fbpx
Wikipedia

The Gentleman in Black

The Gentleman in Black is a two-act comic opera written in 1870 with a libretto by W. S. Gilbert and music by Frederic Clay. The "musical comedietta" opened at the Charing Cross Theatre on 26 May 1870. It played for 26 performances, until the theatre closed at the end of the season.[1][2] The plot involves body-switching, facilitated by the magical title character. It also involves two devices that Gilbert would re-use: baby-switching and a calendar oddity.

W. S. Gilbert in about 1870

Produced soon after Gilbert first met Arthur Sullivan, but before the two had collaborated, Gilbert's first full-length comic opera, The Gentleman in Black, was based on the theatrically popular theory of metempsychosis. Gilbert and Frederic Clay had collaborated previously on a one-act opera, Ages Ago.[3] The music was not published and is now lost. The piece was never revived in Gilbert's lifetime, although modern performances have been given, some adapting Sullivan music.[citation needed]

The libretto is included in Original Plays by W. S. Gilbert in Four Series, in the fourth volume in the series (1911) published by Chatto and Windus of London.

Background edit

From the mid-1860s through the early 1870s, W. S. Gilbert was extremely productive, writing a large quantity of comic verse, theatre reviews and other journalistic pieces, short stories, and dozens of plays and comic operas. His output in 1870 alone included dozens of his popular comic Bab Ballads; two blank verse comedies, The Princess and The Palace of Truth; two comic operas, Our Island Home and The Gentleman in Black; and various other short stories, comic pieces, and reviews appearing in various periodicals and newspapers. In 1871 he was even busier, producing seven plays and operas.[4][5]

Gilbert's dramatic writing during this time was evolving from his early musical burlesques.[6] Some of his work during this period exhibited a more restrained style, exemplified by a series of successful "fairy comedies", such as The Palace of Truth (1870).[7] At the same time, he was developing his unique style of absurdist humour, described as "Topsy-Turvy", made up of "a combination of wit, irony, topsyturvydom, parody, observation, theatrical technique, and profound intelligence".[8] The opera The Gentleman in Black, one of Gilbert's most absurdist pieces, dates from the middle of this period, when Gilbert was trying different styles and working towards the mature comic style of his later work, including the famous series of Gilbert and Sullivan operas.[9][10]

The story of The Gentleman in Black contains early glimpses of some of the "Topsy Turvy" ideas that Gilbert would later use in his more famous works written with Arthur Sullivan, including the switching of infants who grow up to be different ages (as in H.M.S. Pinafore) and plot devices that depend on technical errors involving the calendar (as in The Pirates of Penzance).[11][12] The music was in an "Offenbachian" vein, and the story is a "dramatic variation of the pseudo-German supernatural tale, such as Dickens's 'The Baron of Grogswig'", "The Metapsychosis" or Gilbert's own "The Triumph of Vice".[13]

Synopsis edit

The opera is set in 1584 with Act I in the Market Place of a German Village and Act II at the Gates of Castle Schlachenschloss.

Act I

Bertha Pompopplesdorf, who considers herself the prettiest girl in the village, is engaged to Hans Gopp, a handsome, kindly, but simple villager (Gopp was originally played by a woman). Hans is jealous of the rich, but ugly, old and unpleasant Baron Otto von Schlachenstein, who is strangely attractive to women. The Baron woos Bertha. Bertha pretends to be in love with the Baron to teach Hans a lesson. Depressed by this, Hans wishes that he could swap places with the Baron. At the same time, the Baron, realising that Bertha is just using him, envies Hans and wants to swap places with him. The Gentleman in Black (the King of the Gnomes) has the power to transfer souls. He offers to make the two men's wishes come true by exchanging their souls and bodies for one month. The date is 13 August 1584, and so the souls will revert to their original bodies on 13 September. He utters this spell:

Otto's body, grim and droll,
Shrine young Hans's simple soul;
Otto's soul, of moral shoddy,
Occupy young Hans's body!
Act II

After the souls are transferred, Hans notices that Bertha is attracted to his former body, which now contains the Baron's soul. Hans is now rich, but he is old and ugly, with a large family. To the Baron, the attention of Bertha and the advantages of a younger body are not sufficient compensation for the life of poverty that he now must live. He devises a cunning plan. He tells Hans that, as babies, they were both nursed by Hans's mother, and that the peasant baby was jealous of the young Baron.

