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Gujarati cinema

March 10, 2023

Gujarati cinema, also known as Dhollywood, is the Gujarati language film industry. It is one of the major regional and vernacular film industries of the cinema of India, having produced more than one thousand films since its inception.

Gujarati cinema
No. of screens210 (Gujarat)
Produced feature films (2019)
Total80
Narsinh Mehta (1932) was the first full-length Gujarati talkie.

During the silent film era, many individuals in the industry were Gujaratis. The language-associated industry dates back to 1932, when the first Gujarati talkie, Narsinh Mehta, was released. Until the independence of India in 1947, only twelve Gujarati films were produced. There was a spurt in film production in the 1940s focused on saint, sati[A] or dacoit stories as well as mythology and folktales. In the 1950s–1960s, the trend continued with the addition of films on literary works. In the 1970s, the Government of Gujarat announced a tax exemption and subsidies which resulted in an increase in the number of films, but the quality declined.

After flourishing through the 1960s–1980s, the industry saw a decline through 2000 when the number of new films dropped below twenty. The Gujarat state government announced a tax exemption again in 2005 which lasted until 2017. The industry has been partially revived in the 2010s due first to rural demand, and later to an influx of new technology and urban subjects in films. The state government announced a policy of incentives in 2016.

Etymology

Bollywood, the sobriquet for the Hindi language film industry based in Mumbai (then called Bombay), inspired the nickname Dhollywood for the Gujarati film industry due to its profuse use of the dhol, a double-headed drum. It is also referred to as Gollywood, a portmanteau derived from Gujarat and Bollywood.[3][4][5]

History

Silent film era (1913–1931)

 
Still from Bhakta Vidur (1921), the first film banned by British colonial authorities
 
Cinema show times written in typical Gujarati style;
(above)
Screen-1
Show – 121⁄2, 31⁄2, 61⁄2, 91⁄2
(below)
121⁄4, 31⁄4, 61⁄4, 91⁄4

Even before the advent of talkies there were several silent films closely related to the Gujarati people and their culture, and many directors, producers and actors who were Gujarati and Parsi. Between 1913 and 1931 there were twenty leading film company and studios owned by Gujaratis—mostly in Bombay (now Mumbai)—and at least forty-four leading Gujarati directors.[3]

The silent film Bilwamangal (also called Bhagat Soordas, 1919) was directed by Rustomji Dhotiwala, a Parsi Gujarati, based on a story by Gujarati writer Champshi Udeshi. This full-length (132 minutes, 12,000 feet (3,700 m)) film was produced by Elphinstone Bioscope Company of Calcutta (now Kolkata in West Bengal), and is considered Bengali. Suchet Singh established the Oriental Film Manufacturing Company of Bombay with the help of Hajimahamad Allarakha, an editor of the popular Gujarati magazine Visami Sadi, in 1919. The silent film Narsinh Mehta (1920), produced by Oriental, featured the Gujarati song "Vaishnav Jan To", which was sung by the audience and musicians in cinema halls with relevant scenes on screen.[3]

Dwarkadas Sampat, an early Gujarati film producer, began his involvement with the film industry in Rajkot. He bought a projector and held film shows. He later established Patankar Friends & Company with S. N. Patankar for film productions. Raja Sriyal was the company's first film, but it was not released due to a defective print. Kach-Devyani (1920), directed by Patankar, featured garba dancing, marking the first appearance of Gujarati culture in films. Sampat later founded the Kohinoor Film Company. Kohinoor's first film, Sati Parvati (1920), which also depicted Gujarati culture, was directed by Vishnupant Divekar and featured Prabha, an actress from Rajkot, in the lead role of Parvati. Bhakta Vidur (1921), directed by Kanjibhai Rathod, was implicitly political: The film featured Sampat in the lead role of Vidur, who donned a Gandhi cap, an allusion to the Indian independence movement led by Mahatma Gandhi. The film had a Gujarati song sung by Vidur's wife, "Rudo Maro Rentiyo, Rentiyama Nikle Taar, Taare Taare Thay Bharatno Uddhar",[B] referred to the spinning wheel (rentio) on the flag of the Indian National Congress at that time. It was the first film banned in India by British authorities. It was re-released in 1922 under the title Dharm Vijay. Pavagadhnu Patan (The Fall of Pavagadh, 1928) was directed by Nagendra Majumdar and produced by Indulal Yagnik. Yagnik was an independence activist who later headed the Mahagujarat movement demanding a separate Gujarat state. Yagnik produced ten films under various banners.[3]

Kohinoor produced many films in the silent film era, including social problem films in a period dominated by mythological films. Katorabhar Khoon (1920) was its first social film. Manorama (1924) was directed by Homi Master and was based on Hridaya Triputi, an autobiographical poem by the Gujarati poet Kalapi. Gul-E-Bakavali (1924), written by Mohanlal G. Dave and directed by Rathod, ran successfully for fourteen weeks.[6] Manilal Joshi, an experimental Gujarati director, directed Abhimanyu (1922), which was produced by the Star Film Company, and later Prithivi Vallabh based on the novel of the same name by Gujarati author K. M. Munshi.[3]

The Krishna Film Company, established in 1924 and owned by Maneklal Patel, produced forty-four films between 1925 and 1931. The Sharda Film Company was established in 1925, financed by Mayashankar Bhatt and run by Bhogilal Dave and Nanubhai Desai. Bhatt also financed Dadasaheb Phalke's Hindustan Cinema Film Company.[3]

Early talkies (1932–1947)

Before the 1931 release of the first full-length Indian sound film, Alam Ara, a short Gujarati sound film, Chav Chavno Murabbo, was released on 4 February 1931 in Bombay. It included the song Mane Mankad Karde ("A Bug Bites Me"), the first sound in any Indian film. The film was produced by Maneklal Patel, with lyrics and dialogue by Natwar Shyam. The title, literally "Chew Chew's Marmalade", refers to having to chew marmalade to swallow it and probably has no specific connection to the plot.[3][7]

Before the first full-length Gujarati sound film, Narsinh Mehta (1932), two short Gujarati sound films were released with Hindi talkies. The two-reel short Krishna–Sudama, produced by the Imperial Film Company, was released with Hindi talkie Nek Abala. Another two-reel short, Mumbai ni Shethani was premiered along with Madan's Shirin Farhad on 9 January 1932 at Wellington Cinema, Bombay. It was produced by Theatres of Calcutta and was based on the story written by Champshi Udeshi. The film starred Mohan, Miss Sharifa and Surajram and included the Gujarati song Fashion ni Fishiari, Juo, Mumbai ni Shethani.[3]

The release of the first full-length Gujarati talkie, Narsinh Mehta on 9 April 1932 marks the true beginning of Gujarati cinema. It was directed by Nanubhai Vakil, produced by Sagar Movietone, and starred Mohanlala, Marutirao, Master Manhar, and Miss Mehtab. It was of the 'saint' genre and was on the life of the saint Narsinh Mehta.[3][4][8][9][10]

It was followed in 1932 by Sati Savitri, based on the epic story of Savitri and Satyavan, and in 1935 by the comedy Ghar Jamai, directed by Homi Master. Ghar Jamai starred: Heera, Jamna, Baby Nurjehan, Amoo, Alimiya, Jamshedji, and Gulam Rasool. It featured a 'resident son-in-law' and his escapades as well as his problematic attitude towards the freedom of women.[3][11]

Gunsundari was made three times from 1927 to 1948. The film was such a success in its first appearance in 1927, that director Chandulal Shah remade it in 1934. It was remade again in 1948 by Ratilal Punatar. Gunsundari is the story of a poor Indian woman who is disliked by her husband for her moral stand. The woman finally lands on the street where she meets a person who is just like her—a social outcast. The story ends there. However, the three versions include some changes to reflect their times.[3][12]

There were twelve films released between 1932 and 1940. No Gujarati films were produced in 1933, 1937 or 1938. From 1941 to 1946 there was no production, due to the rationing of raw materials during World War II.[3]

Post-independence (1946–1970)

 
Poster of Gada no Bel (1950), directed by Ratibhai Punatar, was based on the play by Prabhulal Dwivedi.

