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Lyric Theatre (New York City, 1998)

January 20, 2023

The Lyric Theatre (previously known as the Ford Center for the Performing Arts, the Hilton Theatre, and the Foxwoods Theatre) is a Broadway theater at 214 West 43rd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1998, the theater was designed by Richard Lewis Blinder of Beyer Blinder Belle, in collaboration with Peter Kofman, for Garth Drabinsky and his company Livent. The Lyric Theatre was built using parts of two former theaters on the site: the Apollo Theatre, built in 1920 to a design by Eugene De Rosa, and the old Lyric Theatre, built in 1903 to a design by Victor Hugo Koehler. The theater contains 1,622 seats across three levels and is operated by Ambassador Theatre Group (ATG). The theater building is owned by the city and state governments of New York and was developed by New 42nd Street.

Lyric Theatre
Ford Center for the Performing Arts, Hilton Theatre, Foxwoods Theatre
43rd Street entrance
Address214 West 43rd Street
Manhattan, New York City
United States
Coordinates40°45′25″N 73°59′16″W / 40.75694°N 73.98778°W / 40.75694; -73.98778Coordinates: 40°45′25″N 73°59′16″W / 40.75694°N 73.98778°W / 40.75694; -73.98778
OwnerCity and State of New York[1]
OperatorAmbassador Theatre Group
TypeBroadway theatre
Capacity1,622
ProductionHarry Potter and the Cursed Child
Construction
OpenedJanuary 18, 1998
Years active1998–present
ArchitectRichard Blinder (Beyer Blinder Belle)
Peter Kofman
Tenants
New 42nd Street

Despite having the same name as one of its predecessor theaters, the current Lyric Theatre was built almost entirely from scratch, though many parts of the old theaters were preserved to comply with government regulations. The current theater retains the original Lyric facade on 43rd Street, as well as a smaller arched facade on 42nd Street. The auditorium and stage house are placed within an entirely new structure covered with concrete and brick panels. The lobby contains a domed rotunda, with a basement lounge underneath it. The auditorium contains elements from the old Lyric's and the Apollo's interiors, including a ceiling dome, boxes, and a proscenium arch, which were modified to fit the new theater's dimensions. The large stage and the accompanying stage house were designed to accommodate major musicals.

The old Lyric and Apollo theaters had been proposed for redevelopment since the 1970s, and New 42nd Street took over the theaters in 1990. Livent leased the theaters in 1995, razing them to make way for an 1,821-seat facility named after sponsor Ford Motor Company. The Ford Center was dedicated in December 1997 and officially opened the next month. Livent filed for bankruptcy in late 1998, and the theater subsequently passed to SFX Entertainment and then Clear Channel Entertainment, which renamed it for sponsor Hilton Hotels & Resorts in 2005. The venue was renamed after Foxwoods Resort Casino in 2010 as part of a partnership with Live Nation. ATG acquired the theater in 2013 and renamed it the Lyric the following year. The Lyric's capacity was reduced in a 2017 renovation because of complaints about the theater's excessive size, which had caused several of the theater's productions to lose money.

Site

The Lyric Theatre is at 214 West 43rd Street, on the southern sidewalk between Eighth Avenue and Seventh Avenue, at the southern end of Times Square in the Midtown Manhattan neighborhood of New York City.[1][2] The land lot has an area of 24,176 sq ft (2,246.0 m2)[1] and a frontage of 219 ft 4 in (66.85 m) on 43rd Street.[1][3][a] Most of the theater is on a 100 ft-deep (30 m) site on 43rd Street,[4] but the theater has wings extending to 42nd Street, making the total depth of the site 200 ft (61 m).[1][3][5] The two wings on 42nd Street flank the 94-foot-wide (29 m) Times Square Theater; the western wing is 11 feet 5 inches (3.48 m) wide, while the eastern wing is 20 feet (6.1 m) wide.[3]

The Lyric Theatre is adjacent to the American Airlines Theatre to the west, the Times Square and New Victory theaters to the south, and 3 Times Square to the east. Other nearby buildings include the St. James Theatre and Hayes Theater to the northwest; 229 West 43rd Street and 1501 Broadway to the north; 1500 Broadway to the northeast; One Times Square to the east; the Times Square Tower and 5 Times Square to the southeast, and the New Amsterdam Theatre to the south.[1][2]

Previous theaters

The surrounding area is part of Manhattan's Theater District and contains many Broadway theaters.[6] In the first two decades of the 20th century, eleven venues for Legitimate theatre were built within one block of West 42nd Street between Seventh and Eighth Avenues.[7][8] These venues were mostly converted to movie theaters by the 1930s, and many of them had been relegated to showing pornography by the 1970s.[8][9] The current Lyric Theatre occupies the sites of the Lyric Theatre, built on the eastern half of the site in 1903,[10] and the Apollo Theatre, built to the west in 1920.[11][12] The Lyric was designed in the Beaux-Arts style, while the Apollo had decorations in the Adam style.[13] Both theaters had entrances from 42nd Street, flanking the Times Square Theater, although their auditoriums were on 43rd Street. When the theaters were built, 42nd Street was generally considered an upscale address.[4][5]

The old Lyric was designed by Victor Hugo Koehler[14][15] and constructed by the Shubert brothers for composer Reginald De Koven.[16][17] It featured performers such as Fred Astaire, the Marx Brothers, and Douglas Fairbanks[9][12] until it was converted to a movie theater in 1934.[18] The exterior of the old Lyric still largely survives within the current theater.[19] The interior decorative scheme was relatively plain.[20][21] The old Lyric contained three levels of seating, topped by a ceiling dome that was surrounded by moldings of lyres and Greek masks.[21] This theater also had 18 boxes.[20]

The Apollo, constructed by the Selwyn brothers to a design by Eugene De Rosa,[22] was originally a film and vaudeville theater.[23] The Apollo was briefly a burlesque venue in the mid-1930s before turning into a movie theater in the late 1930s.[24] The Apollo's facade on 42nd Street was built as part of the Times Square Theater's facade.[25] The old Apollo, decorated in a rose, tan, and blue color scheme with flat decorations, contained 1,194 seats on two levels. There were also four boxes, placed within ornate Palladian arches, as well as an Adam-style proscenium arch that measured 41 feet (12 m) wide and 25 feet (7.6 m) high.[26] Both the Lyric and the Apollo were owned by the Brandt Theatres chain by the 1970s; the Brandts renovated both venues as part of a plan to reopen both as legitimate houses.[27][28] Only the Apollo ultimately reopened, in 1979;[27][29] it reverted to movies in 1983.[30] The Apollo was then renamed the Academy Theatre and became a nightclub.[24]

Design

The current Lyric Theatre was designed by Beyer Blinder Belle (BBB) and Peter H. Kofman for Garth Drabinsky; it opened as the Ford Center in 1998.[31] According to Richard Blinder of BBB, the current theater's design had to conform with preservation guidelines because it was part of a city-owned district controlled by New 42nd Street. As such, the theater incorporates major architectural elements and structures from both the old Lyric's facade and the Apollo's interior.[18][32] The interior of the old Lyric was too badly deteriorated for most of the individual elements to be restored.[18] Both of the old theaters' interiors were dismantled to make way for the current theater,[33] but an office wing on 42nd Street was preserved.[34]

Facade

The new Lyric Theatre retains the ornate facades of Koehler's original Lyric Theatre on 42nd and 43rd Street.[17] The 43rd Street facade is divided vertically into five bays.[35][20] At the center of the facade are three arched doorways topped by corbels.[36] These are flanked by two additional doorways, which are topped by panels with the words "Music" and "Drama".[35] On the second floor, the center of the facade contains a balustrade and three arched windows,[16][32] which are flanked by banded columns.[37] Above these windows are busts of W. S. Gilbert, Arthur Sullivan, and Reginald De Koven.[17][32] There are three oculi above the arched windows,[32][36][35] which are surrounded by floral wreaths[36][34] and topped by keystones that depict lions' heads.[35] The oculi contain heads of the ancient gods Apollo, Athena, and Hermes.[32][35] Lampposts, topped by spheres, flank the oculi.[36] On the second story, the outer bays contain rectangular windows flanked by pilasters, above which are entablatures with carved masks of comedy and tragedy.[35] The top of the facade has a copper cornice with medallions.[36] There is also a wrought-iron balustrade with decorations of lyres.[36][38] The original theater had a sloped tile roof on 43rd Street, as well as a marquee in front of the entrance.[35]

The old Lyric's narrow three-story facade, an arch on 42nd Street, was preserved in the new theater's construction.[37][39] The first story of this arch contained a portico with a column on either side, above which was a frieze with the words "The Lyric". The second story contained the actual archway, which was decorated with terracotta.[35] The narrowness of the 42nd Street entrance arises from the fact that, when the original theater was built, there were brownstone houses next to the theater, and land values on 42nd Street were high.[20]

