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Eugene O'Neill Theatre

December 03, 2023

This article is about the theater in Manhattan, New York. For the theater in Waterford, Connecticut, see Eugene O'Neill Theater Center.

The Eugene O'Neill Theatre, previously the Forrest Theatre and the Coronet Theatre, is a Broadway theater at 230 West 49th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It opened in 1925 as part of a hotel and theater complex named after 19th-century tragedian Edwin Forrest. The modern theater, named in honor of American playwright Eugene O'Neill, has 1,108 seats across two levels and is operated by Jujamcyn Theaters. The auditorium interior is a New York City designated landmark.

Eugene O'Neill Theatre
Forrest Theatre, Coronet Theatre
Seen in 2019, during the run of The Book of Mormon
Address230 West 49th Street
Manhattan, New York City
United States
Coordinates40°45′40″N 73°59′9″W / 40.76111°N 73.98583°W / 40.76111; -73.98583
Public transitNew York City Subway:
OwnerJujamcyn Theaters
TypeBroadway
Capacity1,108
ProductionThe Book of Mormon
Construction
OpenedNovember 24, 1925
Rebuilt1945, 1959
Years active1925–1944, 1945–present
ArchitectHerbert J. Krapp
Website
www.jujamcyn.com
DesignatedDecember 8, 1987[1]
Reference no.1365[1]
Designated entityAuditorium interior

The facade was originally made of brick and terracotta to complement the neighboring hotel. The original facade was removed in a 1940s renovation and replaced with stucco; the modern theater is of painted limestone and contains a large iron balcony. The auditorium contains Adam-style detailing, a large balcony, and box seats within decorative arches. There is also a five-centered proscenium arch and a coved ceiling with medallions.

The Shuberts developed the Forrest Theatre after World War I as part of a theatrical complex around 48th and 49th Streets. When the Forrest Theatre opened on November 24, 1925, its first production was the musical Mayflowers. After a series of unsuccessful shows, the Shuberts lost the theater to foreclosure in 1934, upon which it hosted Tobacco Road, which became the longest-running production in Broadway history. Following a brief run as a broadcast studio in 1944, the theater was sold in 1945 to City Playhouse Theatres, which renovated the theater and renamed it the Coronet. The theater was sold in 1959 to Lester Osterman, who renamed it after Eugene O'Neill. The playwright Neil Simon acquired the theater in 1967, after which he staged several of his own works there. Jujamcyn has operated the theater since 1982 and restored it in 1994. The Eugene O'Neill has hosted the musical The Book of Mormon since 2011.

Site edit

The Eugene O'Neill Theatre is on 230 West 49th Street, on the south sidewalk between Eighth Avenue and Broadway, in the Midtown Manhattan neighborhood of New York City.[2][3] The rectangular land lot covers 9,547 square feet (886.9 m2), with a frontage of 95 feet (29 m) on 49th Street and a depth of 100 feet (30 m). The Eugene O'Neill shares the block with the Walter Kerr Theatre to the south and Crowne Plaza Times Square Manhattan to the east. Other nearby buildings include One Worldwide Plaza and St. Malachy Roman Catholic Church to the northwest, the Ambassador Theatre and the Brill Building to the northeast, the Morgan Stanley Building to the southeast, the Longacre Theatre and Ethel Barrymore Theatre to the south, and the Samuel J. Friedman Theatre to the southwest.[3]

Design edit

The Eugene O'Neill Theatre (previously the Forrest Theatre and the Coronet Theatre) was designed by Herbert J. Krapp and was constructed in 1925 for the Shubert brothers.[4] It is part of a group of six theaters planned by the Shuberts after World War I, of which four were built.[5] The theater was originally named in honor of actor Edwin Forrest (1806–1872)[6][a] and was developed in tandem with the Forrest Hotel, also designed by Krapp.[6][7] Since 1959, the theater has been named for playwright Eugene O'Neill (1888–1953).[8] The Eugene O'Neill is operated by Jujamcyn Theaters.[9][10][11]

Facade edit

The Forrest Theatre was originally designed with a facade of brick and terracotta, similar to the Forrest Hotel.[7][12] At the time, including a theater and hotel in the same project was an uncommon arrangement in New York City.[6][13] Krapp repeated the theater/hotel arrangement in the late 1920s when he designed the Hotel Lincoln (now Row NYC Hotel) and the Majestic, Masque (Golden), and Royale (Bernard B. Jacobs) theaters.[6] Above the theater's entrance was a wrought-iron balcony on the second story.[7] A three-story stage house adjoined the theater.[12]

The facade was subsequently refaced in plain stucco, and the iron balcony outside the theater was doubled in height.[7] The stucco facade dated to 1945,[14][8] when the theater was renovated by Walker & Gillette.[15] At the time, the facade was painted in bright colors to evoke the appearance of a closed performance venue in New Orleans. The iron balcony, as well as shutters over the windows, were designed to give this effect.[8][16] The facade was renovated again in 1980, this time in beige limestone.[17]

Auditorium edit

The auditorium has an orchestra level, one balcony, boxes, and a stage behind the proscenium arch. The auditorium is wider than its depth, and the space is designed with plaster decorations in low relief.[18] Playbill cites the theater as having 1,047 seats[10] and The Broadway League cites 1,066 seats.[11] The Eugene O'Neill Theatre has been cited as having as many as 1,108 seats.[19] As originally configured, the theater could accommodate 1,200 guests, making it suitable for musicals or plays.[20][12][21]

The theater was constructed with a steel skeleton frame,[12][22] which at the time was still mostly used for office buildings and skyscrapers.[6][16] The auditorium was originally decorated in red and gold,[7] which was changed in 1945 to blue and gray.[23] A paint scheme of purple and gold was added in a 1994 renovation.[16] The auditorium is approached by an entrance lobby with a terrazzo floor and marble decorations. The lobby's plaster ceiling has moldings with acanthus motifs and medallions.[16]

Seating areas edit

 
Promenade at the orchestra's rear

The orchestra level is wheelchair-accessible via the main doors.[9] The rear (east) end of the orchestra contains a shallow promenade, and the orchestra level is raked. The promenade is separated from the main orchestra seating by columns.[18] Originally, the promenade connected directly to the bar of the adjacent Forrest Hotel[16][24] (later the Time New York[25]). The promenade's rear wall contains pilasters with fluting, between which are wainscoted wall sections. Above the promenade, the underside of the balcony is split into sections, divided by moldings with wave and guilloché motifs.[26] The corners of the promenade have stairs that rise to the rear of the balcony. The stairs have decorated wrought iron railings.[27] The orchestra contains plasterwork panels on the walls. Within the walls are doorways topped by friezes, as well as lighting sconces.[26] There is an orchestra pit at the front of the stage.[18]

The balcony level can only be accessed by steps.[9] The balcony level is raked and is divided into front and rear sections by an aisle halfway across its depth.[18] The crossover aisles are delineated by wrought iron railings. The side walls contain exit doors flanked by Adam-style pilasters. Above the doors are Adam-style latticework containing medallions with classical figures; these are topped by segmental arches with bands of foliate decoration. There are depictions of seated women above each of the arches' keystones. The rest of the balcony's side walls contain Adam-style panels with elliptical arches. The rear wall is divided into panels and contains lighting sconces. A paneled Adam-style frieze with lamps runs near the top of the balcony wall. The balcony front curves outward and has cameo panels and swag motifs.[26] Modern light boxes are in front of the balcony, and a technical booth is at the rear.[28] The balcony's underside contains molded bands, which divide the surface into panels with medallions and crystal light fixtures.[26]

On either side of the proscenium is an elliptically-arched wall section with three smaller arches.[7][26] The smaller arches correspond to three boxes on the balcony level, which step down nearer to the stage. The spandrels, above the corners of the elliptical arches, contain foliate decorations around motifs of shields.[27] The elliptical arches contain a band with foliate and fruit decorations, bordered on either side by rope moldings. Adam-style latticework fills the space between the smaller arches and the large elliptical arch. The central arch has a foliate band and is wider than the arches to either side. The central box is separated from the other boxes by pilasters with spiral moldings. The fronts of the boxes contain cameo panels and swag motifs.[26] Similar boxes formerly existed at the orchestra level but have been removed.[28] According to writer William Morrison, the box sections' design is reminiscent of Spanish architecture.[7]

Other design features edit

 
Auditorium as viewed from the stage

Next to the boxes is a five-centered proscenium arch. The arch contains a band with foliate and fruit decorations, bordered on either side by rope moldings. The spandrels above the proscenium arch's corners contain foliate decorations around motifs of shields.[18] The stage originally contained a fireproof curtain, which was composed of a layer of asbestos between steel sheets. Krapp designed an electrically-powered system to move objects on the set.[6][22][16]

On all sides of the auditorium, the wall curves onto the coved ceiling. The coved section of the ceiling contains Adam-style bands, which divide the ceiling into panels. Each of the coved panels has medallions that depict classical figures. The rest of the ceiling is surrounded by an outer band of rosettes and octagonal panels. At the center of the ceiling is a circular section, surrounded by an inner band with theatrical masks and swags. Cartouches connect the inner and outer bands of the ceiling. Five Adam-style chandeliers hang from the ceiling's corners.[26]

History edit

Times Square became the epicenter for large-scale theater productions between 1900 and the Great Depression.[29] During the 1900s and 1910s, many theaters in Midtown Manhattan were developed by the Shubert brothers, one of the major theatrical syndicates of the time.[30] The Shuberts originated from Syracuse, New York, and expanded downstate into New York City in the first decade of the 20th century.[31][32] The brothers controlled a quarter of all plays and three-quarters of theatrical ticket sales in the U.S. by 1925.[31][33] After World War I, the Shuberts contemplated the construction of six theaters along 48th and 49th Streets, just north of Times Square.[34][35] Of these, only four were built, and only three (the Ambassador, O'Neill, and Kerr) survive.[5][b]

Development and early years edit

1920s edit

 
The theater's exterior as seen from the east

The Shuberts announced plans for their six new theaters in September 1920.[37][38][39] The brothers believed that the 49th Street site could be as profitable as theaters on 42nd Street, which historically was Times Square's legitimate theatrical hub.[40] The Shubert brothers erected the Ambassador, Ritz (now Walter Kerr), and 49th Street Theatres from 1920 to 1921, but they paused their development of theaters on 48th and 49th Street for several years afterward.[7][6] In November 1924, the Shuberts sold eight row houses at 224–238 West 49th Street for $2 million to Daniel Darrow, who planned to build a theater and a 15-story hotel on the site.[41][42] The Shuberts leased back the theater for 21 years.[6] Construction on the Forrest Theatre began in May 1925.[12] Though the Forrest was technologically advanced and had an elaborate interior design, there was relatively little media coverage about the theater.[43] This might have been in part because of the city's plethora of theaters: just before the Forrest opened, there were 192 legitimate theaters and 548 movie houses in New York City.[43][44]

The Forrest opened on November 24, 1925, with the musical Mayflowers featuring Ivy Sawyer, Joseph Santley, and Nancy Carroll.[45][46][47] Mayflowers closed after 81 performances.[48][49] The Forrest's other productions in the mid-1920s were largely unsuccessful,[45] with a succession of flops including The Matinee Girl, Mama Loves Papa, and Rainbow Rose in 1926.[48] The first hit at the theater was Women Go on Forever with Mary Boland, James Cagney, and Osgood Perkins, which opened in 1927[45][50] and ran for 118 performances.[51][52] This was followed by what theatrical historians Louis Botto and Robert Viagas called "potboilers whose very titles denoted their doom":[53] Bless You, Sister in 1927, as well as Mirrors, The Skull, The Common Sin, and The Squealer in 1928.[51] In between all these flops, the husband-and-wife team of Ruth St. Denis and Ted Shawn danced at the Forrest in 1929.[53][54]

1930s and early 1940s edit

 
Viewed from across 49th Street, with the old Forrest Hotel to the left

The Forrest finally saw some long-running shows in 1930, when the theater hosted a transfer of John Drinkwater's comedy Bird in Hand, the mystery play The Blue Ghost, and a transfer of the burlesque-themed farce Stepping Sisters.[55] The same year, Edgar Wallace's drama On the Spot ran at the Forrest for 167 performances,[55][56] and the theater temporarily became Wallace's Forrest Theatre.[45][57][58] By then, the Broadway theatrical industry was suffering due to the Great Depression: eighty-seven percent of productions in the 1929–1930 season had flopped.[43][59] In the Best of Families, which transferred to the Forrest in March 1931, had 141 total performances.[60][61] None of the seven subsequent shows at the Forrest, within a thirteen-month period starting in October 1931, had more than 36 performances.[60] A minor hit came in November 1932 with a transfer of The Good Fairy, featuring Helen Hayes and Walter Connolly.[62][63][64]

Despite the run of flops, the Forrest Theatre initially remained solvent because it had a doorway at the rear of its orchestra, which led to the Forrest Hotel's bar, making it the only Broadway theater with direct access to a bar.[43][24] This was part of a Depression-era trend in which Broadway theatrical operators had begun offering promotions and services to attract visitors.[43][65] As Variety magazine reported, the Forrest's bar gave rise to the sentiment that "the show is a flop, but the bar is a hit".[24] However, by January 1933, the Lawyers Title and Guaranty Company moved to foreclose on a $960,000 mortgage loan on the Forrest Theatre and Hotel.[66][67] The next month, As Husbands Go opened at the Forrest[68][69] and ran for 144 performances.[62][70] The Ballets Jooss performed a limited run at the end of 1933,[71] and seven flops followed in the first eight months of 1934.[72] With the mortgage loan in foreclosure, the Forrest Theatre and Hotel were sold to Lawyers Title at an auction in August 1934.[73]