After the independence of India in 1947, there was a surge in the production of Gujarati films. Twenty-six films were produced in 1948 alone. Between 1946 and 1952, seventy-four films were produced including twenty-seven films related to saint, sati or dacoit stories. These stories were designed to appeal to rural audiences familiar with such subjects. Several films produced during this period were associated with myths or folktales people were familiar with.[3][13]

Vishnukumar M. Vyas directed Ranakdevi (1946) based on the legend of Ranakdevi.[12] Nirupa Roy made her debut as an actress in the film and later succeeded in the Hindi film industry playing the role of a mother in various films. Meerabai (1946) was a remake of the Hindi film directed by Nanubhai Bhatt starring Nirupa Roy.[8][14][15] Punatar directed Gunsundari (1948) also starring Nirupa Roy. Kariyavar (1948), directed by Chaturbhuj Doshi, introduced Dina Pathak to the film audience. Doshi also directed Vevishal (1949), an adaptation of the novel of the same name by Jhaverchand Meghani.[12] Punatar's Mangalfera (1949) was a remake of the Hindi film Shadi (1941) produced by Ranjit Movietone. Other popular Gujarati films were Vadilona Vanke (1948) directed by Ramchandra Thakur; Gada no Bel (1950) directed by Ratibhai Punatar based on the play by Prabhulal Dwivedi; and Leeludi Dharati (1968) directed by Vallabh Choksi based on the novel of the same name by Chunilal Madia.[3] Liludi Dharati was the Gujarati cinema's first colour film.[4][16]

Between 1951 and 1970, there was a decline in film production with only fifty-five films produced during this period. Malela Jeev (1956) was directed by Manhar Raskapur based on the novel of same name by Pannalal Patel which was scripted by the novelist himself. Raskapur and producer-actor Champshibhai Nagda produced several films including: Jogidas Khuman (1948), Kahyagaro Kanth (1950), Kanyadan (1951), Mulu Manek (1955), Malela Jeev (1956), Kadu Makrani (1960), Mehndi Rang Lagyo (1960), Jogidas Kuman (1962), Akhand Saubhagyavati (1963) and Kalapi (1966).[12] Akhand Saubhagyavati was the first Gujarati film financed by the Film Finance Corporation (now the National Film Development Corporation) and starred Asha Parekh in the lead role.[3] Kanku (1969), directed by Kantilal Rathod, was based on the short story by Pannalal Patel originally written in 1936 and later expanded into a novel in 1970. Kanku won the National Film Award for Best Feature Film in Gujarati at the 17th National Film Awards, and its actress Pallavi Mehta won an award at the Chicago International Film Festival.[3][17]

Sanjeev Kumar, a popular Hindi film actor, acted in: Ramat Ramade Ram (1964), Kalapi (1966) and Jigar ane Ami (1970).[3] Jigar ane Ami was adapted from the novel of same name by Chunilal Vardhman Shah.[3][16] Vidhata (1956), Chundadi Chokha (1961), Ghar Deevdi (1961), Nandanvan (1961), Gharni Shobha (1963), Panetar (1965), Mare Jaavu Pele Paar (1968), Bahuroopi (1969) and Sansarleela (1969) were adapted from Gujarati literary works.[3]


Rise and decline (1970–2000)

 
Mallika Sarabhai, Gujarati actress
 
Upendra Trivedi, one of the most successful Gujarati actors and producers
 
Ketan Mehta who directed Bhavni Bhavai which won two National Awards

Following the Mahagujarat movement, the separate linguistic states of Gujarat and Maharashtra were formed from the Bombay State on 1 May 1960. This had a great impact on the Gujarati film industry as Bombay, the centre of film production, fell in Maharashtra. There was a lack of major film production houses and studios in Gujarat resulting in a decline in the quality and number of films.[3]

In the 1970s, the Government of Gujarat announced subsidies and tax exemptions for Gujarati films resulting in a spurt in film production. A studio was established in Vadodara in 1972. The state policy which benefited producers cost the state ₹8 crore (equivalent to ₹139 crore or US$17 million in 2020) in 1981–1982 for the thirty-nine films produced during that period. An entertainment tax exemption of ₹3 lakh (equivalent to ₹52 lakh or US$65,000 in 2020) was announced for producers who completed films. This policy resulted in an influx of people interested in monetary benefits who did not have any technical or artistic knowledge, thus the quality of films declined substantially. After 1973 a large number of films were produced focused on deities and dacoits. In 1980, the tax exemption was reduced to 70% but the remaining 30% was given to producers for assistance in other ways.[3][18]

Gunsundarino Gharsansar (1972), directed by Govind Saraiya, won the National Film Award for Best Feature Film in Gujarati at the 20th National Film Awards.[19] The film was based on the novel Saraswatichandra and was considered important for its artistry and aesthetic.[16] Feroze A. Sarkar directed Janamteep (1973) adapted from the novel of same name by Ishwar Petlikar.[3] Kanti Madia adapted Vinodini Nilkanth's short story Dariyav Dil for the film Kashino Dikro (1979).[3][20] Babubhai Mistry directed a dozen films between 1969 and 1984. Dinesh Raval directed twenty six hit films including: Mena Gurjari (1975), Amar Devidas (1981) and Sant Rohidas (1982). Actor-director Krishna Kant, popularly known as KK, directed about a dozen Gujarati films including: Kulvadhu (1977), Gharsansar (1978), Visamo (1978) and Jog Sanjog (1980). These films were critically as well as popularly well received. KK had long and successful acting career in Hindi and Bengali cinema too. Mehul Kumar directed several hits including: Janam Janam na Sathi (1977), Ma Vina Suno Sansar (1982), Dholamaru (1983) and Meru Malan (1985). Jesal Toral (1971) directed by Ravindra Dave was one of the biggest hits of Gujarati cinema. He also directed over twenty-five films popular with audiences. Chandrakant Sangani directed the musical film Tanariri (1975), based on the Gujarati folk-lore of Tana and Riri, which highlighted a little-known side of Akbar who is usually presented as a consistently benign ruler. He also directed Kariyavar (1977) based on the novel Vanzari Vaav by Shayda. Sonbai ni Chundadi (1976), directed by Girish Manukant, was the first Gujarati cinemascope film. Mansai na Deeva (1984), directed by Govind Saraiya, was based on the novel of the same name by Jhaverchand Meghani. Subhash J. Shah directed several popular films: Lohi Bhini Chundadi (1986), Prem Bandhan (1991), Oonchi Medina Ooncha Mol (1996), Parbhavni Preet (1997), and Mahisagarna Moti (1998).[3]

From 1973 to 1987, Arun Bhatt produced several films matching the production values of Hindi films. He made several films with urban backgrounds such as Mota Gharni Vahu, Lohini Sagaai (1980) based on the novel by Ishwar Petlikar, Paarki Thaapan, Shetal Tara Oonda Paani (1986) which were commercially as well as critically successful. His movie Pooja na Phool, made in the early 1980s, won him an award for the Best Film from the Government of Gujarat and was also telecast on Doordarshan in the Sunday slot for regional award-winning films.[3]

Bhavni Bhavai (1980), directed by Ketan Mehta, was produced by National Film Development Corporation, the Sanchar Film Cooperative Society, and a district bank in Ahmedabad. Though the film was not a folk theatre form of Bhavai, it incorporated several elements of it.[8][21] It was praised for performances and camerawork, and won awards such as the National Award for Best Feature Film on National Integration, the National Film Award for Best Art Direction for Meera Lakhia, and another award at the Nantes festival in France.[21] The Parsi Gujarati film Percy (1989) directed by Pervez Merwanji won the National Award for the Best Feature Film in Gujarati at the 37th National Film Awards.[22] Hun Hunshi Hunshilal (1991), directed by Sanjiv Shah, was an allegory film inspired by the political environment of the time and was felt to be post-modern. In 1998, Desh Re Joya Dada Pardesh Joya directed by Govindbhai Patel became very successful and went on to become a super-hit. The film grossed ₹22 crore (US$2.8 million), the highest in the Gujarati cinema at that time, with 1.5 crore (15 million) people watching the film.[23][4][24][25] Vipul Amrutlal Shah produced and directed Dariya Chhoru in 1999 which was well received by the critics but failed commercially.[3][26] Other hit films of 1990s were Manvini Bhavai (1993), Unchi Medi Na Uncha Mol (1997) and Pandadu Lilu Ne Rang Rato (1999).[11]

