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Elaine J. McCarthy

Elaine J. McCarthy (born May 11, 1966) is an American projection and video designer for theater and opera.[1]

Elaine J. McCarthy
McCarthy in 2003
Born (1966-05-11) May 11, 1966 (age 57)
Occupationvideo designer

Early life edit

She was born in Woburn, Massachusetts, and grew up in nearby Arlington, Massachusetts.

Intending to study Political Science, McCarthy initially attended Catholic University in Washington, D.C. but found herself drawn to the architectural studio. She subsequently left to take a semester of architectural courses at Harvard University Graduate School of Design then a year at University of Massachusetts Boston studying photography and set design. She eventually enrolled at New York University where she earned a B.F.A. in Photography & Imaging from the Tisch School of the Arts, Maurice Kanbar Institute of Film & Television.[1]

Career edit

Early career edit

McCarthy held an administrative job in the early years of the Massachusetts Institute of Technology Media Lab, where she learned about computers. “I was exposed to the most bleeding-edge technology and everybody in that environment had a point of view to add, whether you were a tenured professor, or, like me, a glorified secretary — it was all part of the mix. That was my first exposure to a barrier-free environment.” This experience led her to the MIT Community Players which was her first exposure to the idea of theater as a potential career. After that she worked with an experimental theater company, the Pilgrim Theater Research and Performance Collaborative. While stage managing for them at the Edinburgh Festival it became clear to her that she wished to pursue a career in theater. She eventually worked her way to New York City working as a design assistant to noted projection designer Wendall K. Harrington through whose studio many of today's top projection design practitioners have passed. This is where she saw her varied interests in technology, art, design, photography, architecture, film and theater come together in one discipline, projection design for theater.”[2]

She has since gone on to work with a diverse group of notable directors including Leonard Foglia, Michael Greif, Kristin Hanggi, Andrei Konchalovsky, James Lapine, Joe Mantello, Michael Mayer, Dejan Miladinović, Mike Nichols, Jack O'Brien, Diane Paulus, Tim Robbins, Peter Sellars, Julie Taymor, John Tillinger and Rob Urbinati.[3]

Broadway edit

She has many Broadway productions to her credit including After the Fall (2004 revival), Good Vibrations, The Green Bird, Judgment at Nuremberg,[4] the Tony Award nominated productions of Man Of La Mancha (2002 Revival)[1] and Wicked[5] (the 4th longest-running Broadway show[6] and the 11th longest-running West End show) as well as the Tony Award winning productions of Into The Woods (2002 Revival), Assassins and Monty Python's Spamalot.[7]

Opera edit

She designed projections for Tan Dun's adaptation of The Peony Pavilion at the Wiener Festwochen[8] as well as Tchaikovsky´s Mazeppa[9][10] and the Andrei Konchalovsky directed production of Prokofiev's War and Peace,[11] both co-productions of the Kirov Opera at the Mariinsky Theater in Saint Petersburg and the Metropolitan Opera in New York City. She recently designed Alfredo Catalani's La Wally[12] and Tchaikovsky's rarely performed Iolanta[13] for The Dallas Opera.

In August 2015 McCarthy designed projections for the world premiere of the new opera Cold Mountain composed by Jennifer Higdon with a libretto by Gene Scheer at the Santa Fe Opera.[14]

In the Fall of 2015 McCarthy returned to the Dallas Opera to design projections for the world premier production of Great Scott, a new opera by Jake Heggie and Terrence McNally directed by Jack O'Brien with Sets and Costumes by Bob Crowley and Lighting by Brian MacDevitt .[15]

McCarthy designed projections for the world premiere of Jake Heggie's new opera It's a Wonderful Life for the Houston Grand Opera December 2016. The production was directed by Leonard Foglia with Sets by Robert Brill, Lighting by Brian Nason and Costumes by David C. Woolard.[16]

