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Indian folk music

Indian folk music is diverse because of India's enormous cultural diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration.

Tamang Selo edit

Tamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world. It is usually accompanied by Tamang instruments, the Damphu, Madal and Tungna. although modern instruments have found their way into the compositions these days[1] A Selo could be very catchy, attractive and lively or slow and melodious and is usually sung to express love, sorrow and stories of day-to-day life.

Hira Devi Waiba is hailed as the pioneer of Nepali Folk songs and Tamang Selo. Her song 'Chura ta Hoina Astura' (चुरा त होइन अस्तुरा) is said to be the first Tamang Selo ever recorded. Waiba has sung nearly 300 songs in a career spanning 40 years.[2][3] After Waiba's death in 2011, her son Satya Aditya Waiba (producer) and Navneet Aditya Waiba (singer) collaborated and re-recorded her most iconic songs and released an album titled Ama Lai Shraddhanjali (आमालाई श्रद्धाञ्जली-Tribute to Mother).[4][5][6]

Bhavageethe edit

Bhavageethe (literally 'emotion poetry') is a form of expressionist poetry and light music. When an emotional poem having excellent poetic components becomes a song, it is known as a "Bhaavageeth". Most of the poetry sung in this genre pertain to subjects like love, nature, and philosophy, and the genre itself is not much different from Ghazals, though Ghazals are bound to a peculiar metre. This genre is quite popular in many parts of India, notably in Karnataka and Maharashtra. Bhavageethe may be called by different names in other languages.

Kannada Bhavageethe draws from the poetry of modern, including Kuvempu, D.R. Bendre, Gopalakrishna Adiga, K.S. Narasimhaswamy, G.S. Shivarudrappa, K. S. Nissar Ahmed, and N S Lakshminarayana Bhatta. Notable Bhavageethe performers include P. Kalinga Rao, Mysore Ananthaswamy, C. Aswath, Shimoga Subbanna, Archana Udupa, and Raju Ananthaswamy.

C. N. Joshi is one of the foremost Bhaavageet singers in Marathi. Gajanan Watave is known for making the Bhaavageet tradition flourish in homes of Maharashtra.

Bhaavageete in Marathi draws from the works of Shanta Shelke, Vinda Karandikar, Jagdish Khebudkar, Ga Di Madgulkar, Raja Badhe and Mangesh Padgaonkar. Bhaavgeete composers include Sudhir Phadke, Shrinivas Khale and Yashwant Deo. Singers include Suresh Wadkar, Arun Date, Suman Kalyanpur, Lata Mangeshkar, Asha Bhosle and Bhimsen Joshi. Many books containing compilations of Bhaavageete in Marathi are available.[7]

Bhangra and Giddha edit

Bhangra (Punjabi: ਭੰਗੜਾ) is a form of dance-oriented folk music of Punjab. The present musical style is derived from non traditional musical accompaniment to the riffs of Punjab called by the same name. The female dance of Punjab region is known as Giddha (Punjabi: ਗਿੱਧਾ).

Lavani edit

Lavani is a popular folk form of Maharashtra. Traditionally, the songs are sung by female artists, but male artists may occasionally sing Lavanis. The dance format associated with Lavani is known as Tamasha.This dance format contains the dancer (Tamasha Bai), the helping dancer - Maavshi, The Drummer - Dholki vaala & The Flute Boy - Baasuri Vaala.

Sufi folk rock edit

Sufi folk rock contains elements of modern hard rock and traditional folk music with Sufi poetry. While it was pioneered by bands like Junoon in Pakistan, it became very popular especially in north India. In 2005, Rabbi Shergill released a Sufi rock song called "Bulla Ki Jaana", which became a chart-topper in India and Pakistan. More recently, the Sufi folk rock song "Bulleya" from the 2016 film Ae Dil Hai Mushkil became a mammoth hit.[citation needed]

Dandiya edit

Dandiya is a dance-oriented folk music that has also been adapted for pop music worldwide, popular in Western India, especially during Navaratri. The present musical style is derived from the traditional musical accompaniment to the folk dance of Dandiya called by the same name.