Upendra Trivedi was one of the most successful Gujarati actors and producers.[4][27] He produced Jher To Pidhan Jaani Jaani (1972) based on the epic novel of the same name by Manubhai Pancholi 'Darshak'. He also produced, acted and directed in Manvi ni Bhavai (1993) based on the novel of the same name by Pannalal Patel.[28][29] The film was widely appreciated and went to win the National Award for the Best Feature Film in Gujarati at the 41st National Film Awards.[30] Arvind Trivedi, Mahesh Kanodia, Naresh Kanodia,[31] Rajendra Kumar, Asrani, Kiran Kumar, Rajiv, Arvind Kirad, Naresh Kanodia, and Hiten Kumar had long and successful careers.[4][20] Ramesh Mehta and P. Kharsani were popular for their comic roles. Popular Gujarati film actresses included: Mallika Sarabhai, Rita Bhaduri, Aruna Irani, Jayshree T., Bindu, Asha Parekh, and Snehlata.[20][3]

Avinash Vyas was one of the major composers of the Gujarati cinema who wrote music for 168 Gujarati films and 61 Hindi films.[4] His son Gaurang Vyas was also a composer who wrote the music for Bhavni Bhavai. Mahesh-Naresh composed the music for several Gujarati films including Tanariri.[3] Another notable music composer was Ajit Merchant.[32]

Some 368 Gujarati feature films and 3,562 Gujarati short films were produced by 1981.[33] The Gujarat Film Development Corporation (GFDC) established to promote Gujarati films was closed in 1998.[34]

The quality of the films declined due to the focus on recovering the financial investments and profits as well as not adapting to changing times, technology and demographics. Low budget films with compromised quality targeted rural audiences while urban audiences moved to television and Bollywood films with quality content as they had a fair understanding of the Hindi language.[4]

Revival (2001–present)

Fewer than twenty films a year were produced in the early 2000s.[3] In 2005, the government of Gujarat announced a 100% entertainment tax exemption for U and U/A certified films and 20% tax on A certified films.[35] The government also announced ₹5 lakh (US$6,300) subsidy for Gujarati films.[34][36][37][38] There was an increase in the number of films produced after 2005 due to the tax exemption and the rise in demand for films in rural north Gujarat, especially Banaskantha district. The demand was fueled by the working class population demanding local musical and linguistic styled films which were mostly released in single screen cinemas. The number of films produced per year was over sixty in 2009 and 2010. In 2012, the Gujarati cinema produced a record number of seventy-two films.[4] Maiyar Ma Mandu Nathi Lagtu (2001) directed by Jashwant Gangani, starring Hiten Kumar, was well received. The film's sequel was released in 2008.[39] Gam Ma Piyariyu Ne Gam Ma Sasariyu (2005) and Muthi Uchero Manas (2006) were also well received by audiences.[11] Dholi Taro Dhol Vage (2008) directed by Govindbhai Patel, was produced by Reliance BIG Pictures.[40] Vikram Thakor starred in several films including Ek Var Piyu Ne Malva Aavje (2006). His six films for rural audiences earned ₹3 crore (equivalent to ₹8.2 crore or US$1.0 million in 2020). He was called the superstar of Gujarati cinema by various media.[41][4] Hiten Kumar, Chandan Rathod,[3] Hitu Kanodia, Mamta Soni, Roma Manek and Mona Thiba are popular among rural audiences.[42][43][44]

Love Is Blind (2005) was the first Gujarati film released in the multiplexes.[45] The Better Half (2008) directed by Ashish Kakkad failed commercially but drew the attention of critics and an urban audience. It was the first Gujarati film on super 16 mm format.[3] Little Zizou, a 2009 film in Hindi, Gujarati, and English, written and directed by Sooni Taraporevala, won the Silver Lotus Award or Rajat Kamal in the National Film Award for Best Film on Family Welfare category at the 56th National Film Awards. Muratiyo No. 1 (2005) and Vanechandno Varghodo (2007), both starring Devang Patel, were big budget films but had moderate collections.[41] In August 2011, the Gujarati film industry reached a milestone, having produced over a thousand films since the beginning of the talkies.[46] Veer Hamirji (2012) was an historical film which was shortlisted for Indian representation at the Oscars.[47] The Good Road (2013), directed by Gyan Correa, won the Best Feature Film in Gujarati at the 60th National Film Awards and later became the first Gujarati film ever selected to represent India at the Oscars.[48][49] The film won the Best Feature Film Jury Award at the Indian Film Festival, Houston in October 2013.[50][51]

Kevi Rite Jaish (2012) and Bey Yaar (2014), both directed by Abhishek Jain; became commercially and critically successful drawing an urban audience.[52] The success of these films drew new actors, directors and producers to the Gujarati film industry which resulted in a spurt in film productions.[46][53][54] Gujjubhai the Great and Chhello Divas were declared hit films of 2015.[23] The box office collection of Gujarati films increased from ₹7 crore (US$880,000) in 2014 to ₹55 crore (US$6.9 million) in 2015.[55][56] Total 65 and 68 films were released in 2014 and 2015 respectively. Total number of screens playing Gujarati films rose from 20 to 25 in 2011 to about 150–160 in 2015.[57]

The ₹5 lakh (US$6,300) subsidy by the Government of Gujarat was discontinued in August 2013. Three years later, in February 2016, a new incentive policy was announced which was focused on the quality of films. Films are graded in four categories, A to D, based on technical aspects, production quality, film components, and box office performance. The producers are provided with assistance of ₹50 lakh (US$63,000) for A grade, ₹25 lakh (US$31,000) for B grade, ₹10 lakh (US$13,000) for C grade and ₹5 lakh (US$6,300) for D grade films or 75% of production costs whichever is lower. A film can also receive additional incentives for its performance at film festivals and awards nominations/wins. The multiplexes are also directed to have at least forty-nine screenings of Gujarati films per year.[58][59][60][61] The entertainment tax exemption for Gujarati films released in Gujarat ended with an introduction of the Goods and Services Tax in July 2017.[35]

The industry continued to grow due to improvement in production quality, increased use of technology, increased film marketing and new subjects targeted at youth.[62][63] About 50 to 70 films are released each year between 2016 and 2018.[64] The International Gujarati Film Festival made its debut in New Jersey, US in August 2018.[65] Wrong Side Raju (2016), Dhh (2017), Reva (2018) won the Best Feature Film in Gujarati awards at the 64th, 65th and 66th National Film Awards respectively.[66][67][68] Hellaro (2019) became the first Gujarati film to win the National Film Award for Best Feature Film at the 66th National Film Awards.[11] Chaal Jeevi Laiye! (2019) became the highest-grossing film of Gujarati cinema grossing over est. ₹52.14 crore (US$6.5 million).[69]

Due to COVID-19 pandemic, all cinema halls in Gujarat were ordered to be closed from March to October 2020.[70][71] They were closed again in March–April 2021 due to resurgence of the pandemic.[72][73] Chhello Show (2021), directed by Pan Nalin, was selected as the Indian entry for the Best International Feature Film at the 95th Academy Awards.[74] According to film producer Bhavesh Upadhyay and publicist Chetan Chauhan, the annual business of Gujarati cinema had reached about ₹200 crore (US$25 million) by 2022. As of 2022, the average film production cost ranges between ₹2 crore (US$250,000) and ₹2.5 crore (US$310,000) and around 60 Gujarati films were released in each of the recent years.[75][76]

Subjects

The scripts and stories of the Gujarati films include relationship and family oriented subjects, as well as human aspirations and Gujarati family culture. There were a large number of films based on mythological narratives and folklore produced in the early years of Gujarati cinema.[64] The lives of popular saints and satis of Gujarat, like Narsinh Mehta and Gangasati, were made into films. They were targeted at rural audiences familiar with the subjects. The early filmmakers also included subjects dealing with social reforms. There were social films associated with family life and marriage such as Gunsundari and Kariyavar. The historical, social and religious subjects dominated through 1940s and 1950s. Several Gujarati films were adapted from Gujarati novels and stories such as Kashino Dikro. There was a spurt again in the 1970s for saint/sati films. In 1980s and 90s, the films were influenced by the Hindi cinema and several action and romance films were produced. In the early 2000s, films were targeted chiefly at rural audiences demanding local narratives with local linguistic style. Following 2005, the introduction of urban subjects led to a revival of the Gujarati cinema.[3][77][78][79][80][76] In 2010s, the films which are more relevant to audiences were produced.[81][82][11] Though the comedies continue to succeed at the box office, the films were produced exploring other genres and new themes as well.[83][76] The films focused on large Gujarati diaspora are also produced.[64]

Archives

About one thousand and thirty Gujarati films were made between 1932 and 2011 but very few are archived. At the National Film Archive of India (NFAI), only twenty Gujarati films including two Parsi-Gujarati films, Pestoneei (1987) directed by Vijaya Mehta and Percy (1989) directed by Pervez Merwanji, are archived. No silent films or talkies of 1930s and 1940s survived.[3]

See also

Notes

  1. ^ The word Sati has a wide range of meanings. Here Sati is used for "a good woman, devoted to her husband" or "a woman who confines her all thoughts about men to her husband." (Hindi sabdasagara dictionary).[1] The English dictionaries define it as the act of a woman who immolates herself on the funeral pyre of her husband. See Sati. This practise is now obsolete. Here it is used for a person, not for the practise.[2]
  2. ^ Gujarati: રૂડો મારો રેંટિયો, રેંટિયામાં નીકળે તાર, તારે તારે થાય ભારતનો ઉદ્ધાર. (lit. 'So beautiful is my spinning wheel that spins fine threads, each of which will save India.')