The firm of Sam Grisman and Harry H. Oshrin leased the Forrest Theatre for a year in September 1934 for their play Tobacco Road.[74][8] The same month, Tobacco Road transferred to the Forrest, having opened at the Masque the previous December.[68][75] Tobacco Road proved a success and, in September 1936, the producers renewed their lease of the Forrest Theatre for another five years.[76] Tobacco Road became the longest-running Broadway production in 1939 after having performed continuously at the Forrest for five years.[77][78] When it finally ended in May 1941, Tobacco Run had run for about 3,180 performances, making it Broadway's longest-running play at the time.[79][80][81] The Shuberts then reacquired control of the Forrest[8][82] but had little success for the next four years.[68] Tobacco Road returned in 1942,[83] but the revival closed after just 34 performances;[84][85] the theater hosted Claudia[84][86] and Three Men on a Horse the same year.[84][87]

City Playhouse operation edit

 
The theater as seen after it was renamed the Coronet

The empty Forrest Theatre was leased to the Mutual Broadcasting System in March 1944 for six months.[8][88] Muriel White acquired the theater that July for $260,000 in cash; she was scheduled to take over once the Shuberts' lease expired in August 1945.[89] Just as the lease was set to expire, Louis Lotito of City Playhouse Theatres bought the Forrest for $260,000.[8][90] Lotito's company renovated the theater with a blue-and-gray color scheme.[23] The dressing rooms and facade were rebuilt, and a cooling system and new seats were installed. The draperies, including the fireproof curtain, were also replaced.[8] In addition, Lotito renamed the Forrest as the Coronet in September 1945,[91][92] believing that the old name was associated with a "jinx house".[14] Walker & Gillette oversaw the renovations.[15]

The first production at the refurbished theater was Beggars Are Coming to Town on October 27, 1945.[93][94][95] Though Beggars only had 25 performances,[96][97] it was followed the same year by Elmer Rice's Dream Girl, which had a much longer run of 348 performances.[96][98] This was followed by another hit, All My Sons by Arthur Miller, which opened in January 1947[99][100] and featured Ed Begley, Arthur Kennedy, and Karl Malden for 328 performances.[96][101] The revue Angel in the Wings opened at the Coronet that December,[102] starring Paul and Grace Hartman for 308 performances.[103][104] Another revue, Burt Shevelove and Gower Champion's Small Wonder, premiered at the Coronet in 1948.[103][105] Mae West's classic play Diamond Lil was revived in 1949,[106][107] running for 181 performances.[103][108] Less successful was a double bill of Terence Rattigan's The Browning Version and Harlequinade the same year.[103][109]

The revue Tickets, Please! opened at the Coronet in early 1950[106][110] and ran for 245 performances.[103][111] Samson Raphaelson's play Hilda Crane was also hosted at the Coronet later the same year.[112][113][114] Revivals of two Lillian Hellman plays were staged next: The Autumn Garden in 1951[115][116][117] and The Children's Hour in 1952.[118][119][120] A revival of the play Jane, with Edna Best, was produced in 1952 between the two Hellman plays.[121][122][123] Liam O'Brien's play The Remarkable Mr. Pennypacker with Burgess Meredith was staged at the end of 1953,[124][125] followed the next year by All Summer Long[126][127] and Quadrille.[128][129] In 1955, the Coronet hosted a transfer of The Bad Seed,[130][131] as well as a double bill of Arthur Miller's A Memory of Two Mondays and A View from the Bridge.[132][133][134] The Coronet's productions in 1956 included The Great Sebastians,[135][136] The Sleeping Prince,[137][138] and Saint Joan.[139][140] This was followed in 1957 by The Waltz of the Toreadors[141][142] and in 1958 by The Firstborn[143][144] and The Disenchanted.[145][146]

Osterman and O'Neill operation edit

The investor Lester Osterman signed a contract in May 1959 to buy the theater for $1.2 million, to be effective that September.[147][148] Osterman planned to rename the Coronet after his favorite playwright, Eugene O'Neill, making it the first Broadway house to be renamed for a playwright. O'Neill's widow Carlotta Monterey initially opposed the move, citing concerns that O'Neill would not have wanted a commercial venue to be named for him, but Monterey ultimately relented.[8][149] In preparation for the renaming, Osterman repainted the theater[150] and commissioned an etched glass portrait of O'Neill.[8] The Phoenix Theatre's version of O'Neill's play The Great God Brown opened in October 1959, just before the renaming.[151][152][153] The Coronet was to have been formally renamed at a ceremony on November 27, 1959, with a preview of William Inge's play A Loss of Roses,[154] but this was canceled when the preview was rescheduled at the last minute.[155] The preview of Loss of Roses ultimately opened on November 30,[156][157] though the production only had 25 regular performances.[158][159]

The Eugene O'Neill Theatre initially hosted flops when it was renamed.[160] The first hit at the Eugene O'Neill was the Charles Gaynor revue Show Girl with Carol Channing,[161] which opened in 1961[162][163] and had 100 performances.[160][164] This was followed by Terence Rattigan's Ross at the end of 1961[160][165][166] and Herb Gardner's A Thousand Clowns in 1962.[162][167][168] Jerry Bock, Sheldon Harnick, and Joe Masteroff's musical She Loves Me was then staged at the Eugene O'Neill in 1963.[162][169][170] Osterman sold the Eugene O'Neill Theatre to David J. Cogan, who also owned the Biltmore Theatre, in December 1964 for $1.35 million.[171][172] Cogan jointly owned the Eugene O'Neill with playwright Neil Simon, who in 1967 bought Cogan's half-ownership stake, thereby acquiring full ownership.[173] During the late 1960s, two hits transferred to the Eugene O'Neill: The Odd Couple in 1966[174][175][176] and Rosencrantz and Guildenstern Are Dead in 1968.[174][177] This was followed by the West End musical Canterbury Tales in 1969.[174][178][179]

Simon's wife Marsha Mason helped manage the Eugene O'Neill Theatre.[17][180] Simon preserved the theater's name after acquiring full control, but he staged several of his own plays there.[181] Among these productions were Last of the Red Hot Lovers in 1969,[182][183] The Prisoner of Second Avenue in 1971,[184][185] The Good Doctor in 1973,[186][187] and God's Favorite in 1974, all of which were hits.[188][189] This was followed by one play that Simon did not produce: Leah Napolin and Isaac Bashevis Singer's Yentl, which opened in 1975.[190][191][192] Simon staged two more of his own hits in the late 1970s: California Suite in 1976[193][194] and a transfer of Chapter Two in 1979.[195][196] His play I Ought to Be in Pictures was also a hit in 1980.[197][198] Mason oversaw a restoration of the theater that year, redecorating the interior in beige and red velvet and the exterior in limestone.[17][180] Conversely, Simon had two flops in the early 1980s:[199] Fools in 1981[200][201] and Little Me in 1982.[202][203] In addition, a transfer of the musical Annie was performed at the Eugene O'Neill in 1981.[204][205][206]

Jujamcyn operation edit

1982 to 1999 edit

 
Detail of the stage house

Jujamcyn acquired the Eugene O'Neill Theatre in March 1982 from Neil Simon.[181][207][208] The theater did not show any hits in the first year that Jujamcyn operated it.[209] The Wake of Jamey Foster and Monday After the Miracle had short runs in 1982,[210] but Moose Murders, which closed after its premiere on February 22, 1983,[211][212] remained especially notorious in the decades afterward.[205][213] The theater finally had a moderately successful play later in 1983, when a revival of Tennessee Williams's The Glass Menagerie opened there.[214][215] This was followed by a major hit, Big River, which opened in 1985[209][216] and ran 1,005 performances over the next two years.[217][218] The Eugene O'Neill's other productions of the decade included a limited concert engagement by Tom Waits in 1987,[219][220] as well as David Henry Hwang's M. Butterfly in 1988.[221][222]

The New York City Landmarks Preservation Commission (LPC) had started to consider protecting the Eugene O'Neill as a landmark in 1982,[223] with discussions continuing over the next several years.[224] The LPC designated the Eugene O'Neill's interior as a landmark on December 8, 1987, though the commission declined to give landmark status to the exterior.[225][226] This was part of the commission's wide-ranging effort in 1987 to grant landmark status to Broadway theaters.[227] The New York City Board of Estimate ratified the designations in March 1988.[228] Jujamcyn, the Nederlanders, and the Shuberts collectively sued the LPC in June 1988 to overturn the landmark designations of 22 theaters, including the Eugene O'Neill, on the merit that the designations severely limited the extent to which the theaters could be modified.[229] The lawsuit was escalated to the New York Supreme Court and the Supreme Court of the United States, but these designations were ultimately upheld in 1992.[230]

The first hit to open at the Eugene O'Neill in the 1990s was a revival of Tennessee Williams's Cat on a Hot Tin Roof.[231][232] This was followed in 1991 by the short-lived play La Bête[233][234] and a magic show by Penn & Teller.[235][236] The next production, Five Guys Named Moe, opened in 1992[237][238] and stayed at the Eugene O'Neill for a year.[239][240] The play Grease! opened in 1994[241] and ran for 1,503 performances.[242][243] During this time, Jujamcyn hired Campagna & Russo Architects to design a $1 million renovation of the theater's interior. Restoration architect Francesca Russo used historical photos to design plasterwork and decorations that approximated the theater's original appearance.[16] The LPC granted an award for the theater's restoration in 1994.[244][245] After Grease! closed, the Eugene O'Neill saw two flops in 1998: Peter Whelan's 13-performance run of The Herbal Bed[246][247] and Rob Bartlett's four-performance run of More to Love.[248][249] The theater's last production of the 1990s was Death of a Salesman, which opened in 1999.[250][251]

2000s to present edit

 
Seen at night

The play Waiting in the Wings transferred to the Eugene O'Neill in early 2000;[252] it was followed later that year by The Full Monty,[253][254] which ran for over two years.[255] A revival of the musical Nine was then performed at the theater in 2003.[256][257] The off-Broadway play Caroline, or Change relocated to the Eugene O'Neill in February 2004,[258][259] but it closed that August due to poor ticket sales.[260] The Eugene O'Neill hosted two productions in 2005: Good Vibrations[261][262] and Sweeney Todd.[263][264] Rocco Landesman bought the Eugene O'Neill and Jujamcyn's four other theaters in 2005, along with the air rights above them.[265] Jordan Roth joined Jujamcyn as a resident producer the same year.[266] The Eugene O'Neill then hosted Spring Awakening, which opened in 2006[267] and ran for two years.[268][269]

In 2009, Roth acquired a 50 percent stake in Jujamcyn and assumed full operation of the firm when Landesman joined the National Endowments of the Arts.[270][271] The same year, the Eugene O'Neill hosted 33 Variations[272][273] and Fela!.[274][275] The musical The Book of Mormon then opened at the Eugene O'Neill in March 2011.[276][277] During the run of The Book of Mormon, the Eugene O'Neill held a one-night reading of Dustin Lance Black's play 8 on September 17, 2011.[278][279] The Book of Mormon was particularly successful compared to other original productions that premiered during the 2010–2011 season, and it recouped its production costs within nine months of opening.[280] The theater closed on March 12, 2020, due to the COVID-19 pandemic.[281] It reopened on November 5, 2021, with performances of The Book of Mormon.[282] As part of a settlement with the United States Department of Justice in 2021, Jujamcyn agreed to improve disabled access at its five Broadway theaters, including the Eugene O'Neill.[283][284] Jujamcyn and Ambassador Theatre Group agreed to merge in early 2023; the combined company would operate seven Broadway theaters, including the Eugene O'Neill.[285][286]

Notable productions edit

Productions are listed by the year of their first performance.[10][11]

Forrest Theatre edit

Coronet Theatre edit

Eugene O'Neill Theatre edit

Box office record edit

The Book of Mormon achieved the box office record for the Eugene O'Neill Theatre. The production grossed $2,224,280 over nine performances for the week ending January 4, 2015.[315]

See also edit

References edit

Notes edit

  1. ^ The Shuberts also hired Krapp to design the Forrest Theatre in Philadelphia in 1928.[6]
  2. ^ The other was the 49th Street Theatre at 235 West 49th Street, which opened in 1921 and was demolished in 1940.[36]
  3. ^ Tobacco Road first ran from 1934 to 1941[75] and was revived in 1942.[85]
  4. ^ The Browning Version and Harlequinade played at the Coronet Theatre in repertory.[109]
  5. ^ A Memory of Two Mondays and A View from the Bridge played at the Coronet Theatre in repertory.[133]
  6. ^ The Freaking Out of Stephanie Blake never officially opened at the O'Neill Theatre; it only played previews.[308]

