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Alberto Ginastera

Alberto Evaristo Ginastera (Catalan pronunciation: [alˈβeɾto eβaˈɾisto dʒinasˈteɾa]; April 11, 1916 – June 25, 1983) was an Argentine composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas.[1]

Alberto Ginastera
Born
Alberto Evaristo Ginastera

(1916-04-11)April 11, 1916
DiedJune 25, 1983(1983-06-25) (aged 67)
Era20th Century
Signature

Biography edit

 
Julián Aguirre Conservatory of Music, founded by Ginastera in 1951

Ginastera was born in Buenos Aires to a Spanish father and an Italian mother. During his later years, he preferred to use the Catalan and Italian pronunciation of his surname – IPA: [dʒinasˈteɾa], with an initial soft 'G' like that of English 'George' – rather than with a Spanish 'J' sound (IPA: [xinasˈteɾa]).[2]

Ginastera studied at the Williams Conservatory in Buenos Aires, graduating in 1938. As a young professor, he taught at the Liceo Militar General San Martín. After a visit to the United States in 1945–47, where he studied with Aaron Copland at Tanglewood, he returned to Buenos Aires. He held a number of teaching posts. Among his notable students were Ástor Piazzolla (who studied with him in 1941), Alcides Lanza, Jorge Antunes, Waldo de los Ríos, Jacqueline Nova, Blás Atehortua, Rafael Aponte-Ledée. See: List of music students by teacher: G to J#Alberto Ginastera.

In 1968 Ginastera moved back to the United States, and in 1970 to Europe. He died in Geneva, Switzerland, at the age of 67 and was buried in the Cimetière des Rois there.

Music edit

Ginastera grouped his music into three periods: "Objective Nationalism" (1934–1948), "Subjective Nationalism" (1948–1958), and "Neo-Expressionism" (1958–1983). Among other distinguishing features, these periods vary in their use of traditional Argentine musical elements. His Objective Nationalistic works often integrate Argentine folk themes in a straightforward fashion, while works in the later periods incorporate traditional elements in increasingly abstracted forms.

Many of Ginastera's works were inspired by the Gauchesco tradition. This tradition holds that the gaucho, or landless native horseman of the plains, is a symbol of Argentina.[3]

His Cantata para América Mágica (1960), for dramatic soprano and 53 percussion instruments, was based on ancient pre-Columbian legends. Its U.S. West Coast premiere was performed by the Los Angeles Percussion Ensemble under Henri Temianka and William Kraft at UCLA in 1963.

Works edit

Opera edit

  • Don Rodrigo, Op. 31 (1963–64)
  • Bomarzo, Op. 34 (1966–67), banned in Argentina until 1972
  • Beatrix Cenci, Op. 38 (1971), based on the play The Cenci (1819) by Percy Bysshe Shelley

Ballet edit

  • Panambí, Op. 1 (1935)
  • Estancia, Op. 8 (1941)

Orchestral edit

  • Suite from Panambí, Op. 1a (1937)
  • Dances from Estancia, Op. 8a (1943)[4]
  • Obertura para el "Fausto" criollo, Op. 9 (1943)
  • Ollantay: 3 Symphonic Movements, Op. 17 (1947)
  • Variaciones concertantes, Op. 23 (1953)
  • Pampeana No. 3, Op. 24 (1954)
  • Concerto per corde, Op. 33 (1965)
  • Estudios Sinfonicos, Op. 35 (1967)
  • Popol Vuh, Op. 44 (1975–1983, left incomplete at the composer's death)
  • Glosses sobre temes de Pau Casals for string orchestra, Op. 46 (1976)
  • Glosses sobre temes de Pau Casals for full orchestra, Op. 48 (1976–77)
  • Iubilum, Op. 51 (1979–80)

Concerti edit

Piano edit

  • Danzas argentinas, Op. 2 (1937)
  • Tres piezas, Op. 6 (1940)
  • Malambo, Op. 7 ( 1940)
  • "Pequena Danza" (from the ballet Estancia, Op. 8) (1941)
  • 12 Preludios americanos, Op. 12 (1944)
  • Suite de danzas criollas, Op. 15 (1946, rev. 1956)
  • Rondó sobre temas infantiles argentinos, Op. 19 (1947)
  • Piano Sonata No. 1, Op. 22 (1952)
  • Arrangement of an Organ Toccata by Domenico Zipoli (1970)
  • Piano Sonata No. 2, Op. 53 (1981)
  • Piano Sonata No. 3, Op. 54 (1982)
  • Danzas argentinas para los ninos (Unfinished)
    1. Moderato: para Alex
    2. Paisaje: para Georgina