References

  1. ^ Dasa, Syamasundara (1965–1975). Hindi sabdasagara. New Edition (in Hindi). Kasi: Nagari Pracarini Sabha. p. 4927.
  2. ^ Hawley, John Stratton (8 September 1994). Sati, the Blessing and the Curse: The Burning of Wives in India. Oxford University Press. pp. 11–12. ISBN 978-0-19-536022-6.
  3. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag Gangar, Amrit; Moti, Gokulsing K.; Dissanayake, Wimal (17 April 2013). "Gujarati Cinema: Stories of sant, sati, shethani and sparks so few". Routledge Handbook of Indian Cinemas. Routledge. pp. 88–99. doi:10.4324/9780203556054. ISBN 978-1-136-77284-9. from the original on 6 January 2016.
  4. ^ a b c d e f g h i j "Gujarati cinema: A battle for relevance". dna. 16 December 2012. from the original on 17 July 2015. Retrieved 15 July 2015.
  5. ^ "Gujarati film industry says no to Dhollywood". The Times of India. from the original on 20 July 2016.
  6. ^ "The Script of Gul-e-Bakavali (Kohinoor, 1924)". BioScope. 3 (2): 175–207. 2012. doi:10.1177/097492761200300206. S2CID 220399946.
  7. ^ Thaker 2007, pp. 522–523.
  8. ^ a b c Dwyer, Rachel (27 September 2006). Filming the Gods: Religion and Indian Cinema. Routledge. pp. 50, 84–86, 172. ISBN 978-1-134-38070-1. from the original on 28 April 2016.
  9. ^ "NEWS: Limping at 75". Screen. 4 May 2007.[permanent dead link]
  10. ^ "'Dhollywood' at 75 finds few takers in urban Gujarat". Financial Express. 22 April 2007.
  11. ^ a b c d e Trivedi, Hiren H. (April 2009). . Representation of women in selected Gujarati and English novels and Gujarti and Hindi popular Films (PhD). Saurashtra University. Archived from the original on 3 April 2017. Retrieved 3 March 2017.
  12. ^ a b c d Rajadhyaksha, Ashish; Willemen, Paul (10 July 2014). Encyclopedia of Indian Cinema. Taylor & Francis. pp. 1994–. ISBN 978-1-135-94325-7. from the original on 15 May 2016.
  13. ^ D. P. Chattopadhyaya; Bharati Ray. Different Types of History: Project of History of Science, Philosophy and Culture in Indian Civilization, Volume XIV Part 4. Pearson Education India. p. 585. ISBN 978-81-317-8666-6. from the original on 18 May 2016.
  14. ^ Thaker 2007, p. 527.
  15. ^ "Nirupa Roy passes away". Bollywood Hungama. 14 October 2004. Retrieved 28 February 2023.
  16. ^ a b c Thaker 2007, p. 530.
  17. ^ Thaker 2007, pp. 529–530.
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Bibliography

  • Thaker, Dhirubhai; Desai, Kumarpal, eds. (2007). Gujarat: A Panorama of the Heritage of Gujarat. Prakashan: 2 (1st ed.). Ahmedabad: Smt. Hiralaxmi Navanitbhai Shah Dhanya Gurjari Kendra, Gujarat Vishwakosh Trust. pp. 512–532.