Jhumair and Domkach edit

Jhumair and Domkach are Nagpuri folk music. The musical instruments used in folk music and dance are Dhol, Mandar, Bansi, Nagara, Dhak, Shehnai, Khartal, Narsinga etc.[8][9]

Pandavani edit

Pandavani is a folk singing style of musical narration of tales from ancient epic Mahabharata with musical accompaniment and Bhima as hero. This form of folk theatre is popular in the state of Chhattisgarh and in the neighbouring tribal areas of Orissa and Andhra Pradesh.

Rajasthani music has a diverse collection of musician castes, including langas, sapera, bhopa, jogi and Manganiar.[10]

Bauls edit

 
Baul Singer with ektara

The Bauls of Bengal were an order of musicians in 18th, 19th and early 20th century India who played a form of music using a khamak, ektara and dotara. The word Baul comes from Sanskrit batul meaning divinely inspired insanity. They are a group of Hindu mystic minstrels. They are thought to have been influenced greatly by the Hindu tantric sect of the Kartabhajas as well as by Sufi sects. Bauls travel in search of the internal ideal, Maner Manush (Man of the Heart).

Bhatiali edit

This type of music was cultured mainly by the oarsmen and fishermen of erstwhile Bengal. There are many opinions regarding the origin of the term "Bhatiali". Most popular of them are:

  • They use to sing it in the Ebb (Bhata) as in this phase it does not need much effort for rowing.
  • It originated from the Bhati area (now in Bangladesh).

One of the most eminent singers is Nirmalendu Chowdhury.

Bihu edit

Bihu songs are the most famous among music lovers in Assam and are based on themes like Assamese new year, farmers' daily life, love and more. Bihu music is played with instruments like dhol, mohor singor pepa, cymbal, a bamboo instrument called gogona and a clapper made from bamboo known as toka. It is an absolute delight to sit and listen to heart-touching Bihu songs during the Bihu festival when the entire state is in a celebratory mood. The talented musicians of the state have been following this traditional form of music since generations and listening to them sing in joy is an unmatched experience for every tourist.

Garba edit

Garba ("song") is sung in honor of Hindu goddesses and gods during Navratri. They are sung in the honor of god Krishna, Hanuman, Ram, etc.

Dollu Kunita edit

This is a group dance that is named after the Dollu — the percussion instrument used in the dance. It is performed by the menfolk of the Kuruba community of the North Karnataka area. The group consists of 16 dancers who wear the drum and beat it to rhythms while dancing. The beat is controlled and directed by a leader with cymbals who is positioned in the center. Slow and fast rhythms alternate and group weaves varied patterns.

Kolata/Kolattam edit

Kolata/Kolattam is a traditional folk dance of the states of Andhra Pradesh, Karnataka and Tamil Nadu.[11] Similar to its North Indian counterpart Dandiya Ras, it is performed with coloured sticks and usually involves both men and women dancing together.

Telangana's Janapadha Geyalu edit

Telangana had its own unique song and dance, and there were many folk singers and artistes who took part in the Telangana movement. Some of the prominent names who took active part in the Telangana movement are Gaddar, Belli Lalitha, Sai Chand, Vimalakka and singers like Deshapati Srinivas and Rasamayi Balakishan.

Uttarakhandi music edit

Uttarakhandi folk music had its roots in the lap of nature. The pure and blessed music have the feel and the touch of nature and subjects related to nature. The folk music primarily is related to the festivals, religious traditions, folk stories and simple life of the people of Uttarakhand. Thus the songs of Uttarakhand are a true reflection of the cultural heritage and the way people live their lives in the Himalayas. Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali, bhankora and masak baja. Tabla and harmonium are also used but to a lesser extent. The main languages are Kumaoni and Garhwali.

Example of a traditional song sung by Kumaoni girls in Uttarakhand.

Veeragase edit

Veeragase is a dance folk form prevalent in the state of Karnataka. It is a vigorous dance based on Hindu mythology and involves very intense energy-sapping dance movements. Veeragase is one of the dances demonstrated[12] in the Dasara procession held in Mysore.

Naatupura Paatu edit

Naatupura Paatu is Tamil folk music. It is divided into gramathisai (village folk music) and gana (city folk music).