The auditorium and stage house facades, built in 1997, are to the west of the old Lyric Theatre's facade. The auditorium structure, measuring 94 ft (29 m) long and 70 ft (21 m) tall, is just west of the entrance.[37][38][39] There is also a stage house at the far west end of the site, measuring 100 ft (30 m) tall. Originally, a sign measuring 40 ft (12 m) tall was placed atop the stage house.[37][39] Both the auditorium and the stage house contain prefabricated concrete panels on their exteriors,[36][37] each measuring 12 by 20 ft (3.7 by 6.1 m).[37] The panels used on the auditorium are covered in brick, while those in front of the stage house are left exposed. These panels do not contain any windows and are mounted directly onto the theater's steel superstructure. Behind the panels are noise-reducing rubber pads.[36]

Interior

Roger Morgan Studio was responsible for the interior design of the new Lyric Theatre.[40][41] The modern theater's new design elements blend with its historical elements; the design of the lobby was inspired by the old Lyric, while the auditorium was inspired by the old Apollo.[40] BBB initially planned to use a modern decorative decorative scheme that contrasted with the historical design elements, but Richard Blinder said this proposal was "too diagrammatic".[36] Lyres are used as decorative motifs throughout the interior of the new Lyric Theatre.[16] The auditorium also includes furnishings that were constructed specifically for the new theater but were inspired by early-20th-century theaters' decorations.[31] Drabinsky involved himself in many aspects of the new Lyric's design when it was built.[37]

Lobby and adjoining areas

 
View of the lobby

The lobby of the new Lyric Theatre is on the east side of the theater, extending from 42nd to 43rd Street, with an elliptical rotunda on 43rd Street. The floor, dome, columns, and staircases of the rotunda were brand-new elements constructed for the Ford Center.[42] The Italian-marble staircase rises from one side of the rotunda and splits into two flights, wrapping around to the mezzanine.[37][38] At the top of the stair is a medallion of the Greek god Zeus.[10] The rotunda's walls are covered with canvas panels, designed to imitate the look of cut stone.[38][42] Mariuca Brancoveanu designed the rotunda's mosaic floor, which contains depictions of the masks on the original Lyric's facade, surrounded by a mosaic border.[32][38] The mosaic decoration is composed of 172,800 marble pieces covering 650 sq ft (60 m2).[32][37][43] The capitals of the rotunda's columns are decorated with gilded guilloche reliefs that depict light bulbs.[31][38] The dome of the rotunda was taken from the Apollo Theatre and measures 39 by 28 ft (11.9 by 8.5 m).[13][37] The mezzanine level, overlooking the lobby, contains wrought-iron railings with depictions of lyres.[38]

The lobby and auditorium are separated by vestibules with doors at each end, with 2 in-thick (5.1 cm) fabric panels.[38] This was intended to minimize disruption from guests who left early or arrived late. In venues where the lobbies and auditoriums are directly connected, light and noise from the lobby could disrupt ongoing performances.[37][38] The old Lyric's lobby connected both of the entrances, on 42nd and 43rd Streets.[35][20] The old Apollo's lobby from 42nd Street was divided into two sections: an outer portion with rose-and-red marble walls and an Adam style plaster ceiling, and an inner portion with black-and-white marble walls.[44] Both of the former theaters' lobbies to 42nd Street were retained when the Ford Center was built. While the Apollo's lobby to the west kept its bas-relief sculptures and black-and-white marble decorations, the old Lyric's lobby to the east had lost all of its decoration.[5]

Under the lobby is a lounge intended for premium-ticket holders. The lounge, covering 850 sq ft (79 m2), was originally monitored by three attendants and could be used before a performance and during intermission.[45] The lounge also contained coat and parcel checks, dedicated restrooms and telephones, and a snack area.[23] When the theater opened in 1998, architectural critic Herbert Muschamp wrote of the lounge: "Bad paintings hang on walls covered with tasteful vanilla moire".[46] Above the lobby is a 1,200 sq ft (110 m2) space for choreography and a 3,000 sq ft (280 m2) space for rehearsals. There are also three box offices.[47]

Auditorium

 
Auditorium

The new Lyric Theatre contains an orchestra level and two balconies; the lower balcony is labeled the dress circle. The orchestra level is slightly raked and is composed of concrete over a corrugated metal deck. Both of the balconies are eight rows deep and are slightly raked. The Lyric's seats are larger and deeper than in typical Broadway theaters; each seat is up to 22 in (560 mm) wide and the rows are spaced 34.5 in (880 mm) apart.[37] The rear wall is 94 ft (29 m) from the proscenium at the front of the auditorium.[23] The side walls are slightly curved to disperse the sound throughout the auditorium, and the rear wall is built as a concave curve for a similar reason.[37][48] Two box seats on either side are taken from the original Apollo Theatre.[48]

Generally, the color scheme is in gold and red.[46] The ends of each row of seating are decorated in a gold color,[31] while the seats themselves contain crimson-velour upholstery.[48] Axminster designed lattice-patterned carpets for the auditorium's aisles.[31][48] Damask wall coverings on the side walls were originally colored blue-and-green.[48] The upper sections of the walls are decorated with 50 ft-wide (15 m) murals painted by EverGreene Architectural Arts. EverGreene also painted multicolored, glazed Adam-style decorations onto the plaster.[31][38] The ceiling contains the Apollo Theatre's original dome, which is surrounded by a newer plaster ring to make it appear larger.[48] The ceiling contains six chandeliers, four over the orchestra and two over the boxes;[38][48] their design is inspired by the old Apollo's chandeliers.[31] Above the second balcony are three smaller domes, salvaged from the old Apollo Theatre[37][48] and painted in gold leaf.[31]

The new Lyric's interior retains the proscenium arch from the Apollo, which was expanded significantly when the new theater was built.[36][48] The proscenium opening in the new theater is 50 ft (15 m) wide,[38][48] compared to 30 ft (9.1 m) in the old Apollo.[48] The new theater's proscenium measures around 31 ft (9 m) high.[23][38] To accommodate this, the top of the proscenium arch was widened by about 8 ft (2.4 m), while its sides were lengthened by 4 to 5 ft (1.2 to 1.5 m).[36][37][38][b] New steel armatures were built for the lengthened proscenium, as well as for damaged sections of plasterwork throughout the theater; plaster was then poured over the armatures.[36] Thirty-six holes were drilled into the ceiling so trusses could be hung for productions. The rigging system consists of 90 line sets perpendicular to the proscenium.[49]

The stage is designed to accommodate large musicals, measuring about 55 ft (17 m) deep and about 100 ft (30 m) wide.[4][c] When the theater was built, Drabinsky specified that the fly loft had to be 100 ft (30 m) high, and the stage house was to contain dressing rooms for 75 performers.[13] To maximize space within the stage house, its support columns are embedded into the western wall, adjoining the Selwyn (American Airlines) Theatre. Such columns are typically freestanding, but this design added 8 in (200 mm) of depth to the stage house. The dressing rooms, as well as various backstage areas, are placed in the basement to free up space for the stage.[37]

History

Planning

Preservation attempts

The City at 42nd Street plan was announced in December 1979 as part of a proposal to restore West 42nd Street around Times Square.[50][51] Under the plan, the old Apollo Theatre would continue to be used as a legitimate theater, operated by Brandt Theatres. The Lyric Theatre's facade would be restored, but the interior would be modified.[50][52] Mayor Ed Koch wavered in his support of the plan, referring to it as a "Disneyland on 42nd Street".[53][54] Subsequently, Hugh Hardy conducted a report on 42nd Street's theaters in 1980. His report helped motivate the New York City Landmarks Preservation Commission (LPC) to survey fifty of Midtown Manhattan's extant theaters in the early 1980s.[55]

The LPC had started to consider protecting theaters as landmarks in 1982, including the Apollo and Lyric theaters,[56] with discussions continuing over the next several years.[57] While the LPC granted landmark status to many Broadway theaters starting in 1987, it deferred decisions on the exterior and interior of the Lyric Theatre, as well as the interior of the Apollo Theatre.[58] Further discussion of the landmark designations was delayed for several decades.[59] In late 2015, the LPC hosted public hearings on whether to designate the Apollo, the Lyric, and five other theaters as landmarks.[60] The LPC rejected the designations in February 2016 because the theaters were already subject to historic-preservation regulations set by the state government.[61]

Redevelopment proposals

 
Interior of the old Lyric Theatre

The Urban Development Corporation (UDC), an agency of the New York state government, then proposed redeveloping the area around a portion of West 42nd Street in 1981.[62][63] The plan centered around four towers that were to be built at 42nd Street's intersections with Broadway and Seventh Avenue, developed by Park Tower Realty and the Prudential Insurance Company of America.[64][65][d] It was delayed for several years due to lawsuits and disputes concerning the towers.[66]