Organ edit

Vocal/choral edit

  • 2 Songs, for voice and piano, Op. 3 (1938)
  • Cantos del Tucumán, for voice, flute, harp, percussion, and violin, Op. 4 (1938)
  • Psalm 150, for mixed choir, children's choir and orchestra, Op. 5 (1938)
  • 5 canciones populares argentinas, for voice and piano, Op. 10 (1943)
  • Las horas de una estancia, for voice and piano, Op. 11 (1943)
  • Lamentaciones de Jeremias Propheta, for chorus, Op. 14 (1946)
  • Cantata para América mágica, for dramatic soprano and percussion orchestra, Op. 27 (1960)
  • Cantata Bomarzo, for soloists, narrator, and chamber orchestra, Op. 32 (1964)
  • Milena, for soprano and orchestra, Op. 37 (1971)
  • Serenata, for baritone, violoncello, wind quintet, percussion, harp, and double bass, Op. 42 (1973)
  • Turbae ad passionem gregorianam, for soloists, chorus, boy's chorus and orchestra, Op. 43 (1975)
  • Canción del beso robado, for voice and piano (19??)

Chamber/solo instrumental edit

  • Duo, for flute and oboe, Op. 13 (1945)
  • Pampeana No. 1, for violin and piano, Op. 16 (1947)
  • String Quartet No. 1, Op. 20 (1948)
  • Pampeana No. 2, for violoncello and piano, Op. 21 (1950)
  • String Quartet No. 2, Op. 26 (1958, Rev. 1968)
  • Piano Quintet, Op. 29 (1963)
  • String Quartet No. 3, for soprano and string quartet, Op. 40 (1973)
  • Puneña No. 1, for flute, Op. 41 (1973, left incomplete at the time of the composer's death)
  • Puneña No. 2 ("Hommage à Paul Sacher"), for violoncello, Op. 45 (1976)
  • Sonata for guitar, Op. 47 (1976, Rev. 1981)
  • Sonata for cello and piano, Op. 49 (1979)
  • Fanfare for four trumpets, op. 51a (1980)

Works withdrawn by the composer (without opus number) edit

  • Piezas Infantiles, for piano (1934)
  • Impresiones de la Puna, for flute and string quartet (1934)
  • Concierto argentino, for piano and orchestra (1936)
  • El arriero canta, for chorus (1937)
  • Sonatina, for harp (1938)
  • Symphony No. 1 ("Porteña") (1942)
  • Symphony No. 2 ("Elegíaca") (1944)

Incidental/film music edit

  • Don Basilio malcasado (1940)
  • Doña Clorinda la descontenta (1941)
  • Malambo (1942)
  • Rosa de América (1945)
  • Las antiguas semillas (1947)
  • Nace la libertad (1949)
  • El puente (1950)
  • Facundo, el tigre de los llanos (1952)
  • Caballito criollo (1953)
  • Su seguro servidor (1954)
  • Los maridos de mamá (1956)
  • Enigma de mujer (1956)
  • Spring of Life (1957)
  • Hay que bañar al nene (1958)
  • El límite (1958)
  • A María del corazón (1960)
  • La doncella prodigiosa (1961)

