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Jana Gana Mana

"Jana Gana Mana" (Sanskrit: जन गण मन) is the national anthem of the Republic of India. It was originally composed as Bharoto Bhagyo Bidhata in Bengali by polymath Rabindranath Tagore.[1][2][3] on 11 December 1911.[4][5][6] The first stanza of the song Bharoto Bhagyo Bidhata was adopted by the Constituent Assembly of India as the National Anthem on 24 January 1950.[7][8] A formal rendition of the national anthem takes approximately 52 seconds. A shortened version consisting of the first and last lines (and taking about 20 seconds to play) is also staged occasionally.[9] It was first publicly sung on 27 December 1911 at the Calcutta (now Kolkata) Session of the Indian National Congress.[10][11]

Jana Gana Mana
English: "Thou Art the Ruler of the Minds of All People"
Sheet music for "Jana Gana Mana"

National anthem of India
LyricsRabindranath Tagore,
11 December 1911
MusicRabindranath Tagore,
11 December 1911
Adopted24 January 1950
Audio sample
Official instrumental version
Rabindranath Tagore, the author and composer of the national anthems of India and Bangladesh.
Rabindranath Tagore reciting "Jana Gana Mana"

History

The National Anthem of India is titled "Jana Gana Mana". The song was originally composed in Bengali by India's first Nobel laureate Rabindranath Tagore on December 11, 1911.[12][13][14] The parent song, 'Bharoto Bhagyo Bidhata' is a Brahmo hymn which has five verses and only the first verse has been adopted as National Anthem. If put forward succinctly, the National Anthem conveys the spirit of pluralism or in more popular term the concept of 'Unity in Diversity', which lies at the core of India's cultural heritage.

The lyrics of the song first appeared in 5 stanzas in Bengali magazine in an issue of Tatwabodhini patrika. The melody of the song, in raga Alhaiya Bilawal, was composed as a Brahmo Hymn by Tagore himself with possibly some help from his musician grand-nephew Dinendranath Tagore. The final form of the song before the first public performance was set on December 11, 1911.[15][13][16]

The song was first publicly sung on the second day of the annual session of the Indian National Congress in Calcutta (now Kolkata) on 27 December 1911 by Rabindranath Tagore's niece in her school assembly.[17]. Then, it was followed in January 1912 at the annual event of the Adi Brahmo Samaj,[18][19] however, it was largely unknown except to the readers of the Adi Brahmo Samaj journal, Tattwabodhini Patrika. The poem was published in January 1912, under the title Bharat Bhagya Bidhata in the Tatwabodhini Patrika, which was the official publication of the Brahmo Samaj with Tagore then the Editor.[20]

In 1912, the song was performed by Sarala Devi Chaudhurani, Tagore's niece, along with the group of school students, in front of prominent Congress members like Bishan Narayan Dhar, Indian National Congress President, and Ambika Charan Majumdar.[15]

In 1917, the song was again performed in Congress conference and this time in aid of instrumental music by the Mahraja Bahadur of Nattore.[21]

Outside of Calcutta, the song was first sung by the bard himself at a session in Besant Theosophical College in Madanapalle, Andhra Pradesh on 28 February 1919 when Tagore visited the college and sung the song. The song enthralled the college students and Margaret Cousins, then vice-principal of the college (also an expert in European music and wife of Irish poet Dr. James Cousins). Based on the notes provided by Tagore himself, the song was preserved in 1919 in western notation at Madanapalle of Andhra Pradesh by Mrs. Margaret Cousins and her students.

The whole episode was recorded by Dr. Cousins in his autobiography "We Two Together":[22]

In a voice surprisingly light for so large a man, he sang something like a piece of geography giving a list of countries, mountains and rivers; and in the second verse, a list of the religions in India. The refrain to the first made us pick up our ears. The refrain to the second verse made us clear our throats. We asked for it again and again, and before long we were singing it with gusto: Jaya hai, Jaya hai, Jaya hai, Jaya JayaJayaJaya hai (Victory, victory, victory to thee). We had no idea who or what was to have the victory. The next day Rabindranath gave the swarams(notes) of "Jana gana" to Mrs.Cousins so that the melody should have accurate permanent record. He also made the translation of the song into English as 'The Morning Song of India'.

And thus, Mrs. Cousins became probably the first person to transcribe and preserve Tagore's composition in western sheet music notation at Madanapalle based on the notes provided by Tagore himself. And soon it took its place in the 'daily deciation' of the combined school and college of Besant Hall in Madanapalle and is still sung to this date. It was also here that the song was first translated into English by Tagore as 'The Morning song of India'.[22]

These notations are largely followed to this day, although several subsequent reinterpretations have been made. Interpretations include the B. L. Mukherjee and Ambik Mazumdar interpretation that was played in Germany for the first time under Netaji as the national anthem of India, as well as the interpretation of Ram Singh Thakuri for its INA translation to Hindustani as 'sab sukh chain.[22]

The song was selected as national anthem by Subhas Chandra Bose while he was in Germany. On the occasion of the founding meeting of the German-Indian Society on 11 September 1942 in the Hotel Atlantic in Hamburg, "Jana Gana Mana" was played for the first time by the Hamburg Radio Symphony Orchestra as the national anthem of an independent India.[23]

Before it officially became the national anthem of India in 1950, "Jana Gana Mana" was heard in the 1945 film Hamrahi.[24] It was also adopted as a school song of The Doon School, Dehradun in 1935.[25]

On the occasion of India attaining freedom, the Indian Constituent Assembly assembled for the first time as a sovereign body on 14 August 1947, midnight and the session closed with a unanimous performance of "Jana Gana Mana".

The members of the Indian Delegation to the General Assembly of the United Nations held at New York in 1947 gave a recording of "Jana Gana Mana" as the country's national anthem. The song was played by the house orchestra in front of a gathering consisting of representatives from all over the world.

Code of conduct

The National Anthem of India is played or sung on various occasions. Instructions have been issued from time to time about the correct versions of the Anthem, the occasions on which these are to be played or sung, and about the need for paying respect to the anthem by observance of proper decorum on such occasions. The substance of these instructions has been embodied in the information sheet issued by the government of India for general information and guidance. The approximate duration of the Full Version of National Anthem of India is 52 seconds and 20 seconds for shorter version.[9]

Lyrics

The poem was composed in a literary register of the Bengali language called Sadhu Bhasha, which is heavily Sanskritised.

Original translation from Bengali

The English version was translated by Rabindranath Tagore on 28 February 1919 at the Besant Theosophical College.[26][27]

Bengali script Latin transliteration
(ISO 15919)
IPA transcription[a]

জনগণমন-অধিনায়ক জয় হে ভারতভাগ্যবিধাতা!
পঞ্জাব সিন্ধু গুজরাট মরাঠা দ্রাবিড় উৎকল বঙ্গ
বিন্ধ্য হিমাচল যমুনা গঙ্গা উচ্ছলজলধিতরঙ্গ
তব শুভ নামে জাগে, তব শুভ আশিষ মাগে,
গাহে তব জয়গাথা।
জনগণমঙ্গলদায়ক জয় হে ভারতভাগ্যবিধাতা!
জয় হে, জয় হে, জয় হে, জয় জয় জয় জয় হে॥

Jana-gaṇa-mana-adhināẏaka jaẏa hē Bhārata-bhāgya-bidhātā[b]!
Pañjāba Sindh Gujarāṭa Marāṭhā Drābiṛa[c] Utkala Baṅga[d]
Bindhya[e] Himācala Yamunā Gaṅgā Ucchala-jaladhi-taraṅga
Taba[f] śubha nāmē jāgē, taba[f] śubha āśiṣa māgē,
gāhē taba[f] jaẏagāthā.
Jana-gaṇa-maṅgala-dāẏaka jaẏa hē Bhārata-bhāgya-bidhātā[b]!
Jaẏa hē, jaẏa hē, jaẏa hē, jaẏa jaẏa jaẏa jaẏa hē.

