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Rosina Brandram

January 01, 1970

Rosina Brandram (2 July 1845 – 28 February 1907) was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D'Oyly Carte Opera Company.

Rosina Brandram, from an advertisement for The Emerald Isle in The Sketch, 1901

Brandram joined the D'Oyly Carte company in 1877 as a chorister and understudy. By 1879, she was originating roles with the company, and she became its principal contralto in 1884, creating roles in seven of the famous Gilbert and Sullivan operas, as well as many other Sullivan comic operas. She was the only principal to appear in every original Sullivan production at the Savoy Theatre, and she performed with the company until 1903, when it left the Savoy. After leaving D'Oyly Carte, she played a few more roles with other companies before retiring from the stage.

Life and career edit

Beginnings edit

Brandram was born Rosina Moult in Southwark, London.[1] She was the elder child and only daughter of William Moult and his partner (later wife), Sarah Gosling.[2][n 1] By her own account, she was educated at a boarding school in Cricklewood, North London, and later at Le Havre in Normandy.[5] She recalled being taken to Italy by her parents and being introduced to Gaetano Nava, a singing teacher whose pupils had included Charles Santley.[4] After that she studied in London with Frank Romer. She later said that at the time she had no thought of taking up singing as a career,[4] but she had, in the words of one obituarist, "a very thorough musical education in Italy and England".[6] In 1864, aged 19, she married Champnays Charles Butcher, an auctioneer. By the 1880s they were living apart; he died in 1884 aged 49. They had no children.[2][7]

Brandram joined Richard D'Oyly Carte's Comedy Opera Company at the Opera Comique in 1877 as a chorus member and understudy to Mrs Howard Paul in the role of Lady Sangazure in the original production of The Sorcerer, performing the role briefly in December of that year.[8] She played Lady Sangazure on a provincial tour in 1878,[9] and the next year deputised at the Opera Comique as Little Buttercup in H.M.S. Pinafore in August 1879.[10] At the end of 1879 she was a member of the D'Oyly Carte Opera Company touring company that W. S. Gilbert, Arthur Sullivan and Carte took to New York, where she created the role of Kate in The Pirates of Penzance.[11] She toured with Carte's companies in America as Kate (and possibly, at times, as Edith and Ruth) in Pirates.[12] She also appeared as Little Buttercup.[8]

Later in 1880, on her return to England, she played Kate during the London run of Pirates at the Opera Comique.[8] During the original production of Patience (1881–82), she was given the leading roles in two one-act companion pieces: Margery Daw in Uncle Samuel[13] and Mrs. Bowcher in Mock Turtles.[14] She also occasionally substituted for Alice Barnett as Lady Jane in Patience.[15] While the next opera, Iolanthe (1882–84), played at the company's new home, the Savoy Theatre, she continued to take roles in the curtain raisers, repeating as Mrs. Bowcher and then as Mrs. Frumpington in A Private Wire.[16] In September 1883, she replaced an unwell Jessie Bond as Iolanthe.[15] Rutland Barrington wrote of her in his 1908 memoir, "I have never heard a contralto singer who gave me so much pleasure as Rosina; she sang without any effort, and her voice had a fullness and mellifluous quality which were unrivalled."[17]

Principal contralto edit

 
As Blanche in Princess Ida

From 1884 to 1901, Brandram created the principal contralto roles in every Sullivan opera at the Savoy,[18] the only principal to achieve that distinction.[19] The first of these was Lady Blanche in Princess Ida (1884). In the first London revival of The Sorcerer (1884) she played Lady Sangazure. She next originated the roles of Katisha in The Mikado (1885–87) and Dame Hannah in Ruddigore (1887). She played Little Buttercup, Ruth and Katisha, respectively, in the first London revivals of Pinafore (1887), Pirates and The Mikado (both in 1888). She next created the roles of Dame Carruthers in The Yeomen of the Guard (1888) and the Duchess of Plaza-Toro in The Gondoliers (1889). Also in 1889, she appeared in one-off performances of two new operettas: in May she was in Newport by Robert Goldbeck, with Sybil Grey and other members of the Savoy company, and in June she starred with Courtice Pounds in a single performance of Tobacco Jars, by Lady Monckton and Harriet Young.[20][21] She toured as the Duchess briefly in 1890[22] before returning to the Savoy to complete the run of The Gondoliers.