Distribution edit

References edit

  1. ^ (ACCU), Asia⁄Pacific Cultural Centre for UNESCO. "Asia-Pacific Database on Intangible Cultural Heritage(ICH)". www.accu.or.jp. from the original on 2016-06-05. Retrieved 2018-07-21.
  2. ^ . www.telegraphindia.com. Archived from the original on October 25, 2012. Retrieved 2018-07-21.
  3. ^ "चुरा त होइन अस्तुरा - पहिलो तामाङ सेलो गीत ? - Tamang Online". Tamang Online. 2016-12-07. from the original on 2018-03-04. Retrieved 2018-07-21.
  4. ^ . The Telegraph. Archived from the original on February 2, 2017. Retrieved 2018-07-21.
  5. ^ . The Himalayan Times. 2017-01-10. Archived from the original on 2018-02-16. Retrieved 2018-07-21.
  6. ^ "छोराछोरीले दिए हीरादेवीलाई श्रद्धाञ्जली" (in Nepali). from the original on 2018-03-13. Retrieved 2018-07-21.
  7. ^ "Marathi Bhaavageete". www.aathavanitli-gani.com (in Marathi). from the original on 2018-09-11. Retrieved 2018-09-11.
  8. ^ "Out of the Dark". democratic world.in. from the original on 2019-03-28. Retrieved 2019-07-18.
  9. ^ "talk on nagpuri folk music at ignca". daily Pioneer.com. from the original on 2019-03-28. Retrieved 2019-07-18.
  10. ^ "manganiyar". from the original on 2016-03-03. Retrieved 2007-03-01.
  11. ^ "Kolattam Definition & Meaning - Merriam-Webster". from the original on 2013-05-12. Retrieved 2013-11-20.
  12. ^ "Google". www.google.com. from the original on 2020-05-19. Retrieved 2016-09-18.