Off Broadway and Regional edit

Late summer 2016 McCarthy designed projections for the New England premier production of Notes from the Field: Doing Time in Education, created, written and performed by Anna Deavere Smith in Boston at the American Repertory Theater (A.R.T.) then it moved to New York City's Second Stage Theater that fall. Directed by Leonard Foglia with Set design by Riccardo Hernandez, costume design by Ann Hould-Ward, lighting design by Howell Binkley[17]

Fall 2018 McCarthy designed projections for Gloria: A Life, the story of Gloria Steinem at the Daryl Roth Theatre starring Christine Lahti in the title role. It is written by Email Mann and directed by Diane Paulus with scenic design by Amy Rubin, costume design by Jessica Jahn, lighting design by Jeanette Yew and sound design by Leah Gelpe.[18]

Recent and planned projects edit

McCarthy will design sets and projections for the world premiere of Joby Talbot's new opera The Diving Bell and the Butterfly for the Dallas Opera, originally scheduled for the 2020-21 season but postponed until fall of 2023 due to the COVID-19 pandemic.[19] The production will be directed by Leonard Foglia with Lighting by Gavin Swift and Costumes by David C. Woolard.[20]

McCarthy designed the Fort Worth Symphony Orchestra's performance of Haydn: The Creation presented in May 2023. Conducted by Robert Spano.[21]

McCarthy is a frequent collaborator with Director Leonard Foglia. She designed projections for his Off-Broadway production The Stendhal Syndrome;[22] his Broadway productions Thurgood,[23] and The People in the Picture;[24] and his production of the Opera's Dead Man Walking[25] for the New York City Opera as well as the World Premiere productions of Moby-Dick[26] and Everest[27] for the Dallas Opera and El Pasado Nunca se Termina for the Lyric Opera of Chicago for which she designed both Sets and Projections. “What Elaine is able to do,” he says, “is to use my ideas as a departure for her own creativity. She will take my ideas and lift it out to a level I could never have imagined. It's what I pray every designer will do.”[1]

Academic edit

McCarthy is currently an Adjunct instructor at Boston University College of Fine Arts. She was previously a Lecturer in Design at the Yale University School of Drama[28] and an Adjunct Instructor at New York University Tisch School of the Arts, Rutgers University, Mason Gross School of the Arts and Texas State University and has been a guest lecturer at City University of New York College of Technology, Pace University, University of Alabama, University of Maryland, University of North Carolina School of the Arts, Wesleyan University, University of Wisconsin, and numerous others.

She has also appeared as a guest speaker at the USITT Conference,[29] Live Design's L.D.I.[30] and Opera America's Opera Conference.

McCarthy is a member of United Scenic Artists local 829 and USITT and was a Lucille Lortel Award voter 2019-2022.[29] McCarthy is an Associate Volunteer for as well as a member of the Steering Committee of The 1/52 Project, founded by Scenic designer Beowulf Boritt in 2022 as a financial grant program financed and run by working designers to encourage early career designers from historically excluded groups.[31]

Awards edit

In 2020 McCarthy was honored with the USITT Distinguished Achievement Award for Digital Media.[32]

McCarthy's projection design work on Gloria: A Life was recognized with the American Theater Wing's Henry Hewes Design Award Nomination for Notable Effects in August 2019.[33]

In June 2019 McCarthy won a Betty Mitchell Award for Outstanding Projection or Video Design for her work on Everest at the Calgary Opera.[34]

McCarthy was nominated in 2017 for the Drama Desk Award[35] the Lucille Lortel Award[36] and the Henry Hewes Design Award[37] for Outstanding Projection Design for Notes from the Field at Second Stage and for an IRNE Award in the category Large Theater: Best Projection Design for Notes from the Field at the American Repertory Theater.[38]

McCarthy was nominated for Best Video Design for Entertainment Today's Ticketholder Award in 2010 for Thurgood at the Geffen Playhouse.[39]