[d͡ʒɔ.no ɡɔ.no mɔ.no o.d̪ʱi.nae̯.ɔ.ko d͡ʒɔe̯.o ɦe |] [bʱa.ro.t̪o bʱaɡ.ɡo bi.d̪ʱa.t̪a ǁ]
[pɔn.d͡ʒa.bo ʃin.d̪ʱ ɡud͡ʒ.ra.ʈo ma.ra.ʈʰa |] [d̪ra.bi.ɽo ut̪.kɔ.lo bɔŋ.ɡo ‖]
[bin.d̪ʱo ɦi.ma.t͡ʃɔ.lo d͡ʒo.mu.na ɡɔŋ.ɡa |] [ut.t͡ʃʰɔ.lo d͡ʒɔ.lo.d̪ʱi.to.rɔŋ.ɡo ‖]
[t̪ɔ.bo ʃu.bʱo na.me d͡ʒa.ɡe] [t̪ɔ.bo ʃu.bʱo a.ʃi.ʃo ma.ɡe]
[ga.ɦe t̪ɔ.bo d͡ʒɔe̯.o ɡa.t̪ʰa ‖]
[d͡ʒɔ.no ɡɔ.no moŋ.ɡɔ.lo d̪ae̯.ɔ.ko d͡ʒɔe̯.o ɦe |] [bʱa.ro.t̪o bʱaɡ.ɡo bi.d̪ʱa.t̪a ‖]
[d͡ʒɔe̯.o ɦe | d͡ʒɔe̯.o ɦe | d͡ʒɔe̯.o ɦe |] [d͡ʒɔe̯.o d͡ʒɔe̯.o d͡ʒɔe̯.o d͡ʒɔe̯.o ɦe ‖]

English translation by Rabindranath Tagore

Thou art the ruler of the minds of all people,
dispenser of India's destiny.
Thy name rouses the hearts of the Punjab, Sindh, Gujarat and Maratha,
of the Dravida, Orissa and Bengal.
It echoes in the hills of the Vindhyas and Himalayas, mingles in the music of the Jamuna and Ganges
and is chanted by the waves of the Indian Sea.
They pray for thy blessings and sing thy praise.
The saving of all people waits in thy hand,
thou dispenser of India's destiny.
Victory, Victory, Victory to thee.

Official lyrics in Hindi

Devanagari[28] Official romanisation[29]
(bold indicates long vowels)
Latin transliteration
(ISO 15919)
IPA transcription[g]

जन-गण-मन अधिनायक जय हे, भारत भाग्य विधाता!
पंजाब-सिंध-गुजरात-मराठा, द्राविड़-उत्कल-बंग
विन्ध्य[h] हिमाचल यमुना गंगा, उच्छल जलधि तरंग
तव[i] शुभ नामे जागे, तव[i] शुभाशीष[j] मागे
गाहे तव[i] जय गाथा।
जन-गण-मंगलदायक जय हे, भारत भाग्य विधाता!
जय हे! जय हे! जय हे! जय जय जय जय हे!

Jana-gana-mana-adhinayaka jaya he Bharata-bhagya-vidhata
Panjaba-Sindha[k]-Gujarata-Maratha Dravida-Utkala-Banga
Vindhya-Himachala-Yamuna-Ganga Uchchhala-jaladhi-taranga
Tava[l] subha name jage, tava[l] subhasisa mage,
gahe tava[l] jaya-gatha.
Jana-gana-mangala-dayaka jaya he Bharata-bhagya-vidhata.
Jaya he, jaya he, jaya he, jaya jaya jaya jaya he.

Jana-gaṇa-mana adhināyaka jaya hē Bhārata-bhāgya-vidhātā.
Pañjāba-Sindha[k]-Gujarāta-Marāṭhā, Drāviṛa-Utkala Baṅga
Vindhya Himācala Yamunā Gaṅgā, Ucchala jaladhi taraṅga
Tava[l] śubha nāmē jāgē, tava[l] śubhāśīṣa māgē
gāhē tava[l] jaya gāthā.
Jana gaṇa maṅgala-dāyaka jaya hē, Bhārata bhāgya vidhātā.
Jaya hē, jaya hē, jaya hē, jaya jaya jaya jaya hē.

[d͡ʒə.nə gə.ɳə mə.nə ə.d̪ʱi.nɑː.jə.kə d͡ʒə.jə ɦeː] [bʱɑː.ɾə.t̪ə bʱɑːg.jə ʋɪ.dʱɑː.t̪ɑː ǁ]
[pəɲ.d͡ʒɑː.bə sɪn.d̪ʱə gʊ.d͡ʒə.ɾɑː.t̪ə mə.ɾɑː.ʈʰɑː |] [d̪ɾɑː.ʋɪ.ɽə ʊt̪.kə.lə bəŋ.gə]
[ʋɪnd̪ʱ.jə ɦɪ.mɑː.t͡ʃə.lə jə.mʊ.nɑː gəŋ.gɑː |] [ʊt.t͡ʃʰə.lə d͡ʒə.lə.d̪ʱi t̪ə.ɾəŋ.gə]
[t̪ə.ʋə[m] ʃʊ.bʱə nɑː.meː d͡ʒɑː.geː] [t̪ə.ʋə[m] ʃʊ.bʱɑː.ʃiː.ʂə mɑː.geː]
[gɑː.ɦeː t̪ə.ʋə[m] d͡ʒə.jə gɑː.t̪ʰɑː ‖]
[d͡ʒə.nə gə.ɳə məŋ.gə.lə d̪ɑː.jə.kə d͡ʒə.jə ɦeː |] [bʱɑː.ɾə.t̪ə bʱɑːg.jə ʋɪ.d̪ʱɑː.t̪ɑː ‖]
[d͡ʒə.jə ɦeː | d͡ʒə.jə ɦeː | d͡ʒə.jə ɦeː |] [d͡ʒə.jə d͡ʒə.jə d͡ʒə.jə d͡ʒə.jə ɦeː ‖]

Abridged version

A short version consisting of the first and last lines of the National Anthem is also played on certain occasions.[30][29]

Devanagari script[31] Official romanisation[29]
(bold indicates long vowels)
Latin transliteration
(ISO 15919)
IPA transcription[g]

जन-गण-मन अधिनायक जय हे भारत भाग्य विधाता ।
जय हे, जय हे, जय हे, जय जय जय जय हे ।

Jana-gana-mana-adhinayaka jaya he Bharata-bhagya vidhata.
Jaya he, jaya he, jaya he, jaya jaya jaya jaya he.

Jana-gaṇa-mana adhināyaka jaya hē Bhārata-bhāgya-vidhātā.
Jaya hē, jaya hē, jaya hē, jaya jaya jaya jaya hē.