External links edit

  • Chhattisgarhi Folk Song & Ballad

indian, folk, music, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, august. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Indian folk music news newspapers books scholar JSTOR August 2016 Learn how and when to remove this template message Indian folk music is diverse because of India s enormous cultural diversity It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration Contents 1 Tamang Selo 2 Bhavageethe 3 Bhangra and Giddha 4 Lavani 5 Sufi folk rock 6 Dandiya 7 Jhumair and Domkach 8 Pandavani 9 Bauls 10 Bhatiali 11 Bihu 12 Garba 13 Dollu Kunita 14 Kolata Kolattam 15 Telangana s Janapadha Geyalu 16 Uttarakhandi music 17 Veeragase 18 Naatupura Paatu 19 Distribution 20 References 21 External linksTamang Selo editMain article Tamang SeloTamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world It is usually accompanied by Tamang instruments the Damphu Madal and Tungna although modern instruments have found their way into the compositions these days 1 A Selo could be very catchy attractive and lively or slow and melodious and is usually sung to express love sorrow and stories of day to day life Hira Devi Waiba is hailed as the pioneer of Nepali Folk songs and Tamang Selo Her song Chura ta Hoina Astura च र त ह इन अस त र is said to be the first Tamang Selo ever recorded Waiba has sung nearly 300 songs in a career spanning 40 years 2 3 After Waiba s death in 2011 her son Satya Aditya Waiba producer and Navneet Aditya Waiba singer collaborated and re recorded her most iconic songs and released an album titled Ama Lai Shraddhanjali आम ल ई श रद ध ञ जल Tribute to Mother 4 5 6 Bhavageethe editBhavageethe literally emotion poetry is a form of expressionist poetry and light music When an emotional poem having excellent poetic components becomes a song it is known as a Bhaavageeth Most of the poetry sung in this genre pertain to subjects like love nature and philosophy and the genre itself is not much different from Ghazals though Ghazals are bound to a peculiar metre This genre is quite popular in many parts of India notably in Karnataka and Maharashtra Bhavageethe may be called by different names in other languages Kannada Bhavageethe draws from the poetry of modern including Kuvempu D R Bendre Gopalakrishna Adiga K S Narasimhaswamy G S Shivarudrappa K S Nissar Ahmed and N S Lakshminarayana Bhatta Notable Bhavageethe performers include P Kalinga Rao Mysore Ananthaswamy C Aswath Shimoga Subbanna Archana Udupa and Raju Ananthaswamy C N Joshi is one of the foremost Bhaavageet singers in Marathi Gajanan Watave is known for making the Bhaavageet tradition flourish in homes of Maharashtra Bhaavageete in Marathi draws from the works of Shanta Shelke Vinda Karandikar Jagdish Khebudkar Ga Di Madgulkar Raja Badhe and Mangesh Padgaonkar Bhaavgeete composers include Sudhir Phadke Shrinivas Khale and Yashwant Deo Singers include Suresh Wadkar Arun Date Suman Kalyanpur Lata Mangeshkar Asha Bhosle and Bhimsen Joshi Many books containing compilations of Bhaavageete in Marathi are available 7 Bhangra and Giddha editBhangra Punjabi ਭ ਗੜ is a form of dance oriented folk music of Punjab The present musical style is derived from non traditional musical accompaniment to the riffs of Punjab called by the same name The female dance of Punjab region is known as Giddha Punjabi ਗ ਧ Lavani editMain article Lavani Lavani is a popular folk form of Maharashtra Traditionally the songs are sung by female artists but male artists may occasionally sing Lavanis The dance format associated with Lavani is known as Tamasha This dance format contains the dancer Tamasha Bai the helping dancer Maavshi The Drummer Dholki vaala amp The Flute Boy Baasuri Vaala Sufi folk rock editSufi folk rock contains elements of modern hard rock and traditional folk music with Sufi poetry While it was pioneered by bands like Junoon in Pakistan it became very popular especially in north India In 2005 Rabbi Shergill released a Sufi rock song called Bulla Ki Jaana which became a chart topper in India and Pakistan More recently the Sufi folk rock song Bulleya from the 2016 film Ae Dil Hai Mushkil became a mammoth hit citation needed Dandiya editMain article Dandiya Dandiya is a dance oriented folk music that has also been adapted for pop music worldwide popular in Western India especially during Navaratri The present musical style is derived from the traditional musical accompaniment to the folk dance of Dandiya called by the same name Jhumair and Domkach editJhumair and Domkach are Nagpuri folk music The musical instruments used in folk music and dance are Dhol Mandar Bansi Nagara Dhak Shehnai Khartal Narsinga etc 8 9 Pandavani editMain article Pandavani Pandavani is a folk singing style of musical narration of tales from ancient epic Mahabharata with musical accompaniment and Bhima as hero This form of folk theatre is popular in the state of Chhattisgarh and in the neighbouring tribal areas of Orissa and Andhra Pradesh Main article Music of Rajasthan Rajasthani music has a diverse collection of musician castes including langas sapera bhopa jogi and Manganiar 10 Bauls edit nbsp Baul Singer with ektaraThe Bauls of Bengal were an order of musicians in 18th 19th and early 20th century India who played a form of music using a khamak ektara and dotara The word Baul comes from Sanskrit batul meaning divinely inspired insanity They are a group of Hindu mystic minstrels They are thought to have been influenced greatly by the Hindu tantric sect of the Kartabhajas as well as by Sufi sects Bauls travel in search of the internal ideal Maner Manush Man of