External links

  • Gujarati cinema at IMDb

March 10, 2023
gujarati, cinema, also, known, dhollywood, gujarati, language, film, industry, major, regional, vernacular, film, industries, cinema, india, having, produced, more, than, thousand, films, since, inception, screens210, gujarat, produced, feature, films, 2019, t. Gujarati cinema also known as Dhollywood is the Gujarati language film industry It is one of the major regional and vernacular film industries of the cinema of India having produced more than one thousand films since its inception Gujarati cinemaNo of screens210 Gujarat Produced feature films 2019 Total80Narsinh Mehta 1932 was the first full length Gujarati talkie During the silent film era many individuals in the industry were Gujaratis The language associated industry dates back to 1932 when the first Gujarati talkie Narsinh Mehta was released Until the independence of India in 1947 only twelve Gujarati films were produced There was a spurt in film production in the 1940s focused on saint sati A or dacoit stories as well as mythology and folktales In the 1950s 1960s the trend continued with the addition of films on literary works In the 1970s the Government of Gujarat announced a tax exemption and subsidies which resulted in an increase in the number of films but the quality declined After flourishing through the 1960s 1980s the industry saw a decline through 2000 when the number of new films dropped below twenty The Gujarat state government announced a tax exemption again in 2005 which lasted until 2017 The industry has been partially revived in the 2010s due first to rural demand and later to an influx of new technology and urban subjects in films The state government announced a policy of incentives in 2016 Contents 1 Etymology 2 History 2 1 Silent film era 1913 1931 2 2 Early talkies 1932 1947 2 3 Post independence 1946 1970 2 4 Rise and decline 1970 2000 2 5 Revival 2001 present 3 Subjects 4 Archives 5 See also 6 Notes 7 References 7 1 Bibliography 8 External linksEtymology EditBollywood the sobriquet for the Hindi language film industry based in Mumbai then called Bombay inspired the nickname Dhollywood for the Gujarati film industry due to its profuse use of the dhol a double headed drum It is also referred to as Gollywood a portmanteau derived from Gujarat and Bollywood 3 4 5 History EditSilent film era 1913 1931 Edit Still from Bhakta Vidur 1921 the first film banned by British colonial authorities Cinema show times written in typical Gujarati style above Screen 1Show 121 2 31 2 61 2 91 2 below 121 4 31 4 61 4 91 4 Even before the advent of talkies there were several silent films closely related to the Gujarati people and their culture and many directors producers and actors who were Gujarati and Parsi Between 1913 and 1931 there were twenty leading film company and studios owned by Gujaratis mostly in Bombay now Mumbai and at least forty four leading Gujarati directors 3 The silent film Bilwamangal also called Bhagat Soordas 1919 was directed by Rustomji Dhotiwala a Parsi Gujarati based on a story by Gujarati writer Champshi Udeshi This full length 132 minutes 12 000 feet 3 700 m film was produced by Elphinstone Bioscope Company of Calcutta now Kolkata in West Bengal and is considered Bengali Suchet Singh established the Oriental Film Manufacturing Company of Bombay with the help of Hajimahamad Allarakha an editor of the popular Gujarati magazine Visami Sadi in 1919 The silent film Narsinh Mehta 1920 produced by Oriental featured the Gujarati song Vaishnav Jan To which was sung by the audience and musicians in cinema halls with relevant scenes on screen 3 Dwarkadas Sampat an early Gujarati film producer began his involvement with the film industry in Rajkot He bought a projector and held film shows He later established Patankar Friends amp Company with S N Patankar for film productions Raja Sriyal was the company s first film but it was not released due to a defective print Kach Devyani 1920 directed by Patankar featured garba dancing marking the first appearance of Gujarati culture in films Sampat later founded the Kohinoor Film Company Kohinoor s first film Sati Parvati 1920 which also depicted Gujarati culture was directed by Vishnupant Divekar and featured Prabha an actress from Rajkot in the lead role of Parvati Bhakta Vidur 1921 directed by Kanjibhai Rathod was implicitly political The film featured Sampat in the lead role of Vidur who donned a Gandhi cap an allusion to the Indian independence movement led by Mahatma Gandhi The film had a Gujarati song sung by Vidur s wife Rudo Maro Rentiyo Rentiyama Nikle Taar Taare Taare Thay Bharatno Uddhar B referred to the spinning wheel rentio on the flag of the Indian National Congress at that time It was the first film banned in India by British authorities It was re released in 1922 under the title Dharm Vijay Pavagadhnu Patan The Fall of Pavagadh 1928 was directed by Nagendra Majumdar and produced by Indulal Yagnik Yagnik was an independence activist who later headed the Mahagujarat movement demanding a separate Gujarat state Yagnik produced ten films under various banners 3 Kohinoor produced many films in the silent film era including social problem films in a period dominated by mythological films Katorabhar Khoon 1920 was its first social film Manorama 1924 was directed by Homi Master and was based on Hridaya Triputi an autobiographical poem by the Gujarati poet Kalapi Gul E Bakavali 1924 written by Mohanlal G Dave and directed by Rathod ran successfully for fourteen weeks 6 Manilal Joshi an experimental Gujarati director directed Abhimanyu 1922 which was produced by the Star Film Company and later Prithivi Vallabh based on the novel of the same name by Gujarati author K M Munshi 3 The Krishna Film Company established in 1924 and owned by Maneklal Patel produced forty four films between 1925 and 1931 The Sharda Film Company was established in 1925 financed by Mayashankar Bhatt and run by Bhogilal Dave and Nanubhai Desai Bhatt also financed Dadasaheb Phalke s Hindustan Cinema Film Company 3 Early talkies 1932 1947 Edit Before the 1931 release of the first full length Indian sound film Alam Ara a short Gujarati sound film Chav Chavno Murabbo was released on 4 February 1931 in Bombay It included the song Mane Mankad Karde A Bug Bites Me the first sound in any Indian film The film was produced by Maneklal Patel with lyrics and dialogue by Natwar Shyam The title literally Chew Chew s Marmalade refers to having to chew marmalade to swallow it and probably has no specific connection to the plot 3 7 Before the first full length Gujarati sound film Narsinh Mehta 1932 two short Gujarati sound films were released with Hindi talkies The two reel short Krishna Sudama produced by the Imperial Film Company was released with Hindi talkie Nek Abala Another two reel short Mumbai ni Shethani was premiered along with Madan s Shirin Farhad on 9 January 1932 at Wellington Cinema Bombay It was produced by Theatres of Calcutta and was based on the story written by Champshi Udeshi The film starred Mohan Miss Sharifa and Surajram and included the Gujarati song Fashion ni Fishiari Juo Mumbai ni Shethani 3 The release of the first full length Gujarati talkie Narsinh Mehta on 9 April 1932 marks the true beginning of Gujarati cinema It was directed by Nanubhai Vakil produced by Sagar Movietone and starred Mohanlala Marutirao Master Manhar and Miss Mehtab It was of the saint genre and was on the life of the saint Narsinh Mehta 3 4 8 9 10 It was followed in 1932 by Sati Savitri based on the epic story of Savitri and Satyavan and in 1935 by the comedy Ghar Jamai directed by Homi Master Ghar Jamai starred Heera Jamna Baby Nurjehan Amoo Alimiya Jamshedji and Gulam Rasool It featured a resident son in law and his escapades as well as his problematic attitude towards the freedom of women 3 11 Gunsundari was made three times from 1927 to 1948 The film was such a success in its first appearance in 1927 that director Chandulal Shah remade it in 1934 It was remade again in 1948 by Ratilal Punatar Gunsundari is the story of a poor Indian woman who is disliked by her husband for her moral stand The woman finally lands on the street where she meets a person who is just like her a social outcast The story ends there However the three versions include some changes to reflect their times 3 12 There were twelve films released between 1932 and 1940 No Gujarati films were produced in 1933 1937 or 1938 From 1941 to 1946 there was no production due to the rationing of raw materials during World War II 3 Post independence 1946 1970 Edit Poster of Gada no Bel 1950 directed by Ratibhai Punatar was based on the play by Prabhulal Dwivedi After the independence of India in 1947 there was a surge in the production of Gujarati films Twenty six films were produced in 1948 alone Between 1946 and 1952 seventy four films were produced including twenty seven films related to saint sati or dacoit stories These stories were designed to appeal to rural audiences familiar with such subjects Several films produced during this period were associated with myths or folktales people were familiar with 3 13 Vishnukumar M Vyas directed Ranakdevi 1946 based on the legend of Ranakdevi 12 Nirupa Roy made her debut as an actress in the film and later succeeded in the Hindi film industry playing the role of a mother in various films Meerabai 1946 was a remake of the Hindi film directed by Nanubhai Bhatt starring Nirupa Roy 8 14 15 Punatar directed Gunsundari 1948 also starring Nirupa Roy Kariyavar 1948 directed by Chaturbhuj Doshi introduced