From 1987 to 1989, Park Tower and Prudential hired Robert A. M. Stern to conduct a study on the Apollo, Lyric, Selwyn (later American Airlines), Times Square, and Victory theaters on the north side of 42nd Street.[55][67] Stern devised three alternatives for the five theaters.[68] City and state officials announced plans for the five theaters, along with the Liberty Theatre on the south side of 42nd Street, in September 1988.[69] Stern presented a model of his plan the next month.[70][71] The plan called for restoring the Apollo Theatre as a legitimate venue and converting the Lyric Theatre's heavily modified interior to a 2,500-seat auditorium.[72] The UDC opened a request for proposals for six of the theaters that October. The Liberty and Victory were to be converted into performing-arts venues for nonprofit organizations, while the Selwyn, Apollo, Lyric, and Times Square were to be converted to commercial use.[73] By the end of the year, the plans were threatened by a lack of money.[74]

In early 1989, several dozen nonprofit theater companies submitted plans to the UDC for the takeover of six theaters.[72][75] Most of the bids were for the Liberty and Victory, but the Selwyn, Apollo, Lyric, and Times Square theaters received 13 bids between them.[76] That year, The Durst Organization acquired the leases to eight theaters in Times Square, including the Apollo and Lyric. It subsequently announced plans to renovate the eight theaters in February 1990.[77][78] The New York state government acquired the theater sites that April via eminent domain.[72][79] The city had planned to buy out the theaters' leases[80] but withdrew after the 42nd Street Company indicated it would lease the theaters to another developer.[81] Although Durst protested the move, a New York Supreme Court judge ruled that the sites could be acquired by condemnation.[82] A nonprofit organization, New 42nd Street, was formed in September 1990 to restore six of the theaters and find uses for them.[83][84] Government officials hoped that development of the theaters would finally allow the construction of the four towers around 42nd Street, Broadway, and Seventh Avenue.[85] In 1992, New 42nd Street received a $18.2 million grant for restoring the six theaters.[86] By the next year, there were proposals to open an information center in either the Apollo or the Lyric.[87] After Disney committed to restoring the New Amsterdam Theatre in 1994, most of the other theaters around 42nd Street were quickly leased.[88]

Lease and construction

Garth Drabinsky, president of Canadian company Livent, toured the Apollo and Lyric in January 1994.[33] At the time, he was looking for a new Broadway theater for his company.[33][18] That September, MTV took an option on the Apollo, Lyric, and Times Square theaters, which it planned to convert into a production studio.[89][90] However, the negotiations with MTV fell through.[91] Livent signed a long-term lease for the Apollo and Lyric theaters in July 1995. Livent planned to combine the theaters into a single 1,850-seat house for large musicals, using architectural elements of both theaters.[91][92] The proposed large theater, a continuation of Stern's late-1980s plan for the site,[93] would be the second-largest Broadway venue behind the Gershwin Theatre.[33] The combined sites provided a large amount of space, with entrances from both 42nd and 43rd Streets.[18] Ron Delsener, who was leasing the Apollo for rock concerts, objected that Livent could "kick us out when they feel like it" after New 42nd Street refused to renew his lease.[94] Meanwhile, the original Lyric Theatre's marquee on 42nd Street was removed in 1995 during the reconstruction of the New Victory Theater.[95][96]

 
Interior of the original Apollo Theatre

Even though the LPC had not designated the Apollo or Lyric theaters as landmarks, parts of the buildings were still subject to preservation guidelines.[24][13] In conformance with these guidelines, Drabinsky and architect Peter H. Kofman presented their proposal for the new theater in December 1995.[33] The plans called for preserving much more of the theaters' original detail than was required.[33][13] The next month, Drabinsky announced further details of the project, which was to cost $22.5 million.[24][47] Livent's new theater would not require public subsidies,[91][47] If it was completed before December 1997, the theater would qualify for a tax credit given to new developments in Times Square,[24] which would be worth $4–5 million.[13][16][39] In addition, Livent would not pay any real-estate taxes on the theater.[47]

While the combined theater was initially advertised as a restoration of the two existing theaters, the former venues were ultimately completely demolished.[16][39] Beyer Blinder Belle and Peter Kofman were hired to design the new, larger theater,[93] construction of which began in June 1996.[33] About 190 short tons (170 long tons; 170 t) of plaster decorations inside the two former theaters were removed for restoration, including the Apollo's proscenium arch, box seats, and ceiling dome.[33][36] The architects also preserved a medallion of Zeus from the Lyric's proscenium and three small domes from the Apollo, though they were not required to do so.[13] The larger decorations were cut into several sections using masonry blades, while the smaller decorations were removed intact.[36] These decorations were stored in New Jersey. A team led by Jean-Francois Furieri then restored and cleaned the plaster decorations off-site.[33][36][38]

By December 1996, the four-story facade of the old Lyric Theatre was the only portion of the two old theaters that was left in place.[33] The facade was shored up using scaffolding and a steel framework.[37][38] The next month, the Ford Motor Company announced it would sponsor the theater, which would become the Ford Center for the Performing Arts.[97][98] According to the New York Daily News, this was the first corporate sponsorship of a Broadway theater "in most theatergoers' memory",[99] as Broadway theaters were typically named for actors or theater operators rather than companies.[39][100] Work progressed quickly so the theater could be finished by the end of 1997. The steel skeleton was being erected by February 1997 and the prefabricated facade panels were shipped from Canada after the roof was installed in June. The decorative details from the previous theaters were being installed by that August.[37] Upon its completion, the Ford Center had 1,821 seats, making it Broadway's second-largest venue after the Gershwin Theatre.[4][31][32]

Operation

Opening and Livent's bankruptcy

 
Lobby floor

Drabinsky, New York governor George Pataki, mayor Rudy Giuliani, and several theatrical personalities dedicated the Ford Center for the Performing Arts on December 12, 1997.[101] Summarizing the reactions from architectural and theatrical critics, The New York Times characterized the Ford Center as "a nearly universally praised building that, with musical theater houses in short supply, Broadway and New York City needed".[102] The editorial board of Architecture magazine said the Ford Center was one of several "glorious recent examples of preservation's virtues".[103] A critic for The Journal News wrote that the Ford Center "shows that you can not only open a new theater, but you can also open a new theater that looks as good as an old one".[104] Conversely, Herbert Muschamp of the Times said the Ford Center "offers an architectural glimpse through the rearview mirror".[39][46]

The theater's first performance was on December 26, 1997, when previews opened for the musical version of E.L. Doctorow's Ragtime.[105] The musical officially opened on January 26, 1998.[106][107] By that November, less than a year after the Ford Center opened, Livent had filed for chapter 11 bankruptcy protection.[108][109] Broadway producers attributed the bankruptcy proceedings in part to the costs of the Ford Center's construction and of Livent's frequent full-page advertisements in The New York Times.[108] As a result of the bankruptcy proceedings, Livent faced the prospect of selling its assets, such as the Ford Center;[110][111] subsequently, several firms sought to buy Livent or its theaters.[112] In August 1999, SFX Entertainment bought Livent's assets,[113][114] including the Ford Center.[115][116] The theater also hosted events such as a 52nd-birthday fundraiser for Hillary Clinton, then the First Lady of the United States, in 1999.[117] Ragtime closed in early 2000, after 861 performances,[115][118] due to extremely high operating costs.[118][119]

2000s

SFX, and with it the Ford Center, was subsequently acquired by Clear Channel Entertainment in 2000.[120] The Ford Center's first new production of the 2000s was a revival of Andrew Lloyd Webber's Jesus Christ Superstar, which opened in April 2000.[121][122] Superstar ran for 161 performances through that September.[123] Despite the high demand for Broadway theaters, the Ford Center was not immediately booked after Superstar closed; the theater had been scheduled to host a revival of Oklahoma!, which was canceled. The problem was in part due to the Ford's large size, which made it unsuitable for small musicals, as well as the Ford's high operating costs and its difficulty in obtaining additional corporate sponsorships.[124] Ultimately, the musical 42nd Street was revived at the Ford in May 2001.[125][126] Though 42nd Street was profitable during its run at the Ford,[127] the show's producers announced in October 2004 that the show would close due a lack of money.[128] The musical ended at the beginning of 2005 with 1,524 performances.[129]

In November 2004, Clear Channel announced that it had made a ten-year sponsorship agreement with Hilton Hotels & Resorts, with the Ford Center being renamed the Hilton Theatre.[130][131][132] The name change happened in advance of the U.S. premiere of Chitty Chitty Bang Bang,[130] which opened in April 2005.[133][134] Chitty only lasted through the end of the year, with 285 performances;[135] its director Frederick Zollo cited the Hilton's poor sight lines as a reason for his show's failure.[127] The musical Hot Feet next opened at the Hilton in April 2006,[136][137] but it closed after three months,[138] losing money in the process.[139] That November, Dr. Seuss' How the Grinch Stole Christmas! had a limited engagement at the Hilton.[140][141] It was followed by the musical The Pirate Queen, which opened in April 2007[142] and ran for only 85 performances.[143][144] While How the Grinch Stole Christmas! was profitable during its short run, both Hot Feet and The Pirate Queen closed at a net loss, leading theatrical executives to label the theater as "cursed".[127] Among the complaints were that the costs of renting the theater, as well as its large size, which some producers characterized as "barnlike".[145]