[d͡ʒə.nə gə.ɳə mə.nə ə.d̪ʱi.nɑː.jə.kə d͡ʒə.jə ɦeː] [bʱɑː.ɾə.t̪ə bʱɑːg.jə ʋɪ.dʱɑː.t̪ɑː ǁ]
[d͡ʒə.jə ɦeː | d͡ʒə.jə ɦeː | d͡ʒə.jə ɦeː |] [d͡ʒə.jə d͡ʒə.jə d͡ʒə.jə d͡ʒə.jə ɦeː ‖]

Raga used in the Anthem

"Jana Gana Mana" is sung in the raga Alhaiya Bilawal.[32] In the national anthem, the tivra Madhyama svara is employed. Some argue that considering the raag used in National Anthem in raag Bilawal and it being a raag composed of shuddh swar; presents this anomaly. This line of thought presents the composition of the National Anthem in raga Gaud Sarang which employs has the tivra Madhyama svara.[33] However one must also note that it is quite common for compositions in a raag to employ vivadi swara. Alhaiya Bilawal is sung with tivra Madhyama and it is quite often called raag bilawal.

Gallery

Controversies

Historical significance

The composition was first sung during a convention of the Indian National Congress in Calcutta on 27 December 1911.[34] It was sung on the second day of the convention. The event was reported as such in the British Indian press:

"The Bengali poet Rabindranath Tagore sang a song composed by him specially to welcome the Emperor." (Statesman, 28 December 1911)
"The proceedings began with the singing by Rabindranath Tagore of a song specially composed by him in honour of the Emperor." (Englishman, 28 December 1911)
"When the proceedings of the Indian National Congress began on Wednesday 27 December 1911, a Bengali song in welcome of the Emperor was sung. A resolution welcoming the Emperor and Empress was also adopted unanimously." (Indian, 29 December 1911)

Many historians aver that the newspaper reports cited above were misguided. The confusion arose in the Indian press since a different song, "Badshah Humara" written in Hindi by Rambhuj Chaudhary,[35] was sung on the same occasion in praise of the George V. The nationalist press in India stated this difference of events clearly:

"The proceedings of the Congress party session started with a prayer in Bengali to praise God (song of benediction). This was followed by a resolution expressing loyalty to King George V. Then another song was sung welcoming King George V." (Amrita Bazar Patrika, 28 December 1911)
"The annual session of Congress began by singing a song composed by the great Bengali poet Rabindranath Tagore. Then a resolution expressing loyalty to King George V was passed. A song paying a heartfelt homage to King George V was then sung by a group of boys and girls." (The Bengalee, 28 December 1911)

Even the report of the annual session of the Indian National Congress of December 1911 stated this difference:

"On the first day of 28th annual session of the Congress, proceedings started after singing Vande Mataram. On the second day the work began after singing a patriotic song by Babu Rabindranath Tagore. Messages from well-wishers were then read and a resolution was passed expressing loyalty to King George V. Afterwards the song composed for welcoming King George V and Queen Mary was sung."

On 10 November 1937, Tagore wrote a letter to Pulin Bihari Sen about the controversy. That letter in Bengali can be found in Tagore's biography Rabindrajibani, volume II page 339 by Prabhatkumar Mukherjee.

"A certain high official in His Majesty's service, who was also my friend, had requested that I write a song of felicitation towards the Emperor. The request simply amazed me. It caused a great stir in my heart. In response to that great mental turmoil, I pronounced the victory in Jana Gana Mana of that Bhagya Bidhata [ed. God of Destiny] of India who has from age after age held steadfast the reins of India's chariot through rise and fall, through the straight path and the curved. That Lord of Destiny, that Reader of the Collective Mind of India, that Perennial Guide, could never be George V, George VI, or any other George. Even my official friend understood this about the song. After all, even if his admiration for the crown was excessive, he was not lacking in simple common sense."[36][37]

Again in his letter of 19 March 1939 Tagore writes:[38]

"I should only insult myself if I cared to answer those who consider me capable of such unbounded stupidity as to sing in praise of George the Fourth or George the Fifth as the Eternal Charioteer leading the pilgrims on their journey through countless ages of the timeless history of mankind." (Purvasa, Phalgun, 1354, p. 738.)

These clarifications by Tagore regarding the controversy occurred only after the death of King George V in 1936. Earlier, in 1915, after Tagore was awarded the Nobel Literature Prize, George V had conferred a knighthood on him, which he renounced in 1919 in protest over the Jallianwala Bagh massacre; writing a letter addressed to viceroy of India Lord Chelmsford: "The time has come when badges of honour make our shame glaring in their incongruous context of humiliation, and I for my part wish to stand, shorn of all special distinctions, by the side of my country men."[39][40]

Singing

In Kerala, students belonging to the Jehovah's Witnesses religious denomination were expelled by school authorities for their refusal to sing the national anthem on religious grounds, although they stood up when the anthem was sung.[41] The Kerala High Court concluded that there was nothing in it which could offend anyone's religious susceptibilities, and upheld their expulsion. On 11 August 1986,[42] the Supreme Court reversed the High Court and ruled that the High Court had misdirected itself because the question is not whether a particular religious belief or practice appeals to our reason or sentiment but whether the belief is genuinely and conscientiously held as part of the profession or practice of a religion. "Our personal views and reactions are irrelevant." The Supreme Court affirmed the principle that it is not for a secular judge to sit in judgment on the correctness of a religious belief.[43]

The Supreme Court observed in its ruling that:[44]

"There is no provision of law which obliges anyone to sing the National Anthem nor is it disrespectful to the National Anthem if a person who stands up respectfully when the National Anthem is sung does not join the singing. Proper respect is shown to the National Anthem by standing up when the National Anthem is sung. It will not be right to say that disrespect is shown by not joining in the singing. Standing up respectfully when the National Anthem is sung but not singing oneself clearly does not either prevent the singing of the National Anthem or cause disturbance to an assembly engaged in such singing so as to constitute the offence mentioned in s. 3 of the Prevention of Insults to National Honour Act."

In some states, it is mandatory that the anthem be played before films played at cinemas. On 30 November 2016, to instil "committed patriotism and nationalism", the Supreme Court ordered that all cinemas nationwide must play the national anthem, accompanied by an image of the flag of India, before all films. Patrons were expected to stand in respect of the anthem, and doors to a cinema hall were expected to be locked during the anthem to minimise disruption.[45] The order was controversial, as it was argued that patrons who chose not to participate would be targeted and singled out, as was the case in an incident publicized in 2015 which purported to show a group of patrons (alleged by the YouTube uploader to be Muslims) being heckled by others. On 10 February 2017, two Kashmiris (which included an employee of the state government) were arrested under the Prevention of Insults to National Honour Act for not standing during the anthem at a cinema, in the first such arrest of its kind made by a state government. Other incidents of violent outbreaks associated with the policy were also reported.[46][47][48]

A cinema club in Kerala (whose film festival was required to comply with the order, leading to several arrests) challenged the order as an infringement of their fundamental rights, arguing that cinemas were "singularly unsuited for the gravitas and sobriety that must accompany the playing of the national anthem", and that the films screened would often "be at odds with sentiments of national respect".[49] In October 2017, Justice Dhananjaya Y. Chandrachud questioned the intent of the order, arguing that citizens "don't have to wear patriotism on our sleeve", and it should not be assumed that people who do not stand for the anthem were any less patriotic than those who did. In January 2018, the order was lifted, pending further government discussion.[50][51][52]

In October 2019, a video of a Bengaluru couple being bullied for not standing up during the national anthem in a movie hall went viral. They were questioned "Are you Pakistani?". There was a debate on the issue; some lawyers recalled Article-21, some people called it a way to gain media attention and some recommended to attend the movie after the national anthem is played to avoid any problems. But after the debate, Supreme Court had reversed its earlier order making it mandatory for cinema halls to play the National Anthem.[53]

Regional aspects

Another controversy is that only those provinces that were under direct British rule, i.e. Punjab, Sindh, Gujarat, Maratha, Dravida (South India), Utkal and Bengal, were mentioned. None of the princely statesJammu and Kashmir, Rajputana, Hyderabad, Mysore or the states in Northeast India, which are now parts of India, were mentioned. But opponents of this proposition claim that Tagore mentioned only the border states of India to include complete India. Whether the princely states would form a part of an independent Indian republic was a matter of debate even until Indian independence.