McCarthy was nominated for the Henry Hewes Design Award in 2009 for Notable Effects[40] for Frequency Hopping produced by the Hourglass Group at the 3LD Arts & Technology Center in New York City for which she designed both the scenery and projections.[41] The production was noted for its use of a fully robotic orchestra as well as McCarthy's utilization of Musion Eyeliner, which is a modern version of the 19th century Pepper's Ghost effect.[42]

McCarthy was nominated for Best Video Design for Entertainment Today's Ticketholder Award in 2007 for the Center Theatre Group's World Premier production of Lisa Loomer's play Distracted at the Mark Taper Forum for which she designed both Sets and Projections[43]

In 2003 she was awarded an Entertainment Design Magazine (now Live Design) Eddy Award for Projection Design Excellence[44]

Personal life edit

McCarthy is married, has a daughter and lives in Connecticut.[45]

References edit

  1. ^ a b c d David Johnson, "The Next Generation of Projection Design", Live Design, May 1, 2003
  2. ^ Steven McElroy, "From Afterthought to Essential", New York Times, May 18, 2008
  3. ^ Elaine J. McCarthy at the Internet Broadway Database
  4. ^ Simi Horowitz, "The Multi Media Is The Message", Backstage, June 6, 2001
  5. ^ Anita Gates, "The Screen’s Now Setting Many a Stage" New York Times, March 2, 2010
  6. ^ Rebecca Rubin (April 6, 2023). "Wicked to Become Fourth-Longest Running Show in Broadway History". Variety. Retrieved September 28, 2023.
  7. ^ David Barbour, "The Prevalence of Projections" 2015-07-04 at the Wayback Machine, American Theatre Magazine, December 2011
  8. ^ "The Peony Pavilion (1998)"
  9. ^ Ralph Blumenthal, "Marching Orders at the Met; 'War and Peace' Climax Calls for a Cast of 346 and a Horse", New York Times, February 11, 2002
  10. ^ Ellen Lampert-Greaux, "Still Life: Russian Roulette", Live Design, April 1, 2006
  11. ^ "War and Peace", Metropolitan Opera Archives
  12. ^ Olin Chism "Review: Dallas Opera hits a double", Star-Telegram, January 31, 2013
  13. ^ Catherine Womack "The Dallas Opera Sheds Beautiful Light on the Rarely Performed Iolanta", D Magazine, April 13, 2015
  14. ^ "2015 SANTA FE OPERA SEASON ANNOUNCED: World premiere of Cold Mountain by Pulitzer Prize-winner Jennifer Higdon; five new productions; three “firsts” planned" 2016-03-04 at the Wayback Machine santafeopera.org
  15. ^ "About Great Scott" jakeheggie.com
  16. ^ "It's A Wonderful Life" Houston Grand Opera
  17. ^ "Notes From The Field" American Repertory Theater
  18. ^ David Gordon "Gloria Steinem Bioplay, Starring Christine Lahti, Announces Full Casting", TheaterMania, September 4, 2018
  19. ^ Rachel Snyder (January 27, 2021). "Dallas Opera Cancels Spring 2021 Performances". People Newspapers. Retrieved May 25, 2022.
  20. ^ Salazar, Francisco (January 23, 2020). "Lucas Meachem, Jamie Barton & Joyce DiDonato Highlight Dallas Opera's 2020-21 Season". OperaWire. Retrieved January 23, 2020.
  21. ^ "Fort Worth Symphony Orchestra Announces 2022–2023 Season". What's Up Fort Worth. January 16, 2022. Retrieved February 8, 2022.
  22. ^ Charles Isherwood, "Review: ‘The Stendhal Syndrome’" Variety, February 16, 2004
  23. ^ Frank Rizzo, "Review: Thurgdood" Variety, May 14, 2006
  24. ^ Ben Brantley, "The People in the Picture" New York Times, April 28, 2001
  25. ^ Charles Isherwood, "Review: Dead Man Walking", Variety, September 19, 2002
  26. ^ Steve Smith, "A Role for the Roiling Sea as Ahab Hunts His Whale", New York Times, May 2, 2010
  27. ^ Heidi Waleson, "Tragedy Makes for the Peak of Drama", Wall Street Journal, Feb 3, 2015
  28. ^ "Plan of Study: Projection Design" (PDF). Bulletin of Yale University (Series 117 Number 13). Yale University: 56. August 30, 2021. Retrieved September 5, 2021.
  29. ^ a b Lampert-Greaux, Ellen (February 11, 2020). "By Design: Elaine J. McCarthy on Projections, Part One". Live Design. Retrieved February 12, 2020.
  30. ^ Lampert-Greaux, Ellen (October 7, 2019). "Monday Musings: Projection Design". Live Design. Retrieved January 23, 2020.
  31. ^ "The 1/52 Project Steering Committee". The 1/52 Project. Retrieved March 23, 2023.
  32. ^ "Distinguished Achievement Award Winners Announced". USITT. The Association for Performing Arts & Entertainment Professionals. November 25, 2019. Retrieved January 18, 2020.
  33. ^ Clement, Olivia (August 21, 2019). "2019 Henry Hewes Design Award Honorees Announced". Playbill. TotalTheatre. Retrieved August 26, 2019.
  34. ^ Louis B. Hobson, Billy Elliot en pointe with five Betty Mitchell Awards, Calgary Herald, June 24, 2019
  35. ^ "Drama Desk Award Nominations 2017". Variety. April 27, 2017. Retrieved April 27, 2017.
  36. ^ "Lucille Lortel Nominations 2017". Variety. April 4, 2017. Retrieved April 4, 2017.
  37. ^ "The Band's Visit and Come From Away Designers Among 2017 Henry Hewes Design Award Recipients". Playbill. December 18, 2017. Retrieved December 18, 2017.
  38. ^ "The Independent Reviewers of New England Awards: 2017". about the artists. Retrieved April 4, 2017.
  39. ^ Travis Michael Holder "The 20th Annual Ticketholder Awards 2010", Entertainment Today, January 25, 2011
  40. ^ Henry Hewes Design Awards Notable Effects
  41. ^ "Frequency Hopping". Hourglass Group. Retrieved June 18, 2015.
  42. ^ "'Frequency Hopping' Showcases Screen Siren's Smarts". NPR's Science Friday. Retrieved July 1, 2008.
  43. ^ Travis Michael Holder "Ticketholder Awards 2007", Entertainment Today, January 11, 2008
  44. ^ Sarah Rushton-Ried, "EDDY Awards presented at special ceremony in New York" 2015-07-13 at the Wayback Machine, Lighting and Sound International, July 4, 2003
  45. ^ Hannah Kate Kinnersley, "Re:Sources–Elaine J. McCarthy" Live Design, August 1, 2004