Dina Pathak to the film audience Doshi also directed Vevishal 1949 an adaptation of the novel of the same name by Jhaverchand Meghani 12 Punatar s Mangalfera 1949 was a remake of the Hindi film Shadi 1941 produced by Ranjit Movietone Other popular Gujarati films were Vadilona Vanke 1948 directed by Ramchandra Thakur Gada no Bel 1950 directed by Ratibhai Punatar based on the play by Prabhulal Dwivedi and Leeludi Dharati 1968 directed by Vallabh Choksi based on the novel of the same name by Chunilal Madia 3 Liludi Dharati was the Gujarati cinema s first colour film 4 16 Between 1951 and 1970 there was a decline in film production with only fifty five films produced during this period Malela Jeev 1956 was directed by Manhar Raskapur based on the novel of same name by Pannalal Patel which was scripted by the novelist himself Raskapur and producer actor Champshibhai Nagda produced several films including Jogidas Khuman 1948 Kahyagaro Kanth 1950 Kanyadan 1951 Mulu Manek 1955 Malela Jeev 1956 Kadu Makrani 1960 Mehndi Rang Lagyo 1960 Jogidas Kuman 1962 Akhand Saubhagyavati 1963 and Kalapi 1966 12 Akhand Saubhagyavati was the first Gujarati film financed by the Film Finance Corporation now the National Film Development Corporation and starred Asha Parekh in the lead role 3 Kanku 1969 directed by Kantilal Rathod was based on the short story by Pannalal Patel originally written in 1936 and later expanded into a novel in 1970 Kanku won the National Film Award for Best Feature Film in Gujarati at the 17th National Film Awards and its actress Pallavi Mehta won an award at the Chicago International Film Festival 3 17 Sanjeev Kumar a popular Hindi film actor acted in Ramat Ramade Ram 1964 Kalapi 1966 and Jigar ane Ami 1970 3 Jigar ane Ami was adapted from the novel of same name by Chunilal Vardhman Shah 3 16 Vidhata 1956 Chundadi Chokha 1961 Ghar Deevdi 1961 Nandanvan 1961 Gharni Shobha 1963 Panetar 1965 Mare Jaavu Pele Paar 1968 Bahuroopi 1969 and Sansarleela 1969 were adapted from Gujarati literary works 3 Rise and decline 1970 2000 Edit Mallika Sarabhai Gujarati actress Upendra Trivedi one of the most successful Gujarati actors and producers Ketan Mehta who directed Bhavni Bhavai which won two National Awards Following the Mahagujarat movement the separate linguistic states of Gujarat and Maharashtra were formed from the Bombay State on 1 May 1960 This had a great impact on the Gujarati film industry as Bombay the centre of film production fell in Maharashtra There was a lack of major film production houses and studios in Gujarat resulting in a decline in the quality and number of films 3 In the 1970s the Government of Gujarat announced subsidies and tax exemptions for Gujarati films resulting in a spurt in film production A studio was established in Vadodara in 1972 The state policy which benefited producers cost the state 8 crore equivalent to 139 crore or US 17 million in 2020 in 1981 1982 for the thirty nine films produced during that period An entertainment tax exemption of 3 lakh equivalent to 52 lakh or US 65 000 in 2020 was announced for producers who completed films This policy resulted in an influx of people interested in monetary benefits who did not have any technical or artistic knowledge thus the quality of films declined substantially After 1973 a large number of films were produced focused on deities and dacoits In 1980 the tax exemption was reduced to 70 but the remaining 30 was given to producers for assistance in other ways 3 18 Gunsundarino Gharsansar 1972 directed by Govind Saraiya won the National Film Award for Best Feature Film in Gujarati at the 20th National Film Awards 19 The film was based on the novel Saraswatichandra and was considered important for its artistry and aesthetic 16 Feroze A Sarkar directed Janamteep 1973 adapted from the novel of same name by Ishwar Petlikar 3 Kanti Madia adapted Vinodini Nilkanth s short story Dariyav Dil for the film Kashino Dikro 1979 3 20 Babubhai Mistry directed a dozen films between 1969 and 1984 Dinesh Raval directed twenty six hit films including Mena Gurjari 1975 Amar Devidas 1981 and Sant Rohidas 1982 Actor director Krishna Kant popularly known as KK directed about a dozen Gujarati films including Kulvadhu 1977 Gharsansar 1978 Visamo 1978 and Jog Sanjog 1980 These films were critically as well as popularly well received KK had long and successful acting career in Hindi and Bengali cinema too Mehul Kumar directed several hits including Janam Janam na Sathi 1977 Ma Vina Suno Sansar 1982 Dholamaru 1983 and Meru Malan 1985 Jesal Toral 1971 directed by Ravindra Dave was one of the biggest hits of Gujarati cinema He also directed over twenty five films popular with audiences Chandrakant Sangani directed the musical film Tanariri 1975 based on the Gujarati folk lore of Tana and Riri which highlighted a little known side of Akbar who is usually presented as a consistently benign ruler He also directed Kariyavar 1977 based on the novel Vanzari Vaav by Shayda Sonbai ni Chundadi 1976 directed by Girish Manukant was the first Gujarati cinemascope film Mansai na Deeva 1984 directed by Govind Saraiya was based on the novel of the same name by Jhaverchand Meghani Subhash J Shah directed several popular films Lohi Bhini Chundadi 1986 Prem Bandhan 1991 Oonchi Medina Ooncha Mol 1996 Parbhavni Preet 1997 and Mahisagarna Moti 1998 3 From 1973 to 1987 Arun Bhatt produced several films matching the production values of Hindi films He made several films with urban backgrounds such as Mota Gharni Vahu Lohini Sagaai 1980 based on the novel by Ishwar Petlikar Paarki Thaapan Shetal Tara Oonda Paani 1986 which were commercially as well as critically successful His movie Pooja na Phool made in the early 1980s won him an award for the Best Film from the Government of Gujarat and was also telecast on Doordarshan in the Sunday slot for regional award winning films 3 Bhavni Bhavai 1980 directed by Ketan Mehta was produced by National Film Development Corporation the Sanchar Film Cooperative Society and a district bank in Ahmedabad Though the film was not a folk theatre form of Bhavai it incorporated several elements of it 8 21 It was praised for performances and camerawork and won awards such as the National Award for Best Feature Film on National Integration the National Film Award for Best Art Direction for Meera Lakhia and another award at the Nantes festival in France 21 The Parsi Gujarati film Percy 1989 directed by Pervez Merwanji won the National Award for the Best Feature Film in Gujarati at the 37th National Film Awards 22 Hun Hunshi Hunshilal 1991 directed by Sanjiv Shah was an allegory film inspired by the political environment of the time and was felt to be post modern In 1998 Desh Re Joya Dada Pardesh Joya directed by Govindbhai Patel became very successful and went on to become a super hit The film grossed 22 crore US 2 8 million the highest in the Gujarati cinema at that time with 1 5 crore 15 million people watching the film 23 4 24 25 Vipul Amrutlal Shah produced and directed Dariya Chhoru in 1999 which was well received by the critics but failed commercially 3 26 Other hit films of 1990s were Manvini Bhavai 1993 Unchi Medi Na Uncha Mol 1997 and Pandadu Lilu Ne Rang Rato 1999 11 Upendra Trivedi was one of the most successful Gujarati actors and producers 4 27 He produced Jher To Pidhan Jaani Jaani 1972 based on the epic novel of the same name by Manubhai Pancholi Darshak He also produced acted and directed in Manvi ni Bhavai 1993 based on the novel of the same name by Pannalal Patel 28 29 The film was widely appreciated and went to win the National Award for the Best Feature Film in Gujarati at the 41st National Film Awards 30 Arvind Trivedi Mahesh Kanodia Naresh Kanodia 31 Rajendra Kumar Asrani Kiran Kumar Rajiv Arvind Kirad Naresh Kanodia and Hiten Kumar had long and successful careers 4 20 Ramesh Mehta and P Kharsani were popular for their comic roles Popular Gujarati film actresses included Mallika Sarabhai Rita Bhaduri Aruna Irani Jayshree T Bindu Asha Parekh and Snehlata 20 3 Avinash Vyas was one of the major composers of the Gujarati cinema who wrote music for 168 Gujarati films and 61 Hindi films 4 His son Gaurang Vyas was also a composer who wrote the music for Bhavni Bhavai Mahesh Naresh composed the music for several Gujarati films including Tanariri 3 Another notable music composer was Ajit Merchant 32 Some 368 Gujarati feature films and 3 562 Gujarati short films were produced by 1981 33 The Gujarat Film Development Corporation GFDC established to promote Gujarati films was closed in 1998 34 The quality of the films declined due to the focus on recovering the financial investments and profits as well as not adapting to changing times technology and demographics Low budget films with compromised quality targeted rural audiences while urban audiences moved to television and Bollywood films with quality content as they had a fair understanding of the Hindi language 4 Revival 2001 present Edit Fewer than twenty films a year were produced in the early 2000s 3 In 2005 the government of Gujarat announced a 100 entertainment tax exemption for U and U A certified films and 20 tax on A certified films 35 The government also announced 5 lakh US 6 300 subsidy for Gujarati films 34 36 37 38 There was an increase in the number of films produced after 2005 due to the tax exemption and the rise in demand for films in rural north Gujarat especially Banaskantha district The demand was fueled by the working class population demanding local musical and linguistic styled films which were mostly released