the Heart Bhatiali editThis type of music was cultured mainly by the oarsmen and fishermen of erstwhile Bengal There are many opinions regarding the origin of the term Bhatiali Most popular of them are They use to sing it in the Ebb Bhata as in this phase it does not need much effort for rowing It originated from the Bhati area now in Bangladesh One of the most eminent singers is Nirmalendu Chowdhury Bihu editBihu songs are the most famous among music lovers in Assam and are based on themes like Assamese new year farmers daily life love and more Bihu music is played with instruments like dhol mohor singor pepa cymbal a bamboo instrument called gogona and a clapper made from bamboo known as toka It is an absolute delight to sit and listen to heart touching Bihu songs during the Bihu festival when the entire state is in a celebratory mood The talented musicians of the state have been following this traditional form of music since generations and listening to them sing in joy is an unmatched experience for every tourist Garba editGarba song is sung in honor of Hindu goddesses and gods during Navratri They are sung in the honor of god Krishna Hanuman Ram etc Dollu Kunita editThis is a group dance that is named after the Dollu the percussion instrument used in the dance It is performed by the menfolk of the Kuruba community of the North Karnataka area The group consists of 16 dancers who wear the drum and beat it to rhythms while dancing The beat is controlled and directed by a leader with cymbals who is positioned in the center Slow and fast rhythms alternate and group weaves varied patterns Kolata Kolattam editKolata Kolattam is a traditional folk dance of the states of Andhra Pradesh Karnataka and Tamil Nadu 11 Similar to its North Indian counterpart Dandiya Ras it is performed with coloured sticks and usually involves both men and women dancing together Telangana s Janapadha Geyalu editTelangana had its own unique song and dance and there were many folk singers and artistes who took part in the Telangana movement Some of the prominent names who took active part in the Telangana movement are Gaddar Belli Lalitha Sai Chand Vimalakka and singers like Deshapati Srinivas and Rasamayi Balakishan Uttarakhandi music editUttarakhandi folk music had its roots in the lap of nature The pure and blessed music have the feel and the touch of nature and subjects related to nature The folk music primarily is related to the festivals religious traditions folk stories and simple life of the people of Uttarakhand Thus the songs of Uttarakhand are a true reflection of the cultural heritage and the way people live their lives in the Himalayas Musical instruments used in Uttarakhand music include the dhol damoun turri ransingha dholki daur thali bhankora and masak baja Tabla and harmonium are also used but to a lesser extent The main languages are Kumaoni and Garhwali source source source Example of a traditional song sung by Kumaoni girls in Uttarakhand Veeragase editVeeragase is a dance folk form prevalent in the state of Karnataka It is a vigorous dance based on Hindu mythology and involves very intense energy sapping dance movements Veeragase is one of the dances demonstrated 12 in the Dasara procession held in Mysore Naatupura Paatu editNaatupura Paatu is Tamil folk music It is divided into gramathisai village folk music and gana city folk music Distribution editAndhra Pradesh Madiga Dappu Mala Jamidika Assam Bihu Geet Tokari geet Kamrupi Lokgeet Goalparia Lokogeet Borgeet Bihar Sohar Samdaun and Nachari Chhattisgarh Pandavani Gujarat Garba Doha Sanedo Jharkhand Jhumair Domkach Karnataka Bhavageete Maharashtra Bhavageete Lavani Powada Bhajan Pravachan Bhakteegeete Natya Sangeet Bharud Gondhal Lalita Abhang and Tumbadi Odisha Sambalpuri and Lalita Punjab Mahiyan North West India Sufi Folk Rock North India Biraha Tamil Nadu Naattupura Padalgal Telangana Janapadha Geyalu West Bengal Tamang Selo Bahula bhatiyali KirtanReferences edit ACCU Asia Pacific Cultural Centre for UNESCO Asia Pacific Database on Intangible Cultural Heritage ICH www accu or jp Archived from the original on 2016 06 05 Retrieved 2018 07 21 The Telegraph Calcutta Kolkata North Bengal amp Sikkim Hira Devi dies of burn injuries www telegraphindia com Archived from the original on October 25 2012 Retrieved 2018 07 21 च र त ह इन अस त र पह ल त म ङ स ल ग त Tamang Online Tamang Online 2016 12 07 Archived from the original on 2018 03 04 Retrieved 2018 07 21 Daughter revives mother s songs The Telegraph Archived from the original on February 2 2017 Retrieved 2018 07 21 Songs of Tribute The Himalayan Times 2017 01 10 Archived from the original on 2018 02 16 Retrieved 2018 07 21 छ र छ र ल द ए ह र द व ल ई श रद ध ञ जल in Nepali Archived from the original on 2018 03 13 Retrieved 2018 07 21 Marathi Bhaavageete www aathavanitli gani com in Marathi Archived from the original on 2018 09 11 Retrieved 2018 09 11 Out of the Dark democratic world in Archived from the original on 2019 03 28 Retrieved 2019 07 18 talk on nagpuri folk music at ignca daily Pioneer com Archived from the original on 2019 03 28 Retrieved 2019 07 18 manganiyar Archived from the original on 2016 03 03 Retrieved 2007 03 01 Kolattam Definition amp Meaning Merriam Webster Archived from the original on 2013 05 12 Retrieved 2013 11 20 Google www google com Archived from the original on 2020 05 19 Retrieved 2016 09 18 External links editChhattisgarhi Folk Song amp Ballad Retrieved from https en wikipedia org w index php title Indian folk music amp oldid 1204812604, wikipedia, wiki, book, books, library,

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