In 2005, there were calls to delete the word "Sindh"[n] and substitute it with the word Kashmir. The argument was that Sindh was no longer a part of India, having become part of Pakistan as a result of the Partition of 1947. Opponents of this proposal hold that the word "Sindh" refers to the Indus[o] and to Sindhi culture, and that Sindhi people are a part of India's cultural fabric. The Supreme Court of India declined to change the national anthem and the wording remains unchanged.

On 17 December 2013, MLA of Assam, Phani Bhushan Choudhury cited article of The Times of India published on 26 January 1950, stating that originally the word 'Kamarup' was included in the song, but was later changed to 'Sindhu' and claimed that Kamarup should be re-included.[54] To this, the then minister Rockybul Hussain replied that the state government would initiate steps in this regard after response from the newspaper.[54] The debate was further joined by the then minister Ardhendu Dey, mentioning 'Sanchayita' (edited by Tagore himself) etc. where he said Kamrup was not mentioned.[54]

In 2017 the state government of Jharkhand under the Bharatiya Janata Party proposed making the singing of the national anthem compulsory in Madrasas. This was met with opposition from a section of Muslim cleric on the grounds that it violated the basic principles of the Islamic centers of learning.[55]

See also

Notes

  1. ^ See Help:IPA/Bengali and Bengali phonology.
  2. ^ a b Sanskrit transliteration "Bhārata-bhāgya-vidhātā"
  3. ^ Sanskrit transliteration "Drāviḍa"
  4. ^ Sanskrit transliteration "Vaṅga"
  5. ^ Sanskrit transliteration "Vindhya"
  6. ^ a b c Sanskrit transliteration "tava"
  7. ^ a b See Help:IPA/Hindi and Urdu and Hindi phonology.
  8. ^ विंध्य is also used
  9. ^ a b c तब is also used
  10. ^ शुभ आशीष is also used
  11. ^ a b "Sindhu" is also used.
  12. ^ a b c d e f "taba" is also used
  13. ^ a b c t̪ə.bə is also used
  14. ^ Historical romanization of Sindh, referring to the Sindh province of British India.
  15. ^ Indus flows through Ladakh in northern India.

References

  1. ^ . www.news18.com. 14 August 2012. Archived from the original on 18 August 2017. Quote: "Though written in Bengali, the language used was sadhu Bengali or tatsama Bengali which is heavily influenced by Sanskrit. Many of the words exist with the same meaning in different Indian languages and thus, all Indian people understand the words and meaning of the national anthem"
  2. ^ "National Symbol: National Anthem". National Portal of India. from the original on 4 February 2017. Retrieved 10 April 2017.
  3. ^ "National anthem of India: a brief on 'Jana Gana Mana'". News18 India. 14 August 2012. from the original on 17 April 2019. Retrieved 6 September 2020.
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  8. ^ NationalAnthem 18 April 2018 at the Wayback Machine Quote: "The composition consisting of the words and music of the first stanza of the late poet Rabindra Nath Tagore’s song known as “Jana Gana Mana” is the National Anthem of India"
  9. ^ a b . knowindia.gov.in (in Hindi). Archived from the original on 15 January 2013. Retrieved 11 April 2017.
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  13. ^ a b "Home".
  14. ^ Sabyasachi Bhattacharya (24 May 2017). Rabindranath Tagore: An Interpretation. Random House Publishers India Pvt. Limited. pp. 326–. ISBN 978-81-8475-539-8. from the original on 3 August 2020. Retrieved 16 August 2019.
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  23. ^ Sugata Bose (14 August 2017). "The History of Patriotism: When Mahatma Gandhi refused to stand up in respect for the national song". Quartz India. from the original on 16 February 2020. Retrieved 17 February 2020.
  24. ^ Chandra, Balakrishnan, Pali, Vijay kumar. "100 Years Of Bollywood-Humrahi (1945)". indiavideo.org. Invis Multimedia Pvt. Ltd. from the original on 15 August 2018. Retrieved 14 August 2018.
  25. ^ Srivastava, Sanjay (2005). Constructing Post-Colonial India. London: Routledge. p. 91. ISBN 9781134683581. from the original on 6 October 2021. Retrieved 15 September 2020. Since its inception, the School adopted strictly non-denominational prayers and hymns and does not serve beef and pork. In fact the School adopted 'Jana Gana Mana' as its School song in 1935 well before it became National Anthem in 1947.
  26. ^ Refer to The Morning Song of India  – via Wikisource.
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  46. ^ "J&K: In a first, state govt employee amongst two arrested for not standing during national anthem". The Indian Express. 11 February 2017. from the original on 20 February 2019. Retrieved 19 February 2019.
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External links

  • Know India: National anthem, Government of India website
  • The Morning Song of India  – via Wikisource.English translation of the hymn "Jana Gana Mana" in Tagore's handwriting