Discography edit

  • Bomarzo, The Opera Society of Washington, Julius Rudel, conductor; 1967 recording[full citation needed] re-released on Sony Classical in 2016.[full citation needed]
  • Cantata para América Mágica, Raquel Adonaylo, soprano; Los Angeles Percussion Ensemble, William Kraft, conductor. With: Carlos Chávez, Toccata for Percussion, Henri Temianka, conductor. LP recording, analog, 33⅓ rpm, stereo, 12 in. Columbia Masterworks MS 6447. New York: Columbia Records, 1963.
  • Cantata para America Magica, McGill Percussion Ensemble, P. Béluse, director, Elise Bédard, soprano, McGill Records CD, 1997.
  • Complete works for piano, Andrzej Pikul (piano), Dux Recording Producers, 2007.[6]
  • Quartet No. 1, Paganini Quartet, Decca Gold Label.
  • Art Songs of Latin-America, Patricia Caicedo, soprano & Pau Casan, piano – Albert Moraleda Records, Barcelona, 2001 – Cinco canciones populares argentinas by Ginastera & Canción al árbol del olvido
  • 2007 – Flores Argentinas: Canciones de Ginastera y Guastavino / Inca Rose Duo: Annelise Skovmand, voice; Pablo González Jazey, guitar. Cleo Productions, Cleo Prod 1002. Arrangements by González Jazey for voice and guitar of: Cinco canciones populares argentinas Op. 10 and Dos canciones Op. 3.
  • Arrangement of Piano Concerto No. 1; fourth movement; as "Toccata", Emerson, Lake & Palmer, Brain Salad Surgery, 1973.
  • Nissman Plays Ginastera: The Three Piano Concertos. Barbara Nissman, piano; Kenneth Kiesler, conductor; University of Michigan Symphony Orchestra. (CD) Pierian 0048 (2012)
  • Complete piano solo and piano/chamber works, Barbara Nissman (piano) with Aurora Natola-Ginastera (cello), Ruben Gonzales (violin) and the Laurentian String Quartet. Three Oranges Recordings (3OR-01)
  • Popol Vuh – The Mayan Creation, Estancia, Panambi, Suite de Danzas Criollas (world premiere of orchestral version), Ollantay. Gisele Ben-Dor, conductor. London Symphony Orchestra, Jerusalem Symphony Orchestra, BBC National Orchestra of Wales. Naxos, 2010.[7]
  • Panambi, Estancia (complete Ballets), Gisele Ben-Dor, conductor. Luis Gaeta, narrator/bass baritone. London Symphony Orchestra. Naxos, 1998&2006.[7]
  • Glosses on Themes of Pablo Casals, Variaciones concertantes. Gisele Ben-Dor, conductor. London Symphony Orchestra. Israel Chamber Orchestra. Naxos 1995&2010.[7]
  • John Antill: Corroboree ballet suite and Ginastera: Panambi ballet suite, London Symphony Orchestra, Sir Eugene Goossens, conductor, Everest stereo LP, SDBR 3003
  • String Quartets – "Ginastera: String Quartets," Cuarteto Latinoamericano, with Claudia Montiel, soprano [Elan 82270]
  • Piano Concerto No. 1 and Piano Sonata No. 1, Hilde Somer, piano; Ernst Märzendorfer, conductor; Vienna Philharmonia Orchestra; Desto (D-402/DS-6402)
  • 2022 – Eclipse Deutsche Grammophon, 4862383. Hilary Hahn violin with Andrés Orozco-Estrada and the Frankfurt Radio Symphony, various composers.

References edit

  1. ^ Deborah Schwartz-Kates, "Ginastera, Alberto (Evaristo)", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001); Evett, Robert. 1966. "The South American Way", New Republic 154, no. 12 (19 March): 35; Anon. "Obituary: Alberto Ginastera". The Musical Times 124, no. 1687, Music of the French Baroque (September 1983): 568; Aurelio de la Vega, "Trends of Present-Day Latin-American Music", Journal of Inter-American Studies 1, no. 1 (January 1959): 97–102, citation on p. 10; Norman Lebrecht, Companion to Twentieth-century Music (New York: Simon and Schuster, 1992): 134. Reprint New York: Da Capo Press. ISBN 9780306807343; Levin Houston, "Kennedy Center Sees Beatrix Cenci", The Free Lance-Star [Fredericksburg, Virginia] 87, no. 215 (13 September 1971); Suzanne Spicer Tiemstra, The Choral Music of Latin America: A Guide to Compositions and Research, Contributions in Afro-American & African Studies 36 (New York: Greenwood Press, 1992): 2. ISBN 9780313282089.
  2. ^ Schwartz-Kates, Deborah (May 3, 2011). Alberto Ginastera: A Research and Information Guide. Taylor & Francis. ISBN 9781136981166 – via Google Books.
  3. ^ Schwartz-Kates, Deborah (January 1, 2002). "Alberto Ginastera, Argentine Cultural Construction, and the Gauchesco Tradition". The Musical Quarterly. 86 (2): 248–281. doi:10.1093/musqtl/gdg009.
  4. ^ Tobias, Marianne Williams. "Four Dances from Estancia, Opus 8a". Indianapolis Symphony Orchestra. Retrieved 10 February 2023.
  5. ^ The Tenth Anniversary of the International Contemporary Organ Music Festival (PDF) (Music Festival Program Notes). International Contemporary Organ Music Festival. July 25, 1980.
  6. ^ . Archived from the original on 2011-10-03. Retrieved 2010-10-23.
  7. ^ a b c . www.giseleben-dor.com. Archived from the original on 2018-09-28. Retrieved 2012-09-23.