External links edit

  • Official website  
  • Elaine J. McCarthy at IMDb  
  • Elaine J. McCarthy at the Internet Broadway Database  
  • Elaine J. McCarthy at the Internet Off-Broadway Database  
  • Elaine J. McCarthy at Playbill Vault  
  • Elaine J. McCarthy at Operabase
  • Elaine J. McCarthy at AboutTheArtists
  • Elaine J. McCarthy at the Theatrical Index
  • Elaine J. McCarthy at United Scenic Artists local 829
  • Dan Via, "From Online To Onstage", Washington Post, April 6, 2001
  • Elaine McCarthy, "ON Projection: Shadow Play, Part I" Live Design, September 1, 2002
  • David Barbour and David Johnson, "Hocus Pocus: Wicked On Broadway" Live Design, February 1, 2004
  • Hannah Kate Kinnersley, "Re:Sources–Elaine J. McCarthy" Live Design, August 1, 2004
  • Robert Cashill, "Spam Filters" Live Design, June 1, 2005
  • Marian Sandberg, "Hitchcockian Style" Live Design, June 1, 2006
  • Touring The Two Tonys, Projection Lights & Staging News (PLSN), October 16, 2006
  • Eric Grode, The World of a Broadway Projection Designer, Theatre Development Fund, July 28, 2011
  • Lee Cullum, "Sheer Magic" Patron Magazine, October/November 2015
  • Wicked: Behind The Emerald Curtain - Projections
  • Moby-Dick: 24-hour Timelapse on Stage
  • Light Talk with the Lumen Brothers - Episode 115, Storyteller - Interview with Elaine J. McCarthy, June 22, 2019
  • Caitlin Vincent, "Trends and challenges of digital scenography in opera" Scenography Today, November 11, 2021
  • Equity through Design Mentorship - "Saturday Sessions: Lighting and Projection Design"
  • Das Wunder der Heliane, Bard SummerScape Opera 2019
  • Dead Man Walking, Teatro Real, Madrid 2018
  • Moby Dick, San Francisco Opera 2013