Brandram had no role in The Nautch Girl at the Savoy, but she appeared as Widow Jackson in the curtain-raiser, Captain Billy (1891–92).[23] She played Widow Merton in the revival of Grundy and Solomon's The Vicar of Bray at the Savoy (1892).[24] She then originated the roles of Lady Vernon in Sullivan's Haddon Hall (1892),[25] Miss Sims in Jane Annie (1893),[6] Lady Sophy in Utopia Limited (1893), the Marquise de Montigny in Mirette (1894),[6] and Inez de Roxas in The Chieftain (1894, touring in this role in 1895), during the run of which Sullivan composed a new "characteristically Spanish" song expressly for her.[26] A revival of The Mikado followed in 1895, in which she played Katisha. In Gilbert and Sullivan's last opera, The Grand Duke (1896), she created the role of Baroness von Krakenfeldt, followed by another Katisha in 1896.[18]

Next, Brandram played Dame Carruthers in the first revival of Yeomen in 1897,[27] and in 1898, she played the Duchess of Plaza Toro in the first revival of The Gondoliers.[28] She was the original Joan in The Beauty Stone (1898)[29] and reprised Lady Sangazure in The Sorcerer (1898), followed by Little Buttercup in Pinafore in 1899.[30] She then created the role of Dancing Sunbeam in The Rose of Persia (1899–1900),[31] after which she appeared as Ruth and Lady Jane in revivals of Pirates (1900) and Patience (1900–01).[32] In Sullivan's last opera, The Emerald Isle, later in 1901, she originated the role of the Countess of Newtown. Following this, she created the role of Wee-Ping in the original version of The Willow Pattern, which ran briefly during November 1901.[33] She then appeared in a revival of Iolanthe as the Queen of the Fairies.[34]

Two original works by Edward German and Basil Hood followed, in which Brandram created the roles of Queen Elizabeth I in Merrie England (1902–03)[35] and Nell Reddish in A Princess of Kensington (1903).[36] She then toured in A Princess of Kensington for a few months, when the company disbanded. This was Brandram's last production with D'Oyly Carte.[37]

Some of Brandram's roles
 
Ruth in The Pirates of Penzance
 
Lady Jane in Patience
 
Fairy Queen in Iolanthe
 
Katisha in The Mikado
 
Dame Carruthers in The Yeomen of the Guard
 
The Baroness in The Grand Duke

Later years and last illness edit

 
Brandram's final role: Ermerance de Champ d'Azur, in Véronique, with George Graves, 1904

In 1903 Brandram appeared at the Adelphi Theatre as the Sea Witch and the Queen in Hood and Walter Slaughter's fairy pantomime, Little Hans Andersen, together with former Savoy colleagues including Richard Temple, Walter Passmore and Henry Lytton.[38][39] The following year, she appeared with Ruth Vincent at the Apollo Theatre as Ermerance de Champ d'Azur, in Véronique.[40] In September of that year, she sustained injuries in a carriage accident[41] and in December 1904, her health obliged her to leave the cast.[42]

In her final years, suffering from pulmonary disease, Brandram was too ill to attend the dinner in December 1906 at the O.P. Club celebrating the first London repertory season of the Gilbert and Sullivan operas, at which she had been scheduled to speak, along with George Grossmith and Rutland Barrington.[43] In his remarks on that occasion, W. S. Gilbert gave this tribute to Brandram: "Rosina of the glorious voice that rolled out as full-bodied Burgundy rolls down – Rosina whose dismal doom it was to represent undesirable old ladies of 65, but who, with all the resources of the perruquier and the make-up box, could never succeed in looking more than an attractive eight-and-twenty – it was her only failure."[43]

In June 1906 Brandram moved to the seaside town of Southend-on-Sea, Essex, for the good of her health. In February 1907 The Times reported that though she had recovered from a dangerous attack of bronchitis, she was critically ill with heart trouble.[44] She died in Southend the following month, aged 61.[12]