Further reading edit

  • Calleja, Marianela: Ideas of Time in Music: A Philosophico-logical Investigation Applied to Works of Alberto Ginastera (1916–1983). Studia musicologica Universitatis Helsingiensis, 24. (Ph.D. thesis.) Helsinki University, 2013. ISSN 0787-4294 ISBN 978-952-10-8992-3 (On-line version.)

alberto, ginastera, alberto, evaristo, ginastera, catalan, pronunciation, alˈβeɾto, eβaˈɾisto, dʒinasˈteɾa, april, 1916, june, 1983, argentine, composer, classical, music, considered, most, important, 20th, century, classical, composers, americas, bornalberto,. Alberto Evaristo Ginastera Catalan pronunciation alˈbeɾto ebaˈɾisto dʒinasˈteɾa April 11 1916 June 25 1983 was an Argentine composer of classical music He is considered to be one of the most important 20th century classical composers of the Americas 1 Alberto GinasteraBornAlberto Evaristo Ginastera 1916 04 11 April 11 1916Buenos AiresDiedJune 25 1983 1983 06 25 aged 67 GenevaEra20th CenturySignature Contents 1 Biography 2 Music 3 Works 3 1 Opera 3 2 Ballet 3 3 Orchestral 3 4 Concerti 3 5 Piano 3 6 Organ 3 7 Vocal choral 3 8 Chamber solo instrumental 3 9 Works withdrawn by the composer without opus number 3 10 Incidental film music 4 Discography 5 References 6 Further readingBiography edit nbsp Julian Aguirre Conservatory of Music founded by Ginastera in 1951Ginastera was born in Buenos Aires to a Spanish father and an Italian mother During his later years he preferred to use the Catalan and Italian pronunciation of his surname IPA dʒinasˈteɾa with an initial soft G like that of English George rather than with a Spanish J sound IPA xinasˈteɾa 2 Ginastera studied at the Williams Conservatory in Buenos Aires graduating in 1938 As a young professor he taught at the Liceo Militar General San Martin After a visit to the United States in 1945 47 where he studied with Aaron Copland at Tanglewood he returned to Buenos Aires He held a number of teaching posts Among his notable students were Astor Piazzolla who studied with him in 1941 Alcides Lanza Jorge Antunes Waldo de los Rios Jacqueline Nova Blas Atehortua Rafael Aponte Ledee See List of music students by teacher G to J Alberto Ginastera In 1968 Ginastera moved back to the United States and in 1970 to Europe He died in Geneva Switzerland at the age of 67 and was buried in the Cimetiere des Rois there Music editGinastera grouped his music into three periods Objective Nationalism 1934 1948 Subjective Nationalism 1948 1958 and Neo Expressionism 1958 1983 Among other distinguishing features these periods vary in their use of traditional Argentine musical elements His Objective Nationalistic works often integrate Argentine folk themes in a straightforward fashion while works in the later periods incorporate traditional elements in increasingly abstracted forms Many of Ginastera s works were inspired by the Gauchesco tradition This tradition holds that the gaucho or landless native horseman of the plains is a symbol of Argentina 3 His Cantata para America Magica 1960 for dramatic soprano and 53 percussion instruments was based on ancient pre Columbian legends Its U S West Coast premiere was performed by the Los Angeles Percussion Ensemble under Henri Temianka and William Kraft at UCLA in 1963 Works editOpera edit Don Rodrigo Op 31 1963 64 Bomarzo Op 34 1966 67 banned in Argentina until 1972 Beatrix Cenci Op 38 1971 based on the play The Cenci 1819 by Percy Bysshe ShelleyBallet edit Panambi Op 1 1935 Estancia Op 8 1941 Orchestral edit Suite from Panambi Op 1a 1937 Dances from Estancia Op 8a 1943 4 Obertura para el Fausto criollo Op 9 1943 Ollantay 3 Symphonic Movements Op 17 1947 Variaciones concertantes Op 23 1953 Pampeana No 3 Op 24 1954 Concerto per corde Op 33 1965 Estudios Sinfonicos Op 35 1967 Popol Vuh Op 44 1975 1983 left incomplete at the composer s death Glosses sobre temes de Pau Casals for string orchestra Op 46 1976 Glosses sobre temes de Pau Casals for full orchestra Op 48 1976 77 Iubilum Op 51 1979 80 Concerti edit Harp Harp Concerto Op 25 1956 