elaine, mccarthy, born, 1966, american, projection, video, designer, theater, opera, mccarthy, 2003born, 1966, 1966, woburn, massachusetts, occupationvideo, designer, contents, early, life, career, early, career, broadway, opera, broadway, regional, recent, pl. Elaine J McCarthy born May 11 1966 is an American projection and video designer for theater and opera 1 Elaine J McCarthyMcCarthy in 2003Born 1966 05 11 May 11 1966 age 57 Woburn Massachusetts U S Occupationvideo designer Contents 1 Early life 2 Career 2 1 Early career 2 2 Broadway 2 3 Opera 2 4 Off Broadway and Regional 2 5 Recent and planned projects 2 6 Academic 3 Awards 4 Personal life 5 References 6 External linksEarly life editShe was born in Woburn Massachusetts and grew up in nearby Arlington Massachusetts Intending to study Political Science McCarthy initially attended Catholic University in Washington D C but found herself drawn to the architectural studio She subsequently left to take a semester of architectural courses at Harvard University Graduate School of Design then a year at University of Massachusetts Boston studying photography and set design She eventually enrolled at New York University where she earned a B F A in Photography amp Imaging from the Tisch School of the Arts Maurice Kanbar Institute of Film amp Television 1 Career editEarly career edit McCarthy held an administrative job in the early years of the Massachusetts Institute of Technology Media Lab where she learned about computers I was exposed to the most bleeding edge technology and everybody in that environment had a point of view to add whether you were a tenured professor or like me a glorified secretary it was all part of the mix That was my first exposure to a barrier free environment This experience led her to the MIT Community Players which was her first exposure to the idea of theater as a potential career After that she worked with an experimental theater company the Pilgrim Theater Research and Performance Collaborative While stage managing for them at the Edinburgh Festival it became clear to her that she wished to pursue a career in theater She eventually worked her way to New York City working as a design assistant to noted projection designer Wendall K Harrington through whose studio many of today s top projection design practitioners have passed This is where she saw her varied interests in technology art design photography architecture film and theater come together in one discipline projection design for theater 2 She has since gone on to work with a diverse group of notable directors including Leonard Foglia Michael Greif Kristin Hanggi Andrei Konchalovsky James Lapine Joe Mantello Michael Mayer Dejan Miladinovic Mike Nichols Jack O Brien Diane Paulus Tim Robbins Peter Sellars Julie Taymor John Tillinger and Rob Urbinati 3 Broadway edit She has many Broadway productions to her credit including After the Fall 2004 revival Good Vibrations The Green Bird Judgment at Nuremberg 4 the Tony Award nominated productions of Man Of La Mancha 2002 Revival 1 and Wicked 5 the 4th longest running Broadway show 6 and the 11th longest running West End show as well as the Tony Award winning productions of Into The Woods 2002 Revival Assassins and Monty Python s Spamalot 7 Opera edit She designed projections for Tan Dun s adaptation of The Peony Pavilion at the Wiener Festwochen 8 as well as Tchaikovsky s Mazeppa 9 10 and the Andrei Konchalovsky directed production of Prokofiev s War and Peace 11 both co productions of the Kirov Opera at the Mariinsky Theater in Saint Petersburg and the Metropolitan Opera in New York City She recently designed Alfredo Catalani s La Wally 12 and Tchaikovsky s rarely performed Iolanta 13 for The Dallas Opera In August 2015 McCarthy designed projections for the world premiere of the new opera Cold Mountain composed by Jennifer Higdon