in single screen cinemas The number of films produced per year was over sixty in 2009 and 2010 In 2012 the Gujarati cinema produced a record number of seventy two films 4 Maiyar Ma Mandu Nathi Lagtu 2001 directed by Jashwant Gangani starring Hiten Kumar was well received The film s sequel was released in 2008 39 Gam Ma Piyariyu Ne Gam Ma Sasariyu 2005 and Muthi Uchero Manas 2006 were also well received by audiences 11 Dholi Taro Dhol Vage 2008 directed by Govindbhai Patel was produced by Reliance BIG Pictures 40 Vikram Thakor starred in several films including Ek Var Piyu Ne Malva Aavje 2006 His six films for rural audiences earned 3 crore equivalent to 8 2 crore or US 1 0 million in 2020 He was called the superstar of Gujarati cinema by various media 41 4 Hiten Kumar Chandan Rathod 3 Hitu Kanodia Mamta Soni Roma Manek and Mona Thiba are popular among rural audiences 42 43 44 Love Is Blind 2005 was the first Gujarati film released in the multiplexes 45 The Better Half 2008 directed by Ashish Kakkad failed commercially but drew the attention of critics and an urban audience It was the first Gujarati film on super 16 mm format 3 Little Zizou a 2009 film in Hindi Gujarati and English written and directed by Sooni Taraporevala won the Silver Lotus Award or Rajat Kamal in the National Film Award for Best Film on Family Welfare category at the 56th National Film Awards Muratiyo No 1 2005 and Vanechandno Varghodo 2007 both starring Devang Patel were big budget films but had moderate collections 41 In August 2011 the Gujarati film industry reached a milestone having produced over a thousand films since the beginning of the talkies 46 Veer Hamirji 2012 was an historical film which was shortlisted for Indian representation at the Oscars 47 The Good Road 2013 directed by Gyan Correa won the Best Feature Film in Gujarati at the 60th National Film Awards and later became the first Gujarati film ever selected to represent India at the Oscars 48 49 The film won the Best Feature Film Jury Award at the Indian Film Festival Houston in October 2013 50 51 Kevi Rite Jaish 2012 and Bey Yaar 2014 both directed by Abhishek Jain became commercially and critically successful drawing an urban audience 52 The success of these films drew new actors directors and producers to the Gujarati film industry which resulted in a spurt in film productions 46 53 54 Gujjubhai the Great and Chhello Divas were declared hit films of 2015 23 The box office collection of Gujarati films increased from 7 crore US 880 000 in 2014 to 55 crore US 6 9 million in 2015 55 56 Total 65 and 68 films were released in 2014 and 2015 respectively Total number of screens playing Gujarati films rose from 20 to 25 in 2011 to about 150 160 in 2015 57 The 5 lakh US 6 300 subsidy by the Government of Gujarat was discontinued in August 2013 Three years later in February 2016 a new incentive policy was announced which was focused on the quality of films Films are graded in four categories A to D based on technical aspects production quality film components and box office performance The producers are provided with assistance of 50 lakh US 63 000 for A grade 25 lakh US 31 000 for B grade 10 lakh US 13 000 for C grade and 5 lakh US 6 300 for D grade films or 75 of production costs whichever is lower A film can also receive additional incentives for its performance at film festivals and awards nominations wins The multiplexes are also directed to have at least forty nine screenings of Gujarati films per year 58 59 60 61 The entertainment tax exemption for Gujarati films released in Gujarat ended with an introduction of the Goods and Services Tax in July 2017 35 The industry continued to grow due to improvement in production quality increased use of technology increased film marketing and new subjects targeted at youth 62 63 About 50 to 70 films are released each year between 2016 and 2018 64 The International Gujarati Film Festival made its debut in New Jersey US in August 2018 65 Wrong Side Raju 2016 Dhh 2017 Reva 2018 won the Best Feature Film in Gujarati awards at the 64th 65th and 66th National Film Awards respectively 66 67 68 Hellaro 2019 became the first Gujarati film to win the National Film Award for Best Feature Film at the 66th National Film Awards 11 Chaal Jeevi Laiye 2019 became the highest grossing film of Gujarati cinema grossing over est 52 14 crore US 6 5 million 69 Due to COVID 19 pandemic all cinema halls in Gujarat were ordered to be closed from March to October 2020 70 71 They were closed again in March April 2021 due to resurgence of the pandemic 72 73 Chhello Show 2021 directed by Pan Nalin was selected as the Indian entry for the Best International Feature Film at the 95th Academy Awards 74 According to film producer Bhavesh Upadhyay and publicist Chetan Chauhan the annual business of Gujarati cinema had reached about 200 crore US 25 million by 2022 As of 2022 update the average film production cost ranges between 2 crore US 250 000 and 2 5 crore US 310 000 and around 60 Gujarati films were released in each of the recent years 75 76 Subjects EditThe scripts and stories of the Gujarati films include relationship and family oriented subjects as well as human aspirations and Gujarati family culture There were a large number of films based on mythological narratives and folklore produced in the early years of Gujarati cinema 64 The lives of popular saints and satis of Gujarat like Narsinh Mehta and Gangasati were made into films They were targeted at rural audiences familiar with the subjects The early filmmakers also included subjects dealing with social reforms There were social films associated with family life and marriage such as Gunsundari and Kariyavar The historical social and religious subjects dominated through 1940s and 1950s Several Gujarati films were adapted from Gujarati novels and stories such as Kashino Dikro There was a spurt again in the 1970s for saint sati films In 1980s and 90s the films were influenced by the Hindi cinema and several action and romance films were produced In the early 2000s films were targeted chiefly at rural audiences demanding local narratives with local linguistic style Following 2005 the introduction of urban subjects led to a revival of the Gujarati cinema 3 77 78 79 80 76 In 2010s the films which are more relevant to audiences were produced 81 82 11 Though the comedies continue to succeed at the box office the films were produced exploring other genres and new themes as well 83 76 The films focused on large Gujarati diaspora are also produced 64 Archives EditAbout one thousand and thirty Gujarati films were made between 1932 and 2011 but very few are archived At the National Film Archive of India NFAI only twenty Gujarati films including two Parsi Gujarati films Pestoneei 1987 directed by Vijaya Mehta and Percy 1989 directed by Pervez Merwanji are archived No silent films or talkies of 1930s and 1940s survived 3 See also EditList of Gujarati films 2023Notes Edit The word Sati has a wide range of meanings Here Sati is used for a good woman devoted to her husband or a woman who confines her all thoughts about men to her husband Hindi sabdasagara dictionary 1 The English dictionaries define it as the act of a woman who immolates herself on the funeral pyre of her husband See Sati This practise is now obsolete Here it is used for a person not for the practise 2 Gujarati ર ડ મ ર ર ટ ય ર ટ ય મ ન કળ ત ર ત ર ત ર થ ય ભ રતન ઉદ ધ ર lit So beautiful is my spinning wheel that spins fine threads each of which will save India References Edit Dasa Syamasundara 1965 1975 Hindi sabdasagara New Edition in Hindi Kasi Nagari Pracarini Sabha p 4927 Hawley John Stratton 8 September 1994 Sati the Blessing and the Curse The Burning of Wives in India Oxford University Press pp 11 12 ISBN 978 0 19 536022 6 a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag Gangar Amrit Moti Gokulsing K Dissanayake Wimal 17 April 2013 Gujarati Cinema Stories of sant sati shethani and sparks so few Routledge Handbook of Indian Cinemas Routledge pp 88 99 doi 10 4324 9780203556054 ISBN 978 1 136 77284 9 Archived from the original on 6 January 2016 a b c d e f g h i j Gujarati cinema A battle for relevance dna 16 December 2012 Archived from the original on 17 July 2015 Retrieved 15 July 2015 Gujarati film industry says no to Dhollywood The Times of India Archived from the original on 20 July 2016 The Script of Gul e Bakavali Kohinoor 1924 BioScope 3 2 175 207 2012 doi 10 1177 097492761200300206 S2CID 220399946 Thaker 2007 pp 522 523 a b c Dwyer Rachel 27 September 2006 Filming the Gods Religion and Indian Cinema Routledge pp 50 84 86 172 ISBN 978 1 134 38070 1 Archived from the original on 28 April 2016 NEWS Limping at 75 Screen 4 May 2007 permanent dead link Dhollywood at 75 finds few takers in urban Gujarat Financial Express 22 April 2007 a b c d e Trivedi Hiren H April 2009 VI Study of Representation of Women in Gujarati Films Representation of women in selected Gujarati and English novels and Gujarti and Hindi popular Films PhD Saurashtra University Archived from the original on 3 April 2017 Retrieved 3 March 2017 a b c d Rajadhyaksha Ashish Willemen Paul 10 July 2014 Encyclopedia of Indian Cinema Taylor amp Francis pp 1994 ISBN 978 1 135 94325 7 Archived from the original on 15 May 2016 D P Chattopadhyaya Bharati Ray Different Types of History Project of History of Science Philosophy and Culture in Indian Civilization Volume XIV Part 4 Pearson Education India p 585 ISBN 978 81 317 8666 6 Archived from the original on 18 May 2016 Thaker 2007 p 527 Nirupa Roy passes away Bollywood Hungama 14 October 2004 Retrieved 28 February 2023 a b c Thaker 2007 p 530 Thaker 2007 pp 529 530 Bhatt Tushar 1982 50 Years of banality Business Standard Archived from the original on 3 April 2017 Retrieved 3 March 2017 20th National Film Awards International Film Festival of India Archived from the original on 5 November 2013 Retrieved 26 September 2011 a b c Thaker 2007 p 531 a b Thaker 2007 pp 531 532 37th National Film Awards PDF Directorate of Film Festivals Archived PDF from the original on 2 October 2013 Retrieved 29 January 2012 a b Gujarati films Cheaper is not better The Times of India Retrieved 13 March 2018 DeshGujarat 15 April 2015 Gujarati film maker Govindbhai Patel passes away DeshGujarat Archived from the original on 14 July 2015 Retrieved 13 July 2015 Gujarati tearjerker Des Re Joya Dada becomes a big grosser FILMS India Today 22 June 1998 Archived from the original on 21 July 2015 Retrieved 17 July 2015 Thaker 2007 p 532 Gokulsing K Moti Dissanayake Wimal 17 April 2013 Routledge Handbook of Indian Cinemas Routledge p 163 ISBN 978 1 136 77291 7 Archived from the original on 2 May 2016 Among the actors Upendra Trivedi 1960 had the longest and most successful career as a major Gujarati star and producer and is also known for his stage productions Thaker 2007 pp 530 531 DeshGujarat 4 January 2015 Gujarati actor Upendra Trivedi passes away DeshGujarat Archived from the original on 4 January 2015 Retrieved 4 January 2015 41st National Film Awards PDF Directorate of Film Festivals Archived PDF from the original on 29 October 2013 Retrieved 3 March 2012 Mishra Anand 11 December 2017 Gujarat elections 2017 BJP s star punch in Dalit constituency in Sabarkantha DNA Retrieved 26 December 2017 DeshGujarat 18 March 2011 Veteran Gujarati Music Composer Ajit Merchant passes away DeshGujarat Archived from the original on 20 June 2015 Retrieved 19 June 2015 B P Mahapatra 1 January 1989 Constitutional languages Presses Universite Laval p 126 ISBN 978 2 7637 7186 1 Archived from the original on 13 May 2016 a b Roy Mithun 3 May 2005 Crisis hit Gujarati film industry gets 100 tax rebate Business Standard India Archived from the original on 14 July 2015 Retrieved 13 July 2015 a b Sonaiya Janvi 8 July 2017 GST deals blow to Gujarati films Ahmedabad Mirror Retrieved 26 December 2017 Gujarati films are now making money dna 8 November 2010 Archived from the original on 14 July 2015 Retrieved 14 July 2015 How a Bollywood film becomes eligible for tax concession mid day 5 October 2014 Archived from the original on 14 July 2015 Retrieved 13 July 2015 As studios pack up govt offers sops tax exemption for Gujarati films Indian Express 2 May 2005 Archived from the original on 23 November 2011 Retrieved 26 March 2010 Surat filmmaker bags Dada Saheb Phalke Academy Award Indian Express Archived from the original on 29 May 2014 Retrieved 16 July 2015 Now Big Pictures forays into Gujarati films dna 30 September 2008 Archived from the original on 27 July 2015 Retrieved 17 July 2015 a b Golly Gujarati films cross 1k mark The Times of India 29 July 2011 Archived from the original on 18 October 2015 Retrieved 15 July 2015 Malini Navya 1 July 2014 What makes the Vikram Thakor and Mamta Soni a happening onscreen pair The Times of India Archived from the original on 17 September 2017 Retrieved 14 July 2015 Malini Navya 8 June 2014 Jeet Upendra lands six films after Suhaag The Times of India Archived from the original on 17 September 2017 Retrieved 11 January 2017 Picture perfect behind the scene moments of Gollywood The Times of India 5 June 2014 Archived from the original on 17 September 2017 Retrieved 11 January 2017 Gujarati films Cheaper is not better The Times of India 4 March 2018 Retrieved 11 February 2021 a b Vashi Ashish 22 August 2011 Bad economics has stunted Gujarati cinema Study The Times of India Archived from the original on 21 September 2016 Retrieved 13 July 2015 Gujarati film shortlisted for Oscar nomination The Times of India 22 September 2012 Archived from the original on 21 September 2016 Retrieved 13 July 2015 IndiaTimes 21 September 2013 Gujarati Film The Good Road is India s Entry for Oscar Entertainment www indiatimes com Archived from the original on 22 September 2013 Retrieved 21 September 2013 60th National Film Awards Announced PDF Press release Press Information Bureau PIB India Archived PDF from the original on 11 June 2014 Retrieved 18 March 2013 The Good Road wins Houston IFFH Award The Times of India Archived from the original on 16 October 2013 Retrieved 23 November 2013 Pathak Maulik 20 July 2013 The Good Road Footloose in Kutch Live Mint Archived from the original on 25 July 2015 Retrieved 15 July 2015 Kevi Rite Jaish showed the way DNA 12 March 2013 Archived from the original on 14 July 2015 Retrieved 13 July 2015 DeshGujarat 29 May 2012 Is good time for Gujarati films back The next big is Kevi Rite Jaish DeshGujarat Archived from the original on 5 February 2016 Retrieved 4 February 2016 After Recent Hits At The Box Office Gollywood Rises in Gujarat NDTV com 12 January 2016 Archived from the original on 5 February 2016 Retrieved 4 February 2016 After Recent Hits At The Box Office Gollywood Rises in Gujarat NDTV com 12 January 2016 Archived from the original on 5 June 2016 Retrieved 24 May 2016 Mishra Piyush 16 May 2016 It s renaissance for Gujarati cinema The Times of India Archived from the original on 22 December 2017 Retrieved 11 January 2017 Gujarati Films to hit a century this year The Times of India Archived from the original on 22 June 2016 Retrieved 5 August 2017 Gujarat govt announces new policy for incentives to Gujarati films DeshGujarat 2 February 2016 Archived from the original on 4 February 2016 Retrieved 4 February 2016 Pandit Virendra 2 February 2016 Gujarat unveils film promotion policy The Hindu Business Line Archived from the original on 22 December 2017 Retrieved 4 February 2016 Mirror Ahmedabad 3 February 2016 Good days for Gujarati films as state launches new policy Ahmedabad Mirror Archived from the original on 5 February 2016 Retrieved 4 February 2016 Gujarat govt announces new policy to promote quality Gujarati films The Indian Express 3 February 2016 Archived from the original on 4 February 2016 Retrieved 4 February 2016 Gujarati movies thrive on digital push The Times of India 11 December 2015 Archived from the original on 14 December 2015 Retrieved 4 February 2016 Media for the Masses The Promise Unfolds Indian Media and Entertainment Industry Report 2017 PDF KPMG India FICCI March 2017 p 125 a b c Re imagining India s M amp E sector PDF Ernst amp Young LLP FICCI March 2018 p 79 Chhatwani Deepali 29 July 2018 Dhollywood gears up for International Gujarati Film Festival The Times of India Retrieved 25 August 2018 64th National Film Awards PDF Press release Directorate of Film Festivals Archived from the original PDF on 6 June 2017 Retrieved 7 April 2017 Manish Saini s Dhh wins National Award for Best Gujarati film Press release 13 April 2018 Hellaro 1st Gujarati film to win top national award The Times of India 10 August 2019 Retrieved 12 August 2019 EXCLUSIVE Sholay Of Gujarati Cinema Chaal Jeevi Laiye to complete 50 WEEKS on January 17 re release all over on January 31 Bollywood Hungama Retrieved 17 January 2020 Gujarat shuts schools malls till March 31 The Hindu BusinessLine 15 March 2020 Retrieved 28 April 2020 Show must go on How cinema halls are preparing to welcome back visitors The Indian Express 14 October 2020 Retrieved 12 February 2021 Gujarat COVID Restrictions From malls to restaurants to cinema halls know what s open and what s not in all 29 cities Jagran English 27 April 2021 Retrieved 27 May 2021 Amid rising COVID 19 cases multiplexes in Gujarat opt for self imposed lockdown Times of India The Times of India Retrieved 27 May 2021 Gujarati movie Chhello Show is India s entry for 2023 Oscars The Indian Express 20 September 2022 Retrieved 20 September 2022 Vora Rutam V 23 September 2022 Chhello Show turns spotlight on Gujarati cinema www thehindubusinessline com Retrieved 22 October 2022 a b c Gujarati films like Chhello Show focus on innovative themes The Week Retrieved 24 December 2022 Gujarati films going for global cast expertise The Times of India 3 November 2016 Archived from the original on 6 November 2016 Retrieved 10 January 2017 Jhala Jayasinhji 1998 The shaping of Gujarati Cinema Recognizing the new in traditional cultures Visual Anthropology 11 4 373 385 doi 10 1080 08949468 1998 9966761 New age Gujarati cinema sets industry on revival course Hindustan Times 11 February 2018 Retrieved 13 March 2018 Understanding the Complicated Rise of Gujarati Cinema www vice com Retrieved 22 October 2022 Jambhekar Shruti 6 July 2016 Gujarati films turn socially relevant The Times of India Archived from the original on 7 October 2016 Retrieved 21 October 2016 Jhala Jayasinhji 1 January 1998 The shaping of Gujarati Cinema Recognizing the new in traditional cultures Visual Anthropology 11 4 373 385 doi 10 1080 08949468 1998 9966761 ISSN 0894 9468 Jambhekar Shruti 1 July 2018 D Town experiments with genres The Times of India Retrieved 25 August 2018 Bibliography Edit Thaker Dhirubhai Desai Kumarpal eds 2007 Gujarat A Panorama of the Heritage of Gujarat Prakashan 2 1st ed Ahmedabad Smt Hiralaxmi Navanitbhai Shah Dhanya Gurjari Kendra Gujarat Vishwakosh Trust pp 512 532 External links EditGujarati cinema at IMDb Retrieved from https en wikipedia org w index php title Gujarati cinema amp oldid 1143297924, wikipedia, wiki, book, books, library,

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