"One night – the babes were three weeks old, and were wonderfully alike – the peasant's babe crept from his clothes basket, quietly removed the sleeping Baron from his sumptuous cradle, placed the Baron's son in the clothes basket, and creeping into the Baron's cradle, covered himself up and went to sleep. The cheat was never discovered! The peasant's son was brought up as the young Baron – the young Baron as the peasants son."

Hans: "But I think you must be mistaken, for you are twenty years older than I am."

Baron: "I am now – but when I was three weeks old, of course I was the same age as you were when you were three weeks old. ... You see I am naturally quicker than you are – besides, I'm ashamed to say I've lived a very fast life".[14]

Hans signs a contract agreeing to these facts and stipulating that they should resume their original social positions immediately. So Hans becomes a peasant in the old Baron's body but assumes that he will be a youthful Baron beginning on 13 September. However, this is all a trick so that the Baron can immediately regain his baronial station. By 13 September, he says, "I shall destroy the paper, and prove by the fact that I am twenty years older than he is, it's utterly impossible we could have been changed at birth – I shall return to my rank, and he will be punished as an impostor." But an announcement is made before the Baron puts his plan into action:

"Proclamation! Whereas certain irregularities have crept into the calendar in the course of the last 1584 years, and whereas these irregularities (although in themselves unimportant), constitute in the aggregate a considerable space of time, be it enacted, and it is hereby enacted, that from this date forward, thirteen days be omitted from the calendar, whereby this third day of September under the Old Style becomes the thirteenth day of September under the New Style!"[14]

The result of this imperfectly calculated proclamation is that the Baron and Hans find themselves immediately in their original bodies. Hans and Bertha begin a life of youthful nobility, and the Baron is left an ugly, old peasant.

Original cast edit

  • The Baron Otto von Schlachenstein – Edward Danvers
  • Grumpff, his steward – William M. Terrott
  • Hans Gopp, a VillagerEmily Fowler
  • The Gentleman in Black – Charles P. Flockton
  • Tintelstein, Syndic of Schlachenschloss – F. Robson
  • Schlipps, an Innkeeper – Mr. Herbert
  • Bertha Pomopplesdorf – Emmeline Cole
  • The Baroness von Schlachenstein – Helen Maxse
  • Maria, a market girl – Miss Dalton
  • Gretchen, a market girl – Rose Roberts[15]
  • Emma – Miss Wilson

Notes edit

  1. ^ Frederic Clay, The Guide to Light Opera and Operetta
  2. ^ Moss, Simon. "The Gentleman in Black" at Gilbert & Sullivan: a selling exhibition of memorabilia, c20th.com, accessed 16 November 2009
  3. ^ Frederic Clay, entry in Grove Dictionary of Music, 3d edition, reprinted at The Gilbert and Sullivan Archive, accessed 17 June 2015
  4. ^ Gilbert's Plays – Annotated chronological listing 15 November 2011 at the Wayback Machine, The Gilbert and Sullivan Archive, accessed 16 June 2015
  5. ^ Crowther, Andrew. "Gilbert's Non-Dramatic Works" 29 April 2011 at the Wayback Machine, W. S. Gilbert Society, accessed 3 January 2011
  6. ^ Crowther|, Andrew. "The Life of W. S. Gilbert", The Gilbert and Sullivan Archive, March 1997, accessed 17 June 2015 20 March 2015 at the Wayback Machine
  7. ^ "Court Theatre" in The Times, 19 April 1871, p. 8, col. 2.
  8. ^ Crowther, Andrew (1998). . W. S. Gilbert Society. Archived from the original on 30 September 2007. Retrieved 21 May 2008.
  9. ^ Crowther, p. 67.
  10. ^ Stedman, chapter 8
  11. ^ Ainger, p. 83
  12. ^ Gänzl, Kurt. "William Schwenk Gilbert", Operetta Research Center, Amsterdam, 1 January 2001
  13. ^ Stedman, p. 79
  14. ^ a b Original Plays by W. S. Gilbert in Four Series, by Chatto and Windus: London, Fourth Series (1911)
  15. ^ Stone, David. Rose Roberts, Who Was Who in the D'Oyly Carte Opera Company (2006)

References edit

  • Ainger, Michael (2002). Gilbert and Sullivan, a Dual Biography. Oxford: Oxford University Press. ISBN 0-19-514769-3. Chapter 6.
  • Crowther, Andrew (2000). Contradiction Contradicted – The Plays of W. S. Gilbert. Associated University Presses. ISBN 0-8386-3839-2.
  • Stedman, Jane W. (1996). W. S. Gilbert, A Classic Victorian & His Theatre. Oxford University Press. ISBN 0-19-816174-3.

