actual Amazon River 7 Soundtrack editMain article The Motorcycle Diaries soundtrack The score for The Motorcycle Diaries was composed by Gustavo Santaolalla The film s soundtrack was released on the Deutsche Grammophon label in 2004 Distribution editThe film was first presented at the Sundance Film Festival on 15 January 2004 Granado had an invitation to the Sundance premiere but he was refused an entry Visa by the United States 8 Later it was featured at the 2004 Cannes Film Festival on 19 May and Granado was able to attend 16 The film later screened at many other film festivals including the Auckland International Film Festival New Zealand the Copenhagen International Film Festival Denmark the Espoo Film Festival Finland the Telluride Film Festival United States the Toronto International Film Festival Canada the Vancouver International Film Festival Canada the Celebrating Literature in Cinema Film Festival Frankfurt Germany and the Morelia Film Festival Mexico 17 Release datesUnited States 15 January 2004 premiere at Sundance Film Festival France 7 July 2004 Argentina 29 July 2004 United Kingdom 27 August 2004 United States 24 September 2004 Chile 21 October 2004 Germany 28 October 2004Critical reception editThe Motorcycle Diaries may not provide any satisfactory answers as to how a 23 year old medical student went on to become arguably the most famous revolutionary of the latter half of the 20th Century but it has an undeniable charm in that it imbues the memories of youth with a sense of altruism and purity which are complemented by the scenery It s an incomplete portrait to be sure but it s a gorgeous depiction of two best friends riding unknowingly into the history books The Daily Telegraph 12 The Motorcycle Diaries was released to very positive reviews by critics and received a standing ovation at the 2004 Sundance Film Festival 18 The New York Times film critic A O Scott wrote that in Mr Salles s hands what might have been a schematic story of political awakening becomes a lyrical exploration of the sensations and perceptions from which a political understanding of the world emerges 19 Gregory Weinkauf of the Dallas Observer espoused that the film delivers as both biography and road movie and proves itself a deceptively humble epic an illuminating part of the Che legacy 20 Claudia Puig of USA Today postulated that the movie achieves an impressive blend of emotional resonance and light entertainment while describing it as more coming of age story than biopic and a transformative adventure well worth watching 21 Keri Petersen of The Gainesville Sun referred to the film as a gorgeous poetic adventure 22 Paula Nechak of the Seattle Post Intelligencer praised director Salles by remarking that he presents the evolutionary course of a young man who coincidentally became the dorm room poster boy for an idealistic generation and captures the lovely heart and eye opening ode to youthful possibility with affection and compassion 23 Washington Post critic Desson Thomson lent praise for the film s starring actor by observing that what Bernal and this well wrought movie conveys so well is the charisma that would soon become a part of human history and yes T shirts 24 Among the film s few detractors was Roger Ebert of the Chicago Sun Times who described the film s positive reviews as a matter of political correctness I think it is uncool to be against Che Guevara 25 Ebert also criticized the film s characterization seen simply as a film The Motorcycle Diaries is attenuated and tedious We understand that Ernesto and Alberto are friends but that s about all we find out about them they develop none of the complexities of other on the road couples Nothing is startling or poetic 25 Jessica Winter of The Village Voice also criticized the film s simplistic representation of the peasantry describing the young men s encounters with conscience pricking generically noble locals who are occasionally assembled to face the camera in a still life of heroic art directed suffering 26 The film also received criticism for its positive representation of Guevara as a youthful idealist Anthony Daniels an outspoken critic of Guevara s argued that the film helps to continue his wrongful glorification noting The film is thus the cinematic equivalent of the Che Guevara T shirt it is morally monstrous and emotionally trivial 27 Frans Weiser agreed saying that the film s narrative is dominated by reductive images of Guevara as an idealistic loveable rogue 28 Online review aggregator Metacritic gives the film a score of 75 out of 100 based on 37 reviews indicating generally favorable reviews 29 Meanwhile Rotten Tomatoes records an 83 approval rating based on 157 reviews with an average rating of 7 5 10 The website s critical consensus reads The Motorcycle Diaries is heartfelt and profound in its rendering of the formative experiences that turn Ernesto Che Guevara into a famous revolutionary 30 Furthermore British historian Alex von Tunzelmann who reviews films at The Guardian for historical accuracy graded the film an A in History while giving the film a B in Entertainment 31 After comparing scenes from the film to the actual diaries Tunzelmann posited that The Motorcycle Diaries gets a lot right it s an entertaining and accurate portrayal of the formative youth of a revolutionary icon 31 Awards won editCannes Film Festival Francois Chalais Award Walter Salles Prize of the Ecumenical Jury Walter Salles Technical Grand Prize Eric Gautier 2004 32 Donostia San Sebastian International Film Festival Audience Award Walter Salles 2004 33 Academy Awards Oscar Best Achievement in Music