Notes, references and sources edit

Notes edit

  1. ^ Sarah Gosling was separated from her first husband, after whose death in 1850 she married Moult, with whom she had been living for six years.[3] Moult was a cab-driver,[2] although in later life Brandram spoke of growing up "surrounded by every luxury that wealthy parents could command".[4]

References edit

  1. ^ Wilson, F. W. "Brandram, Rosina", Oxford Music Online (subscription required), accessed 1 January 2010
  2. ^ a b c "Rosina Moult (alias Brandram)", Ancestry UK. Retrieved 30 July 2021 (subscription required)
  3. ^ "Sarah Gosling", Ancestry UK. Retrieved 30 July 2021 (subscription required)
  4. ^ a b c "An Interview with Miss Rosina Brandram". Illustrated Sporting and Dramatic News. 16 February 1895. pp. 842, 844. Retrieved 19 December 2023 – via British Newspaper Archive.
  5. ^ Edwards, G. S. (5 March 1904). "Concerning Rosina Brandram". Illustrated Sporting and Dramatic News. pp. 24, 25. Retrieved 19 December 2023 – via British Newspaper Archive.
  6. ^ a b c "Miss Rosina Brandram". The Manchester Guardian. 2 March 1907. p. 6. Retrieved 19 December 2023 – via Newspapers.com.
  7. ^ "Champnays Charles Butcher", Ancestry UK. Retrieved 30 July 2021 (subscription required)
  8. ^ a b c Stone, David. "Rosina Brandram", Who Was Who in the D'Oyly Carte Company, accessed 31 December 2009
  9. ^ Rollins and Witts, p. 29
  10. ^ Rollins and Witts, p. 6
  11. ^ Rollins and Witts, p. 32
  12. ^ a b "Obituary: Miss Rosina Brandram". The Times. London. 2 March 1907. p. 8. Retrieved 19 December 2023 – via The Times Digital Archive.
  13. ^ Walters, Michael and George Low. "Uncle Samuel", Curtain Raisers at the Gilbert and Sullivan Archive, accessed 1 January 2010
  14. ^ Walters, Michael and George Low. "Mock Turtles", Curtain Raisers at the Gilbert and Sullivan Archive, accessed 1 January 2010
  15. ^ a b Rollins and Witts, p. 8
  16. ^ "The Savoy". The Era. London. 7 April 1883. p. 7. Retrieved 19 December 2023 – via Newspapers.com.
  17. ^ Barrington, Chapter 3
  18. ^ a b Rollins and Witts, pp. 9–20
  19. ^ Ayre, p. 62
  20. ^ "Mr. Goldbeck's 'Newport'". The Observer. London. 12 May 1889. p. 6. Retrieved 19 December 2023 – via Newspapers.com.
  21. ^ "Tobacco Jars". The Observer. London. 16 June 1889. p. 6. Retrieved 19 December 2023 – via Newspapers.com.
  22. ^ Rollins and Witts, p. 73
  23. ^ "Savoy Theatre". The Observer. London. 27 September 1891. p. 6. Retrieved 19 December 2023 – via Newspapers.com.
  24. ^ "Savoy Theatre". The Observer. London. 31 January 1892. p. 6. Retrieved 19 December 2023 – via Newspapers.com.
  25. ^ The Musical Times, 1 October 1892, p. 601
  26. ^ "Our London Correspondence". The Manchester Guardian. 11 March 1895. p. 5. Retrieved 19 December 2023 – via Newspapers.com.
  27. ^ Rollins and Witts, p. 16
  28. ^ Rollins and Witts, p. 17
  29. ^ "The New Savoy Opera". The Era. London. 4 June 1898. p. 13. Retrieved 19 December 2023 – via Newspapers.com.
  30. ^ Rollins and Witts, pp. 17–18
  31. ^ "'The Rose of Persia; or, the Story-Teller and the Slave'". The Era. London. 2 December 1899. p. 14. Retrieved 19 December 2023 – via Newspapers.com.
  32. ^ Rollins and Witts, pp. 18–19
  33. ^ Walters, Michael and George Low. "The Willow Pattern", Curtain Raisers at the Gilbert and Sullivan Archive, accessed 1 January 2010
  34. ^ Rollins and Witts, p. 19
  35. ^ "Our London Correspondence". The Manchester Guardian. 25 November 1902. p. 6. Retrieved 19 December 2023 – via Newspapers.com.
  36. ^ "New Comic Opera at the Savoy". The Manchester Guardian. 23 January 1903. p. 6. Retrieved 19 December 2023 – via Newspapers.com.
  37. ^ Rollins and Witts, p. 20
  38. ^ "Adelphi Theatre". The Times. London. 23 December 1903. p. 5. Retrieved 19 December 2023 – via The Times Digital Archive.
  39. ^ Wearing, J. P. The London Stage 1900-1909: A Calendar of Productions, Performers, and Personnel, Rowman & Littlefield (2014), p. 165
  40. ^ "London Theatres". The Manchester Guardian. 19 May 1904. p. 12. Retrieved 19 December 2023 – via Newspapers.com.
  41. ^ Ainger, pp. 405–06
  42. ^ The Penny Illustrated Paper and Illustrated Times, 31 December 1904, p. 438
  43. ^ a b "Savoyard Celebration Dinner". The Times. No. 38217. London. 31 December 1906. p. 9. Retrieved 19 December 2023 – via The Times Digital Archive.
  44. ^ "Court News". The Times. No. 38249. London. 6 February 1907. p. 10. Retrieved 19 December 2023 – via The Times Digital Archive.