Young Frankenstein opened at the Hilton in November 2007;[146][147] it was one of the few shows to continue operating through the 2007 Broadway stagehand strike, which occurred shortly after the opening.[148] The musical, which ran for 485 performances through January 2009,[149] was shuttered amid the financial crisis of 2007–2008.[150] The musical Spider-Man: Turn Off the Dark was booked for the theater shortly afterward, although previews were not expected to start until early 2010, leaving the Hilton unused for an entire year. This delay was because the Hilton required extensive renovations for Spider-Man.[151] Further issues arose in August 2009 when Spider-Man ran out of money, causing work at the Hilton to be halted,[127][152] though construction quickly resumed.[153] The opening of Spider-Man was postponed further by financing and technical issues,[154] as well as the need to rewrite the show.[155][156] The Hilton Theatre ultimately remained dark for nearly two years due to continued complications with Spider-Man.[157][158]

2010s to present

 
Harry Potter and the Cursed Child at the Lyric Theatre in 2019

In August 2010, under an agreement with Foxwoods Resort Casino and Live Nation, the theater was renamed the Foxwoods Theatre for three years.[159][160] According to the casino's chief marketing officer, the casino had been especially interested in the theater because of the upcoming show.[160] Previews commenced in December 2010,[161] and Spider-Man officially opened on June 14, 2011, after seven months of previews.[162][163] The New York Times called the two-year delay between the closure of Young Frankenstein and the first previews of Spider-Man "an eon in a Broadway timetable"; the preview period was itself the longest in Broadway history.[164] In May 2013, during the run of Spider-Man, British theater operator Ambassador Theatre Group (ATG) paid $60 million to lease the Foxwoods from New 42nd Street for up to 60 years.[165][145] The transaction marked ATG's first United States acquisition.[166] That November, Spider-Man announced it would close at a net loss;[167][168] the musical ended at the beginning of 2014 with 1,066 performances.[163]

In March 2014, ATG renamed the venue the Lyric Theatre. The musical King Kong had been slated to open at the Lyric, but On the Town was booked there instead after the name change was announced.[169][170] The theater reopened that October with a revival of the musical On the Town,[171] which only ran at the theater through September 2015.[172][173] After On the Town's closure was announced, circus producer Cirque du Soleil announced that it would bring the Paramour musical-theater show to the Lyric in mid-2016.[174][175] The dance-and-musical production Lord of the Dance: Dangerous Games had a limited run during late 2015,[176][177] after which Paramour opened in May 2016.[178][179] Harry Potter and the Cursed Child was booked for the Lyric in December 2016,[180] and ATG asked Cirque du Soleil to relocate so the theater could be renovated.[181][182] When Paramour closed in April 2017, it had run for 366 performances.[183]

During 2017 and early 2018, in preparation for Cursed Child's opening, the theater was renovated for $33 million.[184] The changes included the relocation of the main entrance from 42nd to 43rd Street.[184][185] A large black wing was added on the 43rd Street facade, while a depiction of a child in a nest was added on 42nd Street. The Lyric was decorated with motifs from the Harry Potter franchise and was reduced to 1,622 seats, bringing the theater's capacity closer to that of other large Broadway theaters such as the Majestic, St. James, and Broadway.[184] Cursed Child opened on April 22, 2018,[186][187] and it ran until the theater closed temporarily on March 12, 2020, due to the COVID-19 pandemic.[188] The Lyric reopened on November 12, 2021, with performances of Harry Potter and the Cursed Child, the run time of which was shortened during the theater's closure.[189]

Productions

Productions are listed by the year of their first performance.[190][191]

Box office records

In 2012, Spider-Man: Turn Off the Dark achieved the box office record for the Foxwoods Theatre (and the record for the highest single-week gross of any show in Broadway history, at that time).[193][194] The production grossed $2,941,794 over nine performances at 100.03% capacity for the week ending January 1, 2012.[195] This record was broken by Harry Potter and the Cursed Child. On its third week of previews, Cursed Child had the highest single-week gross reported by a straight play in Broadway history, grossing $2,138,859 over eight performances for the week ending April 8, 2018.[196][197] Cursed Child's largest single gross is $2,525,850 over eight performances for the week ending December 30, 2018.[198]

See also

References

Notes

  1. ^ Lampert-Greaux 1998, p. 32, gives a frontage of 215.5 ft (65.7 m).
  2. ^ Lampert-Greaux 1998, p. 33 says the arch's height was increased by 4 feet, while Amelar 1998, p. 148 and Dunlap 1997, p. 8 give a figure of 5 feet.
  3. ^ The stage is variously cited as measuring exactly 55 by 100 ft (17 by 30 m);[13] 55 by 97 ft (17 by 30 m);[37] or 57.5 by 98 ft (17.5 by 29.9 m).[23][38]
  4. ^ The sites were:[65]
    • Northwest corner of 42nd Street and Seventh Avenue: now 3 Times Square
    • Northeast corner of 42nd Street and Broadway: now 4 Times Square
    • Southwest corner of 42nd Street and Seventh Avenue: now 5 Times Square
    • South side of 42nd Street between Seventh Avenue and Broadway: now 7 Times Square (Times Square Tower)

Citations

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External links

 
Wikimedia Commons has media related to Lyric Theatre (1998 New York City).