External links edit

  • Libretto of The Gentleman in Black
  • Synopsis of the opera by Philip Sternenberg (2008)

gentleman, black, comic, opera, written, 1870, with, libretto, gilbert, music, frederic, clay, musical, comedietta, opened, charing, cross, theatre, 1870, played, performances, until, theatre, closed, season, plot, involves, body, switching, facilitated, magic. The Gentleman in Black is a two act comic opera written in 1870 with a libretto by W S Gilbert and music by Frederic Clay The musical comedietta opened at the Charing Cross Theatre on 26 May 1870 It played for 26 performances until the theatre closed at the end of the season 1 2 The plot involves body switching facilitated by the magical title character It also involves two devices that Gilbert would re use baby switching and a calendar oddity W S Gilbert in about 1870Produced soon after Gilbert first met Arthur Sullivan but before the two had collaborated Gilbert s first full length comic opera The Gentleman in Black was based on the theatrically popular theory of metempsychosis Gilbert and Frederic Clay had collaborated previously on a one act opera Ages Ago 3 The music was not published and is now lost The piece was never revived in Gilbert s lifetime although modern performances have been given some adapting Sullivan music citation needed The libretto is included in Original Plays by W S Gilbert in Four Series in the fourth volume in the series 1911 published by Chatto and Windus of London Contents 1 Background 2 Synopsis 3 Original cast 4 Notes 5 References 6 External linksBackground editFrom the mid 1860s through the early 1870s W S Gilbert was extremely productive writing a large quantity of comic verse theatre reviews and other journalistic pieces short stories and dozens of plays and comic operas His output in 1870 alone included dozens of his popular comic Bab Ballads two blank verse comedies The Princess and The Palace of Truth two comic operas Our Island Home and The Gentleman in Black and various other short stories comic pieces and reviews appearing in various periodicals and newspapers In 1871 he was even busier producing seven plays and operas 4 5 Gilbert s dramatic writing during this time was evolving from his early musical burlesques 6 Some of his work during this period exhibited a more restrained style exemplified by a series of successful fairy comedies such as The Palace of Truth 1870 7 At the same time he was developing his unique style of absurdist humour described as Topsy Turvy made up of a combination of wit irony topsyturvydom parody observation theatrical technique and profound intelligence 8 The opera The Gentleman in Black one of Gilbert s most absurdist pieces dates from the middle of this period when Gilbert was trying different styles and working towards the mature comic style of his later work including the famous series of Gilbert and Sullivan operas 9 10 The story of The Gentleman in Black contains early glimpses of some of the Topsy Turvy ideas that Gilbert would later use in his more famous works written with Arthur Sullivan including the switching of infants who grow up to be different ages as in H M S Pinafore and plot devices that depend on technical errors involving the calendar as in The Pirates of Penzance 11 12 The music was in an Offenbachian vein and the story is a dramatic variation of the pseudo German supernatural tale such as Dickens s The Baron of Grogswig The Metapsychosis or Gilbert s own The Triumph of Vice 13 Synopsis editThe opera is set in 1584 with Act I in the Market Place of a German Village and Act II at the Gates of Castle Schlachenschloss Act IBertha Pompopplesdorf who considers herself the prettiest girl in the village is engaged to Hans Gopp a handsome kindly but simple villager Gopp was originally played by a woman Hans is jealous of the rich but ugly old and unpleasant Baron Otto von Schlachenstein who is strangely attractive to women The Baron woos Bertha Bertha pretends to be in love with the Baron to teach Hans a lesson Depressed by this Hans wishes that he could swap places with the Baron At the same time the Baron realising that Bertha is just using him envies Hans and wants to swap places with him The Gentleman in Black the King of the Gnomes has the power to transfer souls He offers to make the two men s wishes come true by exchanging their souls and bodies for one month The date is 13 August 1584 and so the souls will revert to their original bodies on 13 September He utters this spell Otto s body grim and droll Shrine young Hans s simple soul Otto s soul of moral shoddy Occupy young Hans s body Act IIAfter the souls are transferred Hans notices that Bertha is attracted to his former body which now contains