Sources edit

  • Ainger, Michael (2002). Gilbert and Sullivan – A Dual Biography. Oxford: Oxford University Press. ISBN 978-0-19-514769-8.
  • Ayre, Leslie (1972). The Gilbert & Sullivan Companion. London: W. H. Allen. ISBN 978-0-491-00832-7.
  • Baily, Leslie (1956). The Gilbert & Sullivan Book (fourth ed.). London: Cassell & Company Ltd. OCLC 254534938.
  • Barrington, Rutland (1908). Rutland Barrington: A Record of 35 Years' Experience on the English Stage. London: G. Richards. OCLC 905855307.
  • Rollins, Cyril; R. John Witts (1962). The D'Oyly Carte Opera Company in Gilbert and Sullivan Operas: A Record of Productions, 1875–1961. London: Michael Joseph. OCLC 504581419.

External links edit

 
Wikimedia Commons has media related to Rosina Brandram.
  • Photos of Brandram
  • Review of Brandram's performance in The Mikado
  • Several reviews of Brandram's performance in The Grand Duke

January 01, 1970
rosina, brandram, july, 1845, february, 1907, english, opera, singer, actress, primarily, known, creating, many, contralto, roles, savoy, operas, with, oyly, carte, opera, company, from, advertisement, emerald, isle, sketch, 1901brandram, joined, oyly, carte, . Rosina Brandram 2 July 1845 28 February 1907 was an English opera singer and actress primarily known for creating many of the contralto roles in the Savoy operas with the D Oyly Carte Opera Company Rosina Brandram from an advertisement for The Emerald Isle in The Sketch 1901Brandram joined the D Oyly Carte company in 1877 as a chorister and understudy By 1879 she was originating roles with the company and she became its principal contralto in 1884 creating roles in seven of the famous Gilbert and Sullivan operas as well as many other Sullivan comic operas She was the only principal to appear in every original Sullivan production at the Savoy Theatre and she performed with the company until 1903 when it left the Savoy After leaving D Oyly Carte she played a few more roles with other companies before retiring from the stage Contents 1 Life and career 1 1 Beginnings 1 2 Principal contralto 1 3 Later years and last illness 2 Notes references and sources 2 1 Notes 2 2 References 2 3 Sources 3 External linksLife and career editBeginnings edit Brandram was born Rosina Moult in Southwark London 1 She was the elder child and only daughter of William Moult and his partner later wife Sarah Gosling 2 n 1 By her own account she was educated at a boarding school in Cricklewood North London and later at Le Havre in Normandy 5 She recalled being taken to Italy by her parents and being introduced to Gaetano Nava a singing teacher whose pupils had included Charles Santley 4 After that she studied in London with Frank Romer She later said that at the time she had no thought of taking up singing as a career 4 but she had in the words of one obituarist a very thorough musical education in Italy and England 6 In 1864 aged 19 she married Champnays Charles Butcher an auctioneer By the 1880s they were living apart he died in 1884 aged 49 They had no children 2 7 Brandram joined Richard D Oyly Carte s Comedy Opera Company at the Opera Comique in 1877 as a chorus member and understudy to Mrs Howard Paul in the role of Lady Sangazure in the original production of The Sorcerer performing the role briefly in December of that year 8 She played Lady Sangazure on a provincial tour in 1878 9 and the next year deputised at the Opera Comique as Little Buttercup in H M S Pinafore in August 1879 10 At the end of 1879 she was a member of the D Oyly Carte Opera Company touring company that W S Gilbert Arthur Sullivan and Carte took to New York