January 20, 2023
lyric, theatre, york, city, 1998, lyric, theatre, previously, known, ford, center, performing, arts, hilton, theatre, foxwoods, theatre, broadway, theater, west, 43rd, street, theater, district, midtown, manhattan, york, city, opened, 1998, theater, designed, . The Lyric Theatre previously known as the Ford Center for the Performing Arts the Hilton Theatre and the Foxwoods Theatre is a Broadway theater at 214 West 43rd Street in the Theater District of Midtown Manhattan in New York City Opened in 1998 the theater was designed by Richard Lewis Blinder of Beyer Blinder Belle in collaboration with Peter Kofman for Garth Drabinsky and his company Livent The Lyric Theatre was built using parts of two former theaters on the site the Apollo Theatre built in 1920 to a design by Eugene De Rosa and the old Lyric Theatre built in 1903 to a design by Victor Hugo Koehler The theater contains 1 622 seats across three levels and is operated by Ambassador Theatre Group ATG The theater building is owned by the city and state governments of New York and was developed by New 42nd Street Lyric TheatreFord Center for the Performing Arts Hilton Theatre Foxwoods Theatre43rd Street entranceAddress214 West 43rd StreetManhattan New York CityUnited StatesCoordinates40 45 25 N 73 59 16 W 40 75694 N 73 98778 W 40 75694 73 98778 Coordinates 40 45 25 N 73 59 16 W 40 75694 N 73 98778 W 40 75694 73 98778OwnerCity and State of New York 1 OperatorAmbassador Theatre GroupTypeBroadway theatreCapacity1 622ProductionHarry Potter and the Cursed ChildConstructionOpenedJanuary 18 1998Years active1998 presentArchitectRichard Blinder Beyer Blinder Belle Peter KofmanTenantsNew 42nd StreetDespite having the same name as one of its predecessor theaters the current Lyric Theatre was built almost entirely from scratch though many parts of the old theaters were preserved to comply with government regulations The current theater retains the original Lyric facade on 43rd Street as well as a smaller arched facade on 42nd Street The auditorium and stage house are placed within an entirely new structure covered with concrete and brick panels The lobby contains a domed rotunda with a basement lounge underneath it The auditorium contains elements from the old Lyric s and the Apollo s interiors including a ceiling dome boxes and a proscenium arch which were modified to fit the new theater s dimensions The large stage and the accompanying stage house were designed to accommodate major musicals The old Lyric and Apollo theaters had been proposed for redevelopment since the 1970s and New 42nd Street took over the theaters in 1990 Livent leased the theaters in 1995 razing them to make way for an 1 821 seat facility named after sponsor Ford Motor Company The Ford Center was dedicated in December 1997 and officially opened the next month Livent filed for bankruptcy in late 1998 and the theater subsequently passed to SFX Entertainment and then Clear Channel Entertainment which renamed it for sponsor Hilton Hotels amp Resorts in 2005 The venue was renamed after Foxwoods Resort Casino in 2010 as part of a partnership with Live Nation ATG acquired the theater in 2013 and renamed it the Lyric the following year The Lyric s capacity was reduced in a 2017 renovation because of complaints about the theater s excessive size which had caused several of the theater s productions to lose money Contents 1 Site 1 1 Previous theaters 2 Design 2 1 Facade 2 2 Interior 2 2 1 Lobby and adjoining areas 2 2 2 Auditorium 3 History 3 1 Planning 3 1 1 Preservation attempts 3 1 2 Redevelopment proposals 3 2 Lease and construction 3 3 Operation 3 3 1 Opening and Livent s bankruptcy 3 3 2 2000s 3 3 3 2010s to present 4 Productions 5 Box office records 6 See also 7 References 7 1 Notes 7 2 Citations 7 3 Sources 8 External linksSite EditThe Lyric Theatre is at 214 West 43rd Street on the southern sidewalk between Eighth Avenue and Seventh Avenue at the southern end of Times Square in the Midtown Manhattan neighborhood of New York City 1 2 The land lot has an area of 24 176 sq ft 2 246 0 m2 1 and a frontage of 219 ft 4 in 66 85 m on 43rd Street 1 3 a Most of the theater is on a 100 ft deep 30 m site on 43rd Street 4 but the theater has wings extending to 42nd Street making the total depth of the site 200 ft 61 m 1 3 5 The two wings on 42nd Street flank the 94 foot wide 29 m Times Square Theater the western wing is 11 feet 5 inches 3 48 m wide while the eastern wing is 20 feet 6 1 m wide 3 The Lyric Theatre is adjacent to the American Airlines Theatre to the west the Times Square and New Victory theaters to the south and 3 Times Square to the east Other nearby buildings include the St James Theatre and Hayes Theater to the northwest 229 West 43rd Street and 1501 Broadway to the north 1500 Broadway to the northeast One Times Square to the east the Times Square Tower and 5 Times Square to the southeast and the New Amsterdam Theatre to the south 1 2 Previous theaters Edit The surrounding area is part of Manhattan s Theater District and contains many Broadway theaters 6 In the first two decades of the 20th century eleven venues for Legitimate theatre were built within one block of West 42nd Street between Seventh and Eighth Avenues 7 8 These venues were mostly converted to movie theaters by the 1930s and many of them had been relegated to showing pornography by the 1970s 8 9 The current Lyric Theatre occupies the sites of the Lyric Theatre built on the eastern half of the site in 1903 10 and the Apollo Theatre built to the west in 1920 11 12 The Lyric was designed in the Beaux Arts style while the Apollo had decorations in the Adam style 13 Both theaters had entrances from 42nd Street flanking the Times Square Theater although their auditoriums were on 43rd Street When the theaters were built 42nd Street was generally considered an upscale address 4 5 The old Lyric was designed by Victor Hugo Koehler 14 15 and constructed by the Shubert brothers for composer Reginald De Koven 16 17 It featured performers such as Fred Astaire the Marx Brothers and Douglas Fairbanks 9 12 until it was converted to a movie theater in 1934 18 The exterior of the old Lyric still largely survives within the current theater 19 The interior decorative scheme was relatively plain 20 21 The old Lyric contained three levels of seating topped by a ceiling dome that was surrounded by moldings of lyres and Greek masks 21 This theater also had 18 boxes 20 The Apollo constructed by the Selwyn brothers to a design by Eugene De Rosa 22 was originally a film and vaudeville theater 23 The Apollo was briefly a burlesque venue in the mid 1930s before turning into a movie theater in the late 1930s 24 The Apollo s facade on 42nd Street was built as part of the Times Square Theater s facade 25 The old Apollo decorated in a rose tan and blue color scheme with flat decorations contained 1 194 seats on two levels There were also four boxes placed within ornate Palladian arches as well as an Adam style proscenium arch that measured 41 feet 12 m wide and 25 feet 7 6 m high 26 Both the Lyric and the Apollo were owned by the Brandt Theatres chain by the 1970s the Brandts renovated both venues as part of a plan to reopen both as legitimate houses 27 28 Only the Apollo ultimately reopened in 1979 27 29 it reverted to movies in 1983 30 The Apollo was then renamed the Academy Theatre and became a nightclub 24 Design EditThe current Lyric Theatre was designed by Beyer Blinder Belle BBB and Peter H Kofman for Garth Drabinsky it opened as the Ford Center in 1998 31 According to Richard Blinder of BBB the current theater s design had to conform with preservation guidelines because it was part of a city owned district controlled by New 42nd Street As such the theater incorporates major architectural elements and structures from both the old Lyric s facade and the Apollo s interior 18 32 The interior of the old Lyric was too badly deteriorated for most of the individual elements to be restored 18 Both of the old theaters interiors were dismantled to make way for the current theater 33 but an office wing on 42nd Street was preserved 34 Facade Edit The new Lyric Theatre retains the ornate facades of Koehler s original Lyric Theatre on 42nd and 43rd Street 17 The 43rd Street facade is divided vertically into five bays 35 20 At the center of the facade are three arched doorways topped by corbels 36 These are flanked by two additional doorways which are topped by panels with the words Music and Drama 35 On the second floor the center of the facade contains a balustrade and three arched windows 16 32 which are flanked by banded columns 37 Above these windows are busts of W S Gilbert Arthur Sullivan and Reginald De Koven 17 32 There are three oculi above the arched windows 32 36 35 which are surrounded by floral wreaths 36 34 and topped by keystones that depict lions heads 35 The oculi contain heads of the ancient gods Apollo Athena and Hermes 32 35 Lampposts topped by spheres flank the oculi 36 On the second story the outer bays contain rectangular windows flanked by pilasters above which are entablatures with carved masks of comedy and tragedy 35 The top of the facade has a copper cornice with medallions 36 There is also a wrought iron balustrade with decorations of lyres 36 38 The original theater had a sloped tile roof on 43rd Street as well as a marquee in front of the entrance 35 The old Lyric s narrow three story facade an arch on 42nd Street was preserved in the new theater s construction 37 39 The first story of this arch contained a portico with a column on either side above which was a frieze with the words The Lyric The second story contained the actual archway which was decorated with terracotta 35 The narrowness of the 42nd Street entrance arises from the fact that when the original theater was built there were brownstone houses next to the theater and land values on 42nd Street were high 20 The auditorium and stage house facades built in 1997 are to the west of the old Lyric Theatre s facade The auditorium structure measuring 94 ft 29 m long and 70 ft 21 m tall is just west of the entrance 37 38 39 There is also a stage house at the far west end of the site measuring 100 ft 30 m tall Originally a sign measuring 40 ft 12 m tall was placed atop the stage house 37 39 Both the auditorium and the stage house contain prefabricated concrete panels on their exteriors 36 37 each measuring 12 by 20 ft 3 7 by 6 1 m 37 The panels used on the auditorium are covered in brick while those in front of the stage house are left exposed These panels do not contain any windows and are mounted directly onto the theater s steel superstructure Behind the panels are noise reducing rubber pads 36 Interior Edit Roger Morgan Studio was responsible for