the Baron s soul Hans is now rich but he is old and ugly with a large family To the Baron the attention of Bertha and the advantages of a younger body are not sufficient compensation for the life of poverty that he now must live He devises a cunning plan He tells Hans that as babies they were both nursed by Hans s mother and that the peasant baby was jealous of the young Baron One night the babes were three weeks old and were wonderfully alike the peasant s babe crept from his clothes basket quietly removed the sleeping Baron from his sumptuous cradle placed the Baron s son in the clothes basket and creeping into the Baron s cradle covered himself up and went to sleep The cheat was never discovered The peasant s son was brought up as the young Baron the young Baron as the peasants son Hans But I think you must be mistaken for you are twenty years older than I am Baron I am now but when I was three weeks old of course I was the same age as you were when you were three weeks old You see I am naturally quicker than you are besides I m ashamed to say I ve lived a very fast life 14 Hans signs a contract agreeing to these facts and stipulating that they should resume their original social positions immediately So Hans becomes a peasant in the old Baron s body but assumes that he will be a youthful Baron beginning on 13 September However this is all a trick so that the Baron can immediately regain his baronial station By 13 September he says I shall destroy the paper and prove by the fact that I am twenty years older than he is it s utterly impossible we could have been changed at birth I shall return to my rank and he will be punished as an impostor But an announcement is made before the Baron puts his plan into action Proclamation Whereas certain irregularities have crept into the calendar in the course of the last 1584 years and whereas these irregularities although in themselves unimportant constitute in the aggregate a considerable space of time be it enacted and it is hereby enacted that from this date forward thirteen days be omitted from the calendar whereby this third day of September under the Old Style becomes the thirteenth day of September under the New Style 14 The result of this imperfectly calculated proclamation is that the Baron and Hans find themselves immediately in their original bodies Hans and Bertha begin a life of youthful nobility and the Baron is left an ugly old peasant Original cast editThe Baron Otto von Schlachenstein Edward Danvers Grumpff his steward William M Terrott Hans Gopp a Villager Emily Fowler The Gentleman in Black Charles P Flockton Tintelstein Syndic of Schlachenschloss F Robson Schlipps an Innkeeper Mr Herbert Bertha Pomopplesdorf Emmeline Cole The Baroness von Schlachenstein Helen Maxse Maria a market girl Miss Dalton Gretchen a market girl Rose Roberts 15 Emma Miss WilsonNotes edit Frederic Clay The Guide to Light Opera and Operetta Moss Simon The Gentleman in Black at Gilbert amp Sullivan a selling exhibition of memorabilia c20th com accessed 16 November 2009 Frederic Clay entry in Grove Dictionary of Music 3d edition reprinted at The Gilbert and Sullivan Archive accessed 17 June 2015 Gilbert s Plays Annotated chronological listing Archived 15 November 2011 at the Wayback Machine The Gilbert and Sullivan Archive accessed 16 June 2015 Crowther Andrew Gilbert s Non Dramatic Works Archived 29 April 2011 at the Wayback Machine W S Gilbert Society accessed 3 January 2011 Crowther Andrew The Life of W S Gilbert The Gilbert and Sullivan Archive March 1997 accessed 17 June 2015 Archived 20 March 2015 at the Wayback Machine Court Theatre in The Times 19 April 1871 p 8 col 2 Crowther Andrew 1998 A Life of W S Gilbert W S Gilbert Society Archived from the original on 30 September 2007 Retrieved 21 May 2008 Crowther p 67 Stedman chapter 8 Ainger p 83 Ganzl Kurt William Schwenk Gilbert Operetta Research Center Amsterdam 1 January 2001 Stedman p 79 a b Original Plays by W S Gilbert in Four Series by Chatto and Windus London Fourth Series 1911 Stone David Rose Roberts Who Was Who in the D Oyly Carte Opera Company 2006 References editAinger Michael 2002 Gilbert and Sullivan a Dual Biography Oxford Oxford University Press ISBN 0 19 514769 3 Chapter 6 Crowther Andrew 2000 Contradiction Contradicted The Plays of W S Gilbert Associated University Presses ISBN 0 8386 3839 2 Stedman Jane W 1996 W S Gilbert A Classic Victorian amp His Theatre Oxford University Press ISBN 0 19 816174 3 External links editLibretto of The Gentleman in Black Synopsis of the opera by Philip Sternenberg 2008 Retrieved from https en wikipedia org w index php title The Gentleman in Black amp oldid 1173800400, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.