where she created the role of Kate in The Pirates of Penzance 11 She toured with Carte s companies in America as Kate and possibly at times as Edith and Ruth in Pirates 12 She also appeared as Little Buttercup 8 Later in 1880 on her return to England she played Kate during the London run of Pirates at the Opera Comique 8 During the original production of Patience 1881 82 she was given the leading roles in two one act companion pieces Margery Daw in Uncle Samuel 13 and Mrs Bowcher in Mock Turtles 14 She also occasionally substituted for Alice Barnett as Lady Jane in Patience 15 While the next opera Iolanthe 1882 84 played at the company s new home the Savoy Theatre she continued to take roles in the curtain raisers repeating as Mrs Bowcher and then as Mrs Frumpington in A Private Wire 16 In September 1883 she replaced an unwell Jessie Bond as Iolanthe 15 Rutland Barrington wrote of her in his 1908 memoir I have never heard a contralto singer who gave me so much pleasure as Rosina she sang without any effort and her voice had a fullness and mellifluous quality which were unrivalled 17 Principal contralto edit nbsp As Blanche in Princess IdaFrom 1884 to 1901 Brandram created the principal contralto roles in every Sullivan opera at the Savoy 18 the only principal to achieve that distinction 19 The first of these was Lady Blanche in Princess Ida 1884 In the first London revival of The Sorcerer 1884 she played Lady Sangazure She next originated the roles of Katisha in The Mikado 1885 87 and Dame Hannah in Ruddigore 1887 She played Little Buttercup Ruth and Katisha respectively in the first London revivals of Pinafore 1887 Pirates and The Mikado both in 1888 She next created the roles of Dame Carruthers in The Yeomen of the Guard 1888 and the Duchess of Plaza Toro in The Gondoliers 1889 Also in 1889 she appeared in one off performances of two new operettas in May she was in Newport by Robert Goldbeck with Sybil Grey and other members of the Savoy company and in June she starred with Courtice Pounds in a single performance of Tobacco Jars by Lady Monckton and Harriet Young 20 21 She toured as the Duchess briefly in 1890 22 before returning to the Savoy to complete the run of The Gondoliers Brandram had no role in The Nautch Girl at the Savoy but she appeared as Widow Jackson in the curtain raiser Captain Billy 1891 92 23 She played Widow Merton in the revival of Grundy and Solomon s The Vicar of Bray at the Savoy 1892 24 She then originated the roles of Lady Vernon in Sullivan s Haddon Hall 1892 25 Miss Sims in Jane Annie 1893 6 Lady Sophy in Utopia Limited 1893 the Marquise de Montigny in Mirette 1894 6 and Inez de Roxas in The Chieftain 1894 touring in this role in 1895 during the run of which Sullivan composed a new characteristically Spanish song expressly for her 26 A revival of The Mikado followed in 1895 in which she played Katisha In Gilbert and Sullivan s last opera The Grand Duke 1896 she created the role of Baroness von Krakenfeldt followed by another Katisha in 1896 18 Next Brandram played Dame Carruthers in the first revival of Yeomen in 1897 27 and in 1898 she played the Duchess of Plaza Toro in the first revival of The Gondoliers 28 She was the original Joan in The Beauty Stone 1898 29 and reprised Lady Sangazure in The Sorcerer 1898 followed by Little Buttercup in Pinafore in 1899 30 She then created the role of Dancing Sunbeam in The Rose of Persia 1899 1900 31 after which she appeared as Ruth and Lady Jane in revivals of Pirates 1900 and Patience 1900 01 32 In Sullivan s last opera The Emerald Isle later in 1901 she originated the role of the Countess