the interior design of the new Lyric Theatre 40 41 The modern theater s new design elements blend with its historical elements the design of the lobby was inspired by the old Lyric while the auditorium was inspired by the old Apollo 40 BBB initially planned to use a modern decorative decorative scheme that contrasted with the historical design elements but Richard Blinder said this proposal was too diagrammatic 36 Lyres are used as decorative motifs throughout the interior of the new Lyric Theatre 16 The auditorium also includes furnishings that were constructed specifically for the new theater but were inspired by early 20th century theaters decorations 31 Drabinsky involved himself in many aspects of the new Lyric s design when it was built 37 Lobby and adjoining areas Edit View of the lobby The lobby of the new Lyric Theatre is on the east side of the theater extending from 42nd to 43rd Street with an elliptical rotunda on 43rd Street The floor dome columns and staircases of the rotunda were brand new elements constructed for the Ford Center 42 The Italian marble staircase rises from one side of the rotunda and splits into two flights wrapping around to the mezzanine 37 38 At the top of the stair is a medallion of the Greek god Zeus 10 The rotunda s walls are covered with canvas panels designed to imitate the look of cut stone 38 42 Mariuca Brancoveanu designed the rotunda s mosaic floor which contains depictions of the masks on the original Lyric s facade surrounded by a mosaic border 32 38 The mosaic decoration is composed of 172 800 marble pieces covering 650 sq ft 60 m2 32 37 43 The capitals of the rotunda s columns are decorated with gilded guilloche reliefs that depict light bulbs 31 38 The dome of the rotunda was taken from the Apollo Theatre and measures 39 by 28 ft 11 9 by 8 5 m 13 37 The mezzanine level overlooking the lobby contains wrought iron railings with depictions of lyres 38 The lobby and auditorium are separated by vestibules with doors at each end with 2 in thick 5 1 cm fabric panels 38 This was intended to minimize disruption from guests who left early or arrived late In venues where the lobbies and auditoriums are directly connected light and noise from the lobby could disrupt ongoing performances 37 38 The old Lyric s lobby connected both of the entrances on 42nd and 43rd Streets 35 20 The old Apollo s lobby from 42nd Street was divided into two sections an outer portion with rose and red marble walls and an Adam style plaster ceiling and an inner portion with black and white marble walls 44 Both of the former theaters lobbies to 42nd Street were retained when the Ford Center was built While the Apollo s lobby to the west kept its bas relief sculptures and black and white marble decorations the old Lyric s lobby to the east had lost all of its decoration 5 Under the lobby is a lounge intended for premium ticket holders The lounge covering 850 sq ft 79 m2 was originally monitored by three attendants and could be used before a performance and during intermission 45 The lounge also contained coat and parcel checks dedicated restrooms and telephones and a snack area 23 When the theater opened in 1998 architectural critic Herbert Muschamp wrote of the lounge Bad paintings hang on walls covered with tasteful vanilla moire 46 Above the lobby is a 1 200 sq ft 110 m2 space for choreography and a 3 000 sq ft 280 m2 space for rehearsals There are also three box offices 47 Auditorium Edit AuditoriumThe new Lyric Theatre contains an orchestra level and two balconies the lower balcony is labeled the dress circle The orchestra level is slightly raked and is composed of concrete over a corrugated metal deck Both of the balconies are eight rows deep and are slightly raked The Lyric s seats are larger and deeper than in typical Broadway theaters each seat is up to 22 in 560 mm wide and the rows are spaced 34 5 in 880 mm apart 37 The rear wall is 94 ft 29 m from the proscenium at the front of the auditorium 23 The side walls are slightly curved to disperse the sound throughout the auditorium and the rear wall is built as a concave curve for a similar reason 37 48 Two box seats on either side are taken from the original Apollo Theatre 48 Generally the color scheme is in gold and red 46 The ends of each row of seating are decorated in a gold color 31 while the seats themselves contain crimson velour upholstery 48 Axminster designed lattice patterned carpets for the auditorium s aisles 31 48 Damask wall coverings on the side walls were originally colored blue and green 48 The upper sections of the walls are decorated with 50 ft wide 15 m murals painted by EverGreene Architectural Arts EverGreene also painted multicolored glazed Adam style decorations onto the plaster 31 38 The ceiling contains the Apollo Theatre s original dome which is surrounded by a newer plaster ring to make it appear larger 48 The ceiling contains six chandeliers four over the orchestra and two over the boxes 38 48 their design is inspired by the old Apollo s chandeliers 31 Above the second balcony are three smaller domes salvaged from the old Apollo Theatre 37 48 and painted in gold leaf 31 The new Lyric s interior retains the proscenium arch from the Apollo which was expanded significantly when the new theater was built 36 48 The proscenium opening in the new theater is 50 ft 15 m wide 38 48 compared to 30 ft 9 1 m in the old Apollo 48 The new theater s proscenium measures around 31 ft 9 m high 23 38 To accommodate this the top of the proscenium arch was widened by about 8 ft 2 4 m while its sides were lengthened by 4 to 5 ft 1 2 to 1 5 m 36 37 38 b New steel armatures were built for the lengthened proscenium as well as for damaged sections of plasterwork throughout the theater plaster was then poured over the armatures 36 Thirty six holes were drilled into the ceiling so trusses could be hung for productions The rigging system consists of 90 line sets perpendicular to the proscenium 49 The stage is designed to accommodate large musicals measuring about 55 ft 17 m deep and about 100 ft 30 m wide 4 c When the theater was built Drabinsky specified that the fly loft had to be 100 ft 30 m high and the stage house was to contain dressing rooms for 75 performers 13 To maximize space within the stage house its support columns are embedded into the western wall adjoining the Selwyn American Airlines Theatre Such columns are typically freestanding but this design added 8 in 200 mm of depth to the stage house The dressing rooms as well as various backstage areas are placed in the basement to free up space for the stage 37 History EditPlanning Edit Preservation attempts Edit The City at 42nd Street plan was announced in December 1979 as part of a proposal to restore West 42nd Street around Times Square 50 51 Under the plan the old Apollo Theatre would continue to be used as a legitimate theater operated by Brandt Theatres The Lyric Theatre s facade would be restored but the interior would be modified 50 52 Mayor Ed Koch wavered in his support of the plan referring to it as a Disneyland on 42nd Street 53 54 Subsequently Hugh Hardy conducted a report on 42nd Street s theaters in 1980 His report helped motivate the New York City Landmarks Preservation Commission LPC to survey fifty of Midtown Manhattan s extant theaters in the early 1980s 55 The LPC had started to consider protecting theaters as landmarks in 1982 including the Apollo and Lyric theaters 56 with discussions continuing over the next several years 57 While the LPC granted landmark status to many Broadway theaters starting in 1987 it deferred decisions on the exterior and interior of the Lyric Theatre as well as the interior of the Apollo Theatre 58 Further discussion of the landmark designations was delayed for several decades 59 In late 2015 the LPC hosted public hearings on whether to designate the Apollo the Lyric and five other theaters as landmarks 60 The LPC rejected the designations in February 2016 because the theaters were already subject to historic preservation regulations set by the state government 61 Redevelopment proposals Edit Interior of the old Lyric Theatre The Urban Development Corporation UDC an agency of the New York state government then proposed redeveloping the area around a portion of West 42nd Street in 1981 62 63 The plan centered around four towers that were to be built at 42nd Street s intersections with Broadway and Seventh Avenue developed by Park Tower Realty and the Prudential Insurance Company of America 64 65 d It was delayed for several years due to lawsuits and disputes concerning the towers 66 From 1987 to 1989 Park Tower and Prudential hired Robert A M Stern to conduct a study on the Apollo Lyric Selwyn later American Airlines Times Square and Victory theaters on the north side of 42nd Street 55 67 Stern devised three alternatives for the five theaters 68 City and state officials announced plans for the five theaters along with the Liberty Theatre on the south side of 42nd Street in September 1988 69 Stern presented a model of his plan the next month 70 71 The plan called for restoring the Apollo Theatre as a legitimate venue and converting the Lyric Theatre s heavily modified interior to a 2 500 seat auditorium 72 The UDC opened a request for proposals for six of the theaters that October The Liberty and Victory were to be converted into performing arts venues for nonprofit organizations while the Selwyn Apollo Lyric and Times Square were to be converted to commercial use 73 By the end of the year the plans were threatened by a lack of money 74 In early 1989 several dozen nonprofit theater companies submitted plans to the UDC for the takeover of six theaters 72 75 Most of the bids were for the Liberty and Victory but the Selwyn Apollo Lyric and Times Square theaters received 13 bids between them 76 That year The Durst Organization acquired the leases to eight theaters in Times Square including the Apollo and Lyric It subsequently announced plans to renovate the eight theaters in February 1990 77 78 The New York state government acquired the theater sites that April via eminent domain 72 79 The city had planned to buy out the theaters leases 80 but withdrew after the 42nd Street Company indicated it would lease the theaters to another developer 81 Although Durst protested the move a New York Supreme Court judge ruled that the sites could be acquired by condemnation 82 A nonprofit organization New 42nd Street was formed in September 1990 to restore six of the theaters and find uses for them 83 84 Government officials hoped that development of the theaters would finally allow the construction of the four towers around 42nd Street Broadway and Seventh Avenue 85 In 1992 New 42nd Street received a 18 2 million grant for restoring