with a libretto by Gene Scheer at the Santa Fe Opera 14 In the Fall of 2015 McCarthy returned to the Dallas Opera to design projections for the world premier production of Great Scott a new opera by Jake Heggie and Terrence McNally directed by Jack O Brien with Sets and Costumes by Bob Crowley and Lighting by Brian MacDevitt 15 McCarthy designed projections for the world premiere of Jake Heggie s new opera It s a Wonderful Life for the Houston Grand Opera December 2016 The production was directed by Leonard Foglia with Sets by Robert Brill Lighting by Brian Nason and Costumes by David C Woolard 16 Off Broadway and Regional edit Late summer 2016 McCarthy designed projections for the New England premier production of Notes from the Field Doing Time in Education created written and performed by Anna Deavere Smith in Boston at the American Repertory Theater A R T then it moved to New York City s Second Stage Theater that fall Directed by Leonard Foglia with Set design by Riccardo Hernandez costume design by Ann Hould Ward lighting design by Howell Binkley 17 Fall 2018 McCarthy designed projections for Gloria A Life the story of Gloria Steinem at the Daryl Roth Theatre starring Christine Lahti in the title role It is written by Email Mann and directed by Diane Paulus with scenic design by Amy Rubin costume design by Jessica Jahn lighting design by Jeanette Yew and sound design by Leah Gelpe 18 Recent and planned projects edit McCarthy will design sets and projections for the world premiere of Joby Talbot s new opera The Diving Bell and the Butterfly for the Dallas Opera originally scheduled for the 2020 21 season but postponed until fall of 2023 due to the COVID 19 pandemic 19 The production will be directed by Leonard Foglia with Lighting by Gavin Swift and Costumes by David C Woolard 20 McCarthy designed the Fort Worth Symphony Orchestra s performance of Haydn The Creation presented in May 2023 Conducted by Robert Spano 21 McCarthy is a frequent collaborator with Director Leonard Foglia She designed projections for his Off Broadway production The Stendhal Syndrome 22 his Broadway productions Thurgood 23 and The People in the Picture 24 and his production of the Opera s Dead Man Walking 25 for the New York City Opera as well as the World Premiere productions of Moby Dick 26 and Everest 27 for the Dallas Opera and El Pasado Nunca se Termina for the Lyric Opera of Chicago for which she designed both Sets and Projections What Elaine is able to do he says is to use my ideas as a departure for her own creativity She will take my ideas and lift it out to a level I could never have imagined It s what I pray every designer will do 1 Academic edit McCarthy is currently an Adjunct instructor at Boston University College of Fine Arts She was previously a Lecturer in Design at the Yale University School of Drama 28 and an Adjunct Instructor at New York University Tisch School of the Arts Rutgers University Mason Gross School of the Arts and Texas State University and has been a guest lecturer at City University of New York College of Technology Pace University University of Alabama University of Maryland University of North Carolina School of the Arts Wesleyan University University of Wisconsin and numerous others She has also appeared as a guest speaker at the USITT Conference 29 Live Design s L D I 30 and Opera America s Opera Conference McCarthy is a member of United Scenic Artists local 829 and USITT and was a Lucille Lortel Award voter 2019 2022 29 McCarthy is an Associate Volunteer for as well as a member of the Steering Committee of The 1 52 Project founded by Scenic designer Beowulf Boritt in 2022 as a financial grant program financed and run by working designers to encourage early career designers from historically excluded groups 31 Awards editIn 2020 McCarthy was honored with the USITT Distinguished