of Newtown Following this she created the role of Wee Ping in the original version of The Willow Pattern which ran briefly during November 1901 33 She then appeared in a revival of Iolanthe as the Queen of the Fairies 34 Two original works by Edward German and Basil Hood followed in which Brandram created the roles of Queen Elizabeth I in Merrie England 1902 03 35 and Nell Reddish in A Princess of Kensington 1903 36 She then toured in A Princess of Kensington for a few months when the company disbanded This was Brandram s last production with D Oyly Carte 37 Some of Brandram s roles nbsp Ruth in The Pirates of Penzance nbsp Lady Jane in Patience nbsp Fairy Queen in Iolanthe nbsp Katisha in The Mikado nbsp Dame Carruthers in The Yeomen of the Guard nbsp The Baroness in The Grand Duke Later years and last illness edit nbsp Brandram s final role Ermerance de Champ d Azur in Veronique with George Graves 1904In 1903 Brandram appeared at the Adelphi Theatre as the Sea Witch and the Queen in Hood and Walter Slaughter s fairy pantomime Little Hans Andersen together with former Savoy colleagues including Richard Temple Walter Passmore and Henry Lytton 38 39 The following year she appeared with Ruth Vincent at the Apollo Theatre as Ermerance de Champ d Azur in Veronique 40 In September of that year she sustained injuries in a carriage accident 41 and in December 1904 her health obliged her to leave the cast 42 In her final years suffering from pulmonary disease Brandram was too ill to attend the dinner in December 1906 at the O P Club celebrating the first London repertory season of the Gilbert and Sullivan operas at which she had been scheduled to speak along with George Grossmith and Rutland Barrington 43 In his remarks on that occasion W S Gilbert gave this tribute to Brandram Rosina of the glorious voice that rolled out as full bodied Burgundy rolls down Rosina whose dismal doom it was to represent undesirable old ladies of 65 but who with all the resources of the perruquier and the make up box could never succeed in looking more than an attractive eight and twenty it was her only failure 43 In June 1906 Brandram moved to the seaside town of Southend on Sea Essex for the good of her health In February 1907 The Times reported that though she had recovered from a dangerous attack of bronchitis she was critically ill with heart trouble 44 She died in Southend the following month aged 61 12 Notes references and sources editNotes edit Sarah Gosling was separated from her first husband after whose death in 1850 she married Moult with whom she had been living for six years 3 Moult was a cab driver 2 although in later life Brandram spoke of growing up surrounded by every luxury that wealthy parents could command 4 References edit Wilson F W Brandram Rosina Oxford Music Online subscription required accessed 1 January 2010 a b c Rosina Moult alias Brandram Ancestry UK Retrieved 30 July 2021 subscription required Sarah Gosling Ancestry UK Retrieved 30 July 2021 subscription required a b c An Interview with Miss Rosina Brandram Illustrated Sporting and Dramatic News 16 February 1895 pp 842 844 Retrieved 19 December 2023 via British Newspaper Archive Edwards G S 5 March 1904 Concerning Rosina Brandram Illustrated Sporting and Dramatic News pp 24 25 Retrieved 19 December 2023 via British Newspaper Archive a b c Miss Rosina Brandram The Manchester Guardian 2 March 1907 p 6 Retrieved 19 December 2023 via Newspapers com Champnays Charles Butcher Ancestry UK Retrieved 30 July 2021 subscription required a b c Stone David Rosina Brandram Who Was Who in the D Oyly Carte Company accessed 31 