jana, gana, mana, this, article, about, national, anthem, india, other, uses, disambiguation, sanskrit, जन, गण, मन, national, anthem, republic, india, originally, composed, bharoto, bhagyo, bidhata, bengali, polymath, rabindranath, tagore, december, 1911, firs. This article is about the national anthem of India For other uses see Jana Gana Mana disambiguation Jana Gana Mana Sanskrit जन गण मन is the national anthem of the Republic of India It was originally composed as Bharoto Bhagyo Bidhata in Bengali by polymath Rabindranath Tagore 1 2 3 on 11 December 1911 4 5 6 The first stanza of the song Bharoto Bhagyo Bidhata was adopted by the Constituent Assembly of India as the National Anthem on 24 January 1950 7 8 A formal rendition of the national anthem takes approximately 52 seconds A shortened version consisting of the first and last lines and taking about 20 seconds to play is also staged occasionally 9 It was first publicly sung on 27 December 1911 at the Calcutta now Kolkata Session of the Indian National Congress 10 11 Jana Gana ManaEnglish Thou Art the Ruler of the Minds of All People Sheet music for Jana Gana Mana National anthem of IndiaLyricsRabindranath Tagore 11 December 1911MusicRabindranath Tagore 11 December 1911Adopted24 January 1950Audio sample source Official instrumental versionfilehelpRabindranath Tagore the author and composer of the national anthems of India and Bangladesh source source source source source source source source source source source source source source Rabindranath Tagore reciting Jana Gana Mana Contents 1 History 2 Code of conduct 3 Lyrics 3 1 Original translation from Bengali 3 2 Official lyrics in Hindi 3 2 1 Abridged version 3 3 Raga used in the Anthem 4 Gallery 5 Controversies 5 1 Historical significance 5 2 Singing 5 3 Regional aspects 6 See also 7 Notes 8 References 9 External linksHistory EditThe National Anthem of India is titled Jana Gana Mana The song was originally composed in Bengali by India s first Nobel laureate Rabindranath Tagore on December 11 1911 12 13 14 The parent song Bharoto Bhagyo Bidhata is a Brahmo hymn which has five verses and only the first verse has been adopted as National Anthem If put forward succinctly the National Anthem conveys the spirit of pluralism or in more popular term the concept of Unity in Diversity which lies at the core of India s cultural heritage The lyrics of the song first appeared in 5 stanzas in Bengali magazine in an issue of Tatwabodhini patrika The melody of the song in raga Alhaiya Bilawal was composed as a Brahmo Hymn by Tagore himself with possibly some help from his musician grand nephew Dinendranath Tagore The final form of the song before the first public performance was set on December 11 1911 15 13 16 The song was first publicly sung on the second day of the annual session of the Indian National Congress in Calcutta now Kolkata on 27 December 1911 by Rabindranath Tagore s niece in her school assembly 17 Then it was followed in January 1912 at the annual event of the Adi Brahmo Samaj 18 19 however it was largely unknown except to the readers of the Adi Brahmo Samaj journal Tattwabodhini Patrika The poem was published in January 1912 under the title Bharat Bhagya Bidhata in the Tatwabodhini Patrika which was the official publication of the Brahmo Samaj with Tagore then the Editor 20 In 1912 the song was performed by Sarala Devi Chaudhurani Tagore s niece along with the group of school students in front of prominent Congress members like Bishan Narayan Dhar Indian National Congress President and Ambika Charan Majumdar 15 In 1917 the song was again performed in Congress conference and this time in aid of instrumental music by the Mahraja Bahadur of Nattore 21 Outside of Calcutta the song was first sung by the bard himself at a session in Besant Theosophical College in Madanapalle Andhra Pradesh on 28 February 1919 when Tagore visited the college and sung the song The song enthralled the college students and Margaret Cousins then vice principal of the college also an expert in European music and wife of Irish poet Dr James Cousins Based on the notes provided by Tagore himself the song was preserved in 1919 in western notation at Madanapalle of Andhra Pradesh by Mrs Margaret Cousins and her students The whole episode was recorded by Dr Cousins in his autobiography We Two Together 22 In a voice surprisingly light for so large a man he sang something like a piece of geography giving a list of countries mountains and rivers and in the second verse a list of the religions in India The refrain to the first made us pick up our ears The refrain to the second verse made us clear our throats We asked for it again and again and before long we were singing it with gusto Jaya hai Jaya hai Jaya hai Jaya JayaJayaJaya hai Victory victory victory to thee We had no idea who or what was to have the victory The next day Rabindranath gave the swarams notes of Jana gana to Mrs Cousins so that the melody should have accurate permanent record He also made the translation of the song into English as The Morning Song of India And thus Mrs Cousins became probably the first person to transcribe and preserve Tagore s composition in western sheet music notation at Madanapalle based on the notes provided by Tagore himself And soon it took its place in the daily deciation of the combined school and college of Besant Hall in Madanapalle and is still sung to this date It was also here that the song was first translated into English by Tagore as The Morning song of India 22 These notations are largely followed to this day although several subsequent reinterpretations have been made Interpretations include the B L Mukherjee and Ambik Mazumdar interpretation that was played in Germany for the first time under Netaji as the national anthem of India as well as the interpretation of Ram Singh Thakuri for its INA translation to Hindustani as sab sukh chain 22 1942 orchestral instrumental recording with narrated intro source source Performed by the Radio Hamburg Chamber Orchestra as the national anthem of India on 11 September 1942 in Hamburg Germany Problems playing this file See media help The song was selected as national anthem by Subhas Chandra Bose while he was in Germany On the occasion of the founding meeting of the German Indian Society on 11 September 1942 in the Hotel Atlantic in Hamburg Jana Gana Mana was played for the first time by the Hamburg Radio Symphony Orchestra as the national anthem of an independent India 23 Before it officially became the national anthem of India in 1950 Jana Gana Mana was heard in the 1945 film Hamrahi 24 It was also adopted as a school song of The Doon School Dehradun in 1935 25 On the occasion of India attaining freedom the Indian Constituent Assembly assembled for the first time as a sovereign body on 14 August 1947 midnight and the session closed with a unanimous performance of Jana Gana Mana The members of the Indian Delegation to the General Assembly of the United Nations held at New York in 1947 gave a recording of Jana Gana Mana as the country s national anthem The song was played by the house orchestra in front of a gathering consisting of representatives from all over the world Code of conduct EditThe National Anthem of India is played or sung on various occasions Instructions have been issued from time to time about the correct versions of the Anthem the occasions on which these are to be played or sung and about the need for paying respect to the anthem by observance of proper decorum on such occasions The substance of these instructions has been embodied in the information sheet issued by the government of India for general information and guidance The approximate duration of the Full Version of National Anthem of India is 52 seconds and 20 seconds for shorter version 9 Lyrics Edit Vocal recording source source track track track track track track track track track track track track track track track track track Problems playing this file See media help The poem was composed in a literary register of the Bengali language called Sadhu Bhasha which is heavily Sanskritised Original translation from Bengali Edit The English version was translated by Rabindranath Tagore on 28 February 1919 at the Besant Theosophical College 26 27 Bengali script Latin transliteration ISO 15919 IPA transcription a জনগণমন অধ ন য ক জয হ ভ রতভ গ যব ধ ত পঞ জ ব স ন ধ গ জর ট মর ঠ দ র ব ড উৎকল বঙ গ ব ন ধ য হ ম চল যম ন গঙ গ উচ ছলজলধ তরঙ গ তব শ ভ ন ম জ গ তব শ ভ আশ ষ ম