Achievement Award for Digital Media 32 McCarthy s projection design work on Gloria A Life was recognized with the American Theater Wing s Henry Hewes Design Award Nomination for Notable Effects in August 2019 33 In June 2019 McCarthy won a Betty Mitchell Award for Outstanding Projection or Video Design for her work on Everest at the Calgary Opera 34 McCarthy was nominated in 2017 for the Drama Desk Award 35 the Lucille Lortel Award 36 and the Henry Hewes Design Award 37 for Outstanding Projection Design for Notes from the Field at Second Stage and for an IRNE Award in the category Large Theater Best Projection Design for Notes from the Field at the American Repertory Theater 38 McCarthy was nominated for Best Video Design for Entertainment Today s Ticketholder Award in 2010 for Thurgood at the Geffen Playhouse 39 McCarthy was nominated for the Henry Hewes Design Award in 2009 for Notable Effects 40 for Frequency Hopping produced by the Hourglass Group at the 3LD Arts amp Technology Center in New York City for which she designed both the scenery and projections 41 The production was noted for its use of a fully robotic orchestra as well as McCarthy s utilization of Musion Eyeliner which is a modern version of the 19th century Pepper s Ghost effect 42 McCarthy was nominated for Best Video Design for Entertainment Today s Ticketholder Award in 2007 for the Center Theatre Group s World Premier production of Lisa Loomer s play Distracted at the Mark Taper Forum for which she designed both Sets and Projections 43 In 2003 she was awarded an Entertainment Design Magazine now Live Design Eddy Award for Projection Design Excellence 44 Personal life editMcCarthy is married has a daughter and lives in Connecticut 45 References edit a b c d David Johnson The Next Generation of Projection Design Live Design May 1 2003 Steven McElroy From Afterthought to Essential New York Times May 18 2008 Elaine J McCarthy at the Internet Broadway Database Simi Horowitz The Multi Media Is The Message Backstage June 6 2001 Anita Gates The Screen s Now Setting Many a Stage New York Times March 2 2010 Rebecca Rubin April 6 2023 Wicked to Become Fourth Longest Running Show in Broadway History Variety Retrieved September 28 2023 David Barbour The Prevalence of Projections Archived 2015 07 04 at the Wayback Machine American Theatre Magazine December 2011 The Peony Pavilion 1998 Ralph Blumenthal Marching Orders at the Met War and Peace Climax Calls for a Cast of 346 and a Horse New York Times February 11 2002 Ellen Lampert Greaux Still Life Russian Roulette Live Design April 1 2006 War and Peace Metropolitan Opera Archives Olin Chism Review Dallas Opera hits a double Star Telegram January 31 2013 Catherine Womack The Dallas Opera Sheds Beautiful Light on the Rarely Performed Iolanta D Magazine April 13 2015 2015 SANTA FE OPERA SEASON ANNOUNCED World premiere of Cold Mountain by Pulitzer Prize winner Jennifer Higdon five new productions three firsts planned Archived 2016 03 04 at the Wayback Machine santafeopera org About Great Scott jakeheggie com It s A Wonderful Life Houston Grand Opera Notes From The Field American Repertory Theater David Gordon Gloria Steinem Bioplay Starring Christine Lahti Announces Full Casting TheaterMania September 4 2018 Rachel Snyder January 27 2021 Dallas Opera Cancels Spring 2021 Performances People Newspapers Retrieved May 25 2022 Salazar Francisco January 23 2020 Lucas Meachem Jamie Barton amp Joyce DiDonato Highlight Dallas Opera s 2020 21 Season OperaWire Retrieved January 23 2020 Fort Worth Symphony Orchestra Announces 2022 2023 Season What s Up Fort Worth January 16 2022 Retrieved February 8 2022 Charles Isherwood Review The Stendhal Syndrome Variety February 16 2004 Frank Rizzo Review Thurgdood Variety May 14 2006 Ben Brantley The People in the Picture New York Times April 28 2001 Charles Isherwood