the six theaters 86 By the next year there were proposals to open an information center in either the Apollo or the Lyric 87 After Disney committed to restoring the New Amsterdam Theatre in 1994 most of the other theaters around 42nd Street were quickly leased 88 Lease and construction Edit Garth Drabinsky president of Canadian company Livent toured the Apollo and Lyric in January 1994 33 At the time he was looking for a new Broadway theater for his company 33 18 That September MTV took an option on the Apollo Lyric and Times Square theaters which it planned to convert into a production studio 89 90 However the negotiations with MTV fell through 91 Livent signed a long term lease for the Apollo and Lyric theaters in July 1995 Livent planned to combine the theaters into a single 1 850 seat house for large musicals using architectural elements of both theaters 91 92 The proposed large theater a continuation of Stern s late 1980s plan for the site 93 would be the second largest Broadway venue behind the Gershwin Theatre 33 The combined sites provided a large amount of space with entrances from both 42nd and 43rd Streets 18 Ron Delsener who was leasing the Apollo for rock concerts objected that Livent could kick us out when they feel like it after New 42nd Street refused to renew his lease 94 Meanwhile the original Lyric Theatre s marquee on 42nd Street was removed in 1995 during the reconstruction of the New Victory Theater 95 96 Interior of the original Apollo Theatre Even though the LPC had not designated the Apollo or Lyric theaters as landmarks parts of the buildings were still subject to preservation guidelines 24 13 In conformance with these guidelines Drabinsky and architect Peter H Kofman presented their proposal for the new theater in December 1995 33 The plans called for preserving much more of the theaters original detail than was required 33 13 The next month Drabinsky announced further details of the project which was to cost 22 5 million 24 47 Livent s new theater would not require public subsidies 91 47 If it was completed before December 1997 the theater would qualify for a tax credit given to new developments in Times Square 24 which would be worth 4 5 million 13 16 39 In addition Livent would not pay any real estate taxes on the theater 47 While the combined theater was initially advertised as a restoration of the two existing theaters the former venues were ultimately completely demolished 16 39 Beyer Blinder Belle and Peter Kofman were hired to design the new larger theater 93 construction of which began in June 1996 33 About 190 short tons 170 long tons 170 t of plaster decorations inside the two former theaters were removed for restoration including the Apollo s proscenium arch box seats and ceiling dome 33 36 The architects also preserved a medallion of Zeus from the Lyric s proscenium and three small domes from the Apollo though they were not required to do so 13 The larger decorations were cut into several sections using masonry blades while the smaller decorations were removed intact 36 These decorations were stored in New Jersey A team led by Jean Francois Furieri then restored and cleaned the plaster decorations off site 33 36 38 By December 1996 the four story facade of the old Lyric Theatre was the only portion of the two old theaters that was left in place 33 The facade was shored up using scaffolding and a steel framework 37 38 The next month the Ford Motor Company announced it would sponsor the theater which would become the Ford Center for the Performing Arts 97 98 According to the New York Daily News this was the first corporate sponsorship of a Broadway theater in most theatergoers memory 99 as Broadway theaters were typically named for actors or theater operators rather than companies 39 100 Work progressed quickly so the theater could be finished by the end of 1997 The steel skeleton was being erected by February 1997 and the prefabricated facade panels were shipped from Canada after the roof was installed in June The decorative details from the previous theaters were being installed by that August 37 Upon its completion the Ford Center had 1 821 seats making it Broadway s second largest venue after the Gershwin Theatre 4 31 32 Operation Edit Opening and Livent s bankruptcy Edit Lobby floor Drabinsky New York governor George Pataki mayor Rudy Giuliani and several theatrical personalities dedicated the Ford Center for the Performing Arts on December 12 1997 101 Summarizing the reactions from architectural and theatrical critics The New York Times characterized the Ford Center as a nearly universally praised building that with musical theater houses in short supply Broadway and New York City needed 102 The editorial board of Architecture magazine said the Ford Center was one of several glorious recent examples of preservation s virtues 103 A critic for The Journal News wrote that the Ford Center shows that you can not only open a new theater but you can also open a new theater that looks as good as an old one 104 Conversely Herbert Muschamp of the Times said the Ford Center offers an architectural glimpse through the rearview mirror 39 46 The theater s first performance was on December 26 1997 when previews opened for the musical version of E L Doctorow s Ragtime 105 The musical officially opened on January 26 1998 106 107 By that November less than a year after the Ford Center opened Livent had filed for chapter 11 bankruptcy protection 108 109 Broadway producers attributed the bankruptcy proceedings in part to the costs of the Ford Center s construction and of Livent s frequent full page advertisements in The New York Times 108 As a result of the bankruptcy proceedings Livent faced the prospect of selling its assets such as the Ford Center 110 111 subsequently several firms sought to buy Livent or its theaters 112 In August 1999 SFX Entertainment bought Livent s assets 113 114 including the Ford Center 115 116 The theater also hosted events such as a 52nd birthday fundraiser for Hillary Clinton then the First Lady of the United States in 1999 117 Ragtime closed in early 2000 after 861 performances 115 118 due to extremely high operating costs 118 119 2000s Edit SFX and with it the Ford Center was subsequently acquired by Clear Channel Entertainment in 2000 120 The Ford Center s first new production of the 2000s was a revival of Andrew Lloyd Webber s Jesus Christ Superstar which opened in April 2000 121 122 Superstar ran for 161 performances through that September 123 Despite the high demand for Broadway theaters the Ford Center was not immediately booked after Superstar closed the theater had been scheduled to host a revival of Oklahoma which was canceled The problem was in part due to the Ford s large size which made it unsuitable for small musicals as well as the Ford s high operating costs and its difficulty in obtaining additional corporate sponsorships 124 Ultimately the musical 42nd Street was revived at the Ford in May 2001 125 126 Though 42nd Street was profitable during its run at the Ford 127 the show s producers announced in October 2004 that the show would close due a lack of money 128 The musical ended at the beginning of 2005 with 1 524 performances 129 In November 2004 Clear Channel announced that it had made a ten year sponsorship agreement with Hilton Hotels amp Resorts with the Ford Center being renamed the Hilton Theatre 130 131 132 The name change happened in advance of the U S premiere of Chitty Chitty Bang Bang 130 which opened in April 2005 133 134 Chitty only lasted through the end of the year with 285 performances 135 its director Frederick Zollo cited the Hilton s poor sight lines as a reason for his show s failure 127 The musical Hot Feet next opened at the Hilton in April 2006 136 137 but it closed after three months 138 losing money in the process 139 That November Dr Seuss How the Grinch Stole Christmas had a limited engagement at the Hilton 140 141 It was followed by the musical The Pirate Queen which opened in April 2007 142 and ran for only 85 performances 143 144 While How the Grinch Stole Christmas was profitable during its short run both Hot Feet and The Pirate Queen closed at a net loss leading theatrical executives to label the theater as cursed 127 Among the complaints were that the costs of renting the theater as well as its large size which some producers characterized as barnlike 145 Young Frankenstein opened at the Hilton in November 2007 146 147 it was one of the few shows to continue operating through the 2007 Broadway stagehand strike which occurred shortly after the opening 148 The musical which ran for 485 performances through January 2009 149 was shuttered amid the financial crisis of 2007 2008 150 The musical Spider Man Turn Off the Dark was booked for the theater shortly afterward although previews were not expected to start until early 2010 leaving the Hilton unused for an entire year This delay was because the Hilton required extensive renovations for Spider Man 151 Further issues arose in August 2009 when Spider Man ran out of money causing work at the Hilton to be halted 127 152 though construction quickly resumed 153 The opening of Spider Man was postponed further by financing and technical issues 154 as well as the need to rewrite the show 155 156 The Hilton Theatre ultimately remained dark for nearly two years due to continued complications with Spider Man 157 158 2010s to present Edit Harry Potter and the Cursed Child at the Lyric Theatre in 2019 In August 2010 under an agreement with Foxwoods Resort Casino and Live Nation the theater was renamed the Foxwoods Theatre for three years 159 160 According to the casino s chief marketing officer the casino had been especially interested in the theater because of the upcoming show 160 Previews commenced in December 2010 161 and Spider Man officially opened on June 14 2011 after seven months of previews 162 163 The New York Times called the two year delay between the closure of Young Frankenstein and the first previews of Spider Man an eon in a Broadway timetable the preview period was itself the longest in Broadway history 164 In May 2013 during the run of Spider Man British theater operator Ambassador Theatre Group ATG paid 60 million to lease the Foxwoods from New 42nd Street for up to 60 years 165 145 The transaction marked ATG s first United States acquisition 166 That November Spider Man announced it would close at a net loss 167 168 the musical ended at the beginning of 2014 with 1 066 performances 163 In March 2014 ATG renamed the venue the Lyric Theatre The musical King Kong had been slated to open at the Lyric but On the Town was booked there instead after the name change was announced 169 170 The theater reopened that October with a revival of the