Written for Motion Pictures Original Song Jorge Drexler for the song Al otro lado del rio 2005 34 Argentine Film Critics Association Awards Best Actor Rodrigo de la Serna Best Music Gustavo Santaolalla Best Adapted Screenplay Jose Rivera 2005 35 British Academy of Film and Television Arts Best Film Not in the English Language Michael Nozik Edgard Tenenbaum Karen Tenkhoff Walter Salles Anthony Asquith Award for Film Music Gustavo Santaolalla 2005 36 Goya Awards Goya Best Adapted Screenplay Jose Rivera 2005 37 Independent Spirit Awards Independent Spirit Award Best Cinematography Eric Gautier Best Debut Performance Rodrigo de la Serna 2005 38 Related films editSee also List of works related to Che Guevara MediaReferences edit a b The Motorcycle Diaries at Box Office Mojo Diarios de Motocicleta The Motorcycle Diaries 15 British Board of Film Classification 7 July 2004 Retrieved 18 March 2013 Durbin Karen 12 September 2004 THE NEW SEASON FILM SCENE STEALERS Rodrigo de la Serna The Performances to Watch The New York Times Retrieved 23 March 2008 O Hagan Sean 11 July 2004 Just A Pretty Face The Observer a b Excerpted Clip of Machu Picchu from the film The Motorcycle Diaries 16 July 2010 via YouTube a b Brown Emma 8 March 2011 Alberto Granado Che Guevara s motorcycle companion dies at 88 The Washington Post Archived from the original on 25 August 2018 a b c New Latin Revolution Interview with Gael Garcia Bernal ChicagoFilm com Archived from the original on 26 October 2004 Retrieved 26 November 2008 a b c Biochemist and Che s motorcycle companion The Irish Times 12 March 2011 Archived from the original on 30 December 2016 Thirty Years After His Death Che Guevara Still an Icon NPR Weekend Edition Sunday 3 October 2004 a b Ashlock Jesse 13 December 2004 The Citizen Actor Gael Garcia Bernal s Sense of Duty RES Magazine Archived from the original on 15 December 2004 Osborne Lawrence 15 June 2003 Che Trippers The New York Observer Archived from the original on 22 February 2011 a b c Cowen Nick Patience Hari 27 April 2009 Wheels on Film The Motorcycle Diaries The Daily Telegraph London Winter Jessica 28 September 2004 Sympathy for the Rebel The Village Voice Archived from the original on 20 September 2012 Bowes Gemma 19 September 2004 Che leads holiday revolution in South America The Guardian Alberto Granado The Daily Telegraph London 6 March 2011 Archived from the original on 10 March 2011 Alberto Granado The Times 7 March 2011 Retrieved 23 November 2022 The Motorcycle Diaries 2004 Awards amp Festivals Mubi Retrieved 23 November 2022 Sundance Goes To Havana CBS News 26 January 2004 Retrieved 22 November 2022 Scott A O 24 September 2004 On the Road with Young Che The New York Times Weinkauf Gregory 30 September 2004 The Importance of Being Ernesto Dallas Observer Archived from the original on 28 December 2007 Puig Claudia 23 September 2004 Guevara s life takes shape in Diaries USA Today Petersen Keri 23 July 2010 10 foreign films that make you forget they have subtitles The Gainesville Sun Archived from the original on 23 January 2013 Nechak Paula 30 September 2004 Motorcycle Diaries On the road with a young Che Seattle Post Intelligencer Thomson Desson 1 October 2004 Viva Che The Washington Post a b Ebert Roger 1 October 2004 Fine line between fact folklore RogerEbert com Winter Jessica 21 September 2004 Child of the Revolution The Village Voice Archived from the original on 18 September 2007 Retrieved 22 November 2022 Daniels Anthony 2004 The Real Che The New Criterion Vol 23 p 26 Archived from the original on 1 October 2004 Retrieved 24 April 2016 subscription required Weiser Frans 4 December 2013 Writing Che Writing Apocryphal Diaries and the Deconstruction of Guevara s Myth Hispania 96 4 704 doi 10 1353 hpn 2013 0126 S2CID 170471747 Retrieved 24 April 2016 The Motorcycle Diaries Reviews Metacritic Retrieved 5 March 2018 The Motorcycle Diaries 2004 Rotten Tomatoes Fandango Media Retrieved 13 March 2018 a b von Tunzelmann Alex 14 April 2011 The Motorcycle Diaries Che s Clean Getaway The Guardian Diarios de Motocicleta Cannes Film Festival Retrieved 23 March 2008 Diarios de Motocicleta The Motorcycle Diaries San Sebastian Film Festival Retrieved 22 November 2022 2005 Oscars org Academy of Motion Picture Arts and Sciences oscars org Retrieved 22 November 2022 Argentine Film Critics Association Awards 2005 Mubi Retrieved 22 November 2022 Film in 2005 BAFTA Awards awards bafta org Retrieved 22 November 2022 Estos son los premios de los PREMIOS GOYA 2005 Premios Goya Archived from the original on 23 September 2018 Retrieved 22 November 2022 20th Independent Spirit Awards Coverage 2005 DigitalHit com Retrieved 22 November 2022 External links edit nbsp Wikiquote has quotations related to The Motorcycle Diaries The Motorcycle Diaries at IMDb nbsp The Motorcycle Diaries at Box Office Mojo The Motorcycle Diaries at Rotten Tomatoes The Motorcycle Diaries at Metacritic nbsp Che s Route Revisited on Authentic Period Norton Motorcycles NPR Audio Report Film Looks at Twenty something Che Guevara by David EdelsteinPress On the Trail of the Young Che Guevara The New York Times 19 December 2004 Take Inspiration From Che and Discover South America Easier Travel 3 June 2009 The Motorcycle Diaries How Ernesto turned into Che Guevara Stephen Philip Socialist Worker August 2004 Motorcycle Diaries Che Guevara and the Romance of Revolution Megan Cornish Freedom Socialist December 2004 Retrieved from https en wikipedia org w index php title The Motorcycle Diaries film amp oldid 1215165694, wikipedia, wiki, book, books, library,

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