Review Dead Man Walking Variety September 19 2002 Steve Smith A Role for the Roiling Sea as Ahab Hunts His Whale New York Times May 2 2010 Heidi Waleson Tragedy Makes for the Peak of Drama Wall Street Journal Feb 3 2015 Plan of Study Projection Design PDF Bulletin of Yale University Series 117 Number 13 Yale University 56 August 30 2021 Retrieved September 5 2021 a b Lampert Greaux Ellen February 11 2020 By Design Elaine J McCarthy on Projections Part One Live Design Retrieved February 12 2020 Lampert Greaux Ellen October 7 2019 Monday Musings Projection Design Live Design Retrieved January 23 2020 The 1 52 Project Steering Committee The 1 52 Project Retrieved March 23 2023 Distinguished Achievement Award Winners Announced USITT The Association for Performing Arts amp Entertainment Professionals November 25 2019 Retrieved January 18 2020 Clement Olivia August 21 2019 2019 Henry Hewes Design Award Honorees Announced Playbill TotalTheatre Retrieved August 26 2019 Louis B Hobson Billy Elliot en pointe with five Betty Mitchell Awards Calgary Herald June 24 2019 Drama Desk Award Nominations 2017 Variety April 27 2017 Retrieved April 27 2017 Lucille Lortel Nominations 2017 Variety April 4 2017 Retrieved April 4 2017 The Band s Visit and Come From Away Designers Among 2017 Henry Hewes Design Award Recipients Playbill December 18 2017 Retrieved December 18 2017 The Independent Reviewers of New England Awards 2017 about the artists Retrieved April 4 2017 Travis Michael Holder The 20th Annual Ticketholder Awards 2010 Entertainment Today January 25 2011 Henry Hewes Design Awards Notable Effects Frequency Hopping Hourglass Group Retrieved June 18 2015 Frequency Hopping Showcases Screen Siren s Smarts NPR s Science Friday Retrieved July 1 2008 Travis Michael Holder Ticketholder Awards 2007 Entertainment Today January 11 2008 Sarah Rushton Ried EDDY Awards presented at special ceremony in New York Archived 2015 07 13 at the Wayback Machine Lighting and Sound International July 4 2003 Hannah Kate Kinnersley Re Sources Elaine J McCarthy Live Design August 1 2004External links editOfficial website nbsp Elaine J McCarthy at IMDb nbsp Elaine J McCarthy at the Internet Broadway Database nbsp Elaine J McCarthy at the Internet Off Broadway Database nbsp Elaine J McCarthy at Playbill Vault nbsp Elaine J McCarthy at Operabase Elaine J McCarthy at AboutTheArtists Elaine J McCarthy at the Theatrical Index Elaine J McCarthy at United Scenic Artists local 829 Dan Via From Online To Onstage Washington Post April 6 2001 Elaine McCarthy ON Projection Shadow Play Part I Live Design September 1 2002 David Barbour and David Johnson Hocus Pocus Wicked On Broadway Live Design February 1 2004 Hannah Kate Kinnersley Re Sources Elaine J McCarthy Live Design August 1 2004 Robert Cashill Spam Filters Live Design June 1 2005 Marian Sandberg Hitchcockian Style Live Design June 1 2006 Touring The Two Tonys Projection Lights amp Staging News PLSN October 16 2006 Eric Grode The World of a Broadway Projection Designer Theatre Development Fund July 28 2011 Lee Cullum Sheer Magic Patron Magazine October November 2015 Wicked Behind The Emerald Curtain Projections Moby Dick 24 hour Timelapse on Stage Light Talk with the Lumen Brothers Episode 115 Storyteller Interview with Elaine J McCarthy June 22 2019 Caitlin Vincent Trends and challenges of digital scenography in opera Scenography Today November 11 2021 Equity through Design Mentorship Saturday Sessions Lighting and Projection Design Das Wunder der Heliane Bard SummerScape Opera 2019 Dead Man Walking Teatro Real Madrid 2018 Moby Dick San Francisco Opera 2013Portals nbsp Theatre nbsp Music nbsp Opera nbsp Biography Retrieved from https en wikipedia org w index php title Elaine J McCarthy amp oldid 1202828856, wikipedia, wiki, book, books, library,

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