65 Piano Piano Concerto No 1 Op 28 1961 Piano Concerto No 2 Op 39 1972 Violin Violin Concerto Op 30 1963 Cello Cello Concerto No 1 Op 36 1968 Cello Concerto No 2 Op 50 1980 81 Piano edit Danzas argentinas Op 2 1937 Tres piezas Op 6 1940 Malambo Op 7 1940 Pequena Danza from the ballet Estancia Op 8 1941 12 Preludios americanos Op 12 1944 Suite de danzas criollas Op 15 1946 rev 1956 Rondo sobre temas infantiles argentinos Op 19 1947 Piano Sonata No 1 Op 22 1952 Arrangement of an Organ Toccata by Domenico Zipoli 1970 Piano Sonata No 2 Op 53 1981 Piano Sonata No 3 Op 54 1982 Danzas argentinas para los ninos Unfinished Moderato para Alex Paisaje para GeorginaOrgan edit Toccata Villancico y Fuga Op 18 1947 Variazioni e Toccata sopra Aurora lucis rutilat Op 52 1980 dedicated to W Stuart Pope president of Boosey amp Hawkes premiered by Marilyn Mason at the 1980 national convention of the AGO in Minneapolis 5 Vocal choral edit 2 Songs for voice and piano Op 3 1938 Cantos del Tucuman for voice flute harp percussion and violin Op 4 1938 Psalm 150 for mixed choir children s choir and orchestra Op 5 1938 5 canciones populares argentinas for voice and piano Op 10 1943 Las horas de una estancia for voice and piano Op 11 1943 Lamentaciones de Jeremias Propheta for chorus Op 14 1946 Cantata para America magica for dramatic soprano and percussion orchestra Op 27 1960 Cantata Bomarzo for soloists narrator and chamber orchestra Op 32 1964 Milena for soprano and orchestra Op 37 1971 Serenata for baritone violoncello wind quintet percussion harp and double bass Op 42 1973 Turbae ad passionem gregorianam for soloists chorus boy s chorus and orchestra Op 43 1975 Cancion del beso robado for voice and piano 19 Chamber solo instrumental edit Duo for flute and oboe Op 13 1945 Pampeana No 1 for violin and piano Op 16 1947 String Quartet No 1 Op 20 1948 Pampeana No 2 for violoncello and piano Op 21 1950 String Quartet No 2 Op 26 1958 Rev 1968 Piano Quintet Op 29 1963 String Quartet No 3 for soprano and string quartet Op 40 1973 Punena No 1 for flute Op 41 1973 left incomplete at the time of the composer s death Punena No 2 Hommage a Paul Sacher for violoncello Op 45 1976 Sonata for guitar Op 47 1976 Rev 1981 Sonata for cello and piano Op 49 1979 Fanfare for four trumpets op 51a 1980 Works withdrawn by the composer without opus number edit Piezas Infantiles for piano 1934 Impresiones de la Puna for flute and string quartet 1934 Concierto argentino for piano and orchestra 1936 El arriero canta for chorus 1937 Sonatina for harp 1938 Symphony No 1 Portena 1942 Symphony No 2 Elegiaca 1944 Incidental film music edit Don Basilio malcasado 1940 Dona Clorinda la descontenta 1941 Malambo 1942 Rosa de America 1945 Las antiguas semillas 1947 Nace la libertad 1949 El puente 1950 Facundo el tigre de los llanos 1952 Caballito criollo 1953 Su seguro servidor 1954 Los maridos de mama 1956 Enigma de mujer 1956 Spring of Life 1957 Hay que banar al nene 1958 El limite 1958 A Maria del corazon 1960 La doncella prodigiosa 1961 Discography editBomarzo The Opera Society of Washington Julius Rudel conductor 1967 recording full citation needed re released on Sony Classical in 2016 full citation needed Cantata para America Magica Raquel Adonaylo soprano Los Angeles Percussion Ensemble William Kraft conductor With Carlos Chavez Toccata for Percussion Henri Temianka conductor LP recording analog 33 rpm stereo 12 in Columbia Masterworks MS 6447 New York Columbia Records 1963 Cantata para America Magica McGill Percussion Ensemble P Beluse director Elise Bedard soprano McGill Records CD 1997 Complete works for piano Andrzej Pikul piano Dux Recording Producers 2007 6 Quartet No 1 Paganini Quartet Decca Gold Label Art Songs of Latin America Patricia Caicedo soprano amp Pau Casan piano Albert Moraleda Records Barcelona 2001 Cinco canciones populares argentinas by Ginastera amp Cancion al arbol del olvido 2007 Flores Argentinas Canciones de Ginastera y Guastavino Inca Rose Duo Annelise Skovmand voice Pablo Gonzalez Jazey