December 2009 Rollins and Witts p 29 Rollins and Witts p 6 Rollins and Witts p 32 a b Obituary Miss Rosina Brandram The Times London 2 March 1907 p 8 Retrieved 19 December 2023 via The Times Digital Archive Walters Michael and George Low Uncle Samuel Curtain Raisers at the Gilbert and Sullivan Archive accessed 1 January 2010 Walters Michael and George Low Mock Turtles Curtain Raisers at the Gilbert and Sullivan Archive accessed 1 January 2010 a b Rollins and Witts p 8 The Savoy The Era London 7 April 1883 p 7 Retrieved 19 December 2023 via Newspapers com Barrington Chapter 3 a b Rollins and Witts pp 9 20 Ayre p 62 Mr Goldbeck s Newport The Observer London 12 May 1889 p 6 Retrieved 19 December 2023 via Newspapers com Tobacco Jars The Observer London 16 June 1889 p 6 Retrieved 19 December 2023 via Newspapers com Rollins and Witts p 73 Savoy Theatre The Observer London 27 September 1891 p 6 Retrieved 19 December 2023 via Newspapers com Savoy Theatre The Observer London 31 January 1892 p 6 Retrieved 19 December 2023 via Newspapers com The Musical Times 1 October 1892 p 601 Our London Correspondence The Manchester Guardian 11 March 1895 p 5 Retrieved 19 December 2023 via Newspapers com Rollins and Witts p 16 Rollins and Witts p 17 The New Savoy Opera The Era London 4 June 1898 p 13 Retrieved 19 December 2023 via Newspapers com Rollins and Witts pp 17 18 The Rose of Persia or the Story Teller and the Slave The Era London 2 December 1899 p 14 Retrieved 19 December 2023 via Newspapers com Rollins and Witts pp 18 19 Walters Michael and George Low The Willow Pattern Curtain Raisers at the Gilbert and Sullivan Archive accessed 1 January 2010 Rollins and Witts p 19 Our London Correspondence The Manchester Guardian 25 November 1902 p 6 Retrieved 19 December 2023 via Newspapers com New Comic Opera at the Savoy The Manchester Guardian 23 January 1903 p 6 Retrieved 19 December 2023 via Newspapers com Rollins and Witts p 20 Adelphi Theatre The Times London 23 December 1903 p 5 Retrieved 19 December 2023 via The Times Digital Archive Wearing J P The London Stage 1900 1909 A Calendar of Productions Performers and Personnel Rowman amp Littlefield 2014 p 165 London Theatres The Manchester Guardian 19 May 1904 p 12 Retrieved 19 December 2023 via Newspapers com Ainger pp 405 06 The Penny Illustrated Paper and Illustrated Times 31 December 1904 p 438 a b Savoyard Celebration Dinner The Times No 38217 London 31 December 1906 p 9 Retrieved 19 December 2023 via The Times Digital Archive Court News The Times No 38249 London 6 February 1907 p 10 Retrieved 19 December 2023 via The Times Digital Archive Sources edit Ainger Michael 2002 Gilbert and Sullivan A Dual Biography Oxford Oxford University Press ISBN 978 0 19 514769 8 Ayre Leslie 1972 The Gilbert amp Sullivan Companion London W H Allen ISBN 978 0 491 00832 7 Baily Leslie 1956 The Gilbert amp Sullivan Book fourth ed London Cassell amp Company Ltd OCLC 254534938 Barrington Rutland 1908 Rutland Barrington A Record of 35 Years Experience on the English Stage London G Richards OCLC 905855307 Rollins Cyril R John Witts 1962 The D Oyly Carte Opera Company in Gilbert and Sullivan Operas A Record of Productions 1875 1961 London Michael Joseph OCLC 504581419 External links edit nbsp Wikimedia Commons has media related to Rosina Brandram Photos of Brandram Review of Brandram s performance in The Mikado Several reviews of Brandram s performance in The Grand Duke Retrieved from https en wikipedia org w index php title Rosina Brandram amp oldid 1213704820, wikipedia, wiki, book, books, library,

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