গ গ হ তব জয গ থ জনগণমঙ গলদ য ক জয হ ভ রতভ গ যব ধ ত জয হ জয হ জয হ জয জয জয জয হ Jana gaṇa mana adhinaẏaka jaẏa he Bharata bhagya bidhata b Panjaba Sindh Gujaraṭa Maraṭha Drabiṛa c Utkala Baṅga d Bindhya e Himacala Yamuna Gaṅga Ucchala jaladhi taraṅga Taba f subha name jage taba f subha asiṣa mage gahe taba f jaẏagatha Jana gaṇa maṅgala daẏaka jaẏa he Bharata bhagya bidhata b Jaẏa he jaẏa he jaẏa he jaẏa jaẏa jaẏa jaẏa he d ʒɔ no ɡɔ no mɔ no o d ʱi nae ɔ ko d ʒɔe o ɦe bʱa ro t o bʱaɡ ɡo bi d ʱa t a ǁ pɔn d ʒa bo ʃin d ʱ ɡud ʒ ra ʈo ma ra ʈʰa d ra bi ɽo ut kɔ lo bɔŋ ɡo bin d ʱo ɦi ma t ʃɔ lo d ʒo mu na ɡɔŋ ɡa ut t ʃʰɔ lo d ʒɔ lo d ʱi to rɔŋ ɡo t ɔ bo ʃu bʱo na me d ʒa ɡe t ɔ bo ʃu bʱo a ʃi ʃo ma ɡe ga ɦe t ɔ bo d ʒɔe o ɡa t ʰa d ʒɔ no ɡɔ no moŋ ɡɔ lo d ae ɔ ko d ʒɔe o ɦe bʱa ro t o bʱaɡ ɡo bi d ʱa t a d ʒɔe o ɦe d ʒɔe o ɦe d ʒɔe o ɦe d ʒɔe o d ʒɔe o d ʒɔe o d ʒɔe o ɦe English translation by Rabindranath TagoreThou art the ruler of the minds of all people dispenser of India s destiny Thy name rouses the hearts of the Punjab Sindh Gujarat and Maratha of the Dravida Orissa and Bengal It echoes in the hills of the Vindhyas and Himalayas mingles in the music of the Jamuna and Ganges and is chanted by the waves of the Indian Sea They pray for thy blessings and sing thy praise The saving of all people waits in thy hand thou dispenser of India s destiny Victory Victory Victory to thee Official lyrics in Hindi Edit Devanagari 28 Official romanisation 29 bold indicates long vowels Latin transliteration ISO 15919 IPA transcription g जन गण मन अध न यक जय ह भ रत भ ग य व ध त प ज ब स ध ग जर त मर ठ द र व ड उत कल ब ग व न ध य h ह म चल यम न ग ग उच छल जलध तर ग तव i श भ न म ज ग तव i श भ श ष j म ग ग ह तव i जय ग थ जन गण म गलद यक जय ह भ रत भ ग य व ध त जय ह जय ह जय ह जय जय जय जय ह Jana gana mana adhinayaka jaya he Bharata bhagya vidhata Panjaba Sindha k Gujarata Maratha Dravida Utkala Banga Vindhya Himachala Yamuna Ganga Uchchhala jaladhi taranga Tava l subha name jage tava l subhasisa mage gahe tava l jaya gatha Jana gana mangala dayaka jaya he Bharata bhagya vidhata Jaya he jaya he jaya he jaya jaya jaya jaya he Jana gaṇa mana adhinayaka jaya he Bharata bhagya vidhata Panjaba Sindha k Gujarata Maraṭha Draviṛa Utkala Baṅga Vindhya Himacala Yamuna Gaṅga Ucchala jaladhi taraṅga Tava l subha name jage tava l subhasiṣa mage gahe tava l jaya gatha Jana gaṇa maṅgala dayaka jaya he Bharata bhagya vidhata Jaya he jaya he jaya he jaya jaya jaya jaya he d ʒe ne ge ɳe me ne e d ʱi nɑː je ke d ʒe je ɦeː bʱɑː ɾe t e bʱɑːg je ʋɪ dʱɑː t ɑː ǁ peɲ d ʒɑː be sɪn d ʱe gʊ d ʒe ɾɑː t e me ɾɑː ʈʰɑː d ɾɑː ʋɪ ɽe ʊt ke le beŋ ge ʋɪnd ʱ je ɦɪ mɑː t ʃe le je mʊ nɑː geŋ gɑː ʊt t ʃʰe le d ʒe le d ʱi t e ɾeŋ ge t e ʋe m ʃʊ bʱe nɑː meː d ʒɑː geː t e ʋe m ʃʊ bʱɑː ʃiː ʂe mɑː geː gɑː ɦeː t e ʋe m d ʒe je gɑː t ʰɑː d ʒe ne ge ɳe meŋ ge le d ɑː je ke d ʒe je ɦeː bʱɑː ɾe t e bʱɑːg je ʋɪ d ʱɑː t ɑː d ʒe je ɦeː d ʒe je ɦeː d ʒe je ɦeː d ʒe je d ʒe je d ʒe je d ʒe je ɦeː Abridged version Edit A short version consisting of the first and last lines of the National Anthem is also played on certain occasions 30 29 Devanagari script 31 Official romanisation 29 bold indicates long vowels Latin transliteration ISO 15919 IPA transcription g जन गण मन अध न यक जय ह भ रत भ ग य व ध त जय ह जय ह जय ह जय जय जय जय ह Jana gana mana adhinayaka jaya he Bharata bhagya vidhata Jaya he jaya he jaya he jaya jaya jaya jaya he Jana gaṇa mana adhinayaka jaya he Bharata bhagya vidhata Jaya he jaya he jaya he jaya jaya jaya jaya he d ʒe ne ge ɳe me ne e d ʱi nɑː je ke d ʒe je ɦeː bʱɑː ɾe t e bʱɑːg je ʋɪ dʱɑː t ɑː ǁ d ʒe je ɦeː d ʒe je ɦeː d ʒe je ɦeː d ʒe je d ʒe je d ʒe je d ʒe je ɦeː Raga used in the Anthem Edit This section may be confusing or unclear to readers Please help clarify the section There might be a discussion about this on the talk page May 2022 Learn how and when to remove this template message Jana Gana Mana is sung in the raga Alhaiya Bilawal 32 In the national anthem the tivra Madhyama svara is employed Some argue that considering the raag used in National Anthem in raag Bilawal and it being a raag composed of shuddh swar presents this anomaly This line of thought presents the composition of the National Anthem in raga Gaud Sarang which employs has the tivra Madhyama svara 33 However one must also note that it is quite common for compositions in a raag to employ vivadi swara Alhaiya Bilawal is sung with tivra Madhyama and it is quite often called raag bilawal Gallery Edit Tagore s translation of Jana Gana Mana on February 28 1919 at the Besant Theosophical College Page 1 of Tagore s translation of Jana Gana Mana on February 28 1919 at the Besant Theosophical College Page 2 of Tagore s translation of Jana Gana Mana on February 28 1919 at the Besant Theosophical CollegeControversies EditHistorical significance Edit The composition was first sung during a convention of the Indian National Congress in Calcutta on 27 December 1911 34 It was sung on the second day of the convention The event was reported as such in the British Indian press The Bengali poet Rabindranath Tagore sang a song composed by him specially to welcome the Emperor Statesman 28 December 1911 The proceedings began with the singing by Rabindranath Tagore of a song specially composed by him in honour of the Emperor Englishman 28 December 1911 When the proceedings of the Indian National Congress began on Wednesday 27 December 1911 a Bengali song in welcome of the Emperor was sung A resolution welcoming the Emperor and Empress was also adopted unanimously Indian 29 December 1911 Many historians aver that the newspaper reports cited above were misguided The confusion arose in the Indian press since a different song Badshah Humara written in Hindi by Rambhuj Chaudhary 35 was sung on the same occasion in praise of the George V The nationalist press in India stated this difference of events clearly The proceedings of the Congress party session started with a prayer in Bengali to praise God song of benediction This was followed by a resolution expressing loyalty to King George V Then another song was sung welcoming King George V Amrita Bazar Patrika 28 December 1911 The annual session of Congress began by singing a song composed by the great Bengali poet Rabindranath Tagore Then a resolution expressing loyalty to King George V was passed A song paying a heartfelt homage to King George V was then sung by a group of boys and girls The Bengalee 28 December 1911 Even the report of the annual session of the Indian National Congress of December 1911 stated this difference On the first day of 28th annual session of the Congress proceedings started after singing Vande Mataram On the second day the work began after singing a patriotic song by Babu Rabindranath Tagore Messages from well wishers were then read and a resolution was passed expressing loyalty to King George V Afterwards the song composed for welcoming King George V and Queen Mary was sung On 10 November 1937 Tagore wrote a letter to Pulin Bihari Sen about the controversy That letter in Bengali can be found in Tagore s biographyRabindrajibani volume II page 339 by Prabhatkumar Mukherjee A certain high official in His Majesty s service who was also my friend had requested that I write a song of felicitation towards the Emperor The request simply amazed me It caused a great stir in my heart In response to that great mental turmoil I pronounced the victory in Jana Gana Mana of that Bhagya Bidhata ed God of Destiny of India who has from age after age held steadfast the reins of India s chariot through rise and fall through the straight path and the curved That Lord of Destiny that Reader of the Collective Mind of India that Perennial Guide could never be George V George VI or any other George Even my official friend understood this about the song After all even if his admiration for the crown was excessive he was not lacking in simple common sense 36 37 Again in his letter of 19 March 1939 Tagore writes 38 I should only insult myself if I cared to answer those who consider me capable of such unbounded stupidity as to sing in praise of George the Fourth or George the Fifth as the Eternal Charioteer leading the pilgrims on their journey through countless ages of the timeless history of mankind Purvasa Phalgun 1354 p 738 These clarifications by Tagore regarding the controversy occurred only after the death of King George V in 1936 Earlier in 1915 after Tagore was awarded the Nobel Literature Prize George V had conferred a knighthood on him which he renounced in 1919 in protest over the Jallianwala Bagh massacre writing a letter addressed to viceroy of India Lord Chelmsford The time has come when badges of honour make our shame glaring in their incongruous context of humiliation and I for my part wish to stand shorn of all special distinctions by the side of my country men 39 40 Singing Edit In Kerala students belonging to the Jehovah s Witnesses religious denomination were expelled by school authorities for their refusal to sing the national anthem on religious grounds although they stood up when the anthem was sung 41 The Kerala High Court concluded that there was nothing in it which could offend anyone s religious susceptibilities and upheld their expulsion On 11 August 1986 42 the Supreme Court reversed the High Court and ruled that the High Court had misdirected itself because the question is not whether a particular religious belief or practice appeals to our reason or sentiment but whether the belief is genuinely and conscientiously held as part of the profession or practice of a religion Our personal views and reactions are irrelevant The Supreme Court affirmed the principle that it is not for a secular judge to sit in judgment on the correctness of a religious belief 43 The Supreme Court observed in its ruling that 44 There is no provision of law which obliges anyone to sing the National Anthem nor is it disrespectful to the National Anthem if a person who stands up respectfully when the National Anthem is sung does not join the singing Proper respect is shown to the National Anthem by standing up when the National Anthem is sung It will not be right to say that disrespect is shown by not joining in the singing Standing up respectfully when the National Anthem is sung but not singing oneself clearly does not either prevent the singing of the National Anthem or cause disturbance to an assembly engaged in such singing so as to constitute the offence mentioned in s 3 of the Prevention of Insults to National Honour Act In some states it is mandatory that the anthem be played before films played at cinemas On 30 November 2016 to instil committed patriotism and nationalism the Supreme Court ordered that all cinemas nationwide must play the national anthem accompanied by an image of the flag of India before all films Patrons were expected to stand in respect of the anthem and doors to a cinema hall were expected to be locked during the anthem to minimise disruption 45 The order was controversial as it was argued that patrons who chose not to participate would be targeted and singled out as was the case in an incident publicized in 2015 which purported to show a group of patrons alleged by the YouTube uploader to be Muslims being heckled by others On 10 February 2017 two Kashmiris which included an employee of the state government were arrested under the Prevention of Insults to National Honour Act for not standing during the anthem at a cinema in the first such arrest of its kind made by a state government Other incidents of violent outbreaks associated with the policy were also reported 46 47 48 A cinema club in Kerala whose film festival was required to comply with the order leading to several arrests challenged the order as an infringement of their fundamental rights arguing that cinemas were singularly unsuited for the gravitas and sobriety that must accompany the playing of the national anthem and that the films screened would often be at odds with sentiments of national respect 49 In October 2017 Justice Dhananjaya Y Chandrachud questioned the intent of the order arguing that citizens don t have to wear patriotism on our sleeve and it should not be assumed that people who do not stand for the anthem were any less patriotic than those who did In January 2018 the order was lifted pending further government discussion 50 51 52 In October 2019 a video of a Bengaluru couple being bullied for not standing up during the national anthem in a movie hall went viral They were questioned Are you Pakistani There was a debate on the issue some lawyers recalled Article 21 some people called it a way to gain media attention and some recommended to attend the movie after the national anthem is played to avoid any problems But after the debate Supreme Court had reversed its earlier order making it mandatory for cinema halls to play the National Anthem 53 Regional aspects Edit Another controversy is that only those provinces that were under direct British rule i e Punjab Sindh Gujarat Maratha Dravida South India Utkal and Bengal were mentioned None of the princely states Jammu and Kashmir Rajputana Hyderabad Mysore or the states in Northeast India which are now parts of India were mentioned But opponents of this proposition claim that Tagore mentioned only the border states of India to include complete India Whether the princely states would form a part of an independent Indian republic was a matter of debate even until Indian independence In 2005 there were calls to delete the word Sindh n and substitute it with the word Kashmir The argument was that Sindh was no longer a part of India having become part of Pakistan as a result of the Partition of 1947 Opponents of this proposal hold that the word Sindh refers to the Indus o and to Sindhi culture and that Sindhi people are a part of India s cultural fabric The Supreme Court of India declined to change the national anthem and the wording remains unchanged On 17 December 2013 MLA of Assam Phani Bhushan Choudhury cited article of The Times of India published on 26 January 1950 stating that originally the word Kamarup was included in the song but was later changed to Sindhu and claimed that Kamarup should be re included 54 To this the then minister Rockybul Hussain replied that the state government would initiate steps in this regard after response from the newspaper 54 The debate was further joined by the then minister Ardhendu Dey mentioning Sanchayita edited by Tagore himself etc where he said Kamrup was not mentioned 54 In 2017 the state government of Jharkhand under the Bharatiya Janata Party proposed making the singing of the national anthem compulsory in Madrasas This was met with opposition from a section of Muslim cleric on the grounds that it violated the basic principles of the Islamic centers of learning 55 See also EditVande Mataram the National Song of India Saare Jahan Se Achcha Amar Shonar Bangla the National Anthem of Bangladesh also written by Rabindranath Tagore National PledgeNotes Edit See Help IPA Bengali and Bengali phonology a b Sanskrit transliteration Bharata bhagya vidhata Sanskrit transliteration Draviḍa Sanskrit transliteration Vaṅga Sanskrit transliteration Vindhya a b c Sanskrit transliteration tava a b See Help IPA Hindi and Urdu and Hindi phonology व ध य is also used a b c तब is also used श भ आश ष is also used a b Sindhu is also used a b c d e f taba is also used a b c t e be is also used Historical romanization of Sindh referring to the Sindh province of British India Indus flows through Ladakh in northern India References Edit National anthem of India a brief on Jana Gana Mana www news18 com 14 August 2012 Archived from the original on 18 August 2017 Quote Though written in Bengali the language used was sadhu Bengali or tatsama Bengali which is heavily influenced by Sanskrit Many of the words exist with the same meaning in different Indian languages and thus all Indian people understand the words and meaning of the national anthem National Symbol National Anthem National Portal of India Archived from the original on 4 February 2017 Retrieved 10 April 2017 National anthem of India a brief on Jana Gana Mana News18 India 14 August 2012 Archived from the original on 17 April 2019 Retrieved 6 September 2020 Rabindranath Tagore 2004 The English Writings of Rabindranath Tagore Poems Sahitya Akademi pp 32 ISBN 978 81 260 1295 4 Archived from the original on 3 August 2020 Retrieved 7 July 2019 Edgar Thorpe Showick Thorpe The Pearson CSAT Manual 2011 Pearson Education India pp 56 ISBN 978 81 317 5830 4 Archived from the original on 14 August 2021 Retrieved 7 July 2019 BBC News Does India s national anthem extol the British BBC News 9 July 2015 Archived from the original on 12 April 2019 Retrieved 1 March 2019 Britannica Encyclopedia of India Set of 5 Volumes Encyclopedia Britannica India 2008 p 167 ISBN 978 81 8131 008 8 Archived from the original on 19 March 2017 Retrieved 14 April 2017 Quote