Citations edit

  1. ^ a b Landmarks Preservation Commission 1987, p. 1.
  2. ^ White, Norval; Willensky, Elliot; Leadon, Fran (2010). AIA Guide to New York City (5th ed.). New York: Oxford University Press. p. 303. ISBN 978-0-19538-386-7.
  3. ^ a b "230 West 49 Street, 10019". New York City Department of City Planning. from the original on December 18, 2021. Retrieved March 25, 2021.
  4. ^ Landmarks Preservation Commission 1987, p. 13.
  5. ^ a b Landmarks Preservation Commission 1987, p. 10.
  6. ^ a b c d e f g h i Landmarks Preservation Commission 1987, p. 16.
  7. ^ a b c d e f g h Morrison, William (1999). Broadway Theatres: History and Architecture. Mineola, NY: Dover Publications. p. 139. ISBN 0-486-40244-4.
  8. ^ a b c d e f g h i j Landmarks Preservation Commission 1987, p. 18.
  9. ^ a b c "Eugene O'Neill Theatre". Jujamcyn Theaters. June 19, 2019. from the original on November 23, 2021. Retrieved December 22, 2021.
  10. ^ a b c "Eugene O'Neill Theatre". Playbill. October 1, 1967. from the original on December 22, 2021. Retrieved December 22, 2021.
  11. ^ a b c The Broadway League (March 24, 2011). "Eugene O'Neill Theatre – New York, NY". IBDB. from the original on February 3, 2020. Retrieved December 22, 2021.
  12. ^ a b c d e "Florida Lots Sent Here To Be Sold at Auction". The New York Herald, New York Tribune. November 22, 1925. p. B2. ProQuest 1114020212.
  13. ^ "Novel Combination of Playhouse and Hotel". The Real Estate Record: Real Estate Record and Builders' Guide. Vol. 116. September 11, 1925. p. 9.
  14. ^ a b "A Magic Wand Was Waved Over the Old Forrest Theater". New York Herald Tribune. February 10, 1946. p. D2. ProQuest 1267901867.
  15. ^ a b Landmarks Preservation Commission 1987, p. 20.
  16. ^ a b c d e f g "O'Neill Theatre revived". TCI. Vol. 28, no. 9. November 1994. p. 16. ProQuest 209626919.
  17. ^ a b c "On the Shah's horizon, another island". New York Daily News. January 31, 1980. p. 372. from the original on December 23, 2021. Retrieved December 23, 2021.
  18. ^ a b c d e Landmarks Preservation Commission 1987, p. 23.
  19. ^ "Eugene O'Neill Theatre | Theaters | Broadway.com". www.broadway.com. from the original on April 1, 2019. Retrieved April 1, 2019.
  20. ^ Bloom 2007, p. 69; Botto & Mitchell 2002, p. 205.
  21. ^ "Big Radio Problems Face Conference; Many Vital Questions Will Be Discussed at Sessions Starting Today in Washington". The New York Times. November 9, 1925. ISSN 0362-4331. from the original on December 22, 2021. Retrieved December 22, 2021.
  22. ^ a b "The New Forrest Theater is a Shubert Playhouse". The Sun. November 25, 1925. p. 10.
  23. ^ a b Botto & Mitchell 2002, p. 206; Landmarks Preservation Commission 1987, p. 21.
  24. ^ a b c "'Show's a Flop, but Bar's A Hit,' Forrest's Dilemma". Variety. Vol. 114, no. 8. May 8, 1934. p. 1. ProQuest 1475813166.
  25. ^ Holusha, John (January 24, 1999). "Commercial Property/Times Square; New Hotels Are Finding a Home on 42d Street". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  26. ^ a b c d e f g Landmarks Preservation Commission 1987, p. 24.
  27. ^ a b Landmarks Preservation Commission 1987, pp. 23–24.
  28. ^ a b Landmarks Preservation Commission 1987, pp. 24–25.
  29. ^ Swift, Christopher (2018). "The City Performs: An Architectural History of NYC Theater". New York City College of Technology, City University of New York. from the original on March 25, 2020. Retrieved March 25, 2020.
  30. ^ Landmarks Preservation Commission 1987, p. 4.
  31. ^ a b Landmarks Preservation Commission 1987, p. 8.
  32. ^ Stagg 1968, p. 208.
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  57. ^ Seff, Manuel (October 26, 1930). "Jack-of-All Trades a Specialist Compared With Edgar Wallace: Crane Wilbur, Leading Man of "On the Spot" A London Interpretation of American Gang Warfare". New York Herald Tribune. p. G2. ProQuest 1113258906.
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  59. ^ "87% of Shows Rated as Failures in Year; Last Season's Statistics Show Eva Le Gallienne Appeared Most Frequently". The New York Times. September 3, 1930. ISSN 0362-4331. from the original on December 22, 2021. Retrieved December 22, 2021.
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  64. ^ J.b (November 18, 1932). "The Good Fairy" Again". The New York Times. ISSN 0362-4331. from the original on September 21, 2021. Retrieved December 22, 2021.
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  66. ^ "Theatre Mortgage Suit; Action Seeks Foreclosure Against Forrest Property". The New York Times. January 28, 1933. ISSN 0362-4331. from the original on December 22, 2021. Retrieved December 22, 2021.
  67. ^ "Ask Foreclosure on the Forrest". New York Daily News. January 28, 1933. p. 20. from the original on December 22, 2021. Retrieved December 22, 2021.
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    "As Husbands Go Broadway @ Forrest Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  71. ^ "Ballets Jooss Here for a Tour; European Company to Make American Debut at the Forrest on Tuesday". The New York Times. October 29, 1933. ISSN 0362-4331. from the original on December 22, 2021. Retrieved December 22, 2021.
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  73. ^ "2 Theatres Sold on Auction Block; The Selwyn and the Forrest Are Bid In by Plaintiffs at Foreclosure". The New York Times. August 4, 1934. ISSN 0362-4331. from the original on December 22, 2021. Retrieved December 22, 2021.
  74. ^ "Tobacco Road' to Move". The New York Times. September 8, 1934. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 22, 2021.
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    "Tobacco Road Broadway @ Theatre Masque". Playbill. from the original on November 23, 2021. Retrieved December 22, 2021.
  76. ^ "Forrest Hotel In 49th Street Taken by Dreier: Mortgage Commission Also Reports 5-Year Lease on Forrest Theater Adjoining". New York Herald Tribune. September 20, 1936. p. D1. ProQuest 1318419972.
  77. ^ "News of the Theater: 'Tobacco Road' Sets Record". New York Herald Tribune. November 18, 1939. p. 6. ProQuest 1320007942.
  78. ^ Kirkland, Jack (November 12, 1939). "Also Concerning the Theatre and Its Varied Personnel; How Long 'Tobacco Road'". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 22, 2021.
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  80. ^ "'Tobacco Road' Retires Tonight Undefeated; Champ of All Plays Beat Critics 3,180 Rounds". The New York Times. May 31, 1941. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  81. ^ "'Tobacco Road' Closes at Last After 7½ Years: Saga of the Georgia Lesters Hangs Up World Record of 3,180 Performances". New York Herald Tribune. June 1, 1941. p. 34. ProQuest 1248166911.
  82. ^ "Shuberts to Lease Forrest – Ruth Gordon Cancels Six Summer Assignments to Act in a Film". The New York Times. June 4, 1941. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  83. ^ K.s (September 7, 1942). "'Tobacco Road' Again Is a Hit; Back After 16-Month Absence; John Barton in Jeeter Lester Role as the Marathon Play Resumes on Broadway – Forrest Scene of 3,181st Performance". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  84. ^ a b c d Botto & Mitchell 2002, p. 206; Landmarks Preservation Commission 1987, p. 36.
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    "Tobacco Road Broadway @ Forrest Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
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    "Three Men on a Horse Broadway @ Forrest Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  88. ^ Zolotow, Sam (March 24, 1944). "$3,000,000 is Asked for 'Turtle' Rights; Unprecedented Value Placed on van Druten's Comedy Hit – Myerberg Buys Mansfield". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  89. ^ Zolotow, Sam (July 28, 1944). "Warners Acquire Rights to 'Turtle'; Screen Privileges Cost About $600,000 Plus Percentage – Forrest Theatre Sold". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  90. ^ McCord, Bert (August 16, 1945). "News of the Theater: Forrest in New Hands". New York Herald Tribune. p. 16. ProQuest 1291109922.
  91. ^ "Forrest Changes Name; Theatre Operated by Lotito Now Known as the Coronet". The New York Times. September 14, 1945. ISSN 0362-4331. from the original on December 9, 2021. Retrieved December 23, 2021.
  92. ^ McCord, Bert (September 14, 1945). "News of the Theater: Jerome Kern Signed Kay Francis". New York Herald Tribune. p. 19. ProQuest 1291107222.
  93. ^ a b Bloom 2007, p. 69; Botto & Mitchell 2002, p. 207; Landmarks Preservation Commission 1987, p. 21.
  94. ^ "Premiere Tonight of Play by Reeves; 'Beggars Coming to Town' Will Open at Coronet—Comingore, Kelly and Adler in Cast". The New York Times. October 27, 1945. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  95. ^ Allen, Kelcey (October 29, 1945). "Theatres: Beggars Are Coming to Town' Opens New Coronet Theatre". Women's Wear Daily. Vol. 71, no. 84. p. 19. ProQuest 1627559948.
  96. ^ a b c Botto & Mitchell 2002, p. 207; Landmarks Preservation Commission 1987, p. 37.
  97. ^ The Broadway League (October 27, 1945). "Beggars Are Coming to Town – Broadway Play – Original". IBDB. from the original on December 23, 2021. Retrieved December 23, 2021.
    "Beggars Are Coming to Town Broadway @ Coronet Theatre". Playbill. from the original on December 23, 2021. Retrieved December 23, 2021.
  98. ^ a b The Broadway League (December 14, 1945). "Dream Girl – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "Dream Girl Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  99. ^ Botto & Mitchell 2002, p. 207; Landmarks Preservation Commission 1987, p. 21.
  100. ^ Atkinson, Brooks (January 30, 1947). "The Play in Review; Arthur Miller's 'All Our Sons' Brings Genuine New Talent Into the Coronet Theatre With an Excellent Cast of Actors". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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  102. ^ Calta, Louis (December 11, 1947). "Angel in Wings' to Open Tonight; Paul and Grace Hartman Star in Revue at the Coronet – Ewings Are Sponsors". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  103. ^ a b c d e Botto & Mitchell 2002, p. 208; Landmarks Preservation Commission 1987, p. 37.
  104. ^ a b The Broadway League (December 11, 1947). "Angel in the Wings – Broadway Musical – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
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  105. ^ Zolotow, Sam (September 15, 1948). "Premiere Tonight of 'Small Wonder'; George Nichols 3d Will Make Managerial Bow With Revue Arriving at the Coronet". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  106. ^ a b Bloom 2007, p. 69; Botto & Mitchell 2002, p. 208; Landmarks Preservation Commission 1987, p. 21.
  107. ^ Calta, Louis (February 5, 1949). "Mae West Returns to Rialto Tonight; Actress' 'Diamond Lil' Opening at Coronet Theatre – Rosen and Freezer Sponsors". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  108. ^ a b The Broadway League (February 5, 1949). "Diamond Lil – Broadway Play – 1949 Revival". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "Diamond Lil Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  109. ^ a b c The Broadway League (October 12, 1949). "The Browning Version / Harlequinade – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "The Browning Version / Harlequinade Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  110. ^ Atkinson, Brooks (May 7, 1950). "'Tickets Please!'; Paul and Grace Hartman in Another Light Revue at the Coronet Theatre Subordinate Performers Opening Number Dance Patterns". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  111. ^ a b The Broadway League (April 27, 1950). "Tickets, Please! – Broadway Musical – Original". IBDB. from the original on December 14, 2021. Retrieved December 22, 2021.
    "Tickets, Please! Broadway @ Coronet Theatre". Playbill. from the original on December 14, 2021. Retrieved December 22, 2021.
  112. ^ Botto & Mitchell 2002, p. 208; Landmarks Preservation Commission 1987, p. 38.
  113. ^ a b The Broadway League (October 1, 1950). "Hilda Crane – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "Hilda Crane Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  114. ^ Zolotow, Sam (November 1, 1950). "'Hilda Crane' Set for Debut Tonight; Returns to Broadway". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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  116. ^ a b The Broadway League (March 7, 1951). "The Autumn Garden – Broadway Play – Original". IBDB. from the original on December 28, 2021. Retrieved December 22, 2021.
    "The Autumn Garden Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  117. ^ Atkinson, Brooks (March 8, 1951). "First Night at the Theatre; Lillian Hellman Dramatizes Middle-Aged People in 'The Autumn Garden'". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  118. ^ Botto & Mitchell 2002, p. 209; Landmarks Preservation Commission 1987, p. 21.
  119. ^ a b The Broadway League (December 18, 1952). "The Children's Hour – Broadway Play – 1952 Revival". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "The Children's Hour Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  120. ^ Calta, Louis (May 19, 1953). "'Children's Hour' to Depart May 30; Revival at Coronet Will Have Recorded 189 Performances – Mowbray Seeks Theatre". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  121. ^ a b Botto & Mitchell 2002, pp. 208–209; Landmarks Preservation Commission 1987, p. 38.
  122. ^ a b The Broadway League (January 1, 1952). "Jane – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "Jane Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  123. ^ Zolotow, Sam (April 18, 1952). "Jane' to Conclude Its Run Next Week; Theatre Guild Is Planning to Withdraw Behrman Comedy – At Coronet Since Feb. 1". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  124. ^ a b The Broadway League (December 30, 1953). "The Remarkable Mr. Pennypacker – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "The Remarkable Mr. Pennypacker Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  125. ^ Atkinson, Brooks (December 31, 1953). "First Night at the Theatre; Liam O'Brien's 'Remarkable Mr. Pennypacker,' a Family Comedy at the Coronet". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  126. ^ a b The Broadway League (September 23, 1954). "All Summer Long – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "All Summer Long Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  127. ^ Calta, Louis (September 23, 1954). "Anderson Drama Will Bow Tonight; ' All Summer Long,' Play by 'Tea and Sympathy' Author, to Arrive at the Coronet". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  128. ^ a b The Broadway League (November 3, 1954). "Quadrille – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "Quadrille Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  129. ^ McCord, Bert (November 3, 1954). "Lunt and Fontanne Return Here Tonight in 'Quadrille'". New York Herald Tribune. p. 26. ProQuest 1318417076.
  130. ^ a b The Broadway League (December 8, 1954). "The Bad Seed – Broadway Play – Original". IBDB. from the original on December 10, 2021. Retrieved December 22, 2021.
    "The Bad Seed Broadway @ 46th Street Theatre". Playbill. from the original on December 10, 2021. Retrieved December 22, 2021.
  131. ^ "ANTA Lists Paris Program Dates". New York Herald Tribune. April 24, 1955. p. D3. ProQuest 1323206519.
  132. ^ a b c d e Botto & Mitchell 2002, p. 209; Landmarks Preservation Commission 1987, p. 38.
  133. ^ a b c The Broadway League (September 29, 1955). "A View From the Bridge / A Memory of Two Mondays – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "A View from the Bridge Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  134. ^ Zolotow, Sam (May 6, 1955). "Plays by Miller Will Open Sept. 29; Fulton to House 'A Memory of Two Mondays' and 'From Under the Sea'". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  135. ^ Botto & Mitchell 2002, pp. 209–210; Landmarks Preservation Commission 1987, p. 21.