guitar Cleo Productions Cleo Prod 1002 Arrangements by Gonzalez Jazey for voice and guitar of Cinco canciones populares argentinas Op 10 and Dos canciones Op 3 Arrangement of Piano Concerto No 1 fourth movement as Toccata Emerson Lake amp Palmer Brain Salad Surgery 1973 Nissman Plays Ginastera The Three Piano Concertos Barbara Nissman piano Kenneth Kiesler conductor University of Michigan Symphony Orchestra CD Pierian 0048 2012 Complete piano solo and piano chamber works Barbara Nissman piano with Aurora Natola Ginastera cello Ruben Gonzales violin and the Laurentian String Quartet Three Oranges Recordings 3OR 01 Popol Vuh The Mayan Creation Estancia Panambi Suite de Danzas Criollas world premiere of orchestral version Ollantay Gisele Ben Dor conductor London Symphony Orchestra Jerusalem Symphony Orchestra BBC National Orchestra of Wales Naxos 2010 7 Panambi Estancia complete Ballets Gisele Ben Dor conductor Luis Gaeta narrator bass baritone London Symphony Orchestra Naxos 1998 amp 2006 7 Glosses on Themes of Pablo Casals Variaciones concertantes Gisele Ben Dor conductor London Symphony Orchestra Israel Chamber Orchestra Naxos 1995 amp 2010 7 John Antill Corroboree ballet suite and Ginastera Panambi ballet suite London Symphony Orchestra Sir Eugene Goossens conductor Everest stereo LP SDBR 3003 String Quartets Ginastera String Quartets Cuarteto Latinoamericano with Claudia Montiel soprano Elan 82270 Piano Concerto No 1 and Piano Sonata No 1 Hilde Somer piano Ernst Marzendorfer conductor Vienna Philharmonia Orchestra Desto D 402 DS 6402 2022 Eclipse Deutsche Grammophon 4862383 Hilary Hahn violin with Andres Orozco Estrada and the Frankfurt Radio Symphony various composers References edit Deborah Schwartz Kates Ginastera Alberto Evaristo The New Grove Dictionary of Music and Musicians second edition edited by Stanley Sadie and John Tyrrell London Macmillan Publishers 2001 Evett Robert 1966 The South American Way New Republic 154 no 12 19 March 35 Anon Obituary Alberto Ginastera The Musical Times 124 no 1687 Music of the French Baroque September 1983 568 Aurelio de la Vega Trends of Present Day Latin American Music Journal of Inter American Studies 1 no 1 January 1959 97 102 citation on p 10 Norman Lebrecht Companion to Twentieth century Music New York Simon and Schuster 1992 134 Reprint New York Da Capo Press ISBN 9780306807343 Levin Houston Kennedy Center Sees Beatrix Cenci The Free Lance Star Fredericksburg Virginia 87 no 215 13 September 1971 Suzanne Spicer Tiemstra The Choral Music of Latin America A Guide to Compositions and Research Contributions in Afro American amp African Studies 36 New York Greenwood Press 1992 2 ISBN 9780313282089 Schwartz Kates Deborah May 3 2011 Alberto Ginastera A Research and Information Guide Taylor amp Francis ISBN 9781136981166 via Google Books Schwartz Kates Deborah January 1 2002 Alberto Ginastera Argentine Cultural Construction and the Gauchesco Tradition The Musical Quarterly 86 2 248 281 doi 10 1093 musqtl gdg009 Tobias Marianne Williams Four Dances from Estancia Opus 8a Indianapolis Symphony Orchestra Retrieved 10 February 2023 The Tenth Anniversary of the International Contemporary Organ Music Festival PDF Music Festival Program Notes International Contemporary Organ Music Festival July 25 1980 Details Archived from the original on 2011 10 03 Retrieved 2010 10 23 a b c Gisele Ben Dor Conductor www giseleben dor com Archived from the original on 2018 09 28 Retrieved 2012 09 23 Further reading editCalleja Marianela Ideas of Time in Music A Philosophico logical Investigation Applied to Works of Alberto Ginastera 1916 1983 Studia musicologica Universitatis Helsingiensis 24 Ph D thesis Helsinki University 2013 ISSN 0787 4294 ISBN 978 952 10 8992 3 On line version Portals nbsp Classical music nbsp Opera nbsp Argentina nbsp Biography nbsp Music Retrieved from https en wikipedia org w index php title Alberto Ginastera amp oldid 1179484573, wikipedia, wiki, book, books, library,

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