Adopted by the Constituent Assembly as the national anthem of India on January 24 1950 the song Jana gana mana in its Hindi version of the first stanza was originally composed in Bengali by poet Rabindranath Tagore NationalAnthemArchived 18 April 2018 at the Wayback Machine Quote The composition consisting of the words and music of the first stanza of the late poet Rabindra Nath Tagore s song known as Jana Gana Mana is the National Anthem of India a b National Anthem National Identity Elements of India Know India National Portal of India knowindia gov in in Hindi Archived from the original on 15 January 2013 Retrieved 11 April 2017 Chowdhury Arunangsu Roy 100 years since Jana Gana Mana was born The Hindu Archived from the original on 2 February 2017 Retrieved 11 April 2017 India and national symbols www india gov in Archived from the original on 1 May 2020 Retrieved 21 July 2021 Home Know India National Portal of India knowindia india gov in Archived from the original on 23 September 2021 Retrieved 6 October 2021 a b Home Sabyasachi Bhattacharya 24 May 2017 Rabindranath Tagore An Interpretation Random House Publishers India Pvt Limited pp 326 ISBN 978 81 8475 539 8 Archived from the original on 3 August 2020 Retrieved 16 August 2019 a b 10 things to know about Indian national Anthem Archived from the original on 21 July 2021 Retrieved 21 July 2021 Bhattacharya Sabyasachi 2011 Home ISBN 9780670084555 News On AIR News Services Division All India Radio News newsonair gov in Retrieved 13 February 2023 Untitled Document Archived from the original on 9 October 2011 Retrieved 15 August 2011 Bhattacharya Sabyasachi 2011 Rabindranath Tagore an interpretation New Delhi Viking Penguin Books India p 206 ISBN 978 0670084555 Archived from the original on 28 February 2017 Retrieved 28 February 2017 Incidentally a myth regarding this song needs to be refuted and laid to rest It is on record that the song was written on 11 December 1911 On 12 December 1911 the Delhi Durbar met to honour King Emperor George V Obviously a poem written on 11 December could not be intended for an event the following day The song was first sung at the twenty seventh session of the Indian National Congress Calcutta on 28 December 1911 as the opening song at the beginning of the day s proceedings Thereafter it was also sung at the foundation day anniversary of Adi Brahma Samaj in February 1912 and included in their collection of psalms Brahma Sangit National Identity Archived from the original on 11 August 2021 Retrieved 21 July 2021 Chowdhury Arunangsu Roy 27 December 2011 Home The Hindu a b c Home 1950 Sugata Bose 14 August 2017 The History of Patriotism When Mahatma Gandhi refused to stand up in respect for the national song Quartz India Archived from the original on 16 February 2020 Retrieved 17 February 2020 Chandra Balakrishnan Pali Vijay kumar 100 Years Of Bollywood Humrahi 1945 indiavideo org Invis Multimedia Pvt Ltd Archived from the original on 15 August 2018 Retrieved 14 August 2018 Srivastava Sanjay 2005 Constructing Post Colonial India London Routledge p 91 ISBN 9781134683581 Archived from the original on 6 October 2021 Retrieved 15 September 2020 Since its inception the School adopted strictly non denominational prayers and hymns and does not serve beef and pork In fact the School adopted Jana Gana Mana as its School song in 1935 well before it became National Anthem in 1947 Refer to The Morning Song of India via Wikisource Tagore Rabindranath The Morning Song of India English Translation of Bharoto Bhagyo Bidhata Google Arts amp Culture Archived from the original on 16 August 2021 Retrieved 16 August 2021 भ रत क र ष ट रग न क स ब ध म आद श Order relating to the national anthem of India PDF mha gov in Ministry of Home Affairs Government of India Archived PDF from the original on 5 August 2021 Retrieved 24 June 2018 a b c Orders relating to the national anthem of India PDF Ministry of Home Affairs Government of India Archived PDF from the original on 18 June 2018 Retrieved 18 June 2018 National Identity Elements National Anthem Know India National Portal of India knowindia gov in Archived from the original on 1 October 2020 Retrieved 12 July 2018 भरत क र ष ट र ग न क स ब ध म आद श Order relating to the national anthem of India PDF mha gov in Ministry of Home Affairs Government of India Archived PDF from the original on 5 August 2021 Retrieved 24 June 2018 Lesser known facts on Jana Gana Mana India s National Anthem Archived from the original on 26 May 2021 Retrieved 1 December 2020 Raag Gaud Sarang www tanarang com Archived from the original on 1 July 2020 Tagore and Jana Gana Mana Monish R Chatterjee Archived from the original on 17 September 2008 Retrieved 14 August 2008 India Are we still singing for the Empire Pradip Kumar Datta Archived from the original on 24 September 2015 Retrieved 30 August 2015 Mitra Anirban Bhattacharyya Souvik 22 June 2015 Tagore and that song The Hindu Archived from the original on 23 April 2021 Retrieved 21 July 2021 BBC World Asia BBC News 9 July 2015 Archived from the original on 18 September 2021 Retrieved 21 July 2021 BBC News Indian anthem Jana Gana Mana turns 100 Bbc co uk 27 December 2011 Archived from the original on 9 January 2012 Retrieved 8 July 2012 Letter from Rabindranath Tagore to Lord Chelmsford Viceroy of India Digital Anthropology Resources for Teaching Columbia University and the London School of Economics Archived from the original on 25 August 2019 Retrieved 25 September 2021 Tagore renounced his Knighthood in protest for Jalianwalla Bagh mass killing The Times of India The Times of India 13 April 2011 Archived from the original on 10 September 2021 Retrieved 25 September 2021 Bijoe Emmanuel amp Ors vs State Of Kerala amp Ors on 11 August 1986 Archived from the original on 15 August 2018 Retrieved 4 September 2017 India Supreme Court s Landmark Judgment Pillar of Free Speech JW ORG Archived from the original on 5 March 2021 Retrieved 22 September 2021 To sing or not to sing Vande Mataram Indian Express Archived from the original on 6 October 2021 Retrieved 16 December 2013 Bijoe Emmanuel amp Ors V State of Kerala amp Ors 1986 INSC 167 indiankanoon org 11 August 1986 Archived from the original on 16 December 2013 Retrieved 16 December 2013 National Anthem must be played before movies in theaters rules Supreme Court The Indian Express 1 December 2016 Archived from the original on 2 March 2019 Retrieved 19 February 2019 J amp K In a first state govt employee amongst two arrested for not standing during national anthem The Indian Express 11 February 2017 Archived from the original on 20 February 2019 Retrieved 19 February 2019 India anthem not mandatory in cinemas BBC News 9 January 2018 Archived from the original on 4 June 2018 Retrieved 19 February 2019 Patriotism debate over national anthem BBC News 30 November 2015 Archived from the original on 20 February 2019 Retrieved 19 February 2019 Biswas Soutik 25 October 2017 Film fans challenge India s anthem order BBC News Archived from the original on 20 February 2019 Retrieved 19 February 2019 Playing of national anthem in cinema halls not mandatory Supreme Court The Times of India Archived from the original on 20 February 2019 Retrieved 19 February 2019 India anthem not mandatory in cinemas 9 January 2018 Archived from the original on 4 June 2018 Retrieved 19 February 2019 India anthem not mandatory in cinemas BBC News 2018 Archived from the original on 10 January 2018 Retrieved 10 January 2018 Row over youth castigated for not standing up during national anthem in cinema hall National Herald 28 October 2019 Archived from the original on 13 December 2019 Retrieved 5 February 2020 a b c State to seek newspaper clarification on report Staff Reporter Assam Tribune 17 12 2013 Archived from the original on 15 August 2016 Retrieved 6 October 2021 Muslim clerics in Jharkhand oppose govt move on national anthem in madrasas Hindustan Times 10 November 2017 Archived from the original on 11 May 2019 Retrieved 11 May 2019 External links EditJana Gana Mana at Wikipedia s sister projects Media from Commons Texts from Wikisource Data from Wikidata Know India National anthem Government of India website The Morning Song of India via Wikisource English translation of the hymn Jana Gana Mana in Tagore s handwriting Retrieved from https en wikipedia org w index php title Jana Gana Mana amp oldid 1139151313, wikipedia, wiki, book, books, library,

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