musical On the Town 171 which only ran at the theater through September 2015 172 173 After On the Town s closure was announced circus producer Cirque du Soleil announced that it would bring the Paramour musical theater show to the Lyric in mid 2016 174 175 The dance and musical production Lord of the Dance Dangerous Games had a limited run during late 2015 176 177 after which Paramour opened in May 2016 178 179 Harry Potter and the Cursed Child was booked for the Lyric in December 2016 180 and ATG asked Cirque du Soleil to relocate so the theater could be renovated 181 182 When Paramour closed in April 2017 it had run for 366 performances 183 During 2017 and early 2018 in preparation for Cursed Child s opening the theater was renovated for 33 million 184 The changes included the relocation of the main entrance from 42nd to 43rd Street 184 185 A large black wing was added on the 43rd Street facade while a depiction of a child in a nest was added on 42nd Street The Lyric was decorated with motifs from the Harry Potter franchise and was reduced to 1 622 seats bringing the theater s capacity closer to that of other large Broadway theaters such as the Majestic St James and Broadway 184 Cursed Child opened on April 22 2018 186 187 and it ran until the theater closed temporarily on March 12 2020 due to the COVID 19 pandemic 188 The Lyric reopened on November 12 2021 with performances of Harry Potter and the Cursed Child the run time of which was shortened during the theater s closure 189 Productions EditProductions are listed by the year of their first performance 190 191 1998 Ragtime 105 106 2000 Jesus Christ Superstar 123 121 2001 42nd Street 129 125 2005 Chitty Chitty Bang Bang 135 133 2006 Hot Feet 138 139 2006 Dr Seuss How the Grinch Stole Christmas 140 141 2007 The Pirate Queen 143 144 2007 Young Frankenstein 149 146 2011 Spider Man Turn Off the Dark 163 192 2014 On the Town 172 173 2015 Lord of the Dance Dangerous Games 176 177 2016 Paramour 183 178 2018 Harry Potter and the Cursed Child 186 187 Box office records EditIn 2012 Spider Man Turn Off the Dark achieved the box office record for the Foxwoods Theatre and the record for the highest single week gross of any show in Broadway history at that time 193 194 The production grossed 2 941 794 over nine performances at 100 03 capacity for the week ending January 1 2012 195 This record was broken by Harry Potter and the Cursed Child On its third week of previews Cursed Child had the highest single week gross reported by a straight play in Broadway history grossing 2 138 859 over eight performances for the week ending April 8 2018 196 197 Cursed Child s largest single gross is 2 525 850 over eight performances for the week ending December 30 2018 198 See also EditList of Broadway theatersReferences EditNotes Edit Lampert Greaux 1998 p 32 gives a frontage of 215 5 ft 65 7 m Lampert Greaux 1998 p 33 says the arch s height was increased by 4 feet while Amelar 1998 p 148 and Dunlap 1997 p 8 give a figure of 5 feet The stage is variously cited as measuring exactly 55 by 100 ft 17 by 30 m 13 55 by 97 ft 17 by 30 m 37 or 57 5 by 98 ft 17 5 by 29 9 m 23 38 The sites were 65 Northwest corner of 42nd Street and Seventh Avenue now 3 Times Square Northeast corner of 42nd Street and Broadway now 4 Times Square Southwest corner of 42nd Street and Seventh Avenue now 5 Times Square South side of 42nd Street between Seventh Avenue and Broadway now 7 Times Square Times Square Tower Citations Edit a b c d e f 214 West 43 Street 10036 New York City Department of City Planning Retrieved March 25 2021 a b White Norval Willensky Elliot Leadon Fran 2010 AIA Guide to New York City 5th ed New York Oxford University Press p 296 ISBN 978 0 19538 386 7 a b c Site Map PDF New 42nd Street Archived from the original PDF on 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St Project Earns OK For Condemnation And Restoration Of Area s Historic Theatres Back Stage Vol 31 no 17 pp 1A 33A 37A ProQuest 1286158079 Sack Kevin September 19 1990 Leaders Chosen for 42d St Theaters Renewal The New York Times ISSN 0362 4331 Retrieved April 10 2022 Stern Fishman amp Tilove 2006 pp 693 694 42nd Street No beat of dancing feet yet PDF Architectural Record Vol 177 June 1989 p 85 Archived PDF from the original on September 3 2021 Retrieved January 19 2022 Collins Glenn August 4 1992 Six Theaters to Benefit From Revised Times Square Plan The New York Times ISSN 0362 4331 Retrieved April 10 2022 Collins Glenn October 20 1993 42d Street To Get A Theater For Youth The New York Times ISSN 0362 4331 Archived from the original on January 17 2018 Retrieved January 17 2022 Lueck Thomas J November 15 1995 Returning From Decline 42d Street Is Now a Magnet for Merchants The New York Times ISSN 0362 4331 Archived from the original on May 26 2015 Retrieved January 17 2022 Grimes 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Disney Co Abandons Bid Newsday pp 56 58 Archived from the original on January 19 2022 Retrieved January 18 2022 via newspapers com Company Briefs The New York Times August 28 1999 ISSN 0362 4331 Archived from the original on September 17 2017 Retrieved January 18 2022 Curtain call A look at key events in the Livent Entertainment fraud scandal toronto citynews ca February 22 2017 Archived from the original on July 1 2019 Retrieved January 18 2022 a b Botto amp Mitchell 2002 p 2 Petersen Melody May 27 1999 Bid Expected For Troubled Show Producer The New York Times ISSN 0362 4331 Archived from the original on September 12 2017 Retrieved January 18 2022 NYC Visitors Hoods Off Hands Out The New York Times October 26 1999 ISSN 0362 4331 Archived from the original on September 11 2017 Retrieved January 18 2022 a b Ragtime Closing on Broadway Associated Press October 28 1999 Retrieved January 18 2022 Too Costly to Run Ragtime Will Close on Bway Jan 16 2000 Playbill Archived from the original 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from the original on January 6 2022 Retrieved January 6 2022 Young Frankenstein Broadway Hilton Theatre Tickets and Discounts Playbill Archived from the original on January 19 2022 Retrieved January 6 2022 Cohen Patricia November 24 2008 Broadway Is Dry Eyed as Monster Falls Hard The New York Times ISSN 0362 4331 Archived from the original on October 31 2021 Retrieved January 18 2022 Healy Patrick February 24 2009 Broadway s Spider Man Spins a Start Date The New York Times ISSN 0362 4331 Archived from the original on June 25 2018 Retrieved January 18 2022 Harris Rachel Lee August 9 2009 Broadway Spidey Hits a Bump The New York Times ISSN 0362 4331 Archived from the original on June 10 2021 Retrieved January 18 2022 Healy Patrick September 1 2009 Hope Lives for Spidey The New York Times ISSN 0362 4331 Archived from the original on January 19 2022 Retrieved January 18 2022 Healy Patrick November 5 2010 Costly Spider Man Can t Get Off the Ground The New York Times ISSN 0362 4331 Archived from the original on October 24 2015 Retrieved January 18 2022 Healy Patrick March 9 2011 Precipitous Fall for Spider Man Director The New York Times ISSN 0362 4331 Archived from the original on June 5 2019 Retrieved January 18 2022 Jones Kenneth March 11 2011 Spider Man Will Shut Down For More Than Three Weeks Before Officially Opening June 14 Playbill Archived from the original on April 21 2021 Retrieved March 12 2011 Botto Louis 2010 At This Theatre Applause Books Applause p 522 ISBN 978 1 4768 5028 3 Archived from the original on January 19 2022 Retrieved January 19 2022 Healy Patrick April 28 2010 In Broadway Lights No Vacancy The New York Times ISSN 0362 4331 Archived from the original on January 26 2021 Retrieved January 18 2022 Rohter Larry August 9 2010 Hilton Theater Is Now Foxwoods Theater The New York Times ISSN 0362 4331 Archived from the original on January 6 2022 Retrieved January 6 2022 a b Catton Pia August 10 2010 Casino Rolls Dice on Broadway Theater Wall Street 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0362 4331 Archived from the original on January 6 2022 Retrieved January 6 2022 The Broadway League April 22 2018 Lyric Theatre New York NY IBDB Retrieved January 3 2023 Lyric Theatre 2014 New York NY Playbill March 9 2016 Retrieved January 3 2023 Spencer Charles June 15 2011 Spider Man Turn Off the Dark Foxwoods Theatre New York review The Daily Telegraph Archived from the original on January 5 2012 Retrieved February 10 2013 Fleming Mike Jr January 3 2012 Broadway Spider Man Spun Holiday Record Deadline Retrieved May 17 2022 Spider Man musical makes Broadway history bbc co uk BBC January 5 2012 Archived from the original on November 21 2013 Retrieved February 10 2013 Production Gross Playbill com Archived from the original on January 12 2021 Retrieved January 11 2021 Cox Gordon April 9 2018 Broadway Box Office Harry Potter and the Cursed Child Hits Record Sales Archived from the original on June 20 2018 Retrieved June 19 2018 Harry Potter and the Cursed Child Parts One and Two Broadway Grosses Archived from the original on May 1 2018 Retrieved May 1 2018 Production Gross Playbill Retrieved January 19 2022 Sources Edit Amelar Sarah March 1998 Reclamation on 42nd Street PDF Architecture Vol 87 no 3 pp 146 150 ProQuest 227880056 Botto Louis Mitchell Brian Stokes 2002 At This Theatre 100 Years of Broadway Shows Stories and Stars New York Milwaukee WI Applause Theatre amp Cinema Books Playbill ISBN 978 1 55783 566 6 Dunlap David W December 14 1997 Theater With a Lavish Bow to the Past A Broadway Palace Is Built The New York Times pp 1 8 ISSN 0362 4331 Henderson Mary C Greene Alexis 2008 The story of 42nd Street the theaters shows characters and scandals of the world s most notorious street New York Back Stage Books ISBN 978 0 8230 3072 9 OCLC 190860159 Lampert Greaux Ellen July 1998 The Ford Center for the Performing Arts TCI Vol 32 no 7 pp 32 35 Madigan M J March 1998 Ford Center for the Performing Arts Interiors Vol 157 no 3 pp 88 93 ProQuest 221545535 Morrison William 1999 Broadway Theatres History and Architecture Dover Publications ISBN 0 486 40244 4 Stern Robert A M Fishman David Tilove Jacob 2006 New York 2000 Architecture and Urbanism Between the Bicentennial and the Millennium New York Monacelli Press pp 675 678 679 691 693 706 708 ISBN 978 1 58093 177 9 OCLC 70267065 OL 22741487M Van Hoogstraten Nicholas 1997 Lost Broadway Theatres Princeton Architectural Press ISBN 1 56898 116 3 External links Edit Wikimedia Commons has media related to Lyric Theatre 1998 New York City Official website Lyric Theatre at the Internet Broadway Database Retrieved from https en wikipedia org w index php title Lyric Theatre New York City 1998 amp oldid 1134207394, wikipedia, wiki, book, books, library,

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