  136. ^ Calta, Louis (May 10, 1956). "Stevens Drama to Open Tonight; 'The Lovers,' Author's Third Play to Be Seen Here, Will Bow at the Martin Beck 'Sebastians' to Close June 2 'Separate Tables' Stars". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  137. ^ a b The Broadway League (October 1, 1956). "The Sleeping Prince – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "The Sleeping Prince Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  138. ^ Atkinson, Brooks (November 2, 1956). "Theatre: Rattigan's 'Sleeping Prince'; Redgrave and Miss Bel Geddes Star Rattigan Play Has Debut at Coronet". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  139. ^ a b The Broadway League (September 11, 1956). "Saint Joan – Broadway Play – 1956 Revival". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
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  140. ^ Calta, Louis (December 25, 1956). "One-woman Show Arriving to Night; Ruth Draper Will Offer Her Monologues at Playhouse for Four-Week Stand 'Saint Joan' Returns 'Waiting for Godot' Waits". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  141. ^ a b The Broadway League (January 17, 1957). "The Waltz of the Toreadors – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "The Waltz of the Toreadors Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  142. ^ Calta, Louis (January 17, 1957). "Anouilh Comedy Arrives Tonight; 'The Waltz of the Toreadors,' Starring Ralph Richardson, Will Open at the Coronet Roberts to Produce Comedy Hyman Signed for Othello". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  143. ^ The Broadway League (April 30, 1958). "The Firstborn – Broadway Play – Original". IBDB. from the original on December 7, 2021. Retrieved December 23, 2021.
    "The Firstborn Broadway @ Coronet Theatre". Playbill. from the original on December 23, 2021. Retrieved December 23, 2021.
  144. ^ Atkinson, Brooks (May 1, 1958). "Theatre: 'The Firstborn'". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  145. ^ a b The Broadway League (December 3, 1958). "The Disenchanted – Broadway Play – Original". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "The Disenchanted Broadway @ Coronet Theatre". Playbill. from the original on December 6, 2021. Retrieved December 22, 2021.
  146. ^ Atkinson, Brooks (December 4, 1958). "Theatre: Study of 'The Disenchanted'; Writer on Downgrade Shown at Coronet". The New York Times. ISSN 0362-4331. from the original on December 1, 2021. Retrieved December 23, 2021.
  147. ^ Calta, Louis (May 16, 1959). "Coronet Theatre Brings $1,200,000; Osterman Takes Final Title From City Investing Sept. 30 – Sisters Weigh Roles". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  148. ^ "Osterman Buys Coronet". Women's Wear Daily. Vol. 98, no. 97. May 19, 1959. p. 67. ProQuest 1565103882.
  149. ^ Gelb, Arthur (September 27, 1959). "News and Gossip of the Rialto; Coronet Theatre to Be Renamed in Honor Of Eugene O'Neill". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  150. ^ Little, Stuart W. (October 5, 1959). "$1,000,000 Being Spent To Improve Playhouses". New York Herald Tribune. p. 12. ProQuest 1327275484.
  151. ^ Botto & Mitchell 2002, p. 209; Landmarks Preservation Commission 1987, p. 22.
  152. ^ a b The Broadway League (October 6, 1959). "The Great God Brown – Broadway Play – 1959 Revival". IBDB. from the original on December 22, 2021. Retrieved December 22, 2021.
    "The Great God Brown Broadway @ Coronet Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  153. ^ Atkinson, Brooks (October 7, 1959). "Theatre: O'Neill's 'Great God Brown'; Phoenix Production Opens at Coronet". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  154. ^ Gelb, Arthur (November 19, 1959). "Name of O'Neill Adorns Theatre; Ceremony at Old Coronet Nov. 27 to Mark Change -O'Casey Sends Tribute". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  155. ^ Zolotow, Sam (November 26, 1959). "' Other One' Role to Shirley Booth: Actress to Star in a Play Based on Colette Novel −2 Productions Delayed". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  156. ^ Atkinson, Brooks (November 30, 1959). "Theatre: 'Loss of Roses'; New Inge Play Bows at Eugene O'Neill". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  157. ^ Dash, Thomas R. (November 30, 1959). "Theatres: 'A Loss of Roses' Far, Far From an Inge Masterpiece". Women's Wear Daily. Vol. 99, no. 117. p. 28. ProQuest 1564881693.
  158. ^ a b c d e Botto & Mitchell 2002, p. 210; Landmarks Preservation Commission 1987, p. 39.
  159. ^ The Broadway League (November 28, 1959). "A Loss of Roses – Broadway Play – Original". IBDB. from the original on November 26, 2021. Retrieved December 23, 2021.
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  160. ^ a b c Botto & Mitchell 2002, p. 210; Landmarks Preservation Commission 1987, p. 40.
  161. ^ Bloom 2007, p. 69; Botto & Mitchell 2002, p. 210.
  162. ^ a b c Bloom 2007, p. 69; Botto & Mitchell 2002, p. 210; Landmarks Preservation Commission 1987, p. 40.
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    "She Loves Me Broadway @ Eugene O'Neill Theatre". Playbill. from the original on September 29, 2018. Retrieved December 22, 2021.
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    "Rosencrantz and Guildenstern Are Dead Broadway @ Alvin Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
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    "Annie Broadway @ Alvin Theatre". Playbill. from the original on December 7, 2021. Retrieved December 22, 2021.
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    "Tom Waits in Concert on Broadway Broadway @ Eugene O'Neill Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  220. ^ Palmer, Robert (October 15, 1987). "Pop: Tom Waits On Stage". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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    "M. Butterfly Broadway @ Eugene O'Neill Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
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  226. ^ "Legitimate: N.Y.C. Landmarks 7; Owners Don't Like It". Variety. Vol. 329, no. 8. December 16, 1987. p. 85. ProQuest 1438478876.
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    "Cat on a Hot Tin Roof Broadway @ Eugene O'Neill Theatre". Playbill. from the original on December 6, 2021. Retrieved December 22, 2021.
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  234. ^ "Musical and Play to Close". The New York Times. February 27, 1991. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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  236. ^ "'Penn and Teller' Closing". The New York Times. June 21, 1991. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
  237. ^ a b c d e Bloom 2007, p. 69; Botto & Mitchell 2002, p. 212.
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    "Five Guys Named Moe Broadway @ Eugene O'Neill Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  240. ^ "'Moe' Is Closing". The New York Times. April 27, 1993. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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  244. ^ "Postings: Landmarks Preservation Commission Awards; 13 Projects Win Citations for Enhancing the Urban Environment". The New York Times. June 12, 1994. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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  247. ^ "'Herbal Bed' to Close". The New York Times. April 23, 1998. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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  249. ^ "'Fat Comedy' to Close". The New York Times. October 17, 1998. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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    "Death of a Salesman Broadway @ Eugene O'Neill Theatre". Playbill. from the original on December 22, 2021. Retrieved December 22, 2021.
  251. ^ Kakutani, Michiko (February 7, 1999). "A Salesman Who Transcends Time". The New York Times. ISSN 0362-4331. from the original on December 23, 2021. Retrieved December 23, 2021.
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December 03, 2023
eugene, neill, theatre, this, article, about, theater, manhattan, york, theater, waterford, connecticut, eugene, neill, theater, center, previously, forrest, theatre, coronet, theatre, broadway, theater, west, 49th, street, theater, district, midtown, manhatta. This article is about the theater in Manhattan New York For the theater in Waterford Connecticut see Eugene O Neill Theater Center The Eugene O Neill Theatre previously the Forrest Theatre and the Coronet Theatre is a Broadway theater at 230 West 49th Street in the Theater District of Midtown Manhattan in New York City The theater was designed by Herbert J Krapp and was constructed for the Shubert brothers It opened in 1925 as part of a hotel and theater complex named after 19th century tragedian Edwin Forrest The modern theater named in honor of American playwright Eugene O Neill has 1 108 seats across two levels and is operated by Jujamcyn Theaters The auditorium interior is a New York City designated landmark Eugene O Neill TheatreForrest Theatre Coronet TheatreSeen in 2019 during the run of The Book of MormonAddress230 West 49th StreetManhattan New York CityUnited StatesCoordinates40 45 40 N 73 59 9 W 40 76111 N 73 98583 W 40 76111 73 98583Public transitNew York City Subway 49th Street Seventh Avenue N R and W 50th Street Eighth Avenue C and E 50th Street Broadway 1 OwnerJujamcyn TheatersTypeBroadwayCapacity1 108ProductionThe Book of MormonConstructionOpenedNovember 24 1925Rebuilt1945 1959Years active1925 1944 1945 presentArchitectHerbert J KrappWebsitewww wbr jujamcyn wbr comNew York City LandmarkDesignatedDecember 8 1987 1 Reference no 1365 1 Designated entityAuditorium interiorThe facade was originally made of brick and terracotta to complement the neighboring hotel The original facade was removed in a 1940s renovation and replaced with stucco the modern theater is of painted limestone and contains a large iron balcony The auditorium contains Adam style detailing a large balcony and box seats within decorative arches There is also a five centered proscenium arch and a coved ceiling with medallions The Shuberts developed the Forrest Theatre after World War I as part of a theatrical complex around 48th and 49th Streets When the Forrest Theatre opened on November 24 1925 its first production was the musical Mayflowers After a series of unsuccessful shows the Shuberts lost the theater to foreclosure in 1934 upon which it hosted Tobacco Road which became the longest running production in Broadway history Following a brief run as a broadcast studio in 1944 the theater was sold in 1945 to City Playhouse Theatres which renovated the theater and renamed it the Coronet The theater was sold in 1959 to Lester Osterman who renamed it after Eugene O Neill The playwright Neil Simon acquired the theater in 1967 after which he staged several of his own works there Jujamcyn has operated the theater since 1982 and restored it in 1994 The Eugene O Neill has hosted the musical The Book of Mormon since 2011 Contents 1 Site 2 Design 2 1 Facade 2 2 Auditorium 2 2 1 Seating areas 2 2 2 Other design features 3 History 3 1 Development and early years 3 1 1 1920s 3 1 2 1930s and early 1940s 3 2 City Playhouse operation 3 3 Osterman and O Neill operation 3 4 Jujamcyn operation 3 4 1 1982 to 1999 3 4 2 2000s to present 4 Notable productions 4 1 Forrest Theatre 4 2 Coronet Theatre 4 3 Eugene O Neill Theatre 5 Box office record 6 See also 7 References 7 1 Notes 7 2 Citations 7 3 Sources 8 External linksSite editThe Eugene O Neill Theatre is on 230 West 49th Street on the south sidewalk between Eighth Avenue and Broadway in the Midtown Manhattan neighborhood of New York City 2 3 The rectangular land lot covers 9 547 square feet 886 9 m2 with a frontage of 95 feet 29 m on 49th Street and a depth of 100 feet 30 m The Eugene O Neill shares the block with the Walter Kerr Theatre to the south and Crowne Plaza Times Square Manhattan to the east Other nearby buildings include One Worldwide Plaza and St Malachy Roman Catholic Church to the northwest the Ambassador Theatre and the Brill Building to the northeast the Morgan Stanley Building to the southeast the Longacre Theatre and Ethel Barrymore Theatre to the south and the Samuel J Friedman Theatre to the southwest 3 Design editThe Eugene O Neill Theatre previously the Forrest Theatre and the Coronet Theatre was designed by Herbert J Krapp and was constructed in 1925 for the Shubert brothers 4 It is part of a group of six theaters planned by the Shuberts after World War I of which four were built 5 The theater was originally named in honor of actor Edwin Forrest 1806 1872 6 a and was developed in tandem with the Forrest Hotel also designed by Krapp 6 7 Since 1959 the theater has been named for playwright Eugene O Neill 1888 1953 8 The Eugene O Neill is operated by Jujamcyn Theaters 9 10 11 Facade edit The Forrest Theatre was originally designed with a facade of brick and terracotta similar to the Forrest Hotel 7 12 At the time including a theater and hotel in the same project was an uncommon arrangement in New York City 6 13 Krapp repeated the theater hotel arrangement in the late 1920s when he designed the Hotel Lincoln now Row NYC Hotel and the Majestic Masque Golden and Royale Bernard B Jacobs theaters 6 Above the theater s entrance was a wrought iron balcony on the second story 7 A three story stage house adjoined the theater 12 The facade was subsequently refaced in plain stucco and the iron balcony outside the theater was doubled in height 7 The stucco facade dated to 1945 14 8 when the theater was renovated by Walker amp Gillette 15 At the time the facade was painted in bright colors to evoke the appearance of a closed performance venue in New Orleans The iron balcony as well as shutters over the windows were designed to give this effect 8 16 The facade was renovated again in 1980 this time in beige limestone 17 Auditorium edit The auditorium has an orchestra level one balcony boxes and a stage behind the proscenium arch The auditorium is wider than its depth and the space is designed with plaster decorations in low relief 18 Playbill cites the theater as having 1 047 seats 10 and The Broadway League cites 1 066 seats 11 The Eugene O Neill Theatre has been cited as having as many as 1 108 seats 19 As originally configured the theater could accommodate 1 200 guests making it suitable for musicals or plays 20 12 21 The theater was constructed with a steel skeleton frame 12 22 which at the time was still mostly used for office buildings and skyscrapers 6 16 The auditorium was originally decorated in red and gold 7 which was changed in 1945 to blue and gray 23 A paint scheme of purple and gold was added in a 1994 renovation 16 The auditorium is approached by an entrance lobby with a terrazzo floor and marble decorations The lobby s plaster ceiling has moldings with acanthus motifs and medallions 16 Seating areas edit nbsp Promenade at the orchestra s rearThe orchestra level is wheelchair accessible via the main doors 9 The rear east end of the orchestra contains a shallow promenade and the orchestra level is raked The promenade is separated from the main orchestra seating by columns 18 Originally the promenade connected directly to the bar of the adjacent Forrest Hotel 16 24 later the Time New York 25 The promenade s rear wall contains pilasters with fluting between which are wainscoted wall sections Above the promenade the underside of the balcony is split into sections divided by moldings with wave and guilloche motifs 26 The corners of the promenade have stairs that rise to the rear of the balcony The stairs have decorated wrought iron railings 27 The orchestra contains plasterwork panels on the walls Within the walls are doorways topped by friezes as well as lighting sconces 26 There is an orchestra pit at the front of the stage 18 The balcony level can only be accessed by steps 9 The balcony level is raked and is divided into front and rear sections by an aisle halfway across its depth 18 The crossover aisles are delineated by wrought iron railings The side walls contain exit doors flanked by Adam style pilasters Above the doors are Adam style latticework containing medallions with classical figures these are topped by segmental arches with bands of foliate decoration There are depictions of seated women above each of the arches keystones The rest of the balcony s side walls contain Adam style panels with elliptical arches The rear wall is divided into panels and contains lighting sconces A paneled Adam style frieze with lamps runs near the top of the balcony wall The balcony front curves outward and has cameo panels and swag motifs 26 Modern light boxes are in front of the balcony and a technical booth is at the rear 28 The balcony s underside contains molded bands which divide the surface into panels with medallions and crystal light fixtures 26 On either side of the proscenium is an elliptically arched wall section with three smaller arches 7 26 The smaller arches correspond to three boxes on the balcony level which step down nearer to the stage The spandrels above the corners of the elliptical arches contain foliate decorations around motifs of shields 27 The elliptical arches contain a band with foliate and fruit decorations bordered on either side by rope moldings Adam style latticework fills the space between the smaller arches and the large elliptical arch The central arch has a foliate band and is wider than the arches to either side The central box is separated from the other boxes by pilasters with spiral moldings The fronts of the boxes contain cameo panels and swag motifs 26 Similar boxes formerly existed at the orchestra level but have been removed 28 According to writer William Morrison the box sections design is reminiscent of Spanish architecture 7 Other design features edit nbsp Auditorium as viewed from the stageNext to the boxes is a five centered proscenium arch The arch contains a band with foliate and fruit decorations bordered on either side by rope moldings The spandrels above the proscenium arch s corners contain foliate decorations around motifs of shields 18 The stage originally contained a fireproof curtain which was composed of a layer of asbestos between steel sheets Krapp designed an electrically powered system to move objects on the set 6 22 16 On all sides of the auditorium the wall curves onto the coved ceiling The coved section of the ceiling contains Adam style bands which divide the ceiling into panels Each of the coved panels has medallions that depict classical figures The rest of the ceiling is surrounded by an outer band of rosettes and octagonal panels At the center of the ceiling is a circular section surrounded by an inner band with theatrical masks and swags Cartouches connect the inner and outer bands of the ceiling Five Adam style chandeliers hang from the ceiling s corners 26 History editTimes Square became the epicenter for large scale theater productions between 1900 and the Great Depression 29 During the 1900s and 1910s many theaters in Midtown Manhattan were developed by the Shubert brothers one of the major theatrical syndicates of the time 30 The Shuberts originated from Syracuse New York and expanded downstate into New York City in the first decade of the 20th century 31 32 The brothers controlled a quarter of all plays and three quarters of theatrical ticket sales in the U S by 1925 31 33 After World War I the Shuberts contemplated the construction of six theaters along 48th and 49th Streets just north of Times Square 34 35 Of these only four were built and only three the Ambassador O Neill and Kerr survive 5 b Development and early years edit 1920s edit nbsp The theater s exterior as seen from the eastThe Shuberts announced plans for their six new theaters in September 1920 37 38 39 The brothers believed that the 49th Street site could be as profitable as theaters on 42nd Street which historically was Times Square s legitimate theatrical hub 40 The Shubert brothers erected the Ambassador Ritz now Walter Kerr and 49th Street Theatres from 1920 to 1921 but they paused their development of theaters on 48th and 49th Street for several years afterward 7 6 In November 1924 the Shuberts sold eight row houses at 224 238 West 49th Street for 2 million to Daniel Darrow who planned to build a theater and a 15 story hotel on the site 41 42 The Shuberts leased back the theater for 21 years 6 Construction on the Forrest Theatre began in May 1925 12 Though the Forrest was technologically advanced and had an elaborate interior design there was relatively little media coverage about the theater 43 This might have been in part because of the city s plethora of theaters just before the Forrest opened there were 192 legitimate theaters and 548 movie houses in New York City 43 44 The Forrest opened on November 24 1925 with the musical Mayflowers featuring Ivy Sawyer Joseph Santley and Nancy Carroll 45 46 47 Mayflowers closed after 81 performances 48 49 The Forrest s other productions in the mid 1920s were largely unsuccessful 45 with a succession of flops including The Matinee Girl Mama Loves Papa and Rainbow Rose in 1926 48 The first hit at the theater was Women Go on Forever with Mary Boland James Cagney and Osgood Perkins which opened in 1927 45 50 and ran for 118 performances 51 52 This was followed by what theatrical historians Louis Botto and Robert Viagas called potboilers whose very titles denoted their doom 53 Bless You Sister in 1927 as well as Mirrors The Skull The Common Sin and The Squealer in 1928 51 In between all these flops the husband and wife team of Ruth St Denis and Ted Shawn danced at the Forrest in 1929 53 54 1930s and early 1940s edit nbsp Viewed from across 49th Street with the old Forrest Hotel to the leftThe Forrest finally saw some long running shows in 1930 when the theater hosted a transfer of John Drinkwater s comedy Bird in Hand the mystery play The Blue Ghost and a transfer of the burlesque themed farce Stepping Sisters 55 The same year Edgar Wallace s drama On the Spot ran at the Forrest for 167 performances 55 56 and the theater temporarily became Wallace s Forrest Theatre 45 57 58 By then the Broadway theatrical industry was suffering due to the Great Depression eighty seven percent of productions in the 1929 1930 season had flopped 43 59 In the Best of Families which transferred to the Forrest in March 1931 had 141 total performances 60 61 None of the seven subsequent shows at the Forrest within a thirteen month period starting in October 1931 had more than 36 performances 60 A minor hit came in November 1932 with a transfer of The Good Fairy featuring Helen Hayes and Walter Connolly 62 63 64 Despite the run of flops the Forrest Theatre initially remained solvent because it had a doorway at the rear of its orchestra which led to the Forrest Hotel s bar making it the only Broadway theater with direct access to a bar 43 24 This was part of a Depression era trend in which Broadway theatrical operators had begun offering promotions and services to attract visitors 43 65 As Variety magazine reported the Forrest s bar gave rise to the sentiment that the show is a flop but the bar is a hit 24 However by January 1933 the Lawyers Title and Guaranty Company moved to foreclose on a 960 000 mortgage loan on the Forrest Theatre and Hotel 66 67 The next month As Husbands Go opened at the Forrest 68 69 and ran for 144 performances 62 70 The Ballets Jooss performed a limited run at the end of 1933 71 and seven flops followed in the first eight months of 1934 72 With the mortgage loan in foreclosure the Forrest Theatre and Hotel were sold to Lawyers Title at an auction in August 1934 73 The firm of Sam Grisman and Harry H Oshrin leased the Forrest Theatre for a year in September 1934 for their play Tobacco Road 74 8 The same month Tobacco Road transferred to the Forrest having opened at the Masque the previous December 68 75 Tobacco Road proved a success and in September 1936 the producers renewed their lease of the Forrest Theatre for another five years 76 Tobacco Road became the longest running Broadway production in 1939 after having performed continuously at the Forrest for five years 77 78 When it finally ended in May 1941 Tobacco Run had run for about 3 180 performances making it Broadway s longest running play at the time 79 80 81 The Shuberts then reacquired control of the Forrest 8 82 but had little success for the next four years 68 Tobacco Road returned in 1942 83 but the revival closed after just 34 performances 84 85 the theater hosted Claudia 84 86 and Three Men on a Horse the same year 84 87 City Playhouse operation edit nbsp The theater as seen after it was renamed the CoronetThe empty Forrest Theatre was leased to the Mutual Broadcasting System in March 1944 for six months 8 88 Muriel White acquired the theater that July for 260 000 in cash she was scheduled to take over once the Shuberts lease expired in August 1945 89 Just as the lease was set to expire Louis Lotito of City Playhouse Theatres bought the Forrest for 260 000 8 90 Lotito s company renovated the theater with a blue and gray color scheme 23 The dressing rooms and facade were rebuilt and a cooling system and new seats were installed The draperies including the fireproof curtain were also replaced 8 In addition Lotito renamed the Forrest as the Coronet in September 1945 91 92 believing that the old name was associated with a jinx house 14 Walker amp Gillette oversaw the renovations 15 The first production at the refurbished theater was Beggars Are Coming to Town on October 27 1945 93 94 95 Though Beggars only had 25 performances 96 97 it was followed the same year by Elmer Rice s Dream Girl which had a much longer run of 348 performances 96 98 This was followed by another hit All My Sons by Arthur Miller which opened in January 1947 99 100 and featured Ed Begley Arthur Kennedy and Karl Malden for 328 performances 96 101 The revue Angel in the Wings opened at the Coronet that December 102 starring Paul and Grace Hartman for 308 performances 103 104 Another revue Burt Shevelove and Gower Champion s Small Wonder premiered at the Coronet in 1948 103 105 Mae West s classic play Diamond Lil was revived in 1949 106 107 running for 181 performances 103 108 Less successful was a double bill of Terence Rattigan s The Browning Version and Harlequinade the same year 103 109 The revue Tickets Please opened at the Coronet in early 1950 106 110 and ran for 245 performances 103 111 Samson Raphaelson s play Hilda Crane was also hosted at the Coronet later the same year 112 113 114 Revivals of two Lillian Hellman plays were staged next The Autumn Garden in 1951 115 116 117 and The Children s Hour in 1952 118 119 120 A revival of the play Jane with Edna Best was produced in 1952 between the two Hellman plays 121 122 123 Liam O Brien s play The Remarkable Mr Pennypacker with Burgess Meredith was staged at the end of 1953 124 125 followed the next year by All Summer Long 126 127 and Quadrille 128 129 In 1955 the Coronet hosted a transfer of The Bad Seed 130 131 as well as a double bill of Arthur Miller s A Memory of Two Mondays and A View from the Bridge 132 133 134 The Coronet s productions in 1956 included The Great Sebastians 135 136 The Sleeping Prince 137 138 and Saint Joan 139 140 This was followed in 1957 by The Waltz of the Toreadors 141 142 and in 1958 by The Firstborn 143 144 and The Disenchanted 145 146 Osterman and O Neill operation edit The investor Lester Osterman signed a contract in May 1959 to buy the theater for 1 2 million to be effective that September 147 148 Osterman planned to rename the Coronet after his favorite playwright Eugene O Neill making it the first Broadway house to be renamed for a playwright O Neill s widow Carlotta Monterey initially opposed the move citing concerns that O Neill would not have wanted a commercial venue to be named for him but Monterey ultimately relented 8 149 In preparation for the renaming Osterman repainted the theater 150 and commissioned an etched glass portrait of O Neill 8 The Phoenix Theatre s version of O Neill s play The Great God Brown opened in October 1959 just before the renaming 151 152 153 The Coronet was to have been formally renamed at a ceremony on November 27 1959 with a preview of William Inge s play A Loss of Roses 154 but this was canceled when the preview was rescheduled at the last minute 155 The preview of Loss of Roses ultimately opened on November 30 156 157 though the production only had 25 regular performances 158 159 The Eugene O Neill Theatre initially hosted flops when it was renamed 160 The first hit at the Eugene O Neill was the Charles Gaynor revue Show Girl with Carol Channing 161 which opened in 1961 162 163 and had 100 performances 160 164 This was followed by Terence Rattigan s Ross at the end of 1961 160 165 166 and Herb Gardner s A Thousand Clowns in 1962 162 167 168 Jerry Bock Sheldon Harnick and Joe Masteroff s musical She Loves Me was then staged at the Eugene O Neill in 1963 162 169 170 Osterman sold the Eugene O Neill Theatre to David J Cogan who also owned the Biltmore Theatre in December 1964 for 1 35 million 171 172 Cogan jointly owned the Eugene O Neill with playwright Neil Simon who in 1967 bought Cogan s half ownership stake thereby acquiring full ownership 173 During the late 1960s two hits transferred to the Eugene O Neill The Odd Couple in 1966 174 175 176 and Rosencrantz and Guildenstern Are Dead in 1968 174 177 This was followed by the West End musical Canterbury Tales in 1969 174 178 179 Simon s wife Marsha Mason helped manage the Eugene O Neill Theatre 17 180 Simon preserved the theater s name after acquiring full control but he staged several of his own plays there 181 Among these productions were Last of the Red Hot Lovers in 1969 182 183 The Prisoner of Second Avenue in 1971 184 185 The Good Doctor in 1973 186 187 and God s Favorite in 1974 all of which were hits 188 189 This was followed by one play that Simon did not produce Leah Napolin and Isaac Bashevis Singer s Yentl which opened in 1975 190 191 192 Simon staged two more of his own hits in the late 1970s California Suite in 1976 193 194 and a transfer of Chapter Two in 1979 195 196 His play I Ought to Be in Pictures was also a hit in 1980 197 198 Mason oversaw a restoration of the theater that year redecorating the interior in beige and red velvet and the exterior in limestone 17 180 Conversely Simon had two flops in the early 1980s 199 Fools in 1981 200 201 and Little Me in 1982 202 203 In addition a transfer of the musical Annie was performed at the Eugene O Neill in 1981 204 205 206 Jujamcyn operation edit 1982 to 1999 edit nbsp Detail of the stage houseJujamcyn acquired the Eugene O Neill Theatre in March 1982 from Neil Simon 181 207 208 The theater did not show any hits in the first year that Jujamcyn operated it 209 The Wake of Jamey Foster and Monday After the Miracle had short runs in 1982 210 but Moose Murders which closed after its premiere on February 22 1983 211 212 remained especially notorious in the decades afterward 205 213 The theater finally had a moderately successful play later in 1983 when a revival of Tennessee Williams s The Glass Menagerie opened there 214 215 This was followed by a major hit Big River which opened in 1985 209 216 and ran 1 005 performances over the next two years 217 218 The Eugene O Neill s other productions of the decade included a limited concert engagement by Tom Waits in 1987 219 220 as well as David Henry Hwang s M Butterfly in 1988 221 222 The New York City Landmarks Preservation Commission LPC had started to consider protecting the Eugene O Neill as a landmark in 1982 223 with discussions continuing over the next several years 224 The LPC designated the Eugene O Neill s interior as a landmark on December 8 1987 though the commission declined to give landmark status to the exterior 225 226 This was part of the commission s wide ranging effort in 1987 to grant landmark status to Broadway theaters 227 The New York City Board of Estimate ratified the designations in March 1988 228 Jujamcyn the Nederlanders and the Shuberts collectively sued the LPC in June 1988 to overturn the landmark designations of 22 theaters including the Eugene O Neill on the merit that the designations severely limited the extent to which the theaters could be modified 229 The lawsuit was escalated to the New York Supreme Court and the Supreme Court of the United States but these designations were ultimately upheld in 1992 230 The first hit to open at the Eugene O Neill in the 1990s was a revival of Tennessee Williams s Cat on a Hot Tin Roof 231 232 This was followed in 1991 by the short lived play La Bete 233 234 and a magic show by Penn amp Teller 235 236 The next production Five Guys Named Moe opened in 1992 237 238 and stayed at the Eugene O Neill for a year 239 240 The play Grease opened in 1994 241 and ran for 1 503 performances 242 243 During this time Jujamcyn hired Campagna amp Russo Architects to design a 1 million renovation of the theater s interior Restoration architect Francesca Russo used historical photos to design plasterwork and decorations that approximated the theater s original appearance 16 The LPC granted an award for the theater s restoration in 1994 244 245 After Grease closed the Eugene O Neill saw two flops in 1998 Peter Whelan s 13 performance run of The Herbal Bed 246 247 and Rob Bartlett s four performance run of More to Love 248 249 The theater s last production of the 1990s was Death of a Salesman which opened in 1999 250 251 2000s to present edit nbsp Seen at nightThe play Waiting in the Wings transferred to the Eugene O Neill in early 2000 252 it was followed later that year by The Full Monty 253 254 which ran for over two years 255 A revival of the musical Nine was then performed at the theater in 2003 256 257 The off Broadway play Caroline or Change relocated to the Eugene O Neill in February 2004 258 259 but it closed that August due to poor ticket sales 260 The Eugene O Neill hosted two productions in 2005 Good Vibrations 261 262 and Sweeney Todd 263 264 Rocco Landesman bought the Eugene O Neill and Jujamcyn s four other theaters in 2005 along with the air rights above them 265 Jordan Roth joined Jujamcyn as a resident producer the same year 266 The Eugene O Neill then hosted Spring Awakening which opened in 2006 267 and ran for two years 268 269 In 2009 Roth acquired a 50 percent stake in Jujamcyn and assumed full operation of the firm when Landesman joined the National Endowments of the Arts 270 271 The same year the Eugene O Neill hosted 33 Variations 272 273 and Fela 274 275 The musical The Book of Mormon then opened at the Eugene O Neill in March 2011 276 277 During the run of The Book of Mormon the Eugene O Neill held a one night reading of Dustin Lance Black s play 8 on September 17 2011 278 279 The Book of Mormon was particularly successful compared to other original productions that premiered during the 2010 2011 season and it recouped its production costs within nine months of opening 280 The theater closed on March 12 2020 due to the COVID 19 pandemic 281 It reopened on November 5 2021 with performances of The Book of Mormon 282 As part of a settlement with the United States Department of Justice in 2021 Jujamcyn agreed to improve disabled access at its five Broadway theaters including the Eugene O Neill 283 284 Jujamcyn and Ambassador Theatre Group agreed to merge in early 2023 the combined company would operate seven Broadway theaters including the Eugene O Neill 285 286 Notable productions editProductions are listed by the year of their first performance 10 11 Forrest Theatre edit 1926 The Woman Disputed 287 288 1927 Women Go on Forever 51 52 1929 Abraham Lincoln 289 290 1930 On the Spot 56 290 1931 Lean Harvest 291 290 1932 The Good Fairy 63 292 1933 As Husbands Go 70 292 1934 75 292 1942 84 85 Tobacco Road c 1942 Three Men on a Horse 87 293 1942 Claudia 86 293 1943 King Richard III 294 293 1943 Bright Lights of 1944 295 293 1944 The Man Who Had All the Luck 296 293 Coronet Theatre edit 1945 Dream Girl 98 297 1947 All My Sons 93 101 1947 Angel in the Wings 104 297 1949 Diamond Lil 108 297 1949 The Browning Version Harlequinade 109 297 d 1950 Tickets Please 111 297 1950 Hilda Crane 113 298 1951 Not for Children 299 298 1951 The Autumn Garden 116 298 1952 Jane 121 122 1952 The Children s Hour 119 298 1953 The Little Hut 300 298 1953 The Remarkable Mr Pennypacker 132 124 1954 All Summer Long 132 126 1954 Quadrille 132 128 1955 The Bad Seed 130 1955 A Memory of Two Mondays A View from the Bridge 132 133 e 1956 The Sleeping Prince 137 301 1956 Saint Joan 158 139 1957 The Waltz of the Toreadors 158 141 1958 Summer of the Seventeenth Doll 302 301 1958 The Disenchanted 158 145 1959 The Great God Brown 158 152 Eugene O Neill Theatre edit 1960 The Hostage 303 1961 Let It Ride 304 305 1961 Ross 165 305 1962 A Thousand Clowns 167 305 1963 She Loves Me 169 305 1964 Something More 306 305 1966 The Odd Couple 175 307 1967 The Freaking Out of Stephanie Blake 308 f 1968 Rosencrantz and Guildenstern Are Dead 177 307 1969 Canterbury Tales 179 307 1969 Last of the Red Hot Lovers 182 307 1971 The Prisoner of Second Avenue 184 307 1973 The Good Doctor 186 307 1974 God s Favorite 188 307 1975 Yentl 190 191 1976 California Suite 193 309 1977 Your Arms Too Short to Box with God 310 311 1979 Chapter Two 195 210 1980 I Ought to Be in Pictures 197 309 1981 Fools 200 309 1981 Annie 204 205 1982 Little Me 202 309 1982 The Best Little Whorehouse in Texas 312 311 1983 Moose Murders 211 313 1983 The Glass Menagerie 214 313 1985 Big River 218 313 1987 Tom Waits in Concert on Broadway 219 205 1988 M Butterfly 221 237 1990 Cat on a Hot Tin Roof 231 242 1991 La Bete 233 242 1991 Penn amp Teller The Refrigerator Tour 235 242 1991 A Christmas Carol 314 1992 Five Guys Named Moe 239 237 1994 Grease 243 237 1998 The Herbal Bed 246 242 1999 Death of a Salesman 250 237 2000 Waiting in the Wings 252 2000 The Full Monty 255 253 2003 Nine 256 257 2004 Caroline or Change 258 259 2005 Good Vibrations 261 262 2005 Sweeney Todd 263 264 2006 Spring Awakening 267 268 2009 33 Variations 272 273 2009 Fela 274 275 2011 8 278 279 2011 The Book of Mormon 277 Box office record editThe Book of Mormon achieved the box office record for the Eugene O Neill Theatre The production grossed 2 224 280 over nine performances for the week ending January 4 2015 315 See also editList of Broadway theatres List of New York City Designated Landmarks in Manhattan from 14th to 59th StreetsReferences editNotes edit The Shuberts also hired Krapp to design the Forrest Theatre in Philadelphia in 1928 6 The other was the 49th Street Theatre at 235 West 49th Street which opened in 1921 and was demolished in 1940 36 Tobacco Road first ran from 1934 to 1941 75 and was revived in 1942 85 The Browning Version and Harlequinade played at the Coronet Theatre in repertory 109 A Memory of Two Mondays and A View from the Bridge played at the Coronet Theatre in repertory 133 The Freaking Out of Stephanie Blake never officially opened at the O Neill Theatre it only played previews 308 Citations edit a b Landmarks Preservation Commission 1987 p 1 White Norval Willensky Elliot Leadon Fran 2010 AIA Guide to New York City 5th ed New York Oxford University Press p 303 ISBN 978 0 19538 386 7 a b 230 West 49 Street 10019 New York City Department of City Planning Archived from the original on December 18 2021 Retrieved March 25 2021 Landmarks Preservation Commission 1987 p 13 a b Landmarks Preservation Commission 1987 p 10 a b c d e f g h i Landmarks Preservation Commission 1987 p 16 a b c d e f g h Morrison William 1999 Broadway Theatres History and Architecture Mineola NY Dover Publications p 139 ISBN 0 486 40244 4 a b c d e f g h i j Landmarks Preservation Commission 1987 p 18 a b c Eugene O Neill Theatre Jujamcyn Theaters June 19 2019 Archived from the original on November 23 2021 Retrieved December 22 2021 a b c Eugene O Neill Theatre Playbill October 1 1967 Archived from the original on December 22 2021 Retrieved December 22 2021 a b c The Broadway League March 24 2011 Eugene O Neill Theatre New York NY IBDB Archived from the original on February 3 2020 Retrieved December 22 2021 a b c d e Florida Lots Sent Here To Be Sold at Auction The New York Herald New York Tribune November 22 1925 p B2 ProQuest 1114020212 Novel Combination of Playhouse and Hotel The Real Estate Record Real Estate Record and Builders Guide Vol 116 September 11 1925 p 9 a b A Magic Wand Was Waved Over the Old Forrest Theater New York Herald Tribune February 10 1946 p D2 ProQuest 1267901867 a b Landmarks Preservation Commission 1987 p 20 a b c d e f g O Neill Theatre revived TCI Vol 28 no 9 November 1994 p 16 ProQuest 209626919 a b c On the Shah s horizon another island New York Daily News January 31 1980 p 372 Archived from the original on December 23 2021 Retrieved December 23 2021 a b c d e Landmarks Preservation Commission 1987 p 23 Eugene O Neill Theatre Theaters Broadway com www broadway com Archived from the original on April 1 2019 Retrieved April 1 2019 Bloom 2007 p 69 Botto amp Mitchell 2002 p 205 Big Radio Problems Face Conference Many Vital Questions Will Be Discussed at Sessions Starting Today in Washington The New York Times November 9 1925 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 a b The New Forrest Theater is a Shubert Playhouse The Sun November 25 1925 p 10 a b Botto amp Mitchell 2002 p 206 Landmarks Preservation Commission 1987 p 21 a b c Show s a Flop but Bar s A Hit Forrest s Dilemma Variety Vol 114 no 8 May 8 1934 p 1 ProQuest 1475813166 Holusha John January 24 1999 Commercial Property Times Square New Hotels Are Finding a Home on 42d Street The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b c d e f g Landmarks Preservation Commission 1987 p 24 a b Landmarks Preservation Commission 1987 pp 23 24 a b Landmarks Preservation Commission 1987 pp 24 25 Swift Christopher 2018 The City Performs An Architectural History of NYC Theater New York City College of Technology City University of New York Archived from the original on March 25 2020 Retrieved March 25 2020 Landmarks Preservation Commission 1987 p 4 a b Landmarks Preservation Commission 1987 p 8 Stagg 1968 p 208 Stagg 1968 p 217 Bloom 2007 p 8 Botto amp Mitchell 2002 p 125 Amusement Notes Messrs Shubert To Build New Theatres Women s Wear Vol 21 no 117 November 18 1920 p 14 ProQuest 1665840914 Cinema 49 in New York NY Cinema Treasures Archived from the original on December 22 2021 Retrieved December 22 2021 Six New Theatres Planned For This City By Shuberts Over 250 Plays Booked for Circuit Throughout Country Season s Program Most Expensive Ever Outlined Women s Wear Vol 21 no 65 September 16 1920 p 12 ProQuest 1666168273 The Legitimate Shubert Plans The Billboard Vol 32 no 39 September 25 1920 p 20 ProQuest 1031617328 Shuberts to Stage Many New Plays In 1921 1922 Season Dramatic and Musical Productions To Be Given in Enlarged Circuit of Theaters 6 More Houses Here New York Tribune September 16 1920 p 10 ProQuest 576247252 Bloom 2007 p 8 Latest Dealings in Realty Field New Fifteen story Hotel and a Theatre for the Times Square Section Project Involves 2 000 000 the Courtlandt Apartment at Madison Avenue and Eighty eighth Street Resold The New York Times November 29 1924 p 24 ISSN 0362 4331 ProQuest 103342868 Real Estate News 2 000 000 Building Project For 49th Street Theater and Fifteen Story Hotel to Replace Eight Houses Between Broadway and Eighth Avenue The New York Herald New York Tribune November 29 1924 p 22 ProQuest 1113268676 a b c d e Landmarks Preservation Commission 1987 p 17 Theatres in City Now Number 740 Commissioner Quigley Reports 192 Licensed Playhouses and 548 Movie Houses The New York Times November 15 1925 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 a b c d Bloom 2007 p 69 Botto amp Mitchell 2002 p 205 Landmarks Preservation Commission 1987 p 21 Ivy Sawyer Christens New Forrest Theater With May Flowers Notable Audience Sees Fine Musical Comedy Inaugurate the Career of Another Shubert Playhouse The New York Herald New York Tribune November 25 1925 p 15 ProQuest 1112852384 Mayflowers Bloom With Sweet Tunes Attractive Musical Play at the New Forrest Enriched by Ivy Sawyer and Joseph Santley The New York Times November 25 1925 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 a b Botto amp Mitchell 2002 p 205 Landmarks Preservation Commission 1987 p 32 The Broadway League November 24 1925 Mayflowers Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Mayflowers Broadway Forrest Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Atkinson J Brooks September 8 1927 The Play The New York Times ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 a b c Botto amp Mitchell 2002 p 205 Landmarks Preservation Commission 1987 p 33 a b The Broadway League September 7 1927 Women Go On Forever Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Women Go on Forever Broadway Forrest Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b Botto amp Mitchell 2002 p 205 Denishawns Delight Second Audience Ruth St Denis Makes Hit in Oriental Dances Shawn Gives Spanish Figures The New York Times December 28 1929 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 a b Botto amp Mitchell 2002 p 205 Landmarks Preservation Commission 1987 p 34 a b The Broadway League October 29 1930 On the Spot Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 On the Spot Broadway Forrest Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Seff Manuel October 26 1930 Jack of All Trades a Specialist Compared With Edgar Wallace Crane Wilbur Leading Man of On the Spot A London Interpretation of American Gang Warfare New York Herald Tribune p G2 ProQuest 1113258906 Atkinson J Brooks October 30 1930 The Play The New York Times ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 87 of Shows Rated as Failures in Year Last Season s Statistics Show Eva Le Gallienne Appeared Most Frequently The New York Times September 3 1930 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 a b Botto amp Mitchell 2002 p 206 Landmarks Preservation Commission 1987 pp 34 35 The Broadway League February 2 1931 In the Best of Families Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 In the Best of Families Broadway Bijou Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b Botto amp Mitchell 2002 p 206 Landmarks Preservation Commission 1987 p 35 a b The Broadway League November 17 1932 The Good Fairy Broadway Play 1932 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Good Fairy Broadway Forrest Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 J b November 18 1932 The Good Fairy Again The New York Times ISSN 0362 4331 Archived from the original on September 21 2021 Retrieved December 22 2021 The Ballyhoo in Modern Dress Some of the Attractions Theatres Use to Draw Patrons and Keep Them Also Voice Tests The New York Times August 3 1930 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 Theatre Mortgage Suit Action Seeks Foreclosure Against Forrest Property The New York Times January 28 1933 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 Ask Foreclosure on the Forrest New York Daily News January 28 1933 p 20 Archived from the original on December 22 2021 Retrieved December 22 2021 a b c Bloom 2007 p 69 Botto amp Mitchell 2002 p 206 Landmarks Preservation Commission 1987 p 21 B c January 20 1933 Men s Men The New York Times ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 a b The Broadway League January 19 1933 As Husbands Go Broadway Play 1933 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 As Husbands Go Broadway Forrest Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Ballets Jooss Here for a Tour European Company to Make American Debut at the Forrest on Tuesday The New York Times October 29 1933 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 Bloom 2007 p 69 Botto amp Mitchell 2002 p 206 2 Theatres Sold on Auction Block The Selwyn and the Forrest Are Bid In by Plaintiffs at Foreclosure The New York Times August 4 1934 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 Tobacco Road to Move The New York Times September 8 1934 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 22 2021 a b c The Broadway League December 4 1933 Tobacco Road Broadway Play Original IBDB Archived from the original on November 23 2021 Retrieved December 22 2021 Tobacco Road Broadway Theatre Masque Playbill Archived from the original on November 23 2021 Retrieved December 22 2021 Forrest Hotel In 49th Street Taken by Dreier Mortgage Commission Also Reports 5 Year Lease on Forrest Theater Adjoining New York Herald Tribune September 20 1936 p D1 ProQuest 1318419972 News of the Theater Tobacco Road Sets Record New York Herald Tribune November 18 1939 p 6 ProQuest 1320007942 Kirkland Jack November 12 1939 Also Concerning the Theatre and Its Varied Personnel How Long Tobacco Road The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 22 2021 Botto amp Mitchell 2002 p 206 Tobacco Road Retires Tonight Undefeated Champ of All Plays Beat Critics 3 180 Rounds The New York Times May 31 1941 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Tobacco Road Closes at Last After 7 Years Saga of the Georgia Lesters Hangs Up World Record of 3 180 Performances New York Herald Tribune June 1 1941 p 34 ProQuest 1248166911 Shuberts to Lease Forrest Ruth Gordon Cancels Six Summer Assignments to Act in a Film The New York Times June 4 1941 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 K s September 7 1942 Tobacco Road Again Is a Hit Back After 16 Month Absence John Barton in Jeeter Lester Role as the Marathon Play Resumes on Broadway Forrest Scene of 3 181st Performance The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b c d Botto amp Mitchell 2002 p 206 Landmarks Preservation Commission 1987 p 36 a b c The Broadway League September 5 1942 Tobacco Road Broadway Play 1942 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Tobacco Road Broadway Forrest Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b The Broadway League February 12 1941 Claudia Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Claudia Broadway Booth Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b The Broadway League October 9 1942 Three Men on a Horse Broadway Play 1942 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Three Men on a Horse Broadway Forrest Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Zolotow Sam March 24 1944 3 000 000 is Asked for Turtle Rights Unprecedented Value Placed on van Druten s Comedy Hit Myerberg Buys Mansfield The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Zolotow Sam July 28 1944 Warners Acquire Rights to Turtle Screen Privileges Cost About 600 000 Plus Percentage Forrest Theatre Sold The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 McCord Bert August 16 1945 News of the Theater Forrest in New Hands New York Herald Tribune p 16 ProQuest 1291109922 Forrest Changes Name Theatre Operated by Lotito Now Known as the Coronet The New York Times September 14 1945 ISSN 0362 4331 Archived from the original on December 9 2021 Retrieved December 23 2021 McCord Bert September 14 1945 News of the Theater Jerome Kern Signed Kay Francis New York Herald Tribune p 19 ProQuest 1291107222 a b Bloom 2007 p 69 Botto amp Mitchell 2002 p 207 Landmarks Preservation Commission 1987 p 21 Premiere Tonight of Play by Reeves Beggars Coming to Town Will Open at Coronet Comingore Kelly and Adler in Cast The New York Times October 27 1945 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Allen Kelcey October 29 1945 Theatres Beggars Are Coming to Town Opens New Coronet Theatre Women s Wear Daily Vol 71 no 84 p 19 ProQuest 1627559948 a b c Botto amp Mitchell 2002 p 207 Landmarks Preservation Commission 1987 p 37 The Broadway League October 27 1945 Beggars Are Coming to Town Broadway Play Original IBDB Archived from the original on December 23 2021 Retrieved December 23 2021 Beggars Are Coming to Town Broadway Coronet Theatre Playbill Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 14 1945 Dream Girl Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Dream Girl Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Botto amp Mitchell 2002 p 207 Landmarks Preservation Commission 1987 p 21 Atkinson Brooks January 30 1947 The Play in Review Arthur Miller s All Our Sons Brings Genuine New Talent Into the Coronet Theatre With an Excellent Cast of Actors The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League January 29 1947 All My Sons Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 All My Sons Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Calta Louis December 11 1947 Angel in Wings to Open Tonight Paul and Grace Hartman Star in Revue at the Coronet Ewings Are Sponsors The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b c d e Botto amp Mitchell 2002 p 208 Landmarks Preservation Commission 1987 p 37 a b The Broadway League December 11 1947 Angel in the Wings Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Angel in the Wings Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Zolotow Sam September 15 1948 Premiere Tonight of Small Wonder George Nichols 3d Will Make Managerial Bow With Revue Arriving at the Coronet The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b Bloom 2007 p 69 Botto amp Mitchell 2002 p 208 Landmarks Preservation Commission 1987 p 21 Calta Louis February 5 1949 Mae West Returns to Rialto Tonight Actress Diamond Lil Opening at Coronet Theatre Rosen and Freezer Sponsors The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League February 5 1949 Diamond Lil Broadway Play 1949 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Diamond Lil Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b c The Broadway League October 12 1949 The Browning Version Harlequinade Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Browning Version Harlequinade Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Atkinson Brooks May 7 1950 Tickets Please Paul and Grace Hartman in Another Light Revue at the Coronet Theatre Subordinate Performers Opening Number Dance Patterns The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League April 27 1950 Tickets Please Broadway Musical Original IBDB Archived from the original on December 14 2021 Retrieved December 22 2021 Tickets Please Broadway Coronet Theatre Playbill Archived from the original on December 14 2021 Retrieved December 22 2021 Botto amp Mitchell 2002 p 208 Landmarks Preservation Commission 1987 p 38 a b The Broadway League October 1 1950 Hilda Crane Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Hilda Crane Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Zolotow Sam November 1 1950 Hilda Crane Set for Debut Tonight Returns to Broadway The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Botto amp Mitchell 2002 p 208 Landmarks Preservation Commission 1987 p 21 a b The Broadway League March 7 1951 The Autumn Garden Broadway Play Original IBDB Archived from the original on December 28 2021 Retrieved December 22 2021 The Autumn Garden Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Atkinson Brooks March 8 1951 First Night at the Theatre Lillian Hellman Dramatizes Middle Aged People in The Autumn Garden The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Botto amp Mitchell 2002 p 209 Landmarks Preservation Commission 1987 p 21 a b The Broadway League December 18 1952 The Children s Hour Broadway Play 1952 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Children s Hour Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Calta Louis May 19 1953 Children s Hour to Depart May 30 Revival at Coronet Will Have Recorded 189 Performances Mowbray Seeks Theatre The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b Botto amp Mitchell 2002 pp 208 209 Landmarks Preservation Commission 1987 p 38 a b The Broadway League January 1 1952 Jane Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Jane Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Zolotow Sam April 18 1952 Jane to Conclude Its Run Next Week Theatre Guild Is Planning to Withdraw Behrman Comedy At Coronet Since Feb 1 The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 30 1953 The Remarkable Mr Pennypacker Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Remarkable Mr Pennypacker Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Atkinson Brooks December 31 1953 First Night at the Theatre Liam O Brien s Remarkable Mr Pennypacker a Family Comedy at the Coronet The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League September 23 1954 All Summer Long Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 All Summer Long Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Calta Louis September 23 1954 Anderson Drama Will Bow Tonight All Summer Long Play by Tea and Sympathy Author to Arrive at the Coronet The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League November 3 1954 Quadrille Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Quadrille Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 McCord Bert November 3 1954 Lunt and Fontanne Return Here Tonight in Quadrille New York Herald Tribune p 26 ProQuest 1318417076 a b The Broadway League December 8 1954 The Bad Seed Broadway Play Original IBDB Archived from the original on December 10 2021 Retrieved December 22 2021 The Bad Seed Broadway 46th Street Theatre Playbill Archived from the original on December 10 2021 Retrieved December 22 2021 ANTA Lists Paris Program Dates New York Herald Tribune April 24 1955 p D3 ProQuest 1323206519 a b c d e Botto amp Mitchell 2002 p 209 Landmarks Preservation Commission 1987 p 38 a b c The Broadway League September 29 1955 A View From the Bridge A Memory of Two Mondays Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 A View from the Bridge Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Zolotow Sam May 6 1955 Plays by Miller Will Open Sept 29 Fulton to House A Memory of Two Mondays and From Under the Sea The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Botto amp Mitchell 2002 pp 209 210 Landmarks Preservation Commission 1987 p 21 Calta Louis May 10 1956 Stevens Drama to Open Tonight The Lovers Author s Third Play to Be Seen Here Will Bow at the Martin Beck Sebastians to Close June 2 Separate Tables Stars The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League October 1 1956 The Sleeping Prince Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Sleeping Prince Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Atkinson Brooks November 2 1956 Theatre Rattigan s Sleeping Prince Redgrave and Miss Bel Geddes Star Rattigan Play Has Debut at Coronet The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League September 11 1956 Saint Joan Broadway Play 1956 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Saint Joan Broadway Phoenix Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Calta Louis December 25 1956 One woman Show Arriving to Night Ruth Draper Will Offer Her Monologues at Playhouse for Four Week Stand Saint Joan Returns Waiting for Godot Waits The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League January 17 1957 The Waltz of the Toreadors Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Waltz of the Toreadors Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Calta Louis January 17 1957 Anouilh Comedy Arrives Tonight The Waltz of the Toreadors Starring Ralph Richardson Will Open at the Coronet Roberts to Produce Comedy Hyman Signed for Othello The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 The Broadway League April 30 1958 The Firstborn Broadway Play Original IBDB Archived from the original on December 7 2021 Retrieved December 23 2021 The Firstborn Broadway Coronet Theatre Playbill Archived from the original on December 23 2021 Retrieved December 23 2021 Atkinson Brooks May 1 1958 Theatre The Firstborn The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 3 1958 The Disenchanted Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Disenchanted Broadway Coronet Theatre Playbill Archived from the original on December 6 2021 Retrieved December 22 2021 Atkinson Brooks December 4 1958 Theatre Study of The Disenchanted Writer on Downgrade Shown at Coronet The New York Times ISSN 0362 4331 Archived from the original on December 1 2021 Retrieved December 23 2021 Calta Louis May 16 1959 Coronet Theatre Brings 1 200 000 Osterman Takes Final Title From City Investing Sept 30 Sisters Weigh Roles The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Osterman Buys Coronet Women s Wear Daily Vol 98 no 97 May 19 1959 p 67 ProQuest 1565103882 Gelb Arthur September 27 1959 News and Gossip of the Rialto Coronet Theatre to Be Renamed in Honor Of Eugene O Neill The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Little Stuart W October 5 1959 1 000 000 Being Spent To Improve Playhouses New York Herald Tribune p 12 ProQuest 1327275484 Botto amp Mitchell 2002 p 209 Landmarks Preservation Commission 1987 p 22 a b The Broadway League October 6 1959 The Great God Brown Broadway Play 1959 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Great God Brown Broadway Coronet Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Atkinson Brooks October 7 1959 Theatre O Neill s Great God Brown Phoenix Production Opens at Coronet The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Gelb Arthur November 19 1959 Name of O Neill Adorns Theatre Ceremony at Old Coronet Nov 27 to Mark Change O Casey Sends Tribute The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Zolotow Sam November 26 1959 Other One Role to Shirley Booth Actress to Star in a Play Based on Colette Novel 2 Productions Delayed The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Atkinson Brooks November 30 1959 Theatre Loss of Roses New Inge Play Bows at Eugene O Neill The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Dash Thomas R November 30 1959 Theatres A Loss of Roses Far Far From an Inge Masterpiece Women s Wear Daily Vol 99 no 117 p 28 ProQuest 1564881693 a b c d e Botto amp Mitchell 2002 p 210 Landmarks Preservation Commission 1987 p 39 The Broadway League November 28 1959 A Loss of Roses Broadway Play Original IBDB Archived from the original on November 26 2021 Retrieved December 23 2021 A Loss of Roses Broadway Eugene O Neill Theatre Playbill Archived from the original on December 23 2021 Retrieved December 23 2021 a b c Botto amp Mitchell 2002 p 210 Landmarks Preservation Commission 1987 p 40 Bloom 2007 p 69 Botto amp Mitchell 2002 p 210 a b c Bloom 2007 p 69 Botto amp Mitchell 2002 p 210 Landmarks Preservation Commission 1987 p 40 Taubman Howard January 13 1961 Theatre Carol Channing in Revue Appears With Munshin in Show Girl The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 The Broadway League January 12 1961 Show Girl Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 23 2021 Show Girl Broadway Eugene O Neill Theatre Playbill Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 26 1961 Ross Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Ross Broadway Eugene O Neill Theatre Playbill Archived from the original on June 6 2020 Retrieved December 22 2021 Taubman Howard December 27 1961 The Theatre Lawrence of Arabia Ross Terence Rattigan Drama Arrives John Mills Is Starred at Eugene O Neill The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League April 5 1962 A Thousand Clowns Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 A Thousand Clowns Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Taubman Howard April 6 1962 Theatre A Thousand Clowns Opens Herb Gardner Comedy at Eugene O Neill The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League April 23 1963 She Loves Me Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 She Loves Me Broadway Eugene O Neill Theatre Playbill Archived from the original on September 29 2018 Retrieved December 22 2021 Taubman Howard April 24 1963 Theater She Loves Me a Musical Play by Miklos Laszlo Opens at the O Neill The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 O Neill Theater Is Sold to Cogan Biltmore Owner Pays 1 3 Million for 49th St House The New York Times December 21 1964 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Producer Buys O Neill Theater Star Gazette January 23 1965 p 27 Archived from the original on December 23 2021 Retrieved December 23 2021 Zolotow Sam November 17 1967 Neil Simon Buys O Neill Theater Playwright Who owned Half Is Now in Sole Charge The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b c Botto amp Mitchell 2002 p 210 Landmarks Preservation Commission 1987 p 41 a b The Broadway League March 10 1965 The Odd Couple Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Odd Couple Broadway Plymouth Theatre Playbill Archived from the original on December 7 2021 Retrieved December 22 2021 The Odd Couple to Move From Plymouth Theater The New York Times June 28 1966 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League October 16 1967 Rosencrantz and Guildenstern Are Dead Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Rosencrantz and Guildenstern Are Dead Broadway Alvin Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Barnes Clive February 4 1969 Theater A Musical Canterbury Tales Chaucer Poetry Hasn t Crossed Ocean Well The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League February 3 1969 Canterbury Tales Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Canterbury Tales Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b Landmarks Preservation Commission 1987 pp 18 19 a b Bloom 2007 p 69 Botto amp Mitchell 2002 p 210 Landmarks Preservation Commission 1987 p 22 a b The Broadway League December 28 1969 Last of the Red Hot Lovers Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Last of the Red Hot Lovers Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Barnes Clive December 29 1969 Stage Red Hot Lovers Comedy by Neil Simon Opens at the O Neill The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League November 11 1971 The Prisoner of Second Avenue Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Prisoner of Second Avenue Broadway Eugene O Neill Theatre Playbill Archived from the original on December 7 2021 Retrieved December 22 2021 Barnes Clive November 12 1971 Stage Creeping Paranoia and Crawling Malaise The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League November 27 1973 The Good Doctor Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Good Doctor Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Barnes Clive November 28 1973 Stage Simon s Chekhov The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 11 1974 God s Favorite Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 God s Favorite Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Barnes Clive December 12 1974 God s Favorite Is Simon s Job on L I The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League October 23 1975 Yentl Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Yentl Broadway Eugene O Neill Theatre Playbill Archived from the original on December 8 2021 Retrieved December 22 2021 a b Botto amp Mitchell 2002 pp 210 211 Landmarks Preservation Commission 1987 p 42 Barnes Clive October 24 1975 Yentl The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League June 10 1976 California Suite Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 California Suite Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Barnes Clive June 11 1976 Stage California Suite Opens The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 4 1977 Chapter Two Broadway Play Original IBDB Archived from the original on December 13 2021 Retrieved December 22 2021 Chapter Two Broadway Imperial Theatre Playbill Archived from the original on December 13 2021 Retrieved December 22 2021 Chapter Two to Close Dec 9 The New York Times November 29 1979 ISSN 0362 4331 Archived from the original on December 17 2021 Retrieved December 23 2021 a b The Broadway League April 3 1980 I Ought to Be in Pictures Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 I Ought to Be in Pictures Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Neil Simon s Pictures Ending Run on Sunday The New York Times January 6 1981 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Botto amp Mitchell 2002 p 211 Landmarks Preservation Commission 1987 p 22 a b The Broadway League April 6 1981 Fools Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Fools Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Rich Frank April 7 1981 Theater Fools by Simon The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League January 21 1982 Little Me Broadway Musical 1982 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Little Me Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Rich Frank January 22 1982 Theater Coco in Simon s Little Me The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League April 21 1977 Annie Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Annie Broadway Alvin Theatre Playbill Archived from the original on December 7 2021 Retrieved December 22 2021 a b c d Botto amp Mitchell 2002 p 211 Annie at Last Finds a Home at Uris Annie Finds A Home at Uris The New York Times November 19 1981 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 O Neill Theater is Sold The New York Times March 3 1982 ISSN 0362 4331 Archived from the original on December 22 2021 Retrieved December 22 2021 Legitimate Jujamcyn Co Buys The O Neill Theatre From Neil Simon Variety Vol 306 no 5 March 3 1982 p 89 ProQuest 1438332255 a b Bloom 2007 p 69 Botto amp Mitchell 2002 p 211 a b Botto amp Mitchell 2002 p 211 Landmarks Preservation Commission 1987 p 42 a b The Broadway League February 22 1983 Moose Murders Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Moose Murders Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Moose Murders Closes The New York Times February 24 1983 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Robertson Campbell April 21 2008 A Broadway Flop Again Raises Its Antlers The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League November 1 1983 The Glass Menagerie Broadway Play 1983 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Glass Menagerie Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Rich Frank December 2 1983 Theater Glass Menagerie The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Rich Frank April 26 1985 Stage With Huck Finn on the Big River The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Big River Closing Sunday The New York Times September 17 1987 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League April 25 1985 Big River Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Big River Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b The Broadway League October 13 1987 Tom Waits in Concert on Broadway Broadway Special Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Tom Waits in Concert on Broadway Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Palmer Robert October 15 1987 Pop Tom Waits On Stage The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League March 20 1988 M Butterfly Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 M Butterfly Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Rich Frank March 21 1988 Review Theater M Butterfly a Story Of a Strange Love Conflict and Betrayal The New York Times ISSN 0362 4331 Archived from the original on November 15 2021 Retrieved December 23 2021 Dunlap David W October 20 1982 Landmark Status Sought for Theaters The New York Times ISSN 0362 4331 Archived from the original on October 29 2021 Retrieved October 29 2021 Shepard Joan August 28 1985 Is the final curtain near New York Daily News pp 462 464 Archived from the original on September 21 2021 Retrieved September 16 2021 Dunlap David W December 14 1987 7 Theaters Become Landmarks Owners Plan Appeal The New York Times ISSN 0362 4331 Archived from the original on September 17 2021 Retrieved November 2 2021 Legitimate N Y C Landmarks 7 Owners Don t Like It Variety Vol 329 no 8 December 16 1987 p 85 ProQuest 1438478876 Dunlap David W November 22 1987 The Region The City Casts Its Theaters In Stone The New York Times ISSN 0362 4331 Archived from the original on October 16 2021 Retrieved October 16 2021 Purdum Todd S March 12 1988 28 Theaters Are Approved as Landmarks The New York Times ISSN 0362 4331 Archived from the original on October 30 2021 Retrieved November 20 2021 Dunlap David W June 21 1988 Owners File Suit to Revoke Theaters Landmark Status The New York Times ISSN 0362 4331 Archived from the original on October 29 2021 Retrieved October 29 2021 Dunlap David W May 27 1992 High Court Upholds Naming Of 22 Theaters as Landmarks The New York Times ISSN 0362 4331 Archived from the original on October 30 2021 Retrieved October 29 2021 a b The Broadway League March 21 1990 Cat on a Hot Tin Roof Broadway Play 1990 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Cat on a Hot Tin Roof Broadway Eugene O Neill Theatre Playbill Archived from the original on December 6 2021 Retrieved December 22 2021 Rich Frank March 22 1990 Review Theater Turner and Durning in Cat on a Hot Tin Roof The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League February 10 1991 La Bete Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 La Bete Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Musical and Play to Close The New York Times February 27 1991 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League April 3 1991 Penn amp Teller The Refrigerator Tour Broadway Special Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Penn amp Teller The Refrigerator Tour Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Penn and Teller Closing The New York Times June 21 1991 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b c d e Bloom 2007 p 69 Botto amp Mitchell 2002 p 212 Rich Frank April 9 1992 Review Theater From London a Celebration Of Louis Jordan and His Music The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League April 8 1992 Five Guys Named Moe Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Five Guys Named Moe Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Moe Is Closing The New York Times April 27 1993 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Brantley Ben May 12 1994 Review Theater Grease Memories With a New Wave Touch The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b c d e Botto amp Mitchell 2002 p 212 a b The Broadway League May 11 1994 Grease Broadway Musical 1994 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Grease Broadway Eugene O Neill Theatre Playbill Archived from the original on December 6 2021 Retrieved December 22 2021 Postings Landmarks Preservation Commission Awards 13 Projects Win Citations for Enhancing the Urban Environment The New York Times June 12 1994 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 In Focus O Neill Theatre Saluted by City Back Stage Vol 35 no 23 June 10 1994 p 2 ProQuest 962872982 a b The Broadway League April 16 1998 The Herbal Bed Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Herbal Bed Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Herbal Bed to Close The New York Times April 23 1998 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 The Broadway League October 15 1998 More to Love Broadway Play Original IBDB Archived from the original on December 23 2021 Retrieved December 23 2021 More to Love Broadway Eugene O Neill Theatre Playbill Archived from the original on December 23 2021 Retrieved December 23 2021 Fat Comedy to Close The New York Times October 17 1998 ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League February 10 1999 Death of a Salesman Broadway Play 1999 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Death of a Salesman Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 Kakutani Michiko February 7 1999 A Salesman Who Transcends Time The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 16 1999 Waiting in the Wings Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Waiting in the Wings Broadway Walter Kerr Theatre Playbill Archived from the original on December 6 2021 Retrieved December 22 2021 a b Bloom 2007 pp 69 70 Botto amp Mitchell 2002 p 212 McKinley Jesse June 9 2000 On Stage and Off A Full Monty Buffalo Style The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League October 26 2000 The Full Monty Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 The Full Monty Broadway Eugene O Neill Theatre Playbill Archived from the original on December 1 2021 Retrieved December 22 2021 a b The Broadway League April 10 2003 Nine Broadway Musical 2003 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Nine Broadway Eugene O Neill Theatre Playbill Archived from the original on December 9 2021 Retrieved December 22 2021 a b Brantley Ben April 11 2003 Theater Review Gals Gams and Glamour The New York Times ISSN 0362 4331 Archived from the original on November 5 2021 Retrieved December 23 2021 a b The Broadway League May 2 2004 Caroline or Change Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Caroline or Change Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b McKinley Jesse February 22 2004 Spring Theater A Matter of No Small Change Caroline s Broadway Angels The New York Times ISSN 0362 4331 Archived from the original on December 24 2021 Retrieved December 23 2021 Sisario Ben August 6 2004 More Broadway Shows to Close by Month s End The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League February 2 2005 Good Vibrations Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Good Vibrations Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 a b McKinley Jesse April 21 2005 Arts Briefly Bad Reviews Doom Good Vibrations The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League November 3 2005 Sweeney Todd Broadway Musical 2005 Revival IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Sweeney Todd Broadway Eugene O Neill Theatre Playbill Archived from the original on December 10 2021 Retrieved December 22 2021 a b Isherwood Charles October 30 2005 Cutting Sweeney Todd to the Bone The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 Smith Dinitia February 17 2005 A New Owner for 5 Theaters on Broadway The New York Times ISSN 0362 4331 Archived from the original on November 15 2021 Retrieved November 15 2021 McKinley Jesse October 28 2005 Arts Briefly Producer at Jujamcyn The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b Isherwood Charles December 11 2006 Sex and Rock What Would the Kaiser Think The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League December 10 2006 Spring Awakening Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Spring Awakening Broadway Eugene O Neill Theatre Playbill Archived from the original on March 17 2021 Retrieved December 22 2021 Itzkoff Dave October 23 2008 Spring Awakening To Close ArtsBeat Archived from the original on December 24 2021 Retrieved December 23 2021 Cohen Patricia September 8 2009 A New Force on Broadway The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved November 15 2021 Jones Kenneth January 22 2013 Jordan Roth Is Now Principal Owner of Broadway s Jujamcyn Theaters Playbill Archived from the original on April 1 2019 Retrieved April 1 2019 a b The Broadway League March 9 2009 33 Variations Broadway Play Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 33 Variations Broadway Eugene O Neill Theatre Playbill Archived from the original on December 6 2021 Retrieved December 22 2021 a b Brantley Ben March 9 2009 Beethoven and Fonda Broadway Soul Mates The New York Times ISSN 0362 4331 Archived from the original on December 23 2021 Retrieved December 23 2021 a b The Broadway League November 23 2009 Fela Broadway Musical Original IBDB Archived from the original on December 22 2021 Retrieved December 22 2021 Fela Broadway Eugene O Neill Theatre Playbill Archived from the original on December 22 2021 Retrieved